演: 1000 Terms and Phrases
- 上演規制
- Restriction on staging
- 上演形態
- Performance Configuration
- Style of performance
- The Format of Performances
- Performance style
- 初演配役
- Actors who played in the first performance
- Casting of the roles in the first performance
- 新古演劇十種
- Shinko Engeki Jusshu
- 演劇改良運動
- Engeki Kairyo Undo (Theatrical Performance Improvement Movement)
- The movement of the theatrical play reformation
- 伎楽の上演様態
- Performance style of gigaku
- 五花街合同公演
- Special Traditional Joint Performances by Five Hanamachi of Kyoto
- 能の現行演目一覧
- List of present Noh (traditional masked dance-drama) programs
- 休演の三日御定法
- Mikka gojoho of performance cancellation
- 明治三十年初演。
- It was first performed in 1897.
- 初演は1996年。
- It was premiered in 1996.
- 狂言の演目の一つ。
- It is one of the programs of kyogen (Japanese traditional short comedic drama).
- 五花街合同舞踊公演
- Special Traditional Joint Performances by Five Hanamachi of Kyoto
- 初演のシテは喜多実。
- The shite actor on the premiere was Minoru KITA.
- 類似:⇒形試合、演武
- Similar: 'Kata shiai' (Kata form match), and display of martial arts
- 「三人吉三」の演じ方
- The ways to act 'Sannin kichisa'
- 初演のシテは梅若六郎。
- The shite (a principal actor) for the first performance was Rokuro UMEWAKA.
- 初演は2006年2月。
- It was premiered in February 2006.
- 初演のシテは野村四郎。
- The shite actor on the premiere was Shiro NOMURA.
- 演劇改良会と天覧歌舞伎
- Engeki Kairyo Kai and Tenran Kabuki (a Kabuki performance with the Emperor in attendance)
- 1953年 毎日演劇賞
- 1953: Mainichi Theatrical Award
- 韓国の演歌(トロット)
- Korean enka (trot)
- 演劇における宗十郎頭巾
- Sojuro-zukin seen in the drama
- 能楽の演目から転じた。
- It has been transformed from a program of Nohgaku.
- 京都府立大学久多演習林
- The woods for field practice owned by Kyoto Prefectural University
- 義演の『義演准后日記』
- 'Gien Jugo Nikki' (Diary of Gien, who was given the title Jugo [an honorary rank next to Emperor, Empress Dowager, and Empress]) by Gien
- 演出には三つの形がある。
- There are three styles of staging.
- 形状・演奏方法によるもの
- Classification by Shape and Way of Performing
- 物部神社で奉納上演される。
- Its performance is dedicated to Mononobe-jinja Shrine.
- 安乗神社で奉納上演される。
- Its performance is dedicated to Anori-jinja Shrine.
- 初演は2000年3月3日。
- It was premiered on March 3, 2000.
- 舞踊の定番の演目でもある。
- It is also a standard dance piece.
- 以下に、段と演題を挙げる。
- Title corresponding to each act is shown below.
- 備考:これが江戸での初演。
- Note: This was the first performance in Edo.
- 演目は「源氏烏帽子折」など。
- Its program includes 'Genji Eboshi Ori.'
- 演目は「傾城阿波鳴門」など。
- Its program includes 'Keisei Awa no Naruto' (The Courtesan of Naruto in Awa Province).
- Its program includes 'Keisei Awa no Naruto.'
- 正式には翁の次に演じられる。
- This program is officially the first performance played after a Japanese traditional formal prayer and dance, 'Okina.'
- 演劇の場面としてのチャンバラ
- Chanbara as a scene in a theatrical play
- 二人はパントマイムで演じる。
- The samurai and his servant gesture at each other through the scene.
- 1989年 フランス公演実施
- In 1989, Kyoto Symphony Orchestra gave public performances in France.
- 嵐山 (能) - 能の演目。
- Arashiyama - One of the plays of Japanese lyrical Noh drama
- 文楽は男性によって演じられる。
- Bunraku is performed by men.
- 演目は「蓮如上人一代記」など。
- Its program includes 'Rennyo Shonin Ichidaiki.'
- 演目は「伊達娘恋緋鹿子」など。
- Its program includes 'Date Musume Koi No Higanoko' (The Greengrocer's Daughter).
- 出演アーティストは以下の通り。
- The following artists performed in the festival:
- 大向うが不可欠な演目のひとつ。
- Therefore, it is one of performances that require a call from the regular audience.
- (浅草演芸ホールでは「社長」)
- (Called the 'president' concerning Asakusa Engei Hall)
- 鼻に当てて、鼻息で演奏する笛。
- Fue which are placed at the nose and played by breathing out air from the nose.
- 憲人とテレビドラマで共演予定。
- Set to appear in a television drama with Norito.
- 能における略式上演形態の一種。
- This is a casual form of the Noh performance.
- *印が今日主に上演される場面。
- * marks indicate the scenes that are mainly performed today.
- 脚本・演出にあわせて使用される。
- It is used according to an instruction and a direction.
- 演技は天理大学雅楽部が担当した。
- The acting and performance was conducted by the department of the ancient Japanese music at Tenri University.
- 髭櫓(ひげやぐら)は狂言の演目。
- Higeyagura is a title of kyogen (farce played during a Noh play cycle).
- 上方と関東では演出がかなり違う。
- Staging style of Kamigata and that of Kanto are quite different.
- それだけに腕達者な脇役が演じる。
- For that reason, skilled supporting actors play this role.
- 演奏の際に掛声を掛けるのが特徴。
- It is characterized by a call during the performance.
- 能上演形式において三番目物となる。
- It is sanbanme-mono (third-category plays) according to the style of Noh performance.
- 阪東はトーキーでの演技に苦戦した。
- Bando struggled with how to perform his role in the talking picture.
- 高浜虚子の原作を大蔵源次郎が演出。
- It was written by Kyoshi TAKAHAMA and was directed by Genjiro OKURA.
- 下座(お囃子)出囃子を演奏する人。
- Geza (ohayashi): The person who plays debayashi
- 一曲として独立して演じられるもの。
- Hon Kyogen is Kyogen performed independently.
- 1952年、毎日演劇賞劇団賞受賞。
- 1952, Mainichi Theater Prize, Theater Troupe Prize
- 人形などの団体と合同の公演もある。
- The play is sometimes performed jointly with an organization of puppet performers.
- その後もこの作品を幾度も再演した。
- Both actors repeatedly performed these roles.
- 千鳥(ちどり)は狂言の演目のひとつ。
- Chidori is a program of Kyogen (farce played during a Noh cycle).
- 初演は1950年で、作者は土岐善麿。
- It was premiered in 1950 and the author was Yoshimaro DOKI.
- 能上演形式においては二番目物となる。
- It is nibanme-mono (second-category plays) according to the style of Noh performance.
- 三日経っても直らない場合は、以降休演
- If the cancellation extends longer than three days, the initial actor is to be off.
- 上演:正徳6年 (1716)、中村座
- Performance: in 1716, at the Nakamura-Za
- 上演:寛延2年 (1749)、中村座
- Performance: in 1749, at the Nakamura-Za
- 上演:元文4年 (1739) 市村座
- Performance: in 1799, at the Ichimura-Za
- 上演:延享3年 (1746)、市村座
- Performance: in 1746, at Ichimura-Za
- 上演:文化8年 (1811)、市村座
- Performance: in 1811, at the Ichimura-Za
- 上演:安政5年 (1858)、市村座
- Performance: in 1858, at the Ichimura-Za
- 上演:明治6年 (1873)、市村座
- Performance: in 1873, at the Ichimura-Za
- 上演:天保3年 (1832)、市村座
- Performance: in 1832, at the Ichimura-Za
- 上演:文政2年 (1819)、中村座
- Performance: in 1819, at the Nakamura-Za
- ここで河東節の実演はすべて終了する。
- The Katobushi music in this program ends here.
- 附子(ぶす)とは、狂言の演目の一つ。
- Busu is one of the programs of kyogen.
- 1996年 読売演劇大賞最優秀男優賞
- 1996: Best Actor Prize of the Yomiuri Theatrical Grand Awards
- 能の一部として演じられるものをいう。
- Ai Kyogen serves as the interlude in Noh.
- 全国の学校に狂言の普及のために巡演。
- He toured around schools throughout the country in order to promote the kyogen.
- 新橋演舞場などで上演されることが多い。
- It is often performed at Shinbashi Enbujo (Shinbashi Theatre) and so on.
- 最近では圓生も「佐野鎚」で演じている。
- Recently, Ensho also called the brothel 'Sanozuchi.'
- 末広(すえひろ)は狂言の演目のひとつ。
- Suehiro is a program of Kyogen (farce played during a Noh cycle).
- 上演:享保18年 (1733)、市村座
- Performance: in 1733, at the Ichimura-Za
- 上演:天明5年 (1785)、江戸三座
- Performance: in 1785, at the three theaters in Edo
- 上演:宝暦11年 (1761)、市村座
- Performance: in 1761, at the Ichimura-Za
- 上演:安政4年 (1857)、角の芝居
- Performance: in 1857, at the Kado-Za in Dotonbori
- 上演:文政5年 (1822)、河原崎座
- Performance: in 1822, at the Kawasaki-Za
- 興行において、その日の最後に出る演目。
- An item that is presented at the end of the day's performance.
- 国立能楽堂などで上演されたこともある。
- Kyogen of the Sagi school was performed at National Noh Theatre and other facilities.
- ただし他の舞台で演じた役名は用いない。
- Audiences shouldn't call actors by other roles' names that actors have played in other performances.
- かつてはもっと大暴れする演出もあった。
- At one time there were more violent staging.
- これは演技の場を踏み鎮める役割をはたす。
- It plays a role to appease the site ground by stepping onto it.
- 昔はかなりいい加減な演出が行われていた。
- Rather impromptu staging was conducted in the past.
- 江戸の古典歌舞伎を代表する演目のひとつ。
- This is one of the classic Edo Kabuki plays.
- 寄席では数日間に分けて演ずることがある。
- In yose (vaudeville theaters), kodan is sometimes performed for several days.
- 1966年 大河ドラマ『源義経』で主演。
- 1966: He played the leading role in a historical drama, 'Minamoto no Yoshitsune.'
- 2001年 第9回読売演劇大賞優秀男優賞
- 2001: The Ninth Best Actor Award Excellence Yomiuri Theater
- 獅子に限って演者は手に何も持たずに舞う。
- In shishi alone, the player dances with nothing in hands.
- 1904年(明治37年)3月東京座初演。
- The first performance was given at Tokyo-za (kabuki theater) in March 1904.
- 伎楽(ぎがく)は、日本の伝統演劇のひとつ。
- 'Gigaku' is one of the traditional theatrical performance in Japan.
- つまり、代役に変わっても演出は揺るがない。
- In other words, direction is never changed.
- 最後に残った大演目が仮名手本忠臣蔵だった。
- The last prominent play that remained was 'Kanadehon Chushingura.'
- 新古演劇十種(しんこ えんげき じっしゅ)
- Shinko Engeki Jisshu
- なお義経役は子方(子供の能役者)が演じる。
- The role of Yoshitsune is played by a ko-kata (a child player in a Noh dance).
- 福の神(ふくのかみ)は狂言の演目のひとつ。
- 'Fuku no kami' is a program of Kyogen (farce played during a Noh play cycle).
- 演歌の伴奏の一員として参加することも多い。
- It is also played as a part of the accompaniment to Enka (Japanese ballads).
- 演者が実際に高座で倒れる『死神』が代表例。
- 'Shinigami (the God of Death)' is a typical example, in which a storyteller falls down at the Koza (the stage on which a rakugo storyteller sits).
- このドラマで静御前を演じた富司純子と結婚。
- He married Sumiko FUJI who played Shizuka Gozen in this drama.
- 女性演歌歌手は全般的に厚化粧の場合が多い。
- Female enka (Japanese ballad) singers almost always wear atsugesho.
- 相葉左右十郎家を芸事責任者とする演能団体。
- An organization performing Noh plays with Sojuro AIBA in charge of the art.
- 1976年 初めての海外公演を香港にて実施
- In 1976, Kyoto Symphony Orchestra gave its first overseas public performance in Hong Kong.
- 1987年 朝鮮民主主義人民共和国公演実施
- In 1987, Kyoto Symphony Orchestra gave public performances in the Democratic People's Republic of Korea (North Korea).
- またそれを題材にした各種の芸能における演目。
- In Japan, it also refers to the title of various performing arts.
- 上記を伴奏に舞う歌舞伎舞踊・日本舞踊の演目。
- The number of Kabuki Buyo (Kabuki Dance) and classical Japanese dance accompanied by the song above.
- 幼女は子役の職掌であるから、女形は演じない。
- Since child actors take charge of the role of a young girl, onnagata doesn't act the role.
- 出演者のタイムテーブルは当日の朝発表された。
- The timetable for the performers was announced in the morning of that day.
- 関西歌舞伎らしい見せ場に満ちた演じ方である。
- It is a typical performance style of Kansai kabuki, which is full of featured scenes.
- 歌舞伎ソ連公演中、モスクワにて、1928年。
- The photo was taken in 1928 during the kabuki performance held in Moscow, the Soviet Union.
- 極端に言えば、上演ごとに異なった台本となる。
- To describe in an extreme manner, a different script is used for every performance.
- これらは演劇性の強い遊びであったためである。
- These are all because of the strong dramatic impression of chanbara.
- 三日目の演出で完全に固定しなければならない。
- He must fix his directions on the third day.
- そのまま「四段目」という演題でも演じられる。
- It is also performed under the title of 'Yondanme' (Act Four).
- そのまま「七段目」という演題でも演じられる。
- It is also performed under the title of 'Shichidanme' (Act Seven).
- ほとんどの出演者がオーディションで選ばれた。
- Most performers were chosen by audition.
- 天保四年(1833年)河原崎座で初演された。
- It was first performed at the Kawarazaki-za theater in 1833.
- 2001年 イギリスで『曾根崎心中』を上演。
- In 2001, he performed 'Sonezaki-shinju' in Great Britain.
- また、人気公演ではプレミア化することもある。
- Moreover, sometimes it happens that tickets for favored performances on the day are sold at premium prices.
- 初演から二ケ月後、歌舞伎にもとり入れられた。
- Also introduced into Kabuki two months after the premiere.
- しかし、いずれも存命中には初演できなかった。
- However neither of them survived the first performance.
- このほか、『三国志演義』が多く参照されている。
- Apart from those stated above, 'Romance of the Three Kingdoms' is often quoted in 'Hakkenden.'
- 娘・姫・女房など、中年以前の女性の役を演じる。
- Onnagata act the role of a woman before her middle years, including the roles of daughter, princess, and wife.
- 前段を省略した半能として演じられることが多い。
- The play is often performed as a han-Noh (half Noh), with the first half omitted.
- 最初に演じたのは朝寝坊むらくだといわれている。
- It is said to be Muraku ASANEBO who first performed Ninjo-banashi.
- 青海波(せいがいは)は雅楽の演目(本項で説明)
- Seigaiha is a program of gagaku (described in this section).
- 祝言性を強調し、上演時間を短縮する意味がある。
- The purpose is to shorten the performance duration and to emphasize on words of congratulations.
- 「翁付き」となるのは目出度い内容の演目である。
- Only auspicious programs are made 'Okina-tsuki.'
- 門を破壊する荒事を女形が演じるのが眼目である。
- The main object is that such aragoto as breaking the gate is performed by an actor of female roles.
- 1918年(大正9年)10月、新富座にて初演。
- It was first played at Shintomi-za Theater in October 1918.
- 安政3年 (1856年) 江戸 市村座で初演。
- In 1856, it was first staged at the Ichimra-za Theater.
- 明治19年(1886年)3月、東京千歳座初演。
- It was first staged in March, 1886 at Tokyo Chitose-za Theater.
- 初演後間もなく歌舞伎化され、人気演目となった。
- It was made into kabuki soon after the premiere and became one of the popular programs.
- 愛宕山 (落語) - 落語の演目のうちの一つ。
- Atagoyama (rakugo (Japanese traditional comic storytelling)) - A program of rakugo
- また、『封神演義』からの影響を指摘する説もある。
- Furthermore, some theories point out that 'Hakkenden' is also influenced by 'Feng-Shen-Yen-I.'
- 今日でもたびたび上演される人気演目のひとつある。
- It is one of the popular numbers which are often performed even today.
- 端役時代の榎本健一が出演していることで知られる。
- These films are known for their appearances of Kenichi ENOMOTO while he was a bit-part actor.
- 演じ手としては喜多実、梅若六郎などが著名である。
- Minoru KITA and Rokuro UMEWAKA, and so on, are famous as the performer.
- 上演:正徳 (日本)3年 (1713)、江戸三座
- Performance: in 1713, at the three theaters in Edo
- 上演:文化 (元号)2年 (1806)、河原崎座
- Performance: in 1806, at the Kawarasaki-Za
- 2008年 高松宮記念世界文化賞:演劇・映像部門
- 2008: Praemium Imperiale: Stage Play and Video Image Category
- 太夫1名と三味線1名で演奏されるのが基本である。
- Gidayu is generally performed by a tayu (a performer) and accompanied by a shamisen (three-string Japanese banjo) player.
- これ以降、数多く伊達騒動ものの狂言が上演される。
- After that, many Kabuki plays about Date Sodo were performed.
- それと義平次を演じていただく方とイキの合うこと。
- An actor who plays Giheiji and I should get along fine.'
- 様々な演出が見られ、周辺には夜店なども出店される。
- Various events are held there, and at night stalls are set up in the vicinity.
- 同作はいままでにない斬新な演出手法と評判になった。
- This film gained recognition for its innovative dramatic interpretation.
- 演目によっては、刀に加えて扇子を用いることもある。
- In some dances a fan is used along with a sword.
- これほどのロングラン公演は前例のないことであった。
- Such a long run kanjin-Noh performance had never been held before this.
- いずれも仲居や幇間役の下回り、中堅の役者が演じる。
- These are played by low- or middle-ranking actors who play the roles of nakai (waitress) or hokan (professional jester).
- 市川團十郎 (9代目)は演出変更を多くおこなった。
- Danjuro ICHIKAWA (the ninth) made a lot of changes in staging.
- 不慮の事故による代演は三日間より縮まることはない。
- Performance substitution due to the unexpected accident cannot be shortened less than three days.
- 享保3年 (1718) 正月、江戸 森田座で初演。
- It was premiered at the Morita-za Theater in Edo in January 1718.
- 『助六』(すけろく)は、歌舞伎の演目の一つの通称。
- 'Sukeroku' is a nickname for one of the Kabuki plays.
- 上演:文政2年 (1819)、江戸三座堺町・葺屋町
- Performance: in 1819, at the three theaters in Sakaicho, Fukiyacho
- めくり高座の下手に出演者の名前を書いた紙の札の事。
- Mekuri: The sheets of paper, placed on the shimote side, on which the performers' names are written.
- 歌舞伎演目の人気投票で常に上位を占める所以である。
- This is the main reason why Kanjincho is always voted one of the most popular kabuki programs.
- 延享2年7月(1745年8月)に大坂竹本座で初演。
- It was premiered at Osaka Takemotoza (puppet theater in Osaka) in August 1745.
- このように伎楽は仏教行事以外の場でも上演されている。
- As shown above, it was performed not only at Buddhist ceremonies but also at other events.
- 緊張が続く場面で息抜きをするための心憎い演出である。
- It is a thoughtful staging to give audience a break when tension is building in the play.
- 近年市川猿之助 (3代目)が百数十年ぶりに復活上演。
- Recently, Ennosuke ICHIKAWA (the third) performed it for the first time in over a hundred years.
- 演目のことを講談は読み物と言い、落語は出し物と言う。
- In addition, a performance is called yomimono (reading) in kodan and dashimono (act) in rakugo.
- CMには、しばしば、創業社長の木村勉も出演している。
- The founder and president of Tenka-ippin Tsutomu KIMURA also often appears in the commercials.
- しかし、現在では広く演劇や興行一般で用いられている。
- Today, however, it is used widely in the fields of entertainment in general, including theatrical performances.
- 能の演目。五番目物の鬼退治物。土蜘蛛 (能)を参照。
- A program of Noh that is one of 'Gobanme-mono' (the fifth-category plays), also called 'Onitaiji-mono' (the wiping-out-ogres category plays) (cf. the article of 'Tsuchigumo (Noh)'.)
- 1736年(元文元年)3月4日、大坂豊竹座にて初演。
- Premiered at Toyotake-za Theater in Osaka on March 4, 1736.
- と胸をたたく爽快な演出は源之助の考案したものである。
- This brisk staging was devised by Gennosuke.
- しかし、『清経』のみは演じられない慣わしとなっている。
- However 'Kiyotsune' (a Noh piece) is not played as a tradition.
- 初演1997年、作者山本東次郎、初演のシテは梅若六郎。
- It was written by Tojiro YAMAMOTO and premiered in 1997 with the shite actor Rokuro UMEWAKA.
- いずれも淀君が登場する演目で、五代目が得意としたもの。
- All the programs contained in the selection are the ones featuring Yodogimi, and were best performed by Utaemon the fifth.
- 九代目團十郎が排除し、後世の演出もそれを踏襲している。
- Danjuro IX removed this scene, which is followed by later generations.
- 河東節が演じられる場合は、この歌舞伎は口上から始まる。
- When the program is done in the Katobushi version, the play begins with Kojo, formal announcements to the audience.
- 1886年に結成された演劇改良会が運動の中心になった。
- The campaign was led by Engeki Kairyo Kai (Society for Theatre Reform), which was founded in 1886.
- 西洋音階の演奏に便利な小穴を追加している製作者もある。
- Some manufacturers add more small holes in shino-bue to make it convenient when played using the Western scale.
- 昭和11年、嵐寛寿郎主演の映画に『宗十郎頭巾』がある。
- In 1936, a movie titled 'Sojuro-zukin' was released, which was starred by Kanjuro ARASHI.
- しかし、5段すべてを神楽地で演奏する「総神楽」もある。
- However, there also exist 'So-kagura' (Comprehensive kagura) in which all five sections are played in a kagura tune.
- また上演にあたっては下記のように特殊なしきたりがある。
- In addition, there are peculiar traditions to be followed in preparation for the performance as below.
- 初演時は市川團十郎 (8代目)の与三郎が好評であった。
- In the initial performance, the Yosaburo played by Danjuro ICHIKAWA (the eighth) gained good reputation.
- (TBSドラマ)』(1992年 TBS、演:松方弘樹)
- (TBS TV drama series) (1992, TBS, played by Hiroki MATSUKATA)
- 『続源義経』(1956年 監督:萩原遼、演:泉田行夫)
- 'Zoku (second series) MINAMOTO no Yoshitsune' (1956 director: Ryu HAGIWARA, cast: Ikuo IZUMIDA)
- ここは暗闘で演じられ、道玄の滑稽な逃げ方が笑いを誘う。
- This scene is performed in the dark, and the ridiculous manner of Dogen's running makes the audience laugh.
- 小團次自身は市村座の初演で和尚吉三と文里を演じている。
- Kodanji himself played the roles of Osho Kichisa and Bunri at the debut performance in Ichimura-za.
- 上演会場の「真桑の人形舞台」は重要有形民俗文化財である。
- The performance site 'Makuwa puppet theater' is a significant tangible folk cultural asset.
- この記事の中で、能の演目及び民俗芸能についても記述する。
- This article describes the legends of Shojo as well as 'Shojo' of Noh and the folkways related to Shojo.
- また舞台用には演目に沿った絵が描かれたものが用いられる。
- While in a performance, performers use mai-ogi on which pictures coming from the performed play are painted.
- まっ暗闇の舞台に勘平の顔が浮かび上がる優れた演出である。
- It is an excellent staging since Kanpei's face emerges out of complete darkness.
- 小書(特殊演出)によっては、獅子が二体になることもある。
- Sometimes there are two lions, depending on the kogaki (special staging).
- 『助六』は歌舞伎の形式上「曾我もの」の演目となっている。
- 'Sukeroku' is one of the plays based on the SOGA brothers' revenge story called 'Sogamono' according to forms of Kabuki.
- そこに、砧を打つ音がきこえてくる(舞台では鼓での演奏)。
- The sound of pounding a kinuta is then heard (tsuzumi performance on the stage).
- 一般的に、竹管は音色と演奏感に優れるが調律が安定しない。
- In general, bamboo tubes produce an excellent sound and performance, but tuning is not stable.
- 六方(ろっぽう)とは歌舞伎・人形浄瑠璃・舞踊の演技動作。
- Roppo is an acting motion in Kabuki, Ningyo joruri (traditional Japanese puppet theater), and Buyo dance (classical Japanese dance).
- たいしたオチではないのに期待を煽るような演出をすること。
- This is a dramatic effect to give the audience a sense of expectancy to punch lines which are not very special.
- 1957年(昭和32年)には文学座の『明智光秀』に出演。
- In 1957, he performed in 'Akechi Mitsuhide' at the Bungaku-za Theater.
- シリーズ全作に出演し、たびたび狂言回し的な役割を演じる。
- They appear throughout the series and perform the role of kyogen-mawashi from time to time.
- 能上演形式による演能が本格的になった江戸時代に登場した。
- It appeared in the Edo period when en-noh (performing a noh play) in gobandate (five sections of a noh play) style became full-fledged.
- このような式三番は現在では郷土芸能として演じられている。
- Such Shiki Sanban is performed as a folk entertainment today.
- (流儀によっては開演の前に舞台に切火を切ることもある。)
- (Some ryugi throw out sparks on the stage before the curtain goes up.)
- 『弓張月』(1955年 監督:丸根賛太郎、演:加藤正男)
- 'Yumihari zuki (A Crescent Moon)' (1955, directed by Santaro MARUNE and played by Masao KATO)
- その意味では左團次の源五兵衛の演技の巧さは無類であった。
- From this perspective, Sadanji was superb in playing the role of Gengobei.
- (『実演用桐一葉・序文』1915(大正6)年5月)より)
- (Preface of 'Kiri Hitoha for performance on stage' published in May 1915)
- と囃子言葉で遮り二人で踊りながら花道を入る演出であった。
- In the staging, Danshichi blocks the young man with hayashikotoba and two entered the passage dancing.
- 安政四年正月十一日(1857年2月5日)江戸市村座初演。
- First performed on February 5, 1857 at the Ichimura-za Theater in Edo.
- 多くの新曲を作し、明治19年8月に伊豆三島神社で演奏した。
- He wrote many new songs and performed at Izumishima-jinja Temple in August, 1886.
- 表記が無いものは五流全てで現行演目となっていることを示す。
- The programs without specific performer marks are performed by any of the five schools.
- 登場人物は、落語版、歌舞伎版、また演者によって多少異なる。
- Characters of the story vary more or less depending on the version, whether it is rakugo or kabuki, and depending on the performer.
- しかし、八世宗家宝生新朔が東京を離れずに演能活動を続けた。
- However Shinsaku HOSHO, the eighth familyhead, did not leave Tokyo and continued En-noh (performing a Noh play) activity.
- 専属俳優には月形哲之介ら、専属演出家には並木鏡太郎がいた。
- Tetsunosuke TSUKIGATA was an actor under exclusive contract and Kyotaro NAMIKI wrote scripts exclusively for the company.
- 戦後の歌舞伎では四段目の後に独立した演目として設けられる。
- In the case of post-war Kabuki, it is performed as an independent performance after Act Four.
- 「裏門合点」の代わりに上演される、楽しく色彩豊かな所作事。
- It is a delightful and colorful shosagoto (dance in kabuki) which is performed in place of 'Uramon-gaten.'
- 卯之助に相当する敵役はクリストファー・ウォーケンが演じた。
- The adversary corresponding to Unosuke was played by Christopher WALKEN.
- 主人公のライバルである冷羽の腹話術人形で緒方恵美が演じた。
- The rival of the main character, Reiha carries a puppet called Matsukaze for ventriloquism, which were both played by a voice actress Megumi Ogata.
- 大正以降の現行の演出の多くはここまでで幕となり、終了する。
- Most of the kabuki plays directed from the Taisho period to the present end here.
- 昭和24年 (1950)、毎日演劇賞、大阪市復興文化祭賞。
- In 1950, he received the Theatrical Performance Award of Mainichi Newspapers and the Award of Restored Cultural Festival of Osaka City
- 器楽曲のほか、「明曲」「清曲」と記される唱曲も演奏された。
- Besides instrumental pieces, chants ('Ming compositions' and 'Qing compositions') were performed.
- 1959年(昭和34年)毎日演劇賞・大阪芸術祭奨励賞受賞。
- He received the Theatrical Performance Award of Mainichi Newspapers, and the Art Encouragement Prize from Osaka prefecture in 1959.
- 各々その小書名にある日の演能に用いる(法会之式は法会用)。
- Each Kogaki is used for the Noh performance played on the day in the title (Hokai no Shiki is for Hoe (Buddhist memorial services)).
- 役者以外には、まれに浄瑠璃や長唄の演者に掛かることがある。
- Sometimes audience does kakegoe for performers of Joruri (dramatic narrative chanted to a samisen accompaniment) or of Nagauta (long epic song with shamisen accompaniment).
- その後、板額は四郎率いる入道側の郎党と大立ち回りを演じる。
- After that she performs a large-scale stage fight with Nyudo's rotos (retainers) led by Shiro.
- また、山頂には明治天皇大演習御征監地と記された石柱がある。
- On the mountaintop, there is a stone pillar which has an inscription; the place where Emperor Meiji visited for and supervised an army exercise.
- 続いて、明治39年(1906年)5月、第2回が上演された。
- Subsequently the second play was presented in May, 1906.
- 片岡仁左衛門 (13代目)がその意味で最高の演技を見せた。
- Nizaemon KATAOKA (the thirteenth) showed the best performance in that sense.
- マキノの主演俳優で監督も兼ねていた中根龍太郎もマキノを退社。
- The leading actor and director of Makino Productions named Ryutaro NAKANE also left the company.
- 出演したのは、『実録忠臣蔵』同様、無名の役者ばかりであった。
- Similar to 'Jitsuroku Chushingura,' all the actors that appeared were unknown.
- アコースティック編成のシンプルな演奏が中心のイベントである。
- It's an event featuring simple performances played on acoustic instruments.
- 当初主演だった勝新太郎は撮影開始後に黒澤と衝突し、降板した。
- Shintaro KATSU, who was originally going to play the lead character, had a conflict with Kurosawa and left the project shorty after filming began.
- ブルーリボン賞 (映画)(1961年) 主演男優賞 三船敏郎
- Blue Ribbon Awards (1961) Best Actor Award: Toshiro MIFUNE
- また土地の漁師役の狂言が、終始重要な役柄を演じることも特徴。
- It is also a feature that kyogen (the kyogen actor), who plays a local fisherman, plays an important role from beginning to end.
- 狂言演目としては、最も一般的に知られているものの一つである。
- It is one of the most famous kyogen programs.
- 「喜利」は客も喜び、演者も利を得るという意味の当て字である。
- The Chinese characters for 'kiri' were applied just to signify that the audience enjoys the play and the performers enjoy the profit.
- 歌舞伎においては二人以上で踊る演目の準主役を合方と呼称する。
- A comprimario is referred to as aikata in kabuki stories performed by two or more actors.
- このほか、清楽の演奏を録音したレコードやCDなども若干ある。
- Besides, there exist some record albums and CDs in Japan that contain the performances of Shingaku.
- 和田合戦女舞鶴(わだがっせんおんなまいづる)は歌舞伎の演目。
- Wadagassen Onna Maizuru (Wada Battle and Woman Flying-Crane) is a Kabuki play, but originally a ningyojoruri.
- これは能の演目、大江山(五番目物の鬼退治物)にもなっている。
- The third legend is one of the themes performed in a Noh play 'Oeyama,' a story about ogre extermination in the Gobanmemono (Fifth Category).
- 京おどり 4月初旬から下旬にかけて宮川町歌舞練場で上演する。
- Kyo Odori (Kyoto Dance): performed at the Miyagawa-cho Kaburen-jo Theater from early to late April.
- 現在は芸妓一筋の花街で、毎年春には『京おどり』が上演される。
- Nowadays, the former red-light district houses only geigi (a woman who gives fun with singing, dancing or playing musical instruments), and 'Kyo Odori' (Kyo Dance) is performed every spring.
- 1588年に秀吉の演出した天皇の聚楽第行幸は盛大に行われた。
- In 1588 Hideyoshi organized the big event of the Emperor's Jurakudai Mansion visit.
- 源義経 (TBSドラマ)(1990年 東京放送)演:津川雅彦
- MINAMOTO no Yoshitsune (TBS drama series) (1990 Tokyo Broadcasting System) cast: Masahiko TSUGAWA
- この歌を題材に取った古典落語の演目に「道灌」というものがある
- There is the title; Rakugo (a kind of classical Japanese story telling art), 'Dokan' which is derived from this waka poem.
- 一行が、しつらえられた演技の場に到着すると、獅子舞がはじまる。
- Once the parade reaches to the performance site, there begins shishimai.
- 設立第1作は、勝見の監督・脚本・主演作品『恋の丸橋』であった。
- The first film the company produced was 'Koi no Maruhashi' which Katsumi directed, wrote and played the leading role.
- 1986年(昭和61年)の通し上演ではこの場が上演されている。
- This scene was performed when the entire portion was performed in 1986.
- さわやかな清元を聞きながら、軽やかで華やかな気分を味わう演目。
- It is a program in which the audience can enjoy the light yet gorgeous atmosphere while listening to a refreshing kiyomoto (a joruri performance).
- その分、休演した本役は相当の謝礼を代役に贈らなければならない。
- In return, the initial actor must give a suitable consideration to the substitute.
- 数年は古典歌舞伎の上演ができないものと考えられたくらいである。
- For several years, it was considered that traditional kabuki plays would not be performed.
- 歌舞伎における演出では、普通の人間役は使用しないと決めてある。
- In kabuki stage, it is not used by actors playing the roles of normal people.
- この演目が物語性を重視しない、本質的に見世物である所以である。
- This is because the play is essentially written as an attraction and does not emphasize narrativity.
- 割 (寄席)一日毎の客の入りと演者の格に応じて支払われる給金。
- Wari: The daily payments made for performers in yose, corresponding to the number of customers for the day and the respective performers' ranks.
- このような宴席音楽でも「お囃子」をつけて演奏される場合がある。
- There are also cases in which ohayashi is played as banquet music.
- (大城バネサや南かなこのような南米出身の日系演歌歌手もいる。)
- (There are also Japanese-descended enka singers from South America, such as Vanesa OSHIRO and Kanako MINAMI.)
- 石井眞木 「紫響」(オーケストラと一緒に演奏することも可能。)
- Maki ISHII, 'Shikyo' (Violet Sound) (It may be performed together with an orchestra.)
- 創風会のニューヨーク公演にも同行するなど、創風会とは縁が深い。
- He was so deeply affiliated with the Sohu Association that he accompanied their performance to New York.
- とび六方が使われているものとして有名な演目は『勧進帳』である。
- As a program famous for using Tobiroppo, 'Kanjincho' (The Temple Offering List) is named.
- 現在では五番立が行われなくなったために上演される機会は少ない。
- Now 'gobandate' (five sections of a noh play) is no longer played, therefore performance opportunity is much less than before.
- 明治以降は、清楽の曲を邦楽器や洋楽器でも演奏するようになった。
- In and after the Meiji period, Shingaku music was performed by Japanese instruments and by Western instruments as well.
- しかし、式三番に続いて上演される脇能(わきのう)から参加する。
- However, he participates in the performance only from Waki Noh, which is played after Shiki Sanban.
- その夜、皇后のピアノ伴奏に合わせて演奏を行ない、故人を偲んだ。
- He gave a performance on the cello to the Empress's piano accompaniment for thinking of the deceased.
- 桐一葉(きりひとは)は、坪内逍遥作の歌舞伎の歌舞伎の演目一覧。
- Kiri Hitoha (a single paulownia leaf) is a glance Shoyo TSUBOUCHI's Kabuki program.
- 現行の演出では、名乗りを上げる鳶の者の数は原作の倍以上もいる。
- In the present staging, there are more than two times as many firefighters as that of the original work.
- ただしこのとき、実際の演技として伎楽が上演されたかどうかは不明。
- However, it is unknown today whether gigaku was actually performed or not.
- 市川團十郎 (6代目)七回忌追善興行の演目として上演されたため。
- This is because the program was for a memorial performance held on the seventh anniversary of Danjuro ICHIKAWA VI's death.
- 勝の降板により、『乱』の主演が内定していた仲代達矢が起用された。
- After Katsu left, Tatsuya NAKADAI, who had unofficially been chosen to play the lead character in 'Ran,' was hired for Katsu's role.
- テンプル・ブロックもしくはウッドブロックで演奏される場合もある。
- It may be played in temple block or wood block.
- アメトーークでは「ポイント出演芸人」という括りで取り上げられた。
- In a TV show called 'ametalk' (a TV talk show of Ameagari Kesshitai, a Japanese comic duo) there was a segment featuring such performances called 'pointo shutsuen geinin' (literally, comedians who appear in a spot).
- アンサンブルとして一時成功したが、その後はほとんど演奏されない。
- They were briefly popular as ensemble instruments but have seldom been played since.
- かつ、定席は本牧亭と永谷商事の演芸場のみという寂しい状態である。
- Additionally, Honmokutei and Nagatani Corporation operate the only comedy houses that regularly stage kodan.
- これが歌舞伎役者が他分野の演劇に進出するひとつのきっかけとなる。
- This was one of triggers that led kabuki actors to branch out into other areas of theater.
- 最晩年の滋味あふれる品格高い演技を賞賛する者は今でも少なくない。
- Many people still admire the acting of his last days, which was very graceful and conveyed a great sense of taste.
- 講演の最終日を「千秋楽」ということは、これに由来するといわれる。
- This is said to be the origin of a word 'senshuraku' which means the final day of a performance.
- 清楽はソロでもアンサンブルでも演奏・歌唱を楽しめる軽音楽である。
- Shingaku is the light music that can be enjoyed in the form of solo or ensemble playing, and in the form of playing with instruments or singing alone.
- また観世・喜多の二流と他の三流とでは、演出にも異なる部分がある。
- Also, there are some differences in dramatic interpretation of the play between Kanze and Kita schools and other three schools.
- この歌を題材に取った古典落語の演目に「崇徳院」というものがある。
- This poem is included as an element in the traditional Rakugo (traditional comic storytelling) performance called 'Sutoku in.'
- 草燃える(1979年 NHK大河ドラマ)演:尾上松緑 (2代目)
- Kusa Moeru (Burning Grass) (1979 NHK period drama) cast: Shoroku ONOEⅡ
- 南北の狂言では興行的にも成功し、作者存命中に五度再演されている。
- Among the Kyogen plays written by Nanboku, it achieved commercial success and was restaged five times during his lifetime.
- 発表当時は読本形式であったが、これでは実際の上演が困難であった。
- Kiri Hitoha, when published first, was in the style of Yomihon (copy for reading)--a style not suited for stage presentation.
- 奈良時代に仏教寺院で行われていた伎楽は、次のような上演様態をもつ。
- Performance style of gigaku played at Buddhist temples during the Nara period is as follows.
- 修羅能(しゅらのう)とは、能の演目の中で武人がシテになる曲を言う。
- Shura Noh is one of the programs of Noh theatrical performance, in which a warrior is the shite (the main actor of a Noh play).
- チャンバラは、時代物の演劇や映画のなかで行われる剣戟の場面のこと。
- Chanbara is a swordplay scene acted in historical dramas of theatrical performances and movies.
- 噺そのものはあるが、サゲが分かりにくいためあまり演じられていない。
- Though the story exists, it is seldom performed since its sage is hard to understand.
- いわゆる「曾我もの」の一つとして演じられていた時代の主な上演演目:
- The main programs during the period when 'Sukeroku' was performed as one of the SOGA brothers' revenge stories called 'Sogamono.'
- 能の『安宅』は後世、さまざまな演劇作品、講談などに展開していった。
- 'Ataka,' the Noh play, later expanded to various theater works and kodan storytelling.
- 最後の演目は基本的に落語であり、その演者は主任(トリ)と呼ばれる。
- The last performance in a program is rakugo, in principle, and the person who performs the last rakugo is called a tori.
- 「囃子用」篠笛は同一径の指孔がほぼ等間隔で並んでおり演奏しやすい。
- The hayashi-yo shinobue has finger holes that are the same size and evenly spaced, making it easy to play.
- 「松羽目物」と言われる能楽写しの舞踊劇の演出に多大な影響を与えた。
- They exerted a great influence on the dramaturgy of dance drama modeled after Nohgaku that is called 'Matsubamemono' (performance in front of a panel with a picture of pine trees).
- 香西かおりの演歌「風恋歌」(作詞・里村龍一)でも歌い込まれている。
- It is included in Kaori KOZAI's enka (Japanese ballad) song 'Kaze Koiuta' (Breeze's Love Song) (lyrics by Ryuichi SATOMURA).
- ごく一部ではあるが、ジャズに雅楽楽器を取り入れ共演する場合もある。
- Gagaku musical instruments are also played in jazz in a very small number of cases.
- 演奏は、劇場、寄席などにおいて、多くの場合、素浄瑠璃にておこなう。
- The play is performed in a theatre or storytellers' hall, predominantly in the style of su-joruri (stand-alone joruri, meaning narration and shamisen accompaniment without puppets).
- 琉球の使節団の「江戸上り」のとき、薩摩藩は琉球の音楽を演奏させた。
- Whenever a Ryukyu delegation was on 'Edo nobori (a mission to Edo)', the Satsuma clan had Ryukyuan music performed.
- 北野をどり 4月15日から25日にかけて上七軒歌舞練場で上演する。
- Kitano Odori (Kitano Dance): performed at the Kamishichiken-kaburen-jo Theater from April 15 to 25.
- 『今様薩摩歌』(いまようさつまうた)は、岡鬼太郎作の歌舞伎の演目。
- Imayo Satsuma Uta is a Kabuki play written by Onitaro OKA.
- 初演は安政7年(1860年)正月、江戸の市村座において興行された。
- First performed in the new year of 1860 at the Ichimura-za Theater in Edo.
- 放送局のアナウンサーによる方言劇なども公演され、人気を博している。
- Plays in dialect by broadcast announcers are performed and gaining popularity.
- 第1回は明治38年(1905年)5月11日、歌舞伎座で上演された。
- The first play was performed in the Kabuki-za on May 11, 1905.
- お兼は、腕のいい脇役が演じると劇の内容が濃くなる重要な役柄である。
- Okane's role is an important one, for if she is performed by an outstanding supporting actor, it makes the content of the play stronger.
- また家々の軒先に風鈴をつるすなどして音と光のコラボレーションを演出。
- Furthermore, wind chimes are hung under the eaves of houses, orchestrating a world of light and sound.
- 老女・尼などは、江戸時代には花車方の役者が専門的に演じたものである。
- In terms of an old woman or a nun, actors of kashagata (old female roles) expertly played those roles in the Edo period.
- 歌舞伎における女形は、次のような種類の役を専門的に演じる役者を指す。
- The onnagata of kabuki refers to actors who expertly act the following roles.
- 梅若六郎による新作能の中でも代表的なものの一つであり、再演数も多い。
- This work is one of the representative works of Shinsaku-Noh works written by Rokuro UMEWAKA and has been played for many times.
- 彼自身祇園の茶屋でよく遊んでいたため、地のままに演じられたのである。
- As he often played at chaya in Gion himself, he could perform according to his true nature.
- 「助六」を全面に打ち出して演じられるようになった時代の主な上演演目:
- The main programs during the period when 'Sukeroku' was performed with the main character 'Sukeroku' highlighted the entire play.
- 歌舞伎『勧進帳』 天保11年(1840年)初演 歌舞伎十八番のひとつ
- Kabuki 'Kanjincho': It was performed for the first time in 1840, and it is one of the kabuki juhachiban (eighteen best plays of the Ichikawa family of kabuki actors).
- 人形浄瑠璃『勧進帳』 歌舞伎作品をもとに明治28年(1895年)初演
- Ningyo joruri (traditional Japanese puppet theater) 'Kanjincho': It was performed based on the Kabuki piece for the first time in 1895.
- 能楽師(のうがくし)は職業的に能楽を演じる人を指し、能役者ともいう。
- Those who perform Noh plays as a profession are called the Noh actors or Noh performers.
- 舞台音楽は民間にも広まり、演劇や舞踊なしで演奏される機会も多かった。
- Stage music became available among the common people and was often played alone, not as a part of play or dance.
- 青年時代は七代目大谷友右衛門として、多数の映画に出演し人気を博した。
- As a youth, he appeared in many movies under the name of Tomoemon OTANI the Seventh and became quite popular.
- 演能の際には、囃子方、後見、地謡などは紋付に仕舞袴を着ることが多い。
- When performing a Noh drama, the performers of the Hayashikata (people who play hayashi, or the musical accompaniment), Koken (a director of the drama performance) and Jiutai (Noh chorus) sections often wear a montsuki (a formal kimono with a family crest) and a shimaibakama.
- 稀に激しい曲ではアクロバテックな演技(飛び返りや仏倒れなど)もある。
- In some rare cases, acrobatic performances (Tobikaeri (backward somersault), Hotokedaore (performance that represents death or falling unconscious), and so on) are performed in aggressive types of pieces.
- 付祝言(つけしゅうげん、附祝言とも)は、能における演奏形態のひとつ。
- Tsukeshugen (付祝言, also written as 附祝言) is one of the performance styles of noh (traditional masked dance-drama).
- 義経 (NHK大河ドラマ)(2005年 NHK大河ドラマ)演:三俣凱
- Yoshitsune (NKH period drama) (NHK period drama airing in 2005), played by Gai MITSUMATA
- 「おおきに財団」主催の「五花街合同公演」が毎年6月中旬に上演される。
- Special Traditional Joint Performances by Five Hanamachi of Kyoto,' hosted by the Ookini Zaidan (Kyoto Traditional Musical Art Foundation), is performed in mid June every year.
- 平清盛 (TBSドラマ)(1992年 TBS)演:高橋英樹 (俳優)
- TAIRA no Kiyomori (TBS drama series) (1992 TBS) cast: Hideki TAKAHASHI (actor)
- 『蔦紅葉宇都谷峠』(つたもみじ うつのや とうげ)は、歌舞伎の演目。
- Tsutamomiji Utsunoya-toge (literaly, Painted maples in Utsunoya-toge pass) is a Kabuki play.
- とくに1968年(昭和43年)に寿海が演じた木村重成は絶品であった。
- In particular, Shigenari KIMURA played by Jukai in 1968 was perfection.
- 『盲長屋梅加賀鳶』(めくらながや うめが かがとび)は歌舞伎の演目。
- 'Mekuranagaya Umegakagatobi' is a play of Kabuki (traditional performing art).
- 植木は明六社の演説会と『明六雑誌』に触れて自由民権に目覚めていった。
- Ueki was awakened to the Freedom and People's Rights through Meirokusha's speech meetings and 'Meiroku Zasshi.'
- また同年、牧野が尾上松之助を発見、『碁盤忠信源氏礎』の主演に抜擢した。
- In the same year Makino found Matsunosuke ONOE and selected him as the hero of 'Goban Tadanobu Genji no Ishizue' (Goban Tadanobu, the foundation of Minamoto clan).
- 祇園一力の女将お才は花車役という遊里の女性役を得意とする俳優が演じる。
- The role of Osai, okami of Gion Ichiriki, is performed by an actor called hanaguruma-yaku, who is good at playing the role of women in the red-light district.
- 多くの場合男性が女装して演ずるシテの女が、更に男装するのも特徴である。
- A characteristic of the piece is that the female Shite (main character) which is often played by a man is further dressed up as a man.
- 天保3 (1832年) 年3月、七代目が江戸市村座で『助六』を演じた。
- In March, 1832, the Seventh performed 'Sukeroku' at Edo Ichimuraza theater.
- それまでは、たんたんと尾上松之助主演の映画を日活撮影所で監督し続けた。
- Until then, he indifferently continued as a director for a film starring Matsunosuke ONOE at Nikkatsu Studio.
- 落語寄席では当然落語が主であり、それ以外の演目は色物と呼んで区別する。
- In the yose for rakugo, as a matter of course, rakugo storytelling is most often performed, so the performances other than rakugo are called iromono.
- 海外では『日本の歌といえば演歌』というイメージが強い一例とも言えよう。
- That is one example of how deeply rooted the image that 'Japanese music always means enka' is in foreign countries.
- 落語は反社会性が抜けず、戦時中に多くの演目が禁演落語として弾圧された。
- Never losing its antisocial nature, many rakugo acts were suppressed and forbidden during war.
- 初期の演出では、富樫は見事に欺かれた凡庸な男として描かれていたという。
- It is said that in the early rendering, Togashi was represented as a mediocre man who was fooled by Benkei far too easily.
- 「素浄瑠璃」は、人形/歌舞伎などが伴わない「浄瑠璃」の演奏形態である。
- Su-joruri' is a style of 'pure joruri' performance without the accompaniment of puppets or kabuki.
- しかし「石橋 (能)」のように半能形式で上演されることの多い曲もある。
- On the other hand some pieces, such as 'Shakkyo' (Stone Bridge, Noh Play), are played more often in Han-Noh style.
- 現在、もっとも一般的に上演される式三番は以下のような形態をとっている。
- Today, the most commonly performed Shiki Sanban has the performance configuration as below.
- 『新・平家物語 (映画)』(1955年 監督:溝口健二、演:夏目俊二)
- 'Shin Heike Monogatari (The New Tale of the Heike)' (a 1955 movie directed by Kenji MIZOGUCHI, played by Shunji NATSUME)
- 『新・平家物語 (映画)』(1955年 監督:溝口健二、演:柳永二郎)
- 'The New Tale of the Heike' 1955 (movie directed by Kenji MIZOGUCHI, SHIRAKAWA played by Eijiro YANAGI)
- 政岡は女形最高の難役の一つとされており、歴代の名女形に演じられてきた。
- Masaoka is considered to be one of the most difficult female roles, and has been played by great past and current actors of female roles.
- この物語は、宝永2年(1705年)に義太夫節で初演された、文楽である。
- This is a Bunraku play, first performed in 1705 in Gidayu-bushi (a style of Joruri [dramatic narrative chanted to a shamisen accompaniment]).
- 義経 (NHK大河ドラマ)(2005年 NHK大河ドラマ)演:平幹二朗
- Yoshitsune (NHK period drama) (2005 NHK period drama) cast: Mikijiro HIRA
- 上方の雰囲気がこの狂言の生命とされ、戦後は東京も上方の演出を重視する。
- Atmosphere in kamigata is said to be a life of this kyogen and kamigata's staging was emphasized even in Tokyo after the war.
- 『鼠小紋東君新形』(ねずみこもん はるの しんがた)は、歌舞伎の演目。
- Nezumi komon haruno shingata is a program of Kabuki.
- 地車と呼ばれる山車を曳く祭り、地車囃子の演奏を奉納する祭礼の総称である。
- This is a general term for festivals in which a dashi called danjiri is pulled, or for rites and festivals in which a performance of danjiri bayashi (music performed at festivals) is dedicated.
- 4月8日の仏生会、7月15日の伎楽会と、少なくとも年2回の上演があった。
- It was performed at least twice a year, on April 8 for Bussho-e (Buddhist mass celebrating Buddha's Birthday) and on July 15 for Gigakue.
- 飛鳥時代から奈良時代に寺院の法会でさかんに上演されたが、次第に衰退した。
- It was widely played for Buddhist services at temples throughout Japan during the Asuka to Nara periods, but gradually declined in later periods.
- 特に後段が当時からの人気で、以後はほとんどこの後段のみが上演されている。
- As the last part has been particularly popular since that time, the last part has been almost exclusively performed since then.
- 「角海老(かどえび)」は「佐野槌(さのづち)」と圓朝が演じた記録もある。
- According to records, Encho called the brothel 'Sanozuchi' instead of 'Kadoebi' in his performance.
- 三日過ぎても休演を続けなければならない場合は、その月いっぱい休演となる。
- If the initial actor's cancellation extends longer than three days, he is to be off till the end of the month.
- 寄席で、トリを落語・講談が取らない場合、しばしばその代りに行われた演芸。
- In Yose (storyteller theater), a theatrical entertainment is performed last often as an alternative to rakugo (comic story telling) or kodan storytelling when the last performer does neither of them.
- この他、演劇改良会は劇場を建設することも企画したが資金難のため挫折した。
- The Engeki Kairyo Kai also proposed building a theatre, but the plan did not come true because of financial difficulties.
- 2月頃行われる日本武道館主催の「古武道演武大会」で披露されることも多い。
- Their arts are often demonstrated at 'Performance Convention of The Old-Fashioned Martial Arts' held some time around February, organized by the Nippon Budokan.
- 人情噺(にんじょうばなし)とは、落語の演目の中のひとつのカテゴリである。
- Ninjo-banashi is a category of rakugo program (traditional comic storytelling).
- 浄瑠璃などでは舞を披露する太夫と組み、三味線を演奏する者を合方と称する。
- In the case of joruri (dramatic narrative chanted to a shamisen accompaniment), the aikata means a shamisen player accompanying tayu who perform a dance.
- シテが舞う前にツレの天女が舞う場合があり、そこで演奏される3段形式の舞。
- A tsure of Tennyo no mai sometimes dances before the shite, and in such cases this mai is played in the three-section format.
- また陸軍演習場も備えており京都府と兵庫県の北部を警備担任区域としている。
- Additionally, a practice ground for the Japan Ground Self-Defense Force was also built, and Kyoto Prefecture and the northern part of Hyogo Prefecture have been designated as a security area.
- 能上演形式においては初めに演じられることから初番目物や一番目物と言われる。
- Since this is the first performance, it is called shobanme-mono or ichibanme-mono (first-category plays) according to the style of Noh performance.
- さらには右のような理由から東京における演能のワキを独占するかたちになった。
- Moreover, such reasons led to the Hosho school monopolizing Waki of En-noh, in Tokyo.
- 江戸では翌寛延二年二月六日(1749年3月24日)森田座で初演されている。
- In Edo, it was shown for the first time at Morita-za theater on March 24, 1749.
- ブルース・ウィリス演じる主人公の名前は三十郎同様偽名なのかジョン・スミス。
- Bruce WILLIS plays as a character called John SMITH, which suggests it was a false name as Sanjuro was.
- また、谷ナオミ主演のにっかつロマンポルノ作品にもしばしば褌は登場している。
- Figures with fundoshi loincloths appeared frequently also in Nikkatsu roman-porno films with Naomi TANI as a leading character.
- 2005年4月 大韓民国(ソウル・釜山)で『曾根崎心中』『棒縛り』を上演。
- In April 2005, he performed 'Sonezaki-shinju' and 'Boshibari' in Korea (Seoul and Pusan).
- 演奏時は椅子に座りながら月琴を腿の上に置き胴を自分の体から少し離して弾く。
- When playing, the player sits on a chair and places the gekkin on the thigh and play keeping the sound chamber a little away from the player.
- メディアにも頻繁に出演するなど、雅楽のイメージを一新し一般に紹介している。
- He is refreshing the image of gagaku and introducing it to the general public by appearing often in the media to perform.
- 最大で6人のアンサンブルで、1回の演奏会で10曲ぐらい弾くことが多かった。
- Ensembles consisted of a maximum of 6 performers who often switched between around 10 pieces in any one performance.
- 1954年(昭和29年)4月『小袖曽我薊色縫』の寺塚求女役で演劇界賞受賞。
- He received Engekikai (world of the theater) award in April 1954 for the female role as Motome TERAZUKA in 'Kosode Soga Azami no Ironui' (The Love of Izayoi and Seishin).
- 儀式的な演能であるために、多くの場合、前場を省略した半能形式で上演された。
- Generally it was performed in han-noh style which omitted maeba (the first half of the drama) because it was ritualistic en-noh.
- この小書にかぎって異流の太夫どうしで演じる特殊な演目である(地謡は混成)。
- These Kogaki are unique programs that are performed together by the Tayu of different schools (Jiutai is mixed.)
- 能の現行演目の中では最も短いもので、初心者向きの入門曲として知られている。
- It is the shortest program which is played today and is known as a program for a beginner.
- 始めは、大勢の共演者が賑やかに踊り、盛り上がったところで主演役者が現れる。
- Following the cheerful dance by many actors, the leading actor comes to the stage.
- 草燃える(1979年 NHK大河ドラマ)演:遠藤義徳→尾上辰之助 (初代)
- Kusa Moeru (1979 NHK period drama) played by Yoshinori ENDO=>Tatsunosuke ONOE (original)
- 女形の心得を失わずにバイオレンスな演技をするところにこの役の難しさがある。
- The difficulty of this role is to perform violently without losing the flavour of an actor of female roles.
- 当時検校の位にある琵琶法師が毎年当地に集まり琵琶を演奏し親王の霊を慰めた。
- During this time, blind biwa players, who were in Kengyo (the highest rank of blind court musicians) came to this place every year to pray for the Imperial Prince's spirit.
- 現在では、地元作家の出演のみならず、地元文化人、地元マスコミ関係者も出演。
- At present not only the local writers but also local cultural figures and local people from media are on the stage.
- 銀之丞は蜻蛉と結ばれることを知って大喜び、腰元らと乱痴気騒ぎを演じている。
- Ginnojo, knowing that he is able to marry her, indulges in orgies with female servants.
- との捨て台詞を吐いて周囲に気を使いながら演じたが、その呼吸が絶品であった。
- Enjaku acts caring for the people around with such a parting shot and his breathing was a masterpiece.
- この演技はすべて仮面をつけておこなわれ、無言のパントマイムと舞で構成される。
- The performance is presented as dances and pantmime without any dialogue, played by the actors all wearing masks.
- 当時の主演俳優で映画監督の中根龍太郎が設立したスタープロダクションであった。
- It was a production company established by Ryutaro NAKANE, a leading actor and director of the time.
- 道具(背景)も旅程に合せて次々転換させたり、奴をからませるなどの演出がある。
- The set (scenery) is frequently changed according to the itinerary of the trip, and yakko (varlet) are also involved.
- 午前の部の『勧進帳』とともに、團十郎、藤十郎の史上はじめての共演が実現した。
- Along with 'Kanjincho' performed in the morning, it was the first-ever joint appearance by Danjuro and Tojuro.
- 實川延若 (2代目)は勘平、与市兵衛、定九郎三役早変わりの演出を行っていた。
- Enjaku JITSUKAWA (the second) adopted the style of hayagawari of Kanpei, Yoichibei and Sadakuro.
- この段のみ、「仮名手本忠臣蔵」ではないが、現在は一体化されて上演されている。
- Though not a part of 'Kanadehon Chushingura,' this act it is now integrated into the play.
- しかし、現在では内容が古すぎて観客の共感を呼べず、あまり上演することがない。
- However, it is seldom performed nowadays, as this scene can no longer evoke sympathy in the audience because its content is outmoded.
- 50年近くも経ってようやく上演されても無害と考えられるようになったのである。
- Nearly 50 years passed before showing of this play was regarded as harmless.
- 現家元(内蔵助家当主)を中心に11月または3月に土浦市で公開演武が行われる。
- The school holds public displays either in December or in March in Tsuchiura City, organized mainly by the current iemoto (the head family of a school) (family head of Kuranosuke family).
- 受賞対象分野は、「音楽」、「美術」、「映画・演劇」、「思想・倫理」の四分野。
- The fields covered by this category include the four fields of 'Music,' 'Fine Art,' 'Film and the Dramatic Arts,' and 'Philosophy/Theory.'
- ムード歌謡、シャンソン、ラテン音楽、等の歌手にも演歌歌手と同様の傾向がある。
- Singers of mood music, shanson, Latin music, etc. show a tendency to wear makeup similar to enka singers as well.
- だが登場人物が煩雑になるためか、後に青女房は巫女の台詞内のみの出演となった。
- However, since the characters in the scene may be confusing, the aonyobo is only mentioned in lines of the shrine maiden in later plays.
- 物真似、お笑い、等では企画内容や出演者の意図によって厚化粧をする場合がある。
- In impersonation and comical performances, atsugesho is sometimes used to go along with planned content or to achieve an effect by the performer.
- 演目名は極楽浄土に住むという人面鳥身で美声を持つ霊鳥迦陵頻伽に由来している。
- The title of this music is derived from a sacred bird called 'Karyobinga,' which has a human face and bird's body with a beautiful voice, living in paradise.
- なお、弓矢立合は江戸時代に幕府の謡初式でかならず演じられた由緒ある曲である。
- Furthermore, Yumiya no Tachiai is a Noh song with a long and honorable history that was certainly played in the Utaizome-shiki (a New Year's ceremony for the first Noh singing of the year in the home of a shogun) of the Bakufu (the Japanese feudal government headed by a shogun) during the Edo Period.
- 新・平家物語 (NHK大河ドラマ)(1972年 NHK大河ドラマ)演:滝沢修
- New series of The Tale of the Taira Clan. (NHK period drama) (1972 NHK Period drama) cast: Osamu TAKIZAWA
- その時、仁左衛門は父の科白回しを演じ、孝夫には羽左衛門の科白回しを伝授した。
- At that time Nizaemon performed his father's serifu mawashi (theatrical elocution) and taught Takao serifu mawashi of Uzaemon.
- 続編の『沓手鳥孤城落月』は1905(明治38)年5月に大阪角座で初演された。
- Its sequel, 'Hototogisu Kojo no Rakugetsu (The Sinking Moon over the Lonely Castle Where the Cuckoo Cries)' was first performed at Osaka Kadoza theater in May 1905.
- また演説会が開かれたのは、洋食好みが多かったこともあって上野精養軒であった。
- Moreover, periodical speech meetings were held at Ueno Seiyoken Restaurant, partly because many of them favored western dishes.
- 設立第1作は稲垣浩監督、上原謙・轟夕起子主演による『こころ月の如く』であった。
- The first movie produced was 'Kokoro Tsuki no gotoku' (My Heart Is Like the Moon), directed by Hiroshi INAGAKI and starring Ken UEHARA and Yukiko TODOROKI.
- おかやは老巧な脇役が演じることで勘平の悲劇が強調されるのでかなりの難役である。
- The role of Okaya is a rather difficult role since it can emphasize Kanpei's tragedy if performed by an experienced supporting actor.
- 「天川屋義平は男でござる」の名科白が有名で、戦前まで比較的よく上演されていた。
- The line, 'Gihei AMAKAWAYA is a man,' is famous, and this scene was often performed during the pre-war period.
- 同年十二月一日(1749年1月19日)には大坂中の芝居で歌舞伎版が初演された。
- Its kabuki version was performed for the first time at Osaka Naka no shibai theater on January 19 1749.
- 宝永年間には公許の常設小屋で上演されるようになり、講釈と呼ばれるようになった。
- Performed in permanent authorized huts during the Hoei era (from 1704 through 1711), it came to be called koshaku (storytelling or narration).
- また、演出など一部のメインスタッフは、京都と東京を往復する事も多いと言われる。
- In addition, it is said that some main staff including producers frequently travel back and forth between Kyoto and Tokyo.
- 男性演歌歌手も、和服の場合は太いアイライナーを入れる、等、厚化粧の傾向はある。
- Male enka singers tend to wear atsugesho as well when they dress in wafuku, such as thick eyeliner.
- またハワイで放送されているローカルCMには、元横綱の武蔵丸光洋が出演している。
- Ex-Grand Sumo wrestling champion, Koyo MUSASHIMARU appears in the local commercials aired in the Hawaiian islands.
- 謡曲はほとんどを地謡が取るが、なかには演者との掛け合いになっているものもある。
- For most Yokyoku (Noh song), Jiutai (Noh chorus) is used; however, sometimes the performer and Jiutai sing in turn.
- また、商業的な演劇でなくともこの日にいわゆる「打ち上げ」が行われることも多い。
- A party celebrating that a run of performances has completed is often held on the senshuraku day, even when the performances aren't commercial ones.
- 伴奏は能地謡のみによって行われ、能装束・能面は用いず、紋付袴か裃などで演ずる。
- Shimai is performed only to the accompaniment of Noh-jiuta (Noh chorus), and donning of Montsuki hakama (formal Japanese attire for a man, consisting of a kimono dyed with the family crest and a long, loose, pleated skirt) or kamishimo (samurai costume, old ceremonial costume), instead of wearing Noh costumes and Noh masks.
- しかし最近は、演歌歌手以外でもまれに既婚女性でも振袖を着る人がいるようである。
- However, in recent years, it appears as though a small number of married women have started to wear furisode occasionally, as well as Japanese enka singers (who often do so).
- 黄鐘早舞は「松虫」のような曲のほか、早舞ものを脇能として演ずる際に用いられる。
- Oshiki Haya-mai is performed not only in programs such as 'Matsumushi' (Pine Cricket) but also when playing haya mai as waki Noh.
- しかし、父尉・翁・三番猿楽はかならず連続して上演されたためにこの呼び名がある。
- However, Chichi no Jo, Okina, and Sanban Sarugaku have been always put on the stage in a series and, as such, it has the common name of Shiki Sanban.
- 演目によっては舞台の色を添える脇役的なものではなく、大向うが必要不可欠である。
- Some performances can't be completed without kakegoe; in such performances, kakegoe is not second fiddle.
- 日本画家の上村松園が、金剛巌が演じた本曲に題を採り「草紙洗小町」を描いている。
- Shoen UEMURA, a Japanese-style painter, painted 'Soshi Arai Komachi' based on the performance played by Iwao KONGO.
- 以降、現在(平成19年)に至るまで、日本で唯一の文士劇として公演を行っている。
- Since then to the present (2007), the bunshi-geki has been performed only in this theater in Japan.
- ちなみにこの「演説」ということばは福澤がスピーチにあてた訳語であるといわれる。
- In addition, this word 'Enzetsu' (演説) which means a speech in Japanese is said to be translated by Fukuzawa.
- 鶴屋南北作東海道四谷怪談が初演された文政8年(1825)7月26日を記念する日。
- July 26 is the anniversary of the day on which Tokaido Yotsuya Kaidan, written by Nanboku TSURUYA, was first performed in 1825.
- 五番立においては最後の五番目に演じられることから、切能または五番目物と呼ばれる。
- This program is the last, fifth performance among five Noh performances defined in the form of Noh program, therefore it is also called Kiri (cut off) Noh or gobanme-mono (the fifth-category play).
- その反面、実際に能を演ずる上での実際的な知識を得るためにはきわめて有意義である。
- On the other hand, however, it is extremely useful in accessing practical information when putting on an actual noh performance.
- 「山本プロ」は、設立第1作として製作したのが、山本の主演作『蒼白の剣士』である。
- As its first film, 'Yamamoto Pro' produced 'Sohaku no Kenshi' starring YAMAMOTO.
- 現在では、宇佐神宮の氏子が主体の宇佐神宮神能会によって毎年違う演目が演じられる。
- Presently, different program is played by Usa-jingu Shrine shin Noh kai (Usa-jingu Shrine shin noh society) that main body is Usa-jingu Shrine's ujiko (shrine parishioner).
- 『申楽談儀』に曲名が出ており『糺河原勧進猿楽記』には音阿弥による上演記録がある。
- The name of the play appears in the 'Sarugaku Dangi' (Talks about Sarugaku) and a performance by Onami was recorded in the 'Tadasugawara Kanjin Sarugaku-ki.'
- 元来は9幕の長編だが、現在では前半部の「見染め」「源氏店」が演じられる事が多い。
- Originally this story is made up of nine acts, however only the first half, 'Misome' (falling in love) and 'Genjidana' are often played nowadays.
- しかしながら、ごくまれに真打以外の落語家や落語以外の演者がトリとなる場合がある。
- However, very rarely, a rakugo storyteller who is not a shinuchi or a performer of other program may play the role of a tori.
- さらに華やかにするために篠笛・尺八・胡弓・打楽器等を加えて演奏されることも多い。
- To enhance performances, instruments such as the shinobue, shakuhachi bamboo flute, kokyu (Japanese string instrument played using a bow) and percussion instruments are often used.
- 晩年の十年間は完全に盲目だったにもかかわらず、主演の役者として舞台活動を続けた。
- He was completely blind in the last decade of his life, but he continued his activity on the stage as lead actor.
- 歌舞伎・舞踊以外の演劇活動は行わず、映画やテレビドラマに出演することもなかった。
- He only performed kabuki and Japanese dance and did not appear in movies nor TV dramas.
- エチオピアでは細川たかし、都はるみなどの日本の演歌歌手も広く受け入れられている。
- Takashi HOSOKAWA, Harumi MIYAKO, and other Japanese enka singers are also accepted widely in Ethiopia.
- 初演時、七代目團十郎は能楽を意識して見得につきものの効果音(ツケ打ち)を廃した。
- At the first performance of Kanjincho, Danjuro ICHIKAWA the Seventh had Noh music in mind, so he chose not to use the typical sound effect for the mie called 'tsukeuchi,' produced with wooden clappers.
- 壽應は六代目を師とし、尾上菊太郎という名で、歌舞伎のほか多数の映画にも出演した。
- Jukei learned kabuki from the sixth and appeared in many movies by the name Kikutaro ONOE, in addition to performing on kabuki stages.
- 「御座楽」の最後の上演記録は、明治20年、伊藤博文の前で演奏したのが最後である。
- The final documented performance of 'Uzagaku' was in 1888 in the presence of Hirobumi ITO.
- 八汐は立役が加役として演じることが多いが、政岡役の役者と対等の芸力が要求される。
- Although Yashio is often played by an actor who usually plays a male role, he is required to have the acting skills equivalent to that of the actor playing Masaoka.
- 明治5年(1872年)に鴨川をどりが初演され、先斗町は花街としての花を開かせた。
- The first performance of Kamogawa Odori (Kamo River Dance) was held in 1872, and Ponto-cho bloomed as a hanamachi.
- 源義経 (テレビドラマ 1991年)(1991年 日本テレビ放送網)演:平幹二朗
- MINAMOTO no Yoshitsune (TV drama series 1991) (1991 Nippon Television Network Corporation) cast: Mikijiro HIRA
- 上演構成により「三人吉三巴白浪(さんにんきちさともえのしらなみ)」とも称される。
- Due to the organization of the performance, it is also called 'Sannin Kichi Tomoe no Hatsugai' (a title of Japanese Kabuki).
- 人生の辛酸を知り尽くした老侠客の心意気が求められ、柔軟取り混ぜた演じ方が難しい。
- Spirit of an old kyokaku who knows the ups and downs of life thoroughly is required and it is difficult to play while mixing firmness and softness together.
- 初演は風物・情景・祭礼など三段構成で見せる典型的な「三段返し」ものの演目であった。
- The first performance was a typical `sandangaeshi' style, consisting of three parts; scenery (scenery and customs), scene (sight), and rites and festivals.
- 大立ち回りが演じられ、力弥が師直の子高師泰と、勝田新左衛門が小林平八郎と斬り結ぶ。
- Amid a large-scale stage fight, Rikiya and Shinzaemon KATSUTA fight against Moronao's son Moroyasu KO and Heihachiro KOBAYASHI, respectively.
- でれでれとした叙情的な演技が一面から見れば喜劇味をも含むという不思議な味いがある。
- In a way, its amorous and lyrical way of acting has a comical touch, giving unusual attractiveness.
- 初演時および初期の興行の多くでは代々の江戸半太夫とその弟子たちがこの詩章を語った。
- On the first stage and mostly during the early period, this verse was narrated by Hanpeita EDO and his disciples for successive generations.
- ある演目に、本来つけられた外題のほかにも、複数の通称がついていることは珍しくない。
- It is not uncommon for a play to have multiple nicknames other than its original title.
- 特に、和太鼓を用いた創作曲を演奏するグループにおいて、篠笛が盛んに用いられている。
- Shinobue are often played by groups that play original music using Japanese drums.
- 1967年、第一回日本能楽団欧州公演に加わって以来、積極的に海外公演を行っている。
- Since he joined the Japan Noh Troupe's first performance tour to Europe in 1967, he has been active in overseas performances.
- 翌1955年(昭和30年)の東宝歌舞伎第一回公演ではともに東京宝塚劇場で共演した。
- In the first kabuki stage by Toho Co., Ltd. in the following year, 1955, they performed together at Tokyo Takarazuka Theater.
- しかし、明治以降一部の流派は祭礼の行事として残り空砲による発砲演武が行われてきた。
- However, some of the schools remained as festival features in the Meiji period; demonstrations of gunfire were conducted by using blank shots.
- 他の芸能との交流も進み、講釈での人気演目が歌舞伎や人形浄瑠璃化されることもあった。
- Interacting with other forms of public entertainment helped popular koshaku acts to be performed in kabuki and ningyo joruri (traditional Japanese puppet theater).
- 1948年4月 新橋演舞場にて『助六曲輪菊』の禿で五代目尾上丑之助を名のり初舞台。
- April, 1948: He performed as Kamuro (apprentice of a high-class prostitute) in 'Sukeroku Kuruwa no Momoyogusa' at Shinbashi Enbujo theatre, referred to himself as Ushinosuke ONOE, the fifth.
- この翌日(6月19日)には円山公園 (京都府)野外音楽堂にて第1回定期演奏会を開催
- On the next day June 19, it gave its first Subscription Concert at the outdoor concert hall in Maruyama Park (Kyoto Prefecture).
- 現在、明楽は東京の湯島聖堂などで、坂田古典音楽研究所による再現演奏が行われている。
- Today, reproduced Mingaku are played by the Sakata Classic Music Institution at Yushima Seido (Sacred Hall at Yushima) in Tokyo.
- 迦陵頻(かりょうびん)とは、雅楽の演目で、「林邑八楽」(りんゆうはちがく)の一つ。
- Karyobin is a piece of Gagaku (ancient Japanese court dance and music), and one of 'Rinyu hachigaku' (eight old gagaku pieces from Vietnam).
- また、清楽の演奏で使う中国楽器も、長崎経由で輸入されたり、日本で模倣して作られた。
- And Chinese instruments used in performances of Shingaku were imported via Nagasaki, and they were also made in Japan in imitation of the Chinese imports.
- 勇ましい演技をする女形を歌舞伎では「女武道」とよび、板額はその代表的な役柄である。
- An actor of female roles who performs bravely is called 'Onna Budo' (a woman of worrier rank, or a woman of warlike spirit, capable of fighting a man) and Hangaku is its representative role.
- 『新・平家物語 (NHK大河ドラマ)』(1972年 NHK大河ドラマ、演:滝沢修)
- 'The New Tale of the Heike (NHK Taiga Drama)' 1972 NHK Taiga Drama SHIRAKAWA played by Osamu TAKIZWA.
- もともと「御殿」とひとつづきの場であったが、浄瑠璃は用いず、純歌舞伎で演じられる。
- Although this scene and 'Mansion' originally constituted one single scene, this scene is performed purely in Kabuki acting without Joruri.
- 祇園をどり 11月1日から10日まで祇園会館で行われ、唯一秋に上演される花街の公演
- Gion Odori (Gion Dance): performed at the Gion Kaikan Theater from November 1 to 10, and the only dance performance in fall in the hanamachi.
- 炎立つ (NHK大河ドラマ)(1993年~1994年 NHK大河ドラマ)演:中尾彬
- Homura Tatsu (Rising Blaze) (NHK period drama) (1993 -1994 NHK period drama) cast Akira NAKAO
- 1825年7月26日に江戸の中村座という芝居小屋で「東海道四谷怪談」が初公演された。
- 'Tokaido Yotsuya Kaidan (Tokaido Yotsuya Ghost Stories)' was first performed at a theater called Nakamura-za Theater in Edo on July 26, 1825.
- 色欲を戒める意味をもたせて上演されたが、その所作は見物の爆笑をさそったと想像される。
- It is considered to have been performed to warn for the human nature with lust, but the performers' action would have set the audience burst into laughter.
- 『人情噺文七元結』(にんじょうばなし ぶんしちもっとい)として歌舞伎でも演じられる。
- It is performed in Kabuki (traditional drama performed by male actors) with the title, 'Ninjo banashi Bunshichi Mottoi' (human-interest Kabuki story of Bunshichi).
- しかし一方で、国家保護のもとで伎楽の演者は居住地が定められるなどの制約も課せられた。
- On the other hand, however, the gigaku performers were imposed some restrictions on such as residential location.
- 設立第1作『桜御殿』はマキノ真三自らが監督、宮城千賀子が主演、脚本に八尋不二を起用。
- The first film produced was 'Sakura Goten' directed by Shinzo MAKINO, starred Chikako MIYAGI with a screenplay by Fuji YAHIRO.
- これらはすべて時代物と世話物を必ず合わせて上演した江戸時代の興行形態の名残りである。
- These are reminiscent of the Edo period performance style, in which jidaimono (historic drama) and sewamono were always combined on the stage.
- なお代役は自らの型を捨てて、休演している役者とまったく同じ型を演じなければならない。
- The substitute must throw away his own style, and perform in exactly the same style with the initial actor.
- 祖父の市川猿翁が創作して初演した舞踊に、三代目自身が演出した舞踊を加えたものである。
- It consists of dances created and first performed by Eno ICHIKAWA, grandfather of Ennosuke the third, plus those produced by Ennosuke the third himself.
- この演目に限り幕が舞台下手から上手に向かって引かれ(通常は逆)、これを逆幕と称する。
- In this play only, the curtain is pulled from right to left (the opposite of the usual direction) and it is called 'sakamaku' (reversed curtain).
- このため、ドラマや小説などでは人物の年齢や時代を演出するのにも用いられることもある。
- Therefore, it is sometimes used in the dramas, novels and so on to reflect characters' ages or the periods they lived in.
- 現在でも祭礼で棒術が棒の手や棒術、棒踊り、獅子舞などと呼ばれ演じられる例が多くある。
- Even now, Bojutsu is often performed in rituals and festivals by the names of Bo no te (Japanese traditional dance), Bojutsu, bo-odori (bar dance) and shishimai (lion dance).
- また、(旧来からであるが)講談師が落語家の協会に所属し、落語定席に出演する例も多い。
- Additionally, there are (and have been) many cases where kodanshi, being members of an association of rakugoka (rakugo storytellers), regularly appear in rakugo (comic storytelling) performances.
- また古今亭今輔 (5代目)も新作派と目されていたが、レベルの高い人情噺を演じていた。
- Imasuke KOKONTEI the fifth was regarded as a storyteller of new rakugo, but he was performing Ninjo-banashi excellently.
- 1972年 『源義経』で共演した藤純子(東映・俊藤浩滋プロデューサーの長女)と結婚。
- 1972: He married Sumiko FUJI (the oldest daughter of a producer at Toei Company, Ltd., Hiroshi SHUNDO) who co-stared in 'Minamoto no Yoshitsune.'
- 能の「葵上」の古い演出ではシテの六条御息所のおつきとして青女房が登場するものがある。
- In some traditional style Noh plays of 'Aoi no Ue,' an aonyobo appears as an attendant of the leading character named Rokujo no Miyasudokoro.
- 台詞がうろ覚えでも本番では観客に悟られることなく演じることが出来る特技を持っていた。
- He had a special talent that, even if he had only a faint memory of his lines, he could perform without having the audience notice it.
- 上演にあたっての時間はきわめて短く、平均で十分程度、長くても二十分ほどのものである。
- The performance is quite short, about ten minutes on average, and the longest being about twenty minutes.
- 『新・平家物語 (NHK大河ドラマ)』(1972年 NHK大河ドラマ、演:田村正和)
- 'Shin Heike Monogatari (The New Tale of the Taira family)' (1972 HNK Taiga Historical Drama, played by Masakazu TAMURA)
- 都をどり 4月1日から30日にかけて祇園甲部歌舞練場で開催される祇園甲部の舞踊公演。
- Miyako Odori (Dance of the Capital): a dance performance in Gion Kobu held at the Gion Kobu Kaburen-jo Theater from April 1 to 30.
- 毎年春になると『北野をどり』が上演されて少数ながらにして良い技芸を磨き披露している。
- The 'Kitano Odori' (dance originally performed at the Kitano Tenmangu Shrine) is performed annually in spring; geisha and apprentice geisha practice traditional performing arts every day and show them beautifully although small in number.
- 1928年(昭和3年)1月、阪東の現代劇主演第1作として『霊の審判』の撮影を開始した。
- Shooting began in January of 1928 for 'Rei no Shinpan' (Judgment of a Ghost) as the first modern drama starring Bando.
- 千恵プロにつづいて「歌舞伎映画プロ」が製作したのが、小文治主演による『野崎村』である。
- Following Chie Pro's film, 'Kabuki Eiga Pro' produced the film 'Nozaki-mura Village' starring Kobunji.
- 初演時の配役は、勘平が市川團十郎 (7代目)、おかるは尾上菊五郎 (3代目)であった。
- In the first play, the leading roles were performed by Danjuro ICHIKAWA VII as Kanpei and Kikugoro ONOE III as Okaru.
- 特に歌舞伎においては、さらに「下座音楽」(げざおんがく)と呼ばれる演出音楽が発達した。
- In kabuki, the music for stage effects called 'geza ongaku' (music for plays) developed.
- 杖 (桴 (ばち))を使って演奏する杖鼓は、両面の革に異種の材を用いるのが特徴である。
- Sticks (bachi Beaters) are used for Joko drum to play, and Joko is characterized by different leather materials that are used on the both sides of its body.
- 同じく先端に取り付けられた木魚を演奏出来る「パチモク」なる楽器を制作し、使用している。
- The instrument called 'pachimoku,' which enables to play Mokugyo installed in the end, is used as well.
- 現行曲は254番と、大蔵流に比べてかなり多く、歌謡を重視した台本や演出に独自性がある。
- The Izumi school currently has a repertoire of 254 pieces, which is a much larger number than that of the Okura school, with its originality coming from scripts and stage effects attaching more importance to songs and ballads.
- 小書として「クツロギ」がつくと途中で特殊な譜となりシテが橋掛かりでくつろぐ演出がある。
- When 'Kutsurogi' (relaxing) is written as Kogaki (a special phrase that specifically describes how the Noh is to be played), the score becomes a special one, making the shite relax at Hashigakari (the entrance portion of a main Noh stage).
- 『太平記 (NHK大河ドラマ)』(NHK大河ドラマ)(演:片岡仁左衛門 (15代目))
- Taiheiki, NHK Taiga Drama. (Actor: Nizaemon KATAOKA the 15th).
- 歌舞伎研究家の渥美清太郎は、いくつかの演目は荒事に関するものではないかと推測している。
- Seitaro ATSUMI, a kabuki critic, conjectures that some of the programs are related to aragoto (Kabuki play featuring exaggerated posture, makeup, and costume).
- 松竹から阪東妻三郎を譲り受け、入社第1作として阪東主演で『恋山彦 風雲の巻』を監督した。
- After getting Tsumasaburo BANDO from Shochiku, he directed 'Koi Yamahiko Fuun no maki' with Bando being a leading actor as his first film at Nikkatsu.
- 現在上演されている能の曲目の殆どは室町時代に書かれ、今日までに厳選されてきたものである。
- Almost of the songs of Noh which are currently played were written in Muromachi period and have been strictly selected until today.
- 菊五郎は絶望の淵に墜ちていく心理描写を卓抜した表現で演じ、現在の基本的な型をなっている。
- Kikugoro expressed Kanpei's desperation with exquisite skill, and his performance became the standard of the current style.
- 東西声で幕を引いた後も、登場人物たちは人形身と称して下を向いて瞳を開かず、演技をしない。
- Even after the curtain is drawn at the signal of tozaigoe (the word 'tozai'), actors remain as ningyoshin (puppets), looking down with their eyes closed, and they do not act yet.
- 少佐は、松竹・大谷竹次郎に対して、以下の条件を満たせば忠臣蔵の上演が許可されると告げた。
- The major informed Takejiro OTANI of Shochiku that he would permit the staging of Chushingura if the following condition was met.
- テレビ番組では出演時間が数秒程度しかないことも少なくないためそれなりに有効な手法である。
- Meanwhile, on TV shows, this is effective to a certain degree, as performers often have only several seconds to appear.
- 以後『勧進帳』の三役は歴代の看板役者が生涯に一度は演じる歌舞伎の代表作のひとつとなった。
- Since that time, the three roles of 'Kanjincho' have been some of the major roles which are to be performed by marquee players once in their lifetimes.
- また、歌舞伎だけにとどまらず、『わてらの年輪』で花柳章太郎と共演するなど幅広く活躍した。
- Not staying within the world of kabuki, he was active in a wide range including 'Watera no nenrin' (literally, our growth rings) in which he performed with Shotaro HANAYAGI.
- 仕舞は鑑賞用としても上演されているが、能を演ずるための稽古の段階としても利用されている。
- Shimai is also performed for stage, but, is used as a phase of practicing Noh.
- 仏教の声明(しょうみょう)音楽に器楽演奏を添えたような感じの、力強く荘重な音楽であった。
- It was powerful and stately music, something like Shomyo (the chanting of Buddhist hymns) music accompanied by instruments.
- 彼は願い出て上京し、延宝元年(1673年)には内裏で演奏するなど、明楽は広まりを見せた。
- He requested permission to visit Kyoto, where he made Mingaku widely known, for example by playing such music in the dairi (Imperial Palace) in 1673.
- 多くシテは早笛で登場し、勢いよく演じるが、『玉井』のシテは特に位を重く、しずかに奏する。
- The shite often appears to hayafue (a music to indicate the entrance of a demonic deity, a Japanese flute performs in a dramatic and high tone, with small and large hand drums and a drum) and performs dynamically, but the shite in 'Tamanoi' (Tama Well) performs especially slowly and quietly with grace of works or shosa.
- 五番立(ごばんだて)の場合には脇能に先だって、全体の祝言(しゅうげん)として演ぜられる。
- In the case of Gobandate (a five-play program), Shiki Sanban is performed as Shugen (which is the abbreviation for Shugen Noh, meaning celebratory Noh) for the entire performance before Waki Noh (which is the Noh that is positioned to the waki, or side, of the Okina and that is also known as Shobanme-mono (first-group plays) and Kami Noh (god Noh plays)).
- 中村勘三郎 (17代目)と中村勘三郎 (18代目)は、団七との早替わり二役で演じている。
- Kanzaburo NAKAMURA (the seventeenth) and Kanzaburo NAKAMURA (the eighteenth) are playing two roles quicky changing with Danshichi.
- 文楽太夫、文楽三味線、文楽人形遣いの「三業(さんぎょう)」で成り立つ三位一体の演芸である。
- It is entertainment played by a trinity, which consists of 'sangyo'; tayu (narrator or chanter), shamisen player, and puppeteers.
- 1963年(昭和38年)に大映で市川雷蔵 (8代目)、藤由紀子主演で『手討』が製作された。
- In 1963, a movie 'Teuchi' (capital punishment administered personally by one's master) was produced by Daiei Motion Picture Company starring Raizo ICHIKAWA (eighth) and Yukiko FUJI.
- 歌舞伎より転じて大衆演劇などにおいて男性俳優が女性の役を演じることをも称するようになった。
- Derived from Kabuki (traditional drama performed by male actors), oyama came to refer to the actors of popular drama who play the role of women.
- 設立第1作『助太刀商売』には市川小文治歌舞伎映画プロダクションの市川小文治も出演している。
- Kobunji ICHIKAWA of Ichikawa Kobunji Kabuki Eiga Productions also performed in the first work, 'Sukedachi Shobai' (Business of Helping to Kill Somebody), produced after Nakane Productions was established.
- 照妖鏡(照妖鑑とも称する)は、中国明代の伝奇『封神演義』に登場する、本来の姿を映し出す鏡。
- 'Shoyokyo' (also called 'Shoyokan') was a mirror that revealed the original shape of the subject that appeared in 'Feng-Shen-Yen-I,' a bizarre tale created in Ming dynasty of China.
- 幹部級の女形と若手女形が共演する全段中最も明るい場面で、これが九段目の悲劇と好対照をなす。
- This is the most light-hearted scene in the entire act, in which a high-ranking onnagata (actor playing female roles) and a young onnagata play together, and it presents a strong contrast to the tragedy depicted in Act Nine.
- CD 能楽「熊野」コロムビアミュージックエンタテインメント 演能形式でほとんど全曲を収録。
- CD: Nohgaku theatre 'Yuya,' Columbia Music Entertainment: Nearly all the music is included, in Noh performance style.
- 直接の原因は、勝が自分の演技をビデオカメラで撮影し、役作りの参考にしようとしたことである。
- The main cause of this was that Katsu tried to film his own performance with a video camera to rehearse for his role.
- また、三遊亭金馬 (4代目)も演目としてこの「茶の湯」を行っているが、細部が異なっている。
- Sanyutei Kinba (the fourth) also used 'Chanoyu' as one of his programs, but the details are different.
- 美男の八代目市川團十郎が水入りを演じた際、天水桶の水を江戸中の婦女子が買いもとめたという。
- When good-looking Danjuro ICHIKAWA VIII performed Mizuiri, all the women and girls wanted to buy the water in the barrel.
- 助六を勤めるそれぞれの役者とその演目の本外題、および「出端の唄」の浄瑠璃形式は以下の通り:
- The actors that played Sukeroku, the titles of the play, and the forms of the Joruri for 'Deha no Uta' are shown below.
- 市川團十郎 (9代目)らは、正確な時代考証を目指して上演したが、歌舞伎関係者は軒並み反発。
- Kabuki actors such as Danjuro ICHIKAWA IX presented performances that aimed for the accurate reconstruction of history, but Kabuki circles opposed these performances without exception.
- 江戸時代から幕末・明治期にかけて大いに流行し、演歌師や法界屋、更には瞽女等にも演奏された。
- It became popular from the Edo period to the last days of the Tokugawa shogunate and Meiji period such that it was played by enka-shi (street performer of pop songs), hokai-ya (performer singing Hokai-bushi - Japanese traditional songs) in Kadotsuke (performance in front of the gate of houses) and goze (blind female who sings or plays shamisen (three-stringed Japanese banjo) as well.
- 「尾上菊五郎劇団」を率いて江戸歌舞伎の世話物を今に伝えるなど、演技以外の活動も盛んである。
- Apart from acting, he also commits himself to activities such as laeding 'Kikugoro ONOE theatrical company' to pass down Sewamono of 'Edo Kabuki' (kabuki of old Tokyo).
- 明治期に東京から大阪に移った三遊亭圓馬2代目と翁家さん馬5代目が人情噺を上方で演じ伝えた。
- In the Meiji period, Enba SANYUTEI the second who moved from Tokyo to Osaka and Sanba OKINAYA the fifth performed Ninjo-banashi in Kamigata (Kyoto and Osaka area).
- 現在の型が完成したのは天保11年(1840年)3月に江戸の河原崎座で初演された『勧進帳』。
- The program's current format is derived directly from the performance of 'Kanjincho' which premiered at Kawarazaki Kabuki Theater in March 1840.
- 日本の歌謡曲(流行歌)の起源については、川上音二郎などの演説歌=演歌とする説が有力である。
- As for the origin of kayokyoku (Japanese popular songs, distinguished from J-pop), a leading theory advocated by Otojiro KAWAKAMI is that it originated from enzetsu-ka (literally, speech songs, political satire taking the form of songs) which developed into enka.
- 1940年(昭和15年)、日華事変に出征、蒙疆方面で演習中、軍用機の不時着事故により戦死。
- In 1940 he went to the China Incident and died from an accident of his military plane's crash landing while in a military exercise in Menggu area.
- この場面では忠臣蔵の三段目「喧嘩場(刃傷)」の気持ちで演じることという口伝が伝わっている。
- It has been said that this scene should be done with 'Kenkaba' (sword fight), the third act of Chushingura (the treasury of Loyal Retainers).
- いかに生々しく憎く演じるかで、団七が引き立ち観客も団七の苦渋と殺人に至る経過が理解できる。
- How vivid and hateful he acts making Danshichi standout and audience understand Danshichi's anguish and the process leading up to the murder.
- また演説会・雑誌という当時目新しかった情報伝達手段もそれ自体が関心を引くのに十分であった。
- In addition, the ways of transmission of information themselves such as speech meetings and bulletin fully gathered attention.
- 現在ではむしろ、中世後期から近世初期にかけての演能技法を知るための資料として高い価値を持つ。
- It is now highly regarded as a source of information on the noh performance techniques from the late medieval period to early modern period.
- 奈良時代にさかんに行われていた伎楽も平安時代を経て鎌倉時代になると次第に上演されなくなった。
- It has been often performed in the Nara period, however, gradually declined in the Heian to Kamakura periods.
- 振付:松本五郎市、初演:坂東三津五郎 (3代目)、文政九年六月(1826年7月)江戸中村座。
- Choreographed by Goroichi MATSUMOTO, the first performance: Mitsugoro BANDO (the third), performed at Edo Nakamura-za Theater, in July 1826.
- 鬘能(かづらのう、かつらのう)とは、能の演目の中で、優美な女性や貴公子、天人などがシテの曲。
- Kazura Noh is one of the programs of Noh theatrical performance, when the shite (the main actor of a Noh play) performs the roles of a beautiful woman, a scion of a noble family, or a heavenly being.
- 第1回作品は澤村國太郎と原駒子の主演、マキノ監督によるトーキー映画『江戸噺鼠小僧』であった。
- The first film was a talkie film 'Edo Banashi Nezumi Kozo' staring Kunitaro SAWAMURA and Komako HARA and it was directed by Makino.
- だが、修行中の書生が1人いて、大阪能楽養成会のほか大阪の各能楽堂の研究会などに出演している。
- But there is one shosei (a student who is given room and board in exchange for performing domestic duties) in the group, who appears in study groups of Osaka Nohgaku Yoseikai (Osaka Nohgaku Training Facility) and other Noh theaters.
- 場合によっては、祭礼で演じられるが、伝承形態は武術そのものとして伝わっている例も散見される。
- Some of them have succeeded as a martial art, although they are sometimes performed in rituals and festivals.
- 1653年の江戸上りから1850年の江戸上りまで、約200年の間に、70曲ぐらい演奏された。
- During the roughly 200-year-long period of missions to Edo from 1653 to 1850, approximately 70 works were produced and performed.
- 昭和2年 (1927) 新橋演舞場の『厄年』のいろは茶屋お六で三代目尾上多賀之丞を襲名する。
- He succeeded to the name, Taganojo ONOE (the third) when playing the role of Iroha Chaya Oroku in 'Yakudoshi' at the Shinbashi Enbujo theater in 1927.
- そのため千秋楽の公演は人気があり、他の公演日に先駆けて前売りチケットが売切れになったりする。
- Therefore, performances on the senshuraku day are favored, and advance tickets are sometimes sold out before those for the other days.
- 「大向うを唸らせる」といえば、そういった芝居通をも感心させるほどの名演であることを意味する。
- O-muko wo Unaraseru' (literally, 'make o-muko hum,' means making a deep impression on the o-muko) means that the actor did an excellent job of acting enough to make those connoisseurs admire his performance.
- 最後の花道の引っ込みでは、お梶が団七の髷についた化粧紙をとって仲むつまじさを表す演出がある。
- When withdrawing in the final passage, Okaji removes a facial tissue from Danshichi's beard to indicate their harmony.
- 実際、踊り以外でも、演奏にもかなりの違いあることは、各地車のホームページ等でも紹介されている。
- In fact, besides the dance, the fact that there is a great difference even in the music performance is also mentioned on each danjiri website.
- また酔胡の演技も酒に酔って権威をなくしてしまった王を描いており、おおらかな批判精神がみられる。
- Also, the play of Suiko represents a king who lost his dignity as he drank, showing the generous hearted criticism.
- 天王立で幕を開ける荘重な場面であり、歌舞伎では現在演目として行われている数少ない大序のひとつ。
- It is a solemn scene that starts with kabuki instrumental music, and it is one of the few prologues which is currently performed as an independent act.
- その名の通り、この段のみ上演開始以後は客席への扉を閉じて、遅刻してきても途中入場は許されない。
- As shown by its name, only for this section, the doors of the auditorium are closed when the play starts, and people are not allowed to enter the auditorium in the middle of the play.
- 『仮名手本忠臣蔵』は通し狂言で上演されることが比較的多い演目なので、これが目立ってしまうのだ。
- As 'Kanadehon Chushingura' is often performed in the form of toshi kyogen, such a problem becomes relatively conspicuous.
- 三役(ワキ方・囃子方・狂言方)は宗家側を支持して、梅若流の演能に出演しないことを申し合わせた。
- Those engaged in the three roles of Nohgaku (waki kata (supporting actor), people of hayashi kata (musical accompaniment played on traditional Japanese instruments) and kyogen kata (comic actor)) supported the head family and made an agreement not to appear on the stage of Umewaka-ryu.
- いずれの譜も1オクターブ上げて演奏することが可能であるが、音色と表情が大きく異なった曲になる。
- It is possible to go up by one octave in both scores, but the timbre and atmosphere would become completely different.
- また、無類の尊皇家であり、皇族が観劇に訪れた際は、病気休演中を押して舞台を勤めることもあった。
- Also, he enthusiastically paid reverence to the emperor so when the Imperial family attended Kabuki, he once performed in spite of the fact that he was absent from the stage due to illness.
- 演歌のテーマは、別れや失恋など、悲しさや遣瀬なさといったものが多いため、ほとんどが短調である。
- Because many enka songs deal with sadness and sorrow of parting, heartbreak, etc., they are usually written in minor keys.
- 芝居で使われたが、演奏法が難しいため現在は実際の馬の鳴き声を録音したものが使われることが多い。
- Although it was once used in plays, a recording of a horse is usually used nowadays because of the difficulty of playing the uma.
- 一席では口演し切れない長編が多く、サゲが存在しない―として、サゲのある落とし噺と区別している。
- Many of Ninjo-banashi are long and cannot be performed at once, and do not have sage (the point) as he distinguish it from Otoshi-banashi which has the point.
- 明治41年(1908年)12月までに6回開演したが、東京毎日新聞社の組織変更とともに解散した。
- It had had six performances by December, 1908, but it dispersed because of changes of organization of the Tokyo Mainichi Shimbun.
- 『伽蘿先代萩』(めいぼく せんだいはぎ)は、伊達騒動を題材とした人形浄瑠璃および歌舞伎の演目。
- 'Meiboku Sendai Hagi' (The Disputed Succession of the Date Family) is a play for Ningyo Joruri (traditional Japanese puppet theater) and Kabuki, based on Date Sodo (the Date family disturbance).
- 彼は16歳の時『明六雑誌』を読み、感動して高知から上京して定例演説会に足繁く通うほどであった。
- He read 'Meiroku Zasshi' when he was 16 years old and impressed so much as he frequently joined periodical speech meetings at Tokyo from Kochi Prefecture.
- このため、乱は能楽師の修行の過程において、重要な階梯であると考えられ、初演を披きとして重く扱う。
- Therefore, the acquisition of the midare is considered to be important at the training, and the first performance of the midare is even considered to be the performer's debut.
- 東大寺の大仏開眼供養(西暦752年/天平勝宝4年)の時には他の諸芸能とともに大規模に上演された。
- It was performed in a grand scale with other performances during the Buddhist ceremony to consecrate the Great Buddha of Todai-ji Temple in 752.
- なお日本舞踊には必ず舞扇が用いられるわけではなく、中啓や軍扇など他の扇子が用いられる演目もある。
- Mai-ogi are not always used in Japanese dances, and some Japanese dance programs need other types of folding fans such as chukei (ceremonial folding fans) and gunsen (fans used by ancient commanders).
- 移管後の第1作は松田定次監督、片岡千恵蔵主演による『獄門島』で、同年11月20日から公開された。
- The first movie after the establishment of the distribution company was 'Jigokumon' (Gates of Hell), directed by Sadatsugu MATSUDA and starring Chiezo KATAOKA; it was released on November 20.
- 病気、事故、酒気帯び運転による逮捕、他社映画撮影など、興行中における休演の理由はさまざまである。
- There are various reasons for performance cancellation such as illness, accident, arrest for driving under the influence of alcohol, filming for other company and so on.
- しかし休演の理由がたとえ一日で解消されても、本役は三日間舞台に出ることはできない(権利の停止)。
- Although the reason of cancellation is dissolved in one day, the initial actor cannot perform for three days (Suspension of the right).
- つっころばしは上方独特の役種で、演技の巧拙以上に役者の持味、舞台の雰囲気に左右されることが多い。
- Tsukkorobashi is an acting role peculiar to the Kyoto-Osaka area; it is more influenced by an actor's personality or the stage atmosphere rather than degrees of the actor's skill.
- 彼らを主役に、そしてまだ10歳そこそこの息子たちを出演させて、「教育映画」を製作、発表し始めた。
- He put them in leading roles, had his sons who were around 10 years old take parts, and began to produce and release 'educational films.'
- 三味線と「お囃子」(前述の4種の楽器)だけでなく、さらに大太鼓や鉦、銅鑼なども加えて演奏される。
- Odaiko (large drums), bells and dora (gongs) are played together with Shamisen and ohayashi (the four instruments described earlier).
- プラスチック・木・合竹は比較的調律が安定しているが、竹とは音色・演奏感が異なるとも言われている。
- On the other hand, shinobue made from plastic, wood or synthetic resin are stable for tuning, but produce a different from bamboo shinobue.
- 特に武満徹の「秋庭歌一具」(1973年 - 1979年)は優秀な解釈により頻繁に演奏されている。
- In particular, 'Shuteiga Ichigu' (In an Autumn Garden) (1973 - 1979) composed by Toru TAKEMITSU is performed frequently owing to his brilliant interpretation.
- 大石内蔵助は松竹(『忠臣蔵』、1954年)と東宝(『忠臣蔵』、1962年)の映画でも演じている。
- He also played the part of Kuranosuke OISHI in the film adaptations of 'Chushingura' by Shochiku (1954) and Toho (1962).
- このような場合には演者が二人となる(「大蛇 (能)」のようにシテとワキの二人で舞う仕舞もある)。
- In this case, two actors perform together (Shimai also has another variation in which two actors, Shite and Waki (supporting actor), perform together like 'Daija' (big snake).
- 『新・平家物語 (NHK大河ドラマ)』(1972年 NHK大河ドラマ、演:野村万蔵七世野村万蔵)
- 'Shin Heike Monogatari (The New Tale of the Heike)' a 1972 NHK period drama, played by Manzo NOMURA (seventh generation)
- 正重は親しみやすい狂言を目指し、どのような小さな集会にでも気軽に馳せ参じて低料金で狂言を演じた。
- Masashige tried to perform spectator-friendly and easy to understand Kyogen and readily joined shows even if they were small and willingly performed Kyogen for a low performance fee.
- 『絵本合法衢』(えほん がっぽうが つじ、旧字体:繪本)は、四代目鶴屋南北作の歌舞伎狂言の演目。
- 'Ehon Gappo ga Tsuji' (A Picture Book of the Crossroads of Gappo) is a Kabuki Kyogen play written by Nanboku TSURUYA the fourth.
- 観は観世流、宝は宝生流、春は金春流、剛は金剛流、喜は喜多流において現行演目となっていることを示す。
- Kan, Ho, Haru, Go, and Ki represent programs presently performed by the Kanze school, Hosho school, Konparu school, Kongo school and Kita school respectively.
- 翌1926年5月2日からは京都の太秦に開所した「太秦撮影所」を稼動し、阪東の主演作を製作していた。
- He then established 'Uzumasa Studio' at Uzumasa, Kyoto and began producing films starring Bando on May 2, 1926.
- 三船は本名不明の用心棒(劇中では「名前は諸国を放浪している間に忘れた」と語っている)を演じている。
- In this film MIFUNE plays a nameless bodyguard (in the film he says he forgot his name while wandering around various countries).
- 台詞は語り手(「太夫」たゆう)・唄い手に任されて役者や踊り手は一言も発しないという演目・曲も多い。
- In many plays and songs, dialogues are assigned to a narrator (tayu) and singer, while actors and dancers don't speak at all.
- 原形は市川團十郎 (初代)が元禄15年(1702年)2月初演の『星合十二段』に取り入れたのが最初。
- It was originally performed by Danjuro ICHIKAWA the First as a part of 'Hoshiai Junidan' (Twelve Scenes of the Love Stars), and was premiered in February 1702.
- 「東京1989」 (雅楽編成でベートーヴェンの第九交響曲を演奏するなどコラージュ的要素の強い作品)
- Tokyo 1989' (this piece has a strong collage element, such as playing Beethoven's Symphony No. 9 using a gagaku composition)
- 新藤兼人は緒形拳、田中裕子主演で1981年の映画『北斎漫画 (映画)』を監督し北斎の一生を描いた。
- Kaneto SHINDO directed the 1981 movie 'Hokusai Manga,' starring Ken OGATA and Yuko TANAKA, which depicted Hokusai's life.
- 明治5年、東京奠都で寂れかけた京都を立て直そうと槇村正直が博覧会の余興として都をどりが上演された。
- To revitalize Kyoto, which was on the brink of decline due to the Tokyo-tento (designation of Tokyo as capital), Masanao MAKIMURA had Miyako Odori (Dance of the Capital) performed in the Kyoto Exhibition as an entertainment in 1872.
- 鴨川をどり 5月1日から24日にかけて先斗町歌舞練場で上演され、京の花街の中で最も上演回数が多い。
- Kamogawa Odori (Kamo River Dance): performed at the Ponto-cho Kaburen-jo Theater from May 1 to 24 with the largest number of performances among all the hanamachi in Kyoto.
- 『三国志演義』の「桃園の誓い」の故事にちなみ、梅の下で義兄弟の契りを結んだところから話がはじまる。
- It starts when the three of them bond as Gikyodai (associate with each other as brothers) under a plum tree in connection with the tradition of 'Oath of the Peach Garden' in the 'Romance of the Three Kingdoms.'
- そこで同プロダクションはすべて阪東主演作に切り替え、最後の9本目は、阪東自身が監督するに踏み切った。
- For this reason, the production had to change their plans and decided to produce all of their films starring Bando; moreover, they made a bold decision to make the last of the nine films with Bando himself in the director's chair.
- 設立第1作は、池永総指揮、池田富保監督、早川雪洲主演の『楠正成』で、同作は同年6月1日に公開された。
- The first film after establishment was 'Masashige KUSUNOKI' with executive producer So IKENAGA, directed by Tomiyasu IKEADA and starring Sesshu HAYAKAWA, and it was released on June 1 of the same year.
- また羽黒山上の出羽三山神社で7月15日に、鶴岡城内の庄内神社でも8月15日にそれぞれ奉納上演される。
- Also, it is presented at Dewasanzan-jinja Shrine on top of Mt. Haguro on July 15, and at Shonai-jinja Shrine in the site of Tsurugaoka-jo Castle on August 15.
- 現行の『忠臣蔵』の演出は、尾上菊五郎 (5代目)が完成させたもので、江戸歌舞伎にこれ以外の型はない。
- Existing staging of 'Chushingura' was completed by Kikugoro ONOE (the fifth), and there are no other styles besides this one in Edo kabuki.
- 歌舞伎の家の芸(かぶきの いえのげい)では、歌舞伎役者の権門が家の芸として特に定めた演目集をあげる。
- Kabuki ie no gei is a program list that is especially selected by the influential members of kabuki actors as the specialty pieces of their kabuki schools.
- その中には九代目自身が提唱していた活歴物も多く含まれており、現代ではほとんど上演されない演目も多い。
- The selection contained many programs of Katsurekimono, proposed by Danjuro the ninth himself, and many programs are seldom performed today.
- 備考:助六を市村羽左衛門と市川團十郎以外の役者が演じた舞台で河東節「所縁江戸櫻」が使われた唯一の例。
- Note: This was the only performance where Katobushi 'Yukari no Edozakura' was used on the stage of Sukeroku impersonated by an actor other than Uzaemon ICHIMURA and Danjuro ICHIKAWA.
- 二葉亭が『浮雲』(1887年)を書く際には、落語家の初代三遊亭圓朝の落語口演筆記を参考にしたという。
- It is said that when FUTABATEI wrote 'Ukigumo', he referred to Encho SANYUTEI's rakugo recorded into written Japanese.
- 道化役の伴内は腕達者な俳優が受け持つが、幹部級も御馳走(特別出演)で演じることも多く客席を喜ばせる。
- Bannai is performed by actors with great skill, and sometimes the very highest ranked actors make a special appearance in this role ('gochiso' in Japanese), which is a pleasant surprise for the audience.
- ヘルベルト・フォン・カラヤンの指揮とイヴォンヌ・ロリオの独奏で演奏されるなど世界的に評価されている。
- The piece, which was played by the conductor Herbert von KARAJAN with piano solo played by Yvonne LORIOD, has received a high evaluation internationally.
- その間に映画出演などで芸の力がつきスランプを脱すると上方和事の真髄とも言う芸を見せて高く評価された。
- In the meantime, he could improve his art by appearing in cinemas and came out of doldrums, and he displayed the art which we can call the spirit of Kamigata wagoto (the production style of a love scene in Kamigata (Kyoto and Osaka area)) and he was highly appreciated.
- 東遊(あずまあそび)は、雅楽の国風歌舞に類される、演奏時間は30分程度かかる、かなり長い組曲である。
- Azuma-asobi is a fairly long suite that needs approximately 30 minutes to be completed, which is classified into the Kuniburi no Utamai (native-style songs and dances based on the music of ancient Japan), a type of gagaku (Japanese Imperial Court music).
- 1832年の尚育王の謝恩使の一行が、江戸の芝白金の島津邸で行った奏楽と舞踊、演劇の様子を描いた絵巻。
- The letters of gratitude sent by King Sho Iku in 1832 include a scroll depicting a musical performance, dance and play held at the Shimazu mansion in Shiba-Shirokane in Edo.
- 「かんかんのう(看々踊り)」や、「法界節(ほうかいぶし)」や「演歌」も、清楽から発展したものである。
- Kankan no' (Kankan dance), 'Hokaibushi' and 'Enka' (Japanese ballad) all derived from Shingaku.
- 同年(大正元年)9月13日、東京・青山の陸軍演習(現在の神宮外苑)に於いて大喪の礼が執り行なわれた。
- On September 13 in the same year, the Rites of an Imperial Funeral were held at Rikugun (the Army) Enshu in Aoyama, Tokyo (current Jingu Gaien (the Outer Gardens of the Meiji Shrine)).
- また1932年(昭和7年)に、近衛秀麿指揮の新交響楽団でハイドンの協奏曲のピアノの録音演奏を行った。
- He also played Haydn concerto on the piano in the New Symphony Orchestra conducted by Hidemaro KONOE in 1932 for a recording.
- 今日よく上演されるのは1915年(大正6年)4月帝国劇場上演時に「実演用」として書かれたものである。
- Kiri Hitoha script commonly presented today was written 'for a demonstratio'in performances at Teikoku-Gekijo Theatre in April 1915.
- そのほか、1980年代ごろから「真伎楽」という形での復興もおこなわれ、奈良の寺院などで上演されている。
- Another project called 'Shin Gigaku' (genuine gigaku) to revive gigaku for today's audience has been developed since 1980's, to be performed at temples in Nara Prefecture.
- 2001年歌舞伎座 九月大歌舞伎『米百俵』 中村吉右衛門 (2代目)主演 小泉首相も観劇し、感動した。
- In 2001, at Kabuki-za Theater, September Grand Kabuki 'Komehyappyo' (a hundred straw rice bags) played by main actor, Kichiemon NAKAMURA (the second generation); the former prime minister Junichiro KOIZUMI viewed the play and was impressed.
- 王祗祭は2月1日の夜に春日明神のよりしろである王祗様を迎え、上・下両座に祭の庭を設けて能が演じられる。
- In Ogi-sai, after Ogi-sama of Kasuga-jinja Shrine, an object inhabited by a god's spirit when it descends and called Yorishiro is invited, Noh is performed on the stage in two houses from Kami-za (a troupe from the south area of Kasuga-jinja Shrine) and Shimo-za (a troupe from the north area of Kasuga-jinja Shrine) each on the evening of February 1.
- 正式には立回り(歌舞伎)、殺陣(たて。演劇・映画)などと呼ばれ、俗称として「チャンバラ」が用いられる。
- It is formally called tachimawari (stylized fight scene) in Kabuki or tate (sword battle) in theatrical performances as well as movies and commonly called 'chanbara.'
- ただし十五代目市村羽左衛門は「名橘誉石切」(なにたちばなほまれのいしきり)として演じることが多かった。
- However, when Uzaemon ICHIMURA acted in that program, he often called it 'Nani tachibana Homare no Ishikiri.'
- その悪縁か白猿(註。七代目市川団十郎の俳名。初演では勘平はその団十郎がつとめた)に、よう似た顔の錦絵の
- Wondering if it caused such a misfortune, I am watching a color woodprint of a figure which looks like Hakuen (Note: Hakuen is the nickname of Danjuro ICHIKAWA VII and he played Kanpei in the premiere).
- 困窮した職分は大挙して吾妻能狂言(能楽と歌舞伎の折衷演劇。明治14年頃に消滅)に参加、失敗に終わった。
- A large number of the occupational branch families that had been suffering from poverty joined the Azuma Nohkyogen (blending play of Nohgaku and Kabuki [traditional drama performed by male actors], disappearing in around 1881) only to fail.
- ポップスの分野では篳篥の東儀秀樹が、篳篥の音色を生かしたポピュラー音楽の編曲および自作を演奏している。
- In the genre of pops, hichiriki player Hideki TOGI performed his own compositions as well as arrangements of popular music that make use of the sound of hichiriki.
- 能舞台は音がよく反響するように作られており、演者が足で舞台を踏む(足拍子)ことも重要な表現要素である。
- The Noh stage is made so as to resonate sound, as performer's stamping on the floor of the stage (Ashi Byoshi) is considered an important element.
- 披き(ひらき)とは、能楽師が、ある曲のシテもしくはそれに準ずる役、狂言、囃子などをはじめて演ずること。
- Hiraki is what a Nohgakushi (Noh actor) performs for the first time as a shite (a main actor of a Noh play) or a quasi shite role for a certain music, Kyogen (farce played during a Noh play cycle), or hayashi (musical accompaniment played on traditional Japanese instruments).
- 神舞は「高砂 (能)」「養老」のような脇能に用いられる舞事で、かなり位が速く颯爽と目出度く演じられる。
- Kami mai is the mai-goto used in waki Noh, such as 'Takasago (in Noh)' (one of the masterpieces of Shugen-noh (Noh for celebration)) and 'Yoro' (Longevity Springs), and is played at a rather quick tempo, joyously and energetically.
- 頼兼による高尾殺しを描いた脚本もあり、まれに上演される(平成10年〈1998年〉11月国立劇場など)。
- There is also a script about the murder of Takao by Yorikane, which is performed on rare occasions (for example, during November 1998 at National Theater of Japan).
- 人気作品であった『八犬伝』は、刊行中からすでに歌舞伎の演目になり、抄録や翻案作品、亜流作品を生み出した。
- Being very popular, 'Hakkenden' was already made into a program of Kabuki even while it was being published, and has produced excerpts, adaptations and epigones.
- 観光人力車の他、結婚式やお祭りなどでの演出としての使用や、歌舞伎役者のお練りなどに使用されることがある。
- Besides sightseeing, jinrikisha are sometimes used in wedding ceremonies and festivals, as well as in parades of kabuki actors.
- 女形が演じるのは「三姫」(八重垣姫、雪姫、時姫)に代表される姫君や花魁や若い娘や人妻、奥女中などである。
- Onnagata acts the roles of princesses examplified by `three princesses' (Princess Yaegaki, Yukihime, Tokihime), oiran, a young girl, a married woman, or a maid working in the domestic quarters of a shogun or daimyo.
- 阪東主演作だけでなく、草間実、梅若礼三郎、市川松之助らの主演映画も製作して、松竹に納入することとなった。
- The company therefore had to produce not only films starring Bando, but also films starring actors such as Minoru KUSAMA, Reizaburo UMEWAKA and Matsunosuke ICHIKAWA, and then deliver them to Shochiku.
- 『風姿花伝』『至花道』『花鏡』といった能楽論を執筆して、実演・実作・理論の諸方面で能楽の大成につとめた。
- He also wrote theory books of Nohgaku such as 'Fushikaden,' 'Shikado' and 'Kakyo,' trying to establish Nohgaku in the fields of performance, writing Noh dramas and theory.
- これは「打ち指」と呼ばれる伝統的演奏技法であり、祭囃子・神楽・獅子舞等の祭礼音楽において特に多用される。
- This is a traditional technique for playing the shinobue which is called 'uchiyubi' (lit. tapping finger), and it is often used in the music of rites and festivals such as matsuri-bayashi (Japanese music), kagura (sacred music and dancing performed at shrine), and shishimai (lion dance).
- 後にはこれが、弁慶の嘘を見破りながら、その心情を思い騙された振りをする好漢として演じられるようになった。
- However, in later performances, he is portrayed as a good-hearted man who, despite the fact that he detects Benkei's lie, pretends to be fooled by him because he understands Benkei's sincere heart.
- 西洋や現代が題材の場合は概ねバレエと同様、時代劇、等、和風の場合は歌舞伎舞踊や大衆演劇に近い感じになる。
- When the subject matter of a program is related to the West or modern times, makeup is generally similar to that of ballet, but when they are in Japanese style such as Jidaigeki, makeup seems to be closer to that of Kabuki Buyo or Taishu Engeki.
- しかし東京大歌舞伎ではなかなか役に恵まれず、大正時代には市川左團次 (2代目)の演劇革新運動に加わった。
- In Tokyo Oo Kabuki, however, he was unable to obtain satisfactory roles and, in the Taisho period, he joined the theater reform movement of Sadanji ICHIKAWA (II).
- これは「老松」のような老体の脇能に限り、位は重いが運びが停滞しないようにさらさらと演じることを旨とする。
- The mai of this type is limited to that in the waki Noh (noh sequence corresponding to shin that is performed first after the Okina (a performance art patterned after an ancient ritualistic ceremony)) played by an elderly noh player, as in 'Oimatsu' (literally, an old pine), and it is said that, although the tempo is slow, such mai should be danced very smoothly without becoming stagnant.
- 舞台演劇としては、三者三様のいでたちで盗賊として活躍するさまが、高い視覚的効果をあげていると評価される。
- As a stage performance, the way three robbers behave and act differently is highly evaluated for its visual effect.
- しかも通常は観客が予想もしないところでこれが出るため、くすぐりは演目に重要なアクセントを与える手法となる。
- Moreover, performers play this at the scene where the audience cannot expect, so kusuguri can be a technique giving an accent to the play.
- 演劇改良会の主張は急進的であり、受け入れられない面もあったが、歌舞伎の近代化に向けて大きな影響を及ぼした。
- Engeki Kairyo Kari embraced radical ideas, and some of their proposals were disapproved, but it exerted a strong influence on the modernization of Kabuki.
- 団十郎、菊五郎、左団次らの名優が「勧進帳」などを演じ、これによって、歌舞伎役者の社会的地位は大いに上った。
- At the event, famous Kabuki actors such as Danjuro, Kikugoro, and Sadanji presented the programs such as 'Kanjincho,' which resulted in great improvement in the social standing of Kabuki actors.
- また日本中にブームを巻き起こした『曾根崎心中』のお初役は初演以来1000回を越え、なお記録を更新中である。
- His acting as O-Hatsu (a polite form of the girl's name Hatsu) in 'Sonezaki-shinju (a lovers' suicide in Sonezaki,' a work by Chikamatsu created a sensation throughout Japan; he has played O-Hatsu more than 1,000 times and is continually elevating that record.
- この緒をしめたりゆるめたりすることで音色を調節しながら、一方もしくは両方の皮を手または撥で打って演奏する。
- Either both sides or single side of leather parts are beaten by hand (s) or plectrum (s) while adjusting the tone color by tightening or loosing the strap.
- 近代では市川團蔵 (7代目)、戦後は尾上松緑 (2代目)、市村羽左衛門 (17代目)などが名演技を示した。
- After the Meiji Restoration, Danzo ICHIKAWA (the seventh), and after the end of the Second World War, Shoroku ONOE (the second) and Uzaemon ICHIMURA (the seventeenth) were major actors who gave great performances.
- だが、文里と吉原の遊女一重との悲恋を主題とする筋は初演後は省略されることが多く、今日ほとんど上演されない。
- However, the episode about the tragic love of Bunri and Hitoe, a prostitute of Yoshiwara, is often omitted and seldom performed these days.
- 時代劇(じだいげき)とは、日本の歴史における各時代的背景などを取り入れた演劇や映画、テレビドラマなどである。
- Jidaigeki (period drama) is a genre of theater, film and television shows based on various periods in Japanese history.
- 『延喜式』によると法隆寺をはじめ、大安寺、東大寺、西大寺 (奈良市)などに伎楽を上演する一団がおかれていた。
- According to 'Engishiki' (three major code books of Heian period), the groups of gigaku were held at Daian-ji Temple, Todai-ji Temple and Saidai-ji Temple (Nara City).
- 登場人物が多く、長い演目であり、情の中におかし味を持たせなくてはならないという理由から、難しい一題とされる。
- It is considered as a difficult topic because many characters appear in the story, while the story is long, and humor has to be added to a moral story.
- 平野地域、十三地域や東大阪地域などの一部には、長柄・南長柄地区の派手な演奏を取り入れている講が少なくはない。
- In some areas, such as the Hirano region, Juso region and Higashi Osaka region, there are a lot of associations that perform bold music of the Nagara and Minami Nagara regions.
- したがって、阪東は小沢得二監督の『嵐に立つ女』に顔を出した程度で、「連合映画」にはまったく出演できなかった。
- Therefore, Bando could not appear in 'Rengo Eiga' films except for 'Arashi ni Tatsu Onna,' which was directed by Tokuji OZAWA.
- 1897年(明治30年)2月15日に大阪の南地演舞場(のちの南街会館)で初めてのシネマトグラフ興行を行った。
- On 15th February 1897, Inabata showed the first cinematograph at Nanchi Enbujo Theater (later Nangai Kaikan Theater).
- 1971年にはテレンス・ヤング監督による仏作品『レッド・サン』に、日本使節団の一員として三船が出演している。
- MIFUNE played a member of a Japanese mission in the French film 'Red Sun' directed by Terence YOUNG in 1971.
- シテ方は静御前と知盛の霊というまったく異なったキャラクターを一つの能の前半、後半で演じ分けなければならない。
- Shite-kata has to play totally different characters - Shizukagozen and then the ghost of Tomomori - in the first and second halves of the same noh play.
- 平成20年には琴伝流会員2,864名により大正琴の一斉演奏のギネス記録(従来記録1,034名)の更新をした。
- In 2008, 2,864 members of Kinden school broke its own Guinness record for largest group performance of taishogoto (record before that was 1,034 players).
- 現在でもその演出は受け継がれており、軍を表す「石投げの見得」と幕切れの六方に入る直前の見得以外は無音である。
- This policy with regard to the music is continued even today: there is no musical accompaniment in the performance except for during the 'Ishinage no mie', which represents an army, and the mie displayed just before the Roppo Exit at the end.
- また禅竹は作能にもすぐれた手腕を見せ、「定家」「芭蕉」「杜若」など現在でも演じられる佳曲を次々と生みだした。
- Zenchiku was also a great playwright and produced a series of excellent works such as 'Teika', 'Basho' and 'Kakitsubata', which are still performed today.
- 「江戸上り」では、元服前の男児が、楽師から楽曲を仕込まれて、「楽童子」(がくどうじ)として御座楽を演奏した。
- For 'Edo nobori (the missions to Edo),' boys were trained in musical repertoire by music teachers before attaining manhood and, participated in Uzagaku ensembles as 'Gakudoji (lit. child musicians).'
- なお、嵐寛寿郎は1927年(昭和2年)から1956年(昭和31年)まで40本もの『鞍馬天狗』に主演している。
- Incidentally, Kanjuro ARASHI starred in as many as 40 movies named 'Kurama Tengu,' which were released during the period from 1927 to 1956.
- 明治期に銕之丞家四世の観世清済の次男源次郎氏演が初世梅若実の婿養子となって五十三世梅若六郎を相続・襲名した。
- In the Meiji period, the second son of Kiyoyuki KANZE (the fourth Tetsunojo KANZE), Genjiro married a daughter of the first Minoru UMEWAKA and succeeded to the name of the 53rd Rokuro UMEWAKA.
- 1956年 4月に自治体直営のオーケストラとして創立し、6月18日、先斗町歌舞練場に於いて披露演奏会を開催。
- In April 1956, it was established as an orchestra directly operated by a municipality and gave its first public performance on June 18 in the Pontocho Kaburenjo Theater.
- スウェーデンの首都・ストックホルムで開かれた日本・スウェーデン協会の会合の際、演説のなかで次のように述べた。
- He attended the meeting of the Japan-Sweden Society held in the capital of Sweden, Stockholm, and in his speech, he said as follows:
- 初演は隣の座の中村芝翫 (4代目)(当時は中村福助)の人気に食われ、興行としてはあまり当たらなかったという。
- At the time of the debut performance, the popularity of Shikan NAKAMURA IV (then Fukusuke NAKAMURA) in the next theater was greater and Sannin Kichisa Kuruwa no Hatsugai was not commercially successful.
- 上記のような欧米事情に明るい知識人たちが、啓蒙するための手段として選択したのが定例演説会と雑誌発行であった。
- Such intellectuals who knew well about Europe and America as above chose periodical speech meetings and a publication of a bulletin in order to enlighten people.
- 「岡山俊太郎」名義による阪東妻三郎監督・主演作『石松の最期』は、1930年(昭和5年)1月10日に公開された。
- 'Ishimatsu no Saigo' (The Last Moment of Ishimatsu), directed by and starring Tsumasaburo BANDO, who assumed the director's name 'Shuntaro OKAYAMA,' was released on January 10, 1930.
- 『仮名手本忠臣蔵』は全十一段からなり、現在でもほぼその全段が演目として残っている稀な浄瑠璃・丸本歌舞伎である。
- 'Kanadehon Chushingura' is composed of 11 acts in total, and it is a rare joruri as well as marumoto kabuki play whose acts have survived almost in entirely as a theater piece to this day.
- またここから転じて、大仰で様式的な演技やせりふ廻し、またそうした演出が型として求められる部分を「時代」という。
- Derived from this, the parts showing exaggerated and stylistic performance and lines, and the parts where such performances are required are called 'Jidai'.
- (テレビ番組に出演し話題を呼び、北島三郎のもとに弟子入りし、プロデビューを果たした大江裕はこの典型といえる。)
- (The most typical of such fans is Yutaka OE who came into the spotlight in a TV program, was apprenticed to Saburo KITAJIMA, and made his professional debut.)
- 政治プロパガンダ - 一般には、講談のほうが演者が客にストレートにメッセージを発することができるとされている。
- Political propaganda: As a general rule, performers in kodan are said to be capable of delivering messages to the audience in a more straightforward way than in rakugo.
- しかし鴈治郎は尾上松緑 (2代目)から役の性を教えてもらうなど、自身なりの鎌七を見事に演じ切って賞賛を浴びた。
- However, Ganjiro learned from Shoroku ONOE (II) concerning the nature of the role and played his own Kamashichi excellently and received praise.
- 映画出演の傍ら、1958年からは片岡仁左衛門 (13代目)らとともに歌舞伎の自主公演「七人の会」にも出演した。
- While acting for movies, he took part in the independent performance of the kabuki 'Shichinin no kai' (party of seven persons) from 1958 together with Nizaemon KATAOKA, the thirteenth, and others.
- 1975年(昭和50年)1月16日、京都南座の初春興行に出演中に死亡した。好物のトラフグの肝による中毒で急死。
- He died on January 16, 1975, while he was touring during the new year's performance at the Minami-za Theater in Kyoto.
- 半能(はん-のう)とは、能楽において付祝言のために、一曲の能を後場に焦点をあて、前場を大幅に略して演じる形態。
- 'Han-Noh' is a style of 'Nohgaku' that a play is performed with largely shortened 'Maeba' (the first half of the drama), focusing on 'Nochiba', (the second half of the drama) for 'Tsukeshugen' (a short celebratory Noh play).
- 2003年 大友直人(第11代常任指揮者)と共に西日本初の子供向け定期演奏会「こどものためのコンサート」を開始
- In 2003, together with Naoto OTOMO, the eleventh regular conductor, Kyoto Symphony Orchestra launched the first regular concert for children in the western Japan, 'Concert for Children'.
- 彼は交易に携わる傍ら、明国の宗室や廟の音楽に造詣が深かったが、それらの音楽を長崎で一族郎党を率い演奏していた。
- Though he was engaged in trade, he well versed himself in music played in the Imperial Court or mausoleum halls in Ming, and he played these pieces of music with his family and followers.
- その演者の得意な演目に際し、期待をこめて掛ける事が多い(『菅原伝授手習鑑・寺子屋』の「いろは送り」の前など)。
- At the performances in which the performers are good at, the audience does kakegoe with expectation; for example, at the opening of the song 'Iroha-okuri' of the scene 'Terakoya' of 'Sugawara-denju Tenarai-Kagami.'
- 1931年(昭和6年)5月、ふたたび「嵐寛寿郎プロダクション」名義、東亜キネマ配給で嵐の主演作が発表され始める。
- Works with Arashi playing a central role were once again being released with the name 'Arashi Kanjuro Productions' provided by Toa Kinema in May of 1931.
- 伝統芸能では、演者が本筋とは直接関係がない駄洒落や内輪ネタでことさらに観客の笑いを取ることを「くすぐり」という。
- In the traditional performing arts, performers sometimes go out of their ways to make the audience laugh by off-topic dajare (pun) and inside jokes, and that is called as 'kusuguri'.
- 文明国の上流階級が見るにふさわしい演劇を主張し、女形の廃止(女優の出演)、花道の廃止、劇場の改良などを提言した。
- Espousing theatre entertainment suitable for the upper class in a civilized nation, the organization proposed eradicating actors of female roles (hiring actresses), abolishing a passage through the audience to the stage, and upgrading theatres.
- 中村鴈治郎 (2代目)、實川延若 (2代目)らとともに、自主公演の集まり「七人の会」をたちあげたが不調に終わる。
- He launched a group of self-promoting plays 'Shichinin-no-kai' (a group of seven persons) together with Ganjiro NAKAMURA II and Enjaku MINOKAWA II, but ultimately the group failed.
- 毎年、愛知県新城市の「長篠合戦のぼりまつり」において、米沢藩古式砲術保存会・長篠設楽原鉄砲隊と競演で演武を行う。
- Every year in the 'Nagashino Banner Festival' held in Shinshiro City, Aichi Prefecture, they conduct a demonstration of gunfire together with the Preservation Society of Traditional Gunnery of Yonezawa Domain and the Nagashino Shitaragahara Musket Corps.
- 越天楽に歌詞をつけたのが『今様』であり中で最も有名なのが『黒田節』で、日本では結婚式などで演奏されることが多い。
- Versions of etenraku with lyrics attached thereto are called 'imayo' (popular style of song in Heian period) and the most famous among them is 'Kuroda-bushi' (Song of Kuroda), which is often played in wedding receptions in Japan.
- この演出は、八代目市川團十郎が弁慶を演じた際、富樫を共演した名人市川小團次 (4代目)が編み出したとされている。
- It is said that this performance was first rendered by the acting master Kodanji ICHIKAWA the Fourth, who acted with Danjuro ICHIKAWA the Eighth as Benkei.
- 神、龍神、天狗、鬼畜など異類のシテが、その神秘的な力を示して勇壮にたちはたらく働事で、特に勇壮活発に演じられる。
- It is one of hataraki-goto in which the shite who plays valiantly a role of nonhuman being such as a god, a dragon god, a tengu (a mountain spirit, portrayed as winged and having a long nose), or a kichiku (brute) performs dynamically and powerfully by expressing an numinous power.
- 歌右衛門は、ヒステリー気味の淀君を演じる際、わざわざ精神病院に出向いて患者を観察したほどの入れ込みようであった。
- Utaemon was so obsessed with his performance of hysteric Yodogimi that he visited a mental hospital to observe patients.
- 花道の引っ込みの際浴衣のすそを捲り上げようとして下帯のないのに気づき慌てて扇子で前を隠すユーモラスな演技がある。
- There is a humorous performance to hide his private parts with a fan in haste realizing he had no loincloth while trying to tuck up the hem of his yukata's while withdrawing into the passage.
- スーパー歌舞伎(-かぶき)は、市川猿之助 (3代目)が1986年に始めた、歌舞伎とは異なる演出による現代風歌舞伎。
- The Super Kabuki is a modernized, contemporary Kabuki dance drama directed in a different manner from the original, classical Kabuki theatrical dance, which was introduced by the third Ennosuke ICHIKAWA in 1986.
- 上演は1947年11月だったが、戦災で歌舞伎座や新橋演舞場などほとんどの劇場を焼失していたため、東劇が用いられた。
- 'Kanadehon Chushingura' was presented in November 1947 at Togeki Theater, since Kabuki-za Theater and Shinbashi Enbujo Theater were burnt down during the war.
- だが、若山は勝と黒澤のトラブルを予期し、それに巻き込まれることを嫌って出演依頼を断ったため、実現には至らなかった。
- However, anticipating trouble between Katsu and Kurosawa, Wakayama declined the offer to avoid incident, thus this casting was not realized.
- 能「翁」の一部をなす三番叟(さんばそう。大蔵流では「三番三」と書く)と、その特別演出である風流(ふりゅう)をいう。
- Betsu Kyogen indicates Sanbaso (usually written as '三番叟' in Chinese characters, except the Okura school, which writes it as '三番三'), which is one of Acts in a Noh program 'Okina' (dance performance putting on a mask of an old man), and its special version 'Furyu.'
- 初演時の配役は市川團十郎 (7代目)の武蔵坊弁慶、市川團十郎 (8代目)の源義経、市川團蔵 (6代目)の富樫泰家。
- The original cast was as follows: Danjuro ICHIKAWA the Seventh as Musashibo Benkei; Danjuro ICHIKAWA the Eighth as MINAMOTO no Yoshitsune; Danzo ICHIKAWA as Yasuie TOGASHI.
- (後に、彼が約30年かけて2003年に完成させた、上演に7日を要する長大オペラ「光(Licht)」の一部とした。)
- (It later became a part of 'Hikari' [Licht in German], a very long opera which requires seven days to perform, on which he spent approximately 30 years for its completion in 2003.)
- 1952(昭和27)年には宇野信夫の脚本により近松門左衛門の『曾根崎心中』を復活上演、以後生涯の当たり役となった。
- In 1952, he performed revival 'Sonezaki shinju' (Lovers' suicide in Sonezaki) by Monzaemon CHIKAMATSU with the script by Nobuo UNO and it became his star role throughout his life.
- 同作は、後藤岱山、橋本松男、堀江大生、重政順が監督として名を連ねる大作で、羅門光三郎、原駒子、小川雪子が出演した。
- This was a huge movie in which Taizan GOTO, Matsuo HASHIMOTO, Daisho HORIE and Jun SHIGEMASA joined as the directors, and Mitsusaburo RAMON, Komako HARA and Yukiko OGAWA as the cast.
- これにちなみ、千秋楽の前日、もしくは1つ前に行われる公演は「前楽」(まえらく、楽日の前の意)と呼ばれることがある。
- Related to this term, the day before senshuraku or the play performed before the last one is called maeraku (the day before rakubi).
- その活動範囲は広く、特に息子・野村萬斎はテレビドラマ出演や舞台演出を手掛けるなど各方面に精力的な姿勢を見せている。
- They work in a range of fields and Mansaku's son Mansai NOMURA in particular has been working tirelessly in different fields, such as appearing in TV drama series and producing theatrical plays.
- 2006年(平成18年)、 歌舞練場改築工事で休演されていた芸妓の発表会である『みずゑ会』が31年ぶりに復活した。
- In 2006, 'Mizue kai,' a dance performance by geisha, which was not performed due to the Kabu-renjo Theater undergoing renovations was revived for the first time in thirty one years.
- 演出こそ、新内や竹本を用いるなど旧来の歌舞伎狂言そのものであるが、人物の性格や心理描写などに近代的な点が見られる。
- Although it is performed in the traditional Kabuki kyogen style, such as using shinnai and takemoto, one can also observe some modern tastes in it such as in the personalities of the characters and the depiction of their psychology.
- 白鸚は閻魔堂で大学之助を討ったはずが、実は太平次の身代わりで、大学之助が早変わりで登場するという演出を取っていた。
- In the stage production by Hakuo, Daigakunosuke was killed at Enma-do Temple, but he was in fact Taheiji disguised as Daigakunosuke, who then appeared through Hayagawari.
- - 毎号平均3205冊余発行(第30号森有礼演説による)、あるいは毎号平均2840冊(『内務省第一回年報』による)
- It had a circulation of 3,205 copies and a little on an average (according to a speech of Arinori MORI published on the 30th issue) or a circulation of 2,840 copies and a little on an average (according to 'the first annual report of the prewar Ministry of Home Affairs').
- 何故なら、定例演説会で個別のテーマについて意見交換し、それを基に筆記したものが『明六雑誌』に掲載されたからである。
- It is because the discussions on specific themes at periodical speech meetings were published on 'Meiroku Zasshi.'
- ただし『三人吉三』のお嬢吉三や『青砥稿花紅彩画』(白浪五人男)の弁天小僧のような女装の美少年を演じるのも女形である。
- However, the roles of beautiful boys, who are dressed as a woman such as kichisa of 'Sannin kichisa,' Benten Kozo (Benten the Thief) of ''Aotozoshi hanano nishikie' (Shiranami Gonin Otoko (The Five Shiranami Men), are also acted by onnagata.
- また、9本の千恵プロ作品に出演した武井は同年2月に独立、双ヶ丘撮影所に武井龍三プロダクションを設立した(同年解散)。
- Takei, who appeared in nine films produced by Chie Puro, became independent in February and established Takei Ryuzo Productions at Narabigaoka Studio (liquidated the same year).
- 同年7月、同撮影所が火事になり、沖博文監督による阪東主演作『英五郎二人』のネガフィルムが焼失するという事件が起きた。
- During July of the same year, there was an incident where the film's negatives for 'Eigoro Futari' (Two Eigoros), directed by Hirofumi OKI and starring Bando, were burned due to a fire occurring at the studio.
- 弁慶・富樫・義経の天地人の見得、弁慶の不動の見得、石投げの見得など、美しい見得が次々と演じられるのも見どころである。
- The beautiful 'mie' (poses), displayed one after another during the play, such as Tenchinin no mie (the combination of three poses between Benkei, Togashi and Yoshitsune), Benkei's Fudo no mie (a pose as the fearsome Buddhist deity Fudo) and Ishinage no mie (a rock-throwing pose), are also one of the highlights of Kanjincho.
- これら現代音楽における笙など雅楽楽器の演奏は、雅楽のみならず現代音楽においても深い解釈を持つ奏者の存在が欠かせない。
- Existence of performers with a deep understanding of not only gagaku, but also modern music, is vital to the performance of modern music using gagaku musical instruments such as sho.
- 「マキノ青司」名で自ら脚本執筆、『雲母阪』のタイトル、阪東の主演で映画化、2か月後の6月20日には完成、公開された。
- Makino himself authored the film script under the pen name of 'Seiji MAKINO' and the film titled 'Kirara Zaka' starring Tsumasaburo BANDO was completed two months later and released on June 20.
- しかし、関西での歌舞伎公演が激減する状況下では充分な活躍ができないと、関西を離れ東京歌舞伎と一座することが多くなる。
- However, as he could not perform sufficiently under the situation in which performance of kabuki in Kansai was drastically decreased, he often left Kansai and performed with Tokyo Kabuki.
- 跳び六方(とびろっぽう)とは、歌舞伎において役者の舞台からの退場時、大きく横とびをして、感動を高める演技技法である。
- Tobiroppo refers to a performing technique in Kabuki (traditional drama performed by male actors) to raise the excitement by taking big sideways jumps when an actor exits the stage.
- その時限りの台詞や演出の変更があったり、アドリブをきかせたり、サプライズゲストが登場して観客を盛り上げることがある。
- To excite audiences, something not included in the script is said, the planned flow of the play is changed, ad-lib words are said, and/or an unexpected guest will appear onstage.
- 稀に、「翁」に続けて連続で「高砂」や「養老」、「鶴亀」、「老松」などの能が同じ演者たちによって上演されることがある。
- On rare occasions, Noh such as 'Takasago' (the dune), 'Yoro' (the care of the aged), 'Tsuru Kame' (the crane and the tortoise), and 'Oimatsu' (the old pine tree) are performed by the same set of Noh actors after 'Okina.'
- 現在「伽羅先代萩」の外題で上演される内容は、「竹の間」「御殿」「床下」は前者、その他は後者の各場面を原型としている。
- Among the scenes of 'Meiboku Sendai Hagi' performed today, 'Bamboo Room,' 'Mansion' and 'Under the Floor' are based on the former, and other scenes are based on the respective scenes of the latter.
- 通称「立場の太平次」(たてばの たへいじ)、文化 (元号)7年5月5日(1810年6月6日)江戸市村座初演、全七幕。
- It is commonly called 'Tateba no Taheiji' (Taheiji of rest station), first performed at Ichimura-za Theater in Edo on June 6, 1810, and consists of seven acts.
- 伊達騒動を扱った最初の歌舞伎狂言は、正徳 (日本)3年(1713年)正月江戸市村座で上演された「泰平女今川」である。
- The first Kabuki play based on Date Sodo was 'Taihei Onna Imagawa' first performed in the new year of 1713 at Ichimura-za Theater in Edo.
- また、数珠を切り刀を引っさげての入りでは雲竜の墨絵模様の帷子を着るが、これは団七の刺青を引き立てるための演出である。
- Moreover, when he entered cutting the beadroll and wearing a sword, he wore a shroud with a dragon in the clouds drawn in Japanese ink painting, and this staging emphasizes Danshichi's tattoo.
- 女形・女方(おやま・おんながた)とは、歌舞伎において若い女性の役を演じる役者、職掌、またその演技の様式そのものを指す。
- Oyama or Onnagata refers to the actor who acts the role of a young woman, the duty of the actor, or the pattern of acting itself, in Kabuki.
- また勘平の死の演出は、「哀れ」で本釣鐘「はかなき」で喉を切りおかやに抱かれながら手を合わせ落ちいるのが現行の型である。
- According to the current staging style, there is a sound effect at 'aware' (what a pity), and Kanpei cuts his throat with the signal of 'hakanaki'' (ephemeral) and dies while being held by Okaya and putting his hands together.
- 六段目で暗く貧しい田舎家での悲劇が演じられた後、一転して華麗な茶屋の場面に転換するその鮮やかさは、優れた作劇法である。
- The scene change from Act Six, in which a tragedy was performed at a dark and poor country house, to the scene of luxurious chaya is very contrasting, and it is an excellent staging method.
- 備考:この上演から河東節を使うようになり、このときの「出端の唄」の曲名が「所縁江戸櫻」(ゆかりの えどざくら)だった。
- Notes: Katobushi has been used from this performance, and the title of the 'Deha no Uta' in this performance was 'Yukari no Edozakura.'
- 一部神社の巫女や現代の女性皇族、雅楽舞踊の演者などには、男子同様の足を通す部分が二つに分かれたタイプの着用も見られる。
- Miko of some shrines, female members of modern imperial families, players of gagaku buyo (ancient court music and dance) and so on put on hakama of the type that have divided legs like men's hakama.
- 得意としていた大役の数々、例えば『十種香』八重垣姫や『籠釣瓶』の八つ橋などを丁寧に演じ、打ち収める姿は悲壮ともいえた。
- He carefully performed and fulfilled many major roles that he was good at such as Yaegaki-hime of 'Jusshuko' (Incense Burning) and Yatsuhashi of 'Kago Tsurube' (Basket bucket) and his last performance of the role was even heroic.
- これらの例は、演歌がすでに日本だけのものではなく、また、グローバルな広がりを持った歌であるという傍証となる事実だろう。
- These examples imply that the enka music is not just for Japanese people any longer and is spreading worldwide.
- 落語は、狭義では落ちを伴う「落とし噺」(滑稽噺)と理解されることもあるが、実際の演目には人情噺、怪談噺なども含まれる。
- Rakugo is narrowly regarded as 'Otoshi-banashi (a story with comic endings)' (Kokkei-banashi (comic story)), but actually programs include Ninjo-banashi and Kaidan-banashi (ghost story telling).
- 瀬川如皐 (3代目)が歌舞伎に仕立て嘉永6年1月14日 (旧暦)(1853年2月21日)に江戸・中村座で初演となった。
- Joko SEGAWA (the third) made this story into Kabuki, which was performed for the first time at Edo Nakamura-za Theater on February 21, 1853.
- 役柄自体は、肉親の情を抑えきる強さと子を思う母の弱さの両方を備えており、演者・演出によって様々な政岡像が描かれている。
- This role has both the strength of suppressing the love between parent and child and the weakness of mother caring for her child so that depends on each actor and interpretation, the image of Masaoka varies.
- 翌1922年(大正11年)、牧野は映画にまだ出演したことのない無名の歌舞伎役者を集め、長篇劇映画『実録忠臣蔵』を撮った。
- In the following year 1922, Makino gathered obscure kabuki actors who have never yet appeared in a film, and shot a feature film titled 'Jitsuroku Chushingura' (True Record of the Forty-seven Ronin).
- 同年3月からは尾上菊太郎プロダクションと提携、同プロダクションの冬島泰三を監督に、尾上菊太郎主演の時代劇を3本製作した。
- From March of the same year, Taishu Bungei Eiga-sha made a partnership with Onoe Kikutaro Productions and produced three historical dramas using the producer Taizo FUYUSHIMA as a director and Kikutaro ONOE as a leading character.
- 現在は全く上演されないが、幕あきに由良之助が仲居幇間をつれて大きな雪玉をころがして出てくる「雪こかし」という端場がある。
- Though it is never performed nowadays, there is a scene at the beginning of this act, which is called 'Yuki kokashi,' (rolling snow) in which Yuranosuke appears together with a nakai and a hokan while rolling a big snow ball.
- 本蔵や由良之助をよく演じた十三代目片岡仁左衛門は九段目がとても気に入っており、次のように、色彩感覚の見事さを評している。
- Nizaemon KATAOKA, who often played the roles of Honzo and Yuranosuke, favored Act Nine, and he appreciated the sense of color as follows.
- この意味より転じて、剣戟場面を中心とする時代物の小説や演劇・映画・テレビドラマ(時代劇)などの俗称・蔑称でも用いられる。
- Shifting from the original meaning, historical dramas in novels, theatrical performances, movies and TV series which feature swordplay scenes are called chanbara commonly or in derogatory tone.
- 大喜利という名は能・浄瑠璃・歌舞伎といった古典芸能の舞台で、最後の演目を意味する言葉として使われる「大切り」に由来する。
- The name Ogiri is derived from a word 'ogiri' or 'okiri' according to the Chinese characters and means the last item of the show in classical Japanese popular performing arts including Noh (traditional masked dance-drama), Joruri (ballad drama), and Kabuki.
- 歌手の淡谷のり子は、戦地で慰問演奏の際にもんぺを穿かずステージ衣装で出演したことは有名で、当局から睨まれる一因となった。
- A singer, Noriko AWAYA was famous for performing with stage costumes instead of monpe while she did entertaining performances in battle fields and was the cause of falling into disgrace with the authorities.
- その一方で俳優祭では、同名のよしみで懇意だった市川右太衛門と共演し、「女早乙女主水之介」を演じるなどの茶目っ気があった。
- On the other hand, he acted together with Utaemon ICHIKAWA, who got intimate for his namesake, at the Actors Festival, and had mischief to act 'Mondonosuke SAOTOME, a woman.'
- これは朝鮮戦争時に日本にやってきたエチオピア兵が演歌に感動してその特徴を研究し、それを自らの音楽に取り入れたためである。
- This is because Ethiopian soldiers who stopped in Japan during the Korean War were impressed by the enka music, studied its characteristics, and introduced these characteristics into their own music.
- また、浄瑠璃の担当者が不足している地芝居に参加したり、一度上演が途絶えた地芝居の再興に協力する等の活動もおこなっている。
- Additionally, joryu-gidayu perform such activities as participating in the Jishibai (local kabuki) where sufficient numbers of joruri performers aren't available, or as cooperating in the reconstruction of the Jishibai, whose performances had been stopped.
- 歌舞伎における黒御覧(下座音楽)において俳優の登場や退場などにあわせて演奏する唄を伴わない音楽を合方(相方)と呼称する。
- In the field of kabuki, the term aikata refers to instrumental music which is played, accompanying the movements of actors, including entrances and exits, in kuromisu (a slatted room at the stage right) (geza music).
- また「張良 (能)」「羅生門 (能)」のようにワキ方の仕舞もあり、能狂言方においても小舞として仕舞に似た上演形態がある。
- Shimai is also performed by Waki-kata (supporting actors) like 'Choryo' and 'Rashomon Gate,' and a Noh farce actor also performs komai (short dances in Noh farce) that is similar to Shimai.
- 歌舞伎の中には、俳優が大向うの掛け声を巧く利用した演出がいつしか定着し、その掛け声がないと進行できないような舞踊もある。
- In the past, during some performances, actors skillfully used kakegoe, then such collaboration between actors and audiences had gradually become set, and at present some performances can't be formed without kakegoe.
- 舞台上のある役者が、あらたに登場してくる役者をほめる場合と、舞台上で演技中の役者に観客席の観客が投げかける場合とがあった。
- There were two cases where homekotoba were used; one case being for a player on stage to make a compliment to a newly appearing player, and another case being for some audience to shout applause to a player on stage.
- 現在では「敵役」という区分は消滅し、立役のうちに吸収されているが、江戸時代以来の伝統を重んじてこういった役は立役が演じる。
- Today, the category of 'the role of enemies' disappeared and was absorbed by tachiyaku (a leading male-role actor), and tachiyaku act those roles based on the tradition that has been handed down since the Edo period.
- 大韓民国にも日本の演歌の影響を強く受けたトロットと呼ばれる(昭和に入って民衆歌謡に変節して以降の)大衆歌謡分野が存在する。
- In the Republic of Korea, one of the popular music genres (after the Showa period when the genre turned to the one called 'minjung gayo') called trot has been greatly influenced by Japanese enka.
- 2巻122ページで能『養老 (能)』を観世流の小書(特殊演出)である「水波之伝」で演じていることから、流派は観世流らしい。
- On page 122 of the second volume he performs in a Noh play titled 'Yoro' (Longevity Springs) in the style of 'Suiha no Den,' which is a Kogaki (a variant performance, or special staging) of the Kanze-ryu school, inferring that he belongs to the Kanze-ryu school.
- いっぽう明楽は、武士や儒学者などが集団で演奏・斉唱する雅楽であり、実演にあたっては高度な集団訓練と相当の経費を必要とした。
- On the other hand, Mingaku was Gagaku (ancient Japanese court dance and music) that samurai or Confucian scholars played or sang in groups, and high-leveled group training and considerable expenses were necessary to play the music.
- 「草子洗小町」(そうしあらいこまち、草紙洗、草紙洗小町とも)は、能の演目の一つで、三番目物、現在鬘物、大小物に分類される。
- 草子洗小町' (Soshi arai Komachi; aka. 草紙洗 [Soshi Arai] or 草紙洗小町 [Soshi arai Komachi]) is a Noh program categorized into sanbanme-mono (third-category plays), genzai kazura-mono (realistic women plays) and daishomono (plays with three instruments of fue [a Japanese flute], kozutsumi and ozutsumi [small and large hand drums]).
- 1936(昭和11)年日活製作の映画『赤西蠣太』では、原田甲斐役の片岡千恵蔵が、本作の刃傷の場を意識した乱闘を演じている。
- In 'Capricious Young Man' (Akanishi Kakita), a film produced by Nikkatsu Corporation in 1936, Chiezo KATAOKA playing Kai HARADA performed a battle scene influenced by the scene of Attack of this play.
- 全五幕一場からなるこの狂言は、初演時には既に確立されていた少なくとも三つの「世界 (曖昧さ回避)」のなかで物語が展開する。
- This kyogen of five acts and one scene unfolds the story of at least three 'worlds' that had already established at the first performance.
- 明六社が発足してより約一年後、社長であった森有礼は『明六雑誌』の毎月の売れた部数は平均3205冊であると演説で述べている。
- About one year after Meirokusha was established, Arinori MORI who was the president told that the average sales of 'Meiroku Zasshi' every month was 3,205 in a speech.
- 小泉純一郎(内閣総理大臣)が第一次内閣を組閣した後の国会での所信表明演説で引用されて有名になり、2001年の流行語になった。
- This word became famous after Junichiro KOIZUMI (the former prime minister) quoted it in his policy speech before the Diet after he formed his first government, and it even became a buzzword for 2001.
- 千恵プロ製作の合計9本に出演した武井は、同年2月、同社を退社、設立したのがこの「武井龍三プロダクション」(武井プロ)である。
- After acting in nine movies in total produced by Chie Pro, TAKEI left the production in February of 1929 and established 'Takei Ryuzo Production' (Takei Pro).
- 1920年(大正9年)1月の日活による「ミカド商会」吸収後、牧野省三は日活に戻り、ふたたび尾上松之助主演の映画を撮り続けた。
- After 'Mikado Shokai' was absorbed by Nikkatsu in January 1920, Makino returned to Nikkatsu and continued shooting a film starring Matsunosuke ONOE once again.
- いずれも市川團十郎 (初代)・市川團十郎 (2代目)・市川團十郎 (4代目)の團十郎によって初演された立役の当たり芸である。
- In both cases, they are performance numbers that are sure to be successful with Danjuro as the leading male actor, and the first performance was put on by Danjuro ICHIKAWA (the first), Danjuro ICHIKAWA (the second) and Danjuro ICHIKAWA (the fourth).
- ガス灯が灯され、軍楽隊が演奏する中、座元の守田勘彌 (12代目)、九代目團十郎をはじめとする歌舞伎役者は燕尾服で式に臨んだ。
- Surrounded by the lit gas lamps and performing military band in the background, Kabuki actors such as Kanya MORITA XII, the owner of the theatre, and Danjuro IX, who were dressed in tailcoats, attended the ceremony.
- 女流に対して、男流はなんという? との疑問が予想されるが、演奏団体としては、近年世界遺産に登録された「文楽」(通称)がある。
- One could ask how Dan-ryu (gidayu performed by males) is called corresponding to Jo-ryu (gidayu performed by females), and the so-called 'Bunraku' which has recently been registered as a World Heritage will be the answer.
- 舞囃子が一曲のうち能シテの舞がかかわる部分の大半を上演するのに対して、仕舞においては謡のあるシテの舞を抜きだしたものである。
- In Maibayashi, most parts relating to dances by Noh shite (leading role) is performed in one play, while in Shimai, dances performed by the shite which is accompanied by Utai (the chanting of a Noh text) are extracted.
- 歌舞伎や商業演劇のように、一座の座頭や花形役者が明確に決まっている場合、下回りの役者に対して座長が振る舞いをする習慣もある。
- When the head performer or a star performer is fixed as in kabuki and commercial theatrical performances, it is also customary that the performer entertains the lower-ranked performers on the senshuraku day.
- そこから転じて、五番立ではない演能会であっても、祝言曲のキリ終曲部分をつけくわえて謡い、本来の付祝言に代える形式が発生した。
- Having changed from it, there appeared a style that kiri (the concluding segment) of a celebratory number was chanted additionally, taking the place of the original tsukeshugen, even at a noh-performed concert which was not in the gobandate style.
- 特殊な女形の演技なので、市川團十郎 (9代目)、市川中車 (7代目)、尾上多見蔵 (3代目)など立役が演じることが多かった。
- As it is special performance of a female impersonator, in many cases it was performed by such key players as Danjuro ICHIKAWA (9th), Chusha ICHIKAWA (7th) and Tamikura OGAMI (3rd).
- 通常は、この場面は上演されず、戦後でも、わずかに昭和43年(1968年)に国立劇場で十七代目中村勘三郎が演じたくらいである。
- This part is usually not performed, and in the postwar period, only Kanzaburo NAKAMURA the seventeenth performed it in 1968 at the National Theater of Japan.
- 三婦が権と八を追い立てて花道を去るときは「ようよう○○屋!」と三婦役の役者の屋号を呼びたて、客席を沸かせる演出となっている。
- Staging excites the audience calling an actor's stage family name of Sabu as 'yo, yo, OO-ya!' when Sabu left the passage heeling Gon and Hachi.
- 奈良時代の大仏開眼供養(西暦752年/天平勝宝4年)でも上演され、正倉院には、その時使用されたと思われる伎楽面が残されている。
- It was also performed at the consecration ceremony of the Great Buddha in the Nara period (in 752), and the gigaku masks supposed to have been used for this performance exist in Shoso-in Temple.
- 解散後の小文治は、千恵プロ、寛プロに出演したのちの同年内に、芳之助とともに日活撮影所に入社、監督の富沢は帝国キネマに移籍した。
- After the dissolution, Kobunji acted in films produced by Chie Pro and Kan Pro and then joined Nikkatsu Studio with Yoshinosuke in 1928, while the director TOMIZAWA moved to Teikoku Kinema Engei Kabushiki Gaisha (Imperial Cinema Entertainment Co. Ltd.).
- 戦後も市川猿翁、坂東三津五郎 (8代目)、1986年(昭和61年)12月の通しで、中村富十郎 (5代目)が演じたくらいである。
- After the war, this scene was performed only by Eno ICHIKAWA, Mitsugoro BANDO (the eighth) and Tomijuro NAKAMURA (the fifth) in December 1986.
- それだけに上演回数も圧倒的に多く、梨園ではこの『忠臣蔵』に限っては、どの役柄でも先人に教えを乞うことは恥といわれるほどである。
- Therefore, it is performed in an overwhelming frequency compared to other plays, and it is considered a shame, among the people of the kabuki world, to ask for their predecessors' advice on any of the character roles in 'Chushingura.'
- 彼は歌舞伎の根底に流れているのが危険な軍国主義ではなく人間のドラマであることを知っていたので、次々に禁止演目を縮小していった。
- As he was aware that the basis of kabuki was a human drama rather than dangerous militarism, he reduced the number of prohibited programs one after another.
- 勝新太郎主演の大映映画に『座頭市と用心棒』(1970年 岡本喜八監督)があり、三船敏郎が同じような衣装で用心棒として登場する。
- Daiei Motion Pictures produced a movie, 'Zatoichi to Yojinbo'(Zatoichi and a Bodyguard, directed by Kihachi OKAMOTO in 1970) in which Shintaro KATSU played the lead and Toshiro MIFUNE appeared in it as a bodyguard dressed in a similar way as he was in 'Yojinbo.'
- ほとんど一人舞台と言ってもいい作品で、あくまで十五代目市村羽左衛門の颯爽たる容姿と口跡を見せるために上演されることが多かった。
- It almost totally consists of solo performance, and was often played with the purpose of showing the dashing appearance, good voice and eloquence of Uzaemon ICHIMURA the fifteenth.
- 通常は2時間、まったく省略なしで演ずると3時間もの長尺となるこの歌舞伎は、たった一幕「三浦屋格子先の場」だけで成り立っている。
- 'Sukeroku' is a one-act play with the scene of in front of the lattice of Miuraya brothel' that usually lasts for two hours, and if it is performed without any omission, it lasts as long as three hours.
- 清楽の月琴は長崎経由で中国から輸入されたが、ほどなく日本国内でも模倣製作され、清楽以外の俗曲の演奏にも用いられるようになった。
- Gekkin for Xing-era Chinese music were imported from China through Nagasaki, but, later, it was manufactured in Japan imitating the Chinese instruments and it came to be used for performances of Japanese folk melody other than Xing-era Chinese music.
- 当り役は数多いが、特に初代が初演した『京鹿子娘道成寺』にはお家芸としての思い入れがあるらしく、五代目襲名の興行にも出している。
- He had many successful roles, but he especially had intense feelings towards 'Kyo Kanokomusume Dojoji' (The Maiden at Dojoji Temple) as his family's specialty that Tomijuro I performed for the first time, and he put it out on performance when he succeeded to the name of Tomijuro V.
- 初演時に当時数え14歳の尾上菊五郎 (5代目)が勤めた三吉は、幸蔵を勤める市川小團次 (4代目)をも唸らせるほどの出来だった。
- At the very first performance, Sankichi, played by Kikugoro ONOE V at the age of 13, was an excellent performance and even Kodanji ICHIKAWA IV, who played Kozo, was impressed.
- この元禄赤穂事件は、武家社会のスキャンダルであり、やり方によっては幕政批判に通じかねないことから、上演は繰り返し弾圧されてきた。
- The performance of this play was repeatedly banned because the Genroku Ako Incident was a scandal in samurai society, and showing of this play could imply, depending on how it was performed, criticism against the shogunate administration.
- 音楽、舞踊、演劇その他の芸能及びこれらの芸能の成立、構成上重要な要素をなす技法のうち我が国の芸能の変遷の過程を知る上に貴重なもの
- The performing arts including music, dance and drama, and the techniques playing an important role in such performing arts' establishment and construction, which possesses a high value for seeing the history of transition of the performing art in this country.
- 作品名は世阿弥の申楽談義にみえ、『糺河原勧進猿楽記』に寛正5年(1464年)上演の記録があるなど、古くから頻繁に上演されてきた。
- It has often been performed for a long time as evidenced by the fact that this title can be found in a lecture about Sarugaku by Zeami and 'Tadasugawara Kanjin Sarugaku-ki'has recorded this having been performed in 1464.
- これは河東節が単なる出演者でなく実質的に客であることの証明で、それも通常の客よりもよほど大事にされる上客であることを示している。
- This proves that the Katobushi chorus are not merely performers, but essentially spectators, who are the best treated better than ordinary spectators.
- 演劇改良運動(えんげきかいりょううんどう)とは、明治時代に歌舞伎を近代社会にふさわしい内容のものに改めようとして提唱された運動。
- Engeki Kairyo Undo (Theatrical Performance Improvement Movement) was a campaign launched during the Meiji period, that advocated reforming Kabuki (traditional drama performed by male actors) so it could meet standards of modern society.
- 1975年(昭和50年)には来日した英国のエリザベス2世 (イギリス女王)の前で公演を行うなど、歌舞伎の海外への紹介に尽力した。
- He performed in front of Elizabeth II from the United Kingdom who visited Japan in 1975, and devoted himself to introduce Kabuki overseas.
- 演者やスタッフ・関係者にはウケるが、一般の観客・視聴者にとっては理解できない場合が多く、常連やマニアを対象にした手法とも言える。
- It is funny for entertainers, staff, and people in the business, but most of the time it is not understandable for ordinary audiences or viewers, so that it is considered targeting only regulars as well as enthusiasts.
- 2007年9月8日に放送された『タモリ倶楽部』(「徳川家康もビックリ!庶民はお盛んだった!!江戸人の夜のしきたり」)に出演した。
- On September 9, 2007, he appeared on the TV program, 'Tamori Club' ('It must have been eye-poppig for Ieyasu TOKUGAWA! Life of ordinary people was full of sexual energy! Edo people's bedroom rules').
- それぞれが別系統の脚本によっており、全体をとおしての一体感は薄いが、一つの演目で多様な舞台を楽しめるところは本作の魅力でもある。
- The script of each part is derived from a different play so that the play as a whole lacks a sense of unity, but at the same time it offers a variety of attractions, which is the appeal of this play.
- 初演時の市川左團次 (2代目)の源五兵衛、市川松蔦 (2代目)のおまんが大好評で、左團次は家の芸である「杏花十種」に入れている。
- Gengobei and Oman played by Sadanji ICHIKAWA II and Shocho ICHIKAWA II in the first performance became so popular that Sadanji included the play in the 'Kyoka jusshu', a collection of household specialties.
- このため初演以後は通し狂言として上演されることがまったくなく、文弥と十兵衛のからみがある序幕と大詰めの部分のみが上演されてきた。
- Therefore, after the first stage, this play has never been performed as Toshi kyogen (full-length play); only the opening and the ending, where Buyna and Jubei have a dialogue, have been played.
- 2006(平成18)年7月大阪松竹座での現坂田藤十郎の所演では、原作どおりの春に季節を変え、登場人物も浴衣から袷を着用していた。
- In the performance of the current Tojuro SAKATA at the Osaka Shochiku-za Theater in July 2006, a season is changed to spring as in the original and the characters wore awase (lined garment) from yukata.
- 文士劇が広く認められるようになったのは、明治時代に組織された若葉会と、その後身である東京毎日新聞演劇会による公演によってである。
- It was the performances by the Wakaba-kai which was organized in the Meiji period and its reconstituted organization, the Tokyo Mainich Shimbun Engeki-kai that made the bunshi-geki widely accepted.
- 劇場においては明治29年、市川團十郎 (9代目)が歌舞伎座で助六を演じた時、吉原の幇間によっておこなわれたのが最後であろうという。
- The last performance of homekotoba in theater was supposedly made by hokan (a professional male entertainers) of Yoshiwara in 1896 when Danjuro ICHIKAWA (the ninth head) played a role of Sukeroku at Kabuki-za theater.
- これらの方法でだんじりを曳き回して演技を披露することを「しこり」又は「でんでん」、「追うた、追うた(おうた、おうた)」などと言う。
- The showing of maneuvers while pulling danjiri using these methods is called 'shikori,' 'den den' or 'outa, outa.'
- 備考:天保の改革のあおりで江戸所払いになった七代目が「幡谷重蔵」(はたや しげぞう)の名で大坂・角の芝居の舞台にたって演じたもの。
- Notes: Danjuro ICHIKAWA VII who was banished from Edo in the Tempo reform performed at the Kado-Za in Osaka by the name of 'Shigezo HATAYA.'
- 京都では「お豆腐主義」を標榜する茂山千五郎家の正虎(9世千五郎。初世千作)、正重(10世千五郎、2世千作)が庶民的な狂言を演じた。
- Meanwhile, in Kyoto, Masatora (later Sengoro, the ninth, and also Sensaku, the first) and Masashige (later Sengoro, the 10th, and also Sensaku, the second) performed unpretentious Kyogen; both belonged to the Sengoro SHIGEYAMA family that adopted as the school's slogan 'O-tofu shugi' (a principle that Kyogen should be accepted by people naturally as tofu [bean curd]).
- 第二次世界大戦後は連合国軍最高司令官総司令部により、封建制度の擁護や復讐の賛美などの要素があるとして一部の演目が上演を禁止された。
- After World War II, several acts of kodan were forbidden by the General Headquarters of the Allied Powers (GHQ) for entailing elements of protection of feudalism and the celebration of vengeance.
- やがて1990年代半ばから、演出・作画・仕上げ・背景・撮影などを自前で行う体制を整え、テレビアニメのグロス請けを行うようになった。
- The company established a framework for in-house staging, drawing, finishing, backgrounds and filming after mid-1990s and started to perform the gross subcontracting work of TV animations.
- 直弼は能楽好きで知られ、当時失伝していた「狸腹鼓」を復曲(俗称「彦根狸」)したり「鬼ヶ宿」を自作したりしては正虎に演じさせていた。
- Naosuke was a well-known Noh lover and he reproduced 'Tanuki no Harazutsumi' (a Kyogen story about a hunter and a raccoon dog, commonly called 'Hikone tanuki') that had been lost at that time, also wrote 'Onigayado' (a Kyogen story of a drunk and his lover) and got Masatora to perform it.
- 演出は浄瑠璃や下座、鳴物などを多用する旧来の歌舞伎狂言の形態であるが、内容はシェークスピアの影響の濃いスケールの大きな悲劇である。
- It is performed in the traditional kabuki kyogen play with Joruri (a dramatic narrative chanted to a samisen accompaniment), Shimoza (background music player), and narimono (musical instruments) frequently used for stage effect, but the contents of the play is a large scale tragedy greatly influenced by Shakespeare.
- 観客から見て二次元的な存在の舞台上から、役者が客席側に出ることで三次元的な演出を可能にしている点で、演劇史上特筆すべき装置といえる。
- This device is worth mentioning in the history of theater because this enables to create a three-dimensional space by making an actor come out from the stage, where is a two-dimensional space for the audience, and appear in the space where the audience is located.
- 小文治はこの動きのなかの第1作、千恵プロの『天下太平記』に出演、同作は先陣を切って同年6月15日に神戸「菊水館」を中心に公開された。
- Kobunji appeared in the first film during this movement called 'Tenka Taiheiki' (Peace on Earth) produced by Chie Pro and released in theaters such as the 'Kikusuikan' in Kobe on June 15, 1928.
- 松竹蒲田撮影所で監督となった俳優の勝見庸太郎が設立し、牧野省三のマキノ・プロダクションとの提携により、自らの主演・監督作を製作した。
- Actor Yotaro KATSUMI, who had been working as a film director at Shochiku Kamata Studio, established this company and produced films in which he played the role of director as well as the leading character.
- その後河勝の三人の子のうち、末子が猿楽の芸を引き継ぎ、代々継承したといい、村上天皇の代にはその末裔・秦氏安が紫宸殿で「翁」を演じた。
- After that, it is said that the youngest son among the three sons of Kawakatsu carried on the art of sarugaku and handed it down from generation to generation, and their descendant HATA no Ujiyasu performed 'Okina' (old man) at the Shishinden (The Throne Hall) in the reign of Emperor Murakami.
- 壊れた車に因縁を持ち、身分が低いとはいえ貴族をお供につれているとなれば、六条御息所しかありえないと観客にはわかるようにしている演出。
- This scene is created in order that an audience can easily find out the evil spirit is Rokujo no Miyasudokoro, because she is the only person who has some story related to a broken carriage and she can have a noble attendant even though the rank of that attendant is not so high.
- 琉球王国では、中国(明や清)から冊封使が来たとき、あるいは徳川将軍に謝恩使や慶賀使を送る「江戸上り」のとき、中国系の音楽を演奏した。
- Music with roots in China was performed in the Ryukyu kingdom when diplomatic missions arrived from China (Ming & Qing) or whenever missions of gratitude and congratulations (Edo nobori) were sent to Shogun Tokugawa.
- 演者は、本来の指定にかかわらず最初の一句を坐ったまま謡い、次に立ち上って舞い、最後に打ち込みと呼ばれる型を行って坐って一曲を終える。
- A performer chants the first phrase in a sitting posture regardless of original designation, then stands up and dances, and finally performs a movemenet called Uchikomi (the Scooping Point), and then sits down and finishes the piece.
- 興行の中で、初日・中日(なかび)・千秋楽の3日が特に重要な日として考えられており、出演者が互いに楽屋を訪れ挨拶するなどの習慣がある。
- When plays on the same program are performed for days, the three days of shonichi (the first day), nakabi (the middle day) and senshuraku (the final day) are considered to be the most important ones, and it is customary that the performers visit each other at their respective backstage rooms and pay their compliments to each other.
- これはあくまで略式の演奏であるとされるが、特に大鼓のように道具の準備に時間のかかる楽器においてはすぐれた代替法として用いられている。
- Although this is just a simplified performance, it is used as an alternative method for playing instruments especially such as the Otsuzumi for which the preparation requires time.
- 辻番所で交わされる幸蔵・与惣兵衛の親子の名乗りと、稲葉内の幸蔵と三吉とのやり取りが人気で、今日ではもっぱらこの二幕が上演されている。
- The scene when Kozo and Yosobe talk and find out they are a father and son in Tsujibansho and the conversations between Kozo and Sankichi in Inaba are popular; these two scenes are mainly performed in these days.
- 同作には、同時期にマキノを退社して千恵プロに入社した武井龍三や、「市川小文治歌舞伎映画プロダクション」を設立した小文治も出演している。
- Making appearances in this film were Ryuzo TAKEI, who resigned from Makino and joined Chie Puro around the same time, and Kobunji, who established 'Ichikawa Kobunji Kabuki Eiga Productions.'
- 判内が引かれてくる幕に押されて上手側へ逃げてゆくうちに、いつの間にか客席側へ出て幕引きになってしまうという非常にめずらしい演出がある。
- As the curtain is drawn from right to left, it pushes Bannai to the left too, ending up with him dropping into the audience seats, which is a very rare staging.
- 後に指揮者朝比奈隆の強い勧めによってソプラノと管弦楽のための作品へと改訂され、1969年の「大阪の秋」国際現代音楽祭で演奏されている。
- On the strong recommendation of a conductor, Takashi ASAHINA, the music was later revised to be for soprano and orchestral music, and it was played at 'Fall in Osaka' International Contemporary Music Festival in 1969.
- 現に、平生はハイカラーを攻撃する石川氏の如きも、今夕は非常のハイカラーを着け居るに非ずや云々と滑稽演説を試みて、満場の哄笑を博したり。
- In fact Mr. ISHIKAWA, who attacks haikara, is here in this evening party in high collar clothes, and the speech set the house laughing.
- 主に作家や評論家などのゲストを呼んで講演や対談・インタビューなどを行う昼間の本会企画と、夜に旅館で行う合宿企画の二部構成が通例である。
- Usually, it consists of two sessions, one being a scheme of plenary session in the daytime where mainly writers and critics are invited to deliver lectures or join conversations or interviews, and another being a scheme of lodging session held in the evening at ryokan (a Japanese style hotel).
- 文化財保護法は、無形文化財を「演劇、音楽、工芸技術その他の無形の文化的所産で我が国にとつて歴史上又は芸術上価値の高いもの」としている。
- The Law for the Protection of Cultural Properties' stipulates that intangible cultural properties include 'performance, music, craft techniques and the like with particularly high historical or artistic value for Japan'.
- このあと、扇子で日をかざし内股で小走りに引っ込むのが上方の、「どっこいしょ」と前を押さえながらゆっくりとひっこむのが江戸の演出である。
- After this, performance in kamigata he withdrew trotting in uchimata blocking the sunshine with his fan, and in Edo he withdrew slowly covering the front side saying 'dokkoisho' (a word spoken while applying muscle or when you move your tired body).
- 人形浄瑠璃としての初演は寛延元年八月十四日(1748年9月6日)から同年十一月中頃(1749年1月初頭)まで大坂竹本座においてであった。
- As a ningyo joruri show, it was performed for the first time at Osaka Takemoto-za theater from September 6, 1748 to early January 1749.
- なお通常二・八・九段目は上演されないが、昭和49年 (1974) 国立劇場において、逆に二・八・九段目だけを上演するという試みがあった。
- Although acts two, eight and nine are usually not performed, an attempt was made in 1974 to perform only acts two, eight and nine at the National Theater.
- 演芸場(えんげいじょう)とは多くは経営上の問題から色物主体の小屋をさすが、大手資本による「お笑いライブスペース」なども含まれるとされる。
- An engeijo theater generally indicates a place where iromono are performed principally from the viewpoint of financial reason, but it is said that 'live spaces for comic performances' by major companies are included in the engeijo category.
- 海外公演も1960年(昭和35年)のアメリカ公演を皮切りにソビエト連邦(現ロシア)、ハワイ、カナダ、イギリス、ドイツ、フランスなど多数。
- He had many overseas performances in the United States in 1960 as the beginning, Soviet Union (present Russia), Hawaii, Canada, England, Germany, and France.
- 千秋楽(せんしゅうらく)は「千穐楽」、「千龝楽」などとも表記され、複数日にわたって同じ演目を行う興行において、「最終日」を指す業界用語。
- 千秋楽 (senshuraku) is also written as 千穐楽 or 千龝楽, and, being an industrial term, indicates the last day, when plays on the same program are performed repeatedly every day for two or more days.
- 七五三は天性の愛敬さを生かして底抜けに明るく楽しい狂言を演じて人気を博し、1989年に父と同じ人間国宝(大蔵流では三人目)に認定された。
- Shime became popular by performing boundlessly cheerful and enjoyable Kyogen using his natural attractiveness and he was also designated as a living national treasure (the third time in the Okura-ryu school) same as his father in 1989.
- 最後の作品は辻吉朗監督、大城龍太郎・深水藤子主演の『お嬢さん浪人』で、同作は翌1937年(昭和12年)1月28日、日活の配給で公開された。
- The last work was 'Ojosan Ronin' (Lady Masterless Samurai) directed by Kichiro TSUJI, starring Ryutaro OKI and Fujiko FUKAMIZU, and was released on January 28, 1937 distributed by Nikkatsu.
- 牧野はこれを引き受け、「日本初の時代劇映画」と呼ばれる『本能寺合戦』を監督、同作は、中村福之助、嵐璃徳を主演に小川真喜多がカメラを回した。
- Makino accepted the offer to direct 'Honnoji Kassen' (Battle of Honno-ji Temple), with Fukunosuke NAKAMURA and Ritoku ARASHI as the main casts and Makita OGAWA as a cameraman.
- 『仮名手本忠臣蔵』(かなでほん ちゅうしんぐら、旧字体:假名手本忠臣藏)は、元禄赤穂事件を題材とした人形浄瑠璃および歌舞伎の代表的な演目。
- 'Kanadehon Chushingura' (written in old character form: 假名手本忠臣藏) is the title of a representative ningyo joruri (traditional Japanese puppet theater) as well as kabuki (traditional drama performed by male actors) based on the Genroku Ako Incident.
- 新古演劇十種(しんこ えんげき じっしゅ)は、尾上菊五郎 (5代目)と尾上菊五郎 (6代目)によって撰じられた音羽屋 尾上菊五郎のお家芸。
- Shinko Engeki Jusshu refers to the specialty plays of Kikugoro ONOE of Otowaya selected by Kikugoro ONOE the fifth and Kikugoro ONOE the sixth.
- たとえば、本外題が『寿曽我対面』という演目を、通常われわれは『吉例寿曽我』、『曽我の対面』、あるいは『対面』などといった通称で呼んでいる。
- For example, the play entitled 'Kotobuki Soga no Taimen' is generally called by its nicknames 'Kichirei Kotobuki Soga,' 'Soga no Taimen,' and 'Taimen.'
- これは創作的な意図は含まず雅楽の旋律や音色を忠実にオーケストラで再現したもので、指揮者レオポルド・ストコフスキーによっても度々演奏された。
- This was a faithful recreation of gagaku melody and tune in orchestra with no creative intentions, and was performed frequently by the conductor, Leopold STOKOWSKY.
- 加えて、終戦後母とともにアヅマ・カブキとして日本舞踊の欧米公演を行ったことは、富十郎自身が語るように、その芸に有形無形の影響を与えている。
- In addition, the fact that he performed Azuma Kabuki as Japanese dance at performance in Europe and America with his mother after the war, gave both moral and material effect on his art as Tomijuro himself described.
- 2巻68ページの尋人の台詞では、48年後の「翁付き養老」は憲人がシテを演じるのではないかと言われているので、憲人が名跡を継ぐ可能性もある。
- As Hiroto's lines on page 68 of the second volume predict in 'Okina-tsuki Yoro' (Longevity Springs with an Old Man), Norito will perform the shite 48 years later, meaning that it is possible that Norito will succeed the family name.
- 江戸時代の式能において、数日間にわたって五番立の演能が行われる場合、初番の式三番は毎日同じもので飽きがくるために、各種の小書がつくられた。
- Various Kogaki were created to prevent the audience from being bored of Shiki Sanban, which was played first every day in the Gobandate Shiki Noh performance lasting several days in the Edo Period.
- 江戸期に付祝言として半能形式で上演されることが多かったため、現在では観世流などいくつかの流儀において、半能形式の後場だけで一曲となっている。
- In the Edo period, only a half of the whole performance of 'Shojo' had been often performed as tsuke-shugen (additional performance at the end of a day's performance), therefore, at present, some schools including the famous Kanze School perform only 'nochi-ba' (the scene after the naka-iri; the scene before the naka-iri is called 'mae-ba') as the complete performance of 'Shojo.'
- 歌舞伎宗家市川團十郎家のお家芸である歌舞伎十八番の一つで、その中でも特に上演回数が多く、また上演すれば必ず大入りになるという人気演目である。
- 'Sukeroku' is not just one of the eighteen Kabuki repertoire items that are specialties of the Danjuro ICHIKAWA family, the head of Kabuki, but also the most frequently performed play among them because it is one of the most popular items because whenever it was performed, it always played to full houses.
- 源義経、武蔵坊弁慶、静御前、平知盛を主たる登場人物とし、前半と後半で能シテの演じる役柄がまったく異なるなど、華やかで劇的な構成が特徴である。
- The colorful and dramatic structure of this play features MINAMOTO no Yoshitsune, MUSASHIBO Benkei, Shizukagozen and TAIRA no Tomomori as the main characters, with Noh-Shite playing totally different roles in the first half and the second half.
- が、記録に残る最古の上演記録は寛正6年(1465年)で、信光の生年が1450年という最近の研究成果によると15歳の作ということになり不自然。
- But the earliest performance ever recorded was in 1465, which means it was the work when he was fifteen according to the latest findings that Nobumitsu was born in 1450, and it is not convincing.
- 2007年、ブラジルのサンパウロにて行われた、日本人の移民100周年を記念したイベントでは日本の音楽としてJポップ等ではなく演歌が流された。
- In an event held in Sao Paulo, Brazil in 2007 to celebrate the 100th anniversary of Japanese immigration, enka songs, instead of J-pop songs, were performed as Japanese music.
- またその端正な顔立ちから、日本放送協会大河ドラマ『源義経 (NHK大河ドラマ)』(1966/昭和41年)を当時最年少で主演し大人気を博した。
- H also gained much popularity when he stared in 'Minamoto no Yoshitsune' (NHK Historical drama) as the youngest actor ever at that time in 1966, thanks to his fine-featured face.
- 1992年にはシンエイ動画からの受注で、内田春菊原作のテレビアニメ『呪いのワンピース』を演出から仕上げまで初めて社内スタッフだけで制作した。
- Following an order from Shin-ei animation, Kyoto Animation produced the TV animation 'Noroi-no-one-piece' based on the comic by Shungiku UCHIDA, and this was to be the first animation produced using entirely the company's own staff from staging to finishing.
- 当時、娘義太夫の日本髪が熱演のあまり乱れ、内容が佳境にさしかかると、客席のいる書生らの熱心な見物から、「どうする、どうする」と声がかかった。
- At that time, when musume-gidayu's Japanese coiffure became disheveled due to her enthusiastic performance and the story entered the most interesting part, spectators such as students would call out loud, 'Dosuru (How do you do your hair?), Dosuru (How do you do your hair?).'
- 現在の日本で清楽を演奏する団体としては、東京の明清音楽研究会、長崎市の長崎明清楽保存会、神奈川県横須賀市のよこすか龍馬会・月琴部などがある。
- In present-day Japan, there are some groups that perform Shingaku music, such as the Association of the Study of Ming and Qing-era Chinese Music (in Tokyo), Nagasaki Association of the Preservation of the Ming and Qing-era Chinese Music (in Nagasaki City) and the gekkin section of Yokosuka Association of Ryoma (in Yokosuka City, Kanagawa Prefecture).
- 仁左衛門は一度は劇場の舞台で孝夫と「長柄堤」を共演するのが念願とし、1988年(昭和63年)11月、国立劇場の通し公演で実現することになる。
- Nizaemon's desire to perform 'Nagara zutsumi' together with Takao at least once on a theater stage was achieved in run-through performances at National Theater in November 1988.
- 初演時は尾上松助 (4代目)が好評だったが、昭和以降は尾上多賀之丞 (3代目)が絶品で、彼は80歳近くまで色気と江戸前の粋さを失わなかった。
- At the time of the first performance, Matsusuke ONOE IV was well received, but from the Showa era onward, Taganojo ONOE III was the best, and until around the age of eighty, he kept his charm and Edo style smartness..
- 河出書房から出版された『渡る世間は「間違い」だらけ』によると、歌舞伎の舞台「四谷怪談」の演出で幽霊の足を隠して登場したものをルーツとしている。
- It comes from a kabuki drama entitled 'Yotsuya Kaidan,' in which a yurei appears without legs for effect, according to 'Wataruseken ha 'machigai' darake (This World is Full of Errors)' published by Kawade shobo shinsha.
- 戦後舞台に復帰した宮城が設立した「劇団なでしこ」による演劇の興行や、出版部が雑誌「マキノ」(1947年10月 - 1948年1月)を出版した。
- Geinosha promoted stage production by Gekidan Nadeshiko (Nadeshiko Theatrical Company), that had been established by Miyagi who returned to the theater after the war and its publishing section to publish 'Makino' between October 1947 - January 1948.
- この唄はこれ以後、四代目市村竹之丞改め市村羽左衛門 (8代目)が座元として所有するこの市村座で助六を演じるときのみにしか使われないようになる。
- From this performance, this song was used only when Takenojo ICHIMURA IV changed to Uzaemon ICHIMURA VIII had impersonated Sukeroku at the Ichimura-Za the proprietor of which was Uzaemon ICHIMURA VIII.
- その後吉本が寄席で漫才主体の番組構成をとったことや、桂春団治など落語家の専属契約を推し進め、自社の経営する寄席である「花月」のみの出演とした。
- After that, Yoshimoto placed a priority on manzai for performances in yose, and promoted an exclusive contract with Harudanji KATSURA and other rakugo storytellers, having them perform only in 'Kagetsu', a yose that Yoshimoto operated.
- 子供は片岡我當 (5代目)、日本舞踊家花柳寿々、片岡秀太郎 (2代目)、片岡仁左衛門 (15代目)、新劇女優片岡静香(演劇集団 円)らがいる。
- His children include: Gafu KATAOKA (V); Suzu HANAYAGI, a performer of Japanese dance; Hidetaro KATAOKA (II); Nizaemon KATAOKA (XV); and Shizuka KATAOKA, an actress of shingeki (new dramas influenced by Western stage plays).
- AIRは当時のアニメ界としては、他を圧倒するほどの作り込みと巧みな演出が話題を呼び、京都アニメーションの名はアニメファンの間でブランド化した。
- 'Air' was much talked about within the animation industry at the time because of its unsurpassed level of elaboration and sophisticated staging, and the name Kyoto Animation became a brand among animation.
- 働事(はたらき-ごと)は、能において、演者の所作と、能囃子によって構成される部分のうち、その所作が一定の表意的・具象的な要素を持つものを指す。
- Hataraki-goto refers to shosa (conduct) that has certain ideographical and representational elements in the parts that consist of performers' shosa and Noh-hayashi (percussion ensemble) in Noh plays.
- また、「猩猩」や「岩船」のように半能形式で上演されることがあまりに頻繁であったために、ついに半能の形態が正規の上演法になってしまった曲もある。
- Also there are some pieces like 'Shojo' (Monkey like animal in legend) and 'Iwafune' (a boat-like rock), which are played in Han-Noh style too often that finally Han-Noh style became their formal performance style.
- 流儀によってそれぞれに異なるが、素人・玄人ともに、女性による上演には一定の制限が加えられている(女性には許しを出さない、年齢制限を設ける等)。
- Although there is a variation across ryugi (schools), some restrictions apply to performances by both amateur and professional Noh actresses (including a denial to give performance permission to women and the establishment of age limits).
- しかし、掛け声は上演中に観客から声を発する行為であり無制限に行えば雑音となるため、不文律として以下に挙げられる決まりごとが言われることが多い。
- However, as for kakegoe, since there are shouts from the audience during performances and it sometimes might become annoying, there are unwritten rules as follows.
- 盛岡文士劇は、昭和24年、作家の鈴木彦次郎を中心に始まり、歳末恒例の盛岡名物として第13回の昭和37年まで盛岡劇場(旧盛岡劇場)で上演された。
- The Morioka bunshi-geki began in 1949 with Hikojiro SUZUKI, a writer, as a central figure and had been performed thirteen times until 1962 at the Morioka Theater (old Morioka Theater) as a Morioka's annual year-end attraction.
- 1948年(昭和23年)には、傘下に「マキノ映画」を設立、真三が監督、宮城が主演、霧立のぼるら宝塚歌劇団出身の女優を配した『桜御殿』を製作した。
- In 1948, Makino Movies was established as an affiliate and the studio produced 'Sakura Goten' (Cherry Palace) directed by Shinzo and featured a cast headed by Miyagi and other actresses, who used to be in the Takarazuka Revue, such as Noboru KIRITACHI.
- 旋律といっても、祭囃子用の篠笛は演奏と作成の容易さを優先して指孔が等間隔に開けられているものが多く、邦楽の音階にも洋楽の音階にも当てはまらない。
- The shino-bue that is played for matsuri-bayashi (Japanese music for festivals) has finger holes that are equally spaced, making it easier to make as well as to play; however, the musical scale of the shino-bue does not conform to that of Japanese or Western music.
- 薩摩藩は、江戸までの街道ぞいの人々に「路次楽」を聴かせ、将軍以下の江戸幕府の要人たちに「御座楽」の演奏を聴かせることで、自藩の支配力を顕示した。
- The Satsuma clan would often play 'Rujigaku (lit. route music)' for people along the road to Edo and 'Uzagaku (lit. seated music)' for important people in the Edo shogunate below the status of Shogun as a show of power.
- 「東活」製作の最終作品、金田繁・大伴麟三監督、月形龍之介主演の『決戦荒神山』は、高村の「宝塚キネマ」の配給で1932年12月31日に公開された。
- The last work by 'Tokatsu' was 'Kessen Kojinyama,' which was directed by Shigeru KANEDA and Rinzo OTOMO starring Ryunosuke TSUKIGATA; it was distributed by Takamura's 'Takarazuka Kinema' and released on December 31, 1932.
- 父の厳格さを敬遠して京都の大学に進学、能からも一時遠ざかるが、ニューヨークで左右十郎シテ、憲人ツレにより演じられた「恋重荷」を見て能楽師を志す。
- He goes to a university in Kyoto to get away from his strict father, not becoming interested in Noh until he watches 'Koi no Omoni' (The Burden of Love) performed by Sojuro as a shite and Norito as a tsure (a shite's companion) in New York, and then decides to be a Nohgakushi.
- 『暗闇の丑松』のお今、『ひらかな盛衰記・源太勘当』の延寿、『梅雨小袖昔八丈』(髪結新三)の後家お常など新作や時代物、世話物などに名演技を示した。
- He made excellent performances in new works, Jidaimono (historical drama), and Sewamono (play dealing with the lives of ordinary people), by playing the roles of Oima in 'Kurayamino Ushimatsu', Enju in 'Hirakana Seisuiki Genta Kando,' and widow Otsune in 'Tsuyukosode Mukashi Hachijo' (Kamiyui Shinza.)
- 舞事(まい-ごと)とは、能において、主として一曲の能や狂言の後半部分に能シテ、能シテ、能ワキが能囃子のみによって演じる抽象的な所作(舞)をいう。
- Mai-goto means abstract acts (mai) that, in Noh, the shite (an actor playing the leading part), tsure (a supporting actor) and waki (the partner of a shite) perform accompanied solely by the hayashi (music played in the background), mostly in the latter half of a Noh or a Kyogen (a farce played during a Noh cycle) play.
- 『四谷怪談』の仕掛けは十一代目長谷川勘兵衛が独自に考案した極めて独創性の高い装置であることから、この演目では「長谷川!」が掛かることが特に多い。
- At a famous kabuki 'Yotsuya Kaidan', the kakegoe 'Hasegawa' is especially often heard, because those incredibly creative sets for the play were invented by the eleventh Kanbei HASEGAWA.
- 明治期の市川團十郎 (9代目)、七代目市川團蔵、戦前の松本幸四郎 (7代目)、戦後の二代目尾上松緑、十七代目中村勘三郎などの名優が弾正を演じた。
- Danjo was played by great actors like Danjuro ICHIKAWA (the ninth) and Danzo ICHIKAWA, the seventh in the Meiji period, Koshiro MATSUMOTO (the seventh) before the Second World War, Shoroku ONOE, the second and Kanzaburo NAKAMURA, the seventeenth after the war.
- 演じた年が80を越えていたにもかかわらず、その清新な芸風と爽やかな口跡により、どう見ても台本に指定されている20歳の若者であったと言われている。
- Jukai was over 80 years old when he performed the role, but it is said that his fresh acting style and delightful delivery made himself look in every respect like a twenty-year old young man as written in the script.
- 7月末で「館主連盟」が崩壊、嵐寛寿郎プロダクション(第1次寛プロ)らはみな撤退、俳優も監督も、マキノ以外のメジャー撮影所や舞台演劇に散っていった。
- Kanshu Renmei' fell apart at the end of July, resulting in the complete closure of Arashi Kanjuro Productions (the first period of Kan Pro) and all of the actors and directors went different ways, joining various major studios (other than Makino) and live theaters.
- 主演にクレジットされている「沢田慶之助」は、衣笠貞之助の「衣笠映画連盟」時代は「小沢茗一郎」と名乗っていたマキノのバイプレイヤー沢田敬之助である。
- Keinosuke SAWADA' credited as the leading actor was a supporting actor of Makino that called himself as 'Myoichiro OZAWA' during the 'Kinugasa Eiga Renmei' period of Teinosuke KINUGASA.
- 仙洞御所での演能の中止(1429年)や醍醐寺清滝宮の楽頭職を音阿弥と交代させられるなどさまざまな圧迫が世阿弥・元雅親子に加えられた(国史大辞典)。
- Much pressure including the cancellation of the Noh performance at Sento Imperial Palace and replacement of gakuto-shiki (right to play sarugaku) in Daigoji-Temple, Kiyotaki-miya Shrine with Otoami was put on the father and son of Zeami and Motomasa (Great Dictionary of National History).
- なお、舞鶴弁の「ちゃった」にちなんで「舞鶴防衛戦隊チャッタマン」というローカルヒーローがあり、同市内を中心に各種イベントに出演、人気を博している。
- Based on the common characteristic of the Maizuru-ben dialect, the local hero 'Maizuru Boei-sentai Chatta-man' (the Maizuru Guardian Chatta-man) was created, is popular in many local events.
- 昭和44年 (1969) 7月、国立劇場で中村勘三郎 (17代目)の文弥・仁三で通し狂言が復活上演されたのが、今日までその唯一の例外となっている。
- The only exception until now was, in July, 1969, with Kanzaburo NAKAMURA XVII as Bunya and Nisa, the full length play was re-performed at the National Theater.
- また、市村羽左衛門 (15代目)、市川壽海 (3代目)の木村重成、尾上菊五郎 (6代目)・尾上梅幸 (7代目)の銀之丞は歴史に残る名演技であった。
- In addition, Shigenari KIMURA played by Uzaemon ICHIMURA (the 15th) and Jukai ICHIKAWA (the thirrd) and Ginnojo played by Kikugoro ONOE (the sixth) and Baiko ONOE (the seventh) were so great that they were long remembered in history.
- 東屋トン子主演の続編『サザエさん のど自慢歌合戦』(1950年)は、「東洋スタジオ」がまったく同様のキャスト・スタッフで製作し、大映が配給している。
- A sequel, 'Sazaesan nodo jiman utagassen' (Sazaesan, an amateur singing contest: 1950) starred by Tonko AZUMAYA was shot at Toyo Studio with the same cast and staff, and distributed by Daiei Film Company.
- 世阿弥に師事し、その娘婿となった禅竹は、世阿弥から「拾玉得花」「花鏡」等の伝書を相伝するとともに、その演技によって当時の知識人たちから人気を集めた。
- Zenchiku, who had studied under Zeami and become his son-in-law, inherited books of secrets such as 'Shugyoku Tokka (Finding Gems and Gaining the Flower)' and 'Kakyo (A Mirror Held to the Flower)' from Zeami, and his performances became popular among men of letters of the time.
- 翌年の「マキノ映画製作所」設立の翌月には、牧野・金森共同監督による市川幡谷主演作品『紫頭巾浮世絵師』で、牧野は寿々喜多を脚本家としてデビューさせた。
- In the month following the establishment of Makino Film Productions in 1923, Makino made Susukita debut as a scriptwriter in 'Murasaki Zukin Ukiyoe-shi' (The Purple Hood: Woodblock Artist) starring Hataya ICHIKAWA and co-directed by Makino and Kanamori..
- ただ、最晩年の明治44年(1911年)に軍事演習閲兵中の姿を遠くから隠し撮りした写真が残っており、これが明治天皇が最後に撮影された姿と言われている。
- When it was his last year in 1911, the Emperor's photograph was secretly taken from a distance while he was reviewing troops on the military exercise, this was said to be the last photograph taken before he died.
- しかし、源五兵衛の特異なキャラクターを演じる俳優がいないのと、キャストが揃わないと効果が上がらないなどの理由で、名作の割には上演回数が極端に少ない。
- The play is not put on stage as often as a masterpiece should because there are not enough actors who can play the unique character of Gengobei and because the play does not meet its potential unless the most suitable actors are there to play the various roles.
- 『助六』が歌舞伎十八番では常に第一にあげられ、上演回数では群を抜いて最多、その上演時間も最も長いという、特別なものとなっているのもただの偶然ではない。
- It is not accidental that 'Sukeroku' has been a special play among the eighteen Kabuki repertoire items such that it has always been put at the top of the eighteen items, has been put on the stage for the most frequently among the eighteen items, and its performance time is the longest among the eighteen items.
- 鹿鳴館時代の1886年(明治19年)、第1次伊藤内閣の意向もあって、末松謙澄、渋沢栄一、外山正一をはじめ、政治家、経済人、文学者らが演劇改良会を結成。
- In 1886 when the Rokumeikan was in its heyday, the Engeki Kairyo Kai was organized by people from the political, business, and literature arenas such as Kencho SUEMATSU, Eichi SHIBUSAWA, and Masakazu TOYAMA, bowing to a request by the First Ito Cabinet.
- その形態は、冒頭の次第もしくはワキの名乗から道行などまでのワキを中心とする段を演じた後、前場の残りの部分を略し、待謡以降を演奏するといったものである。
- The style of 'Han-Noh' shortens 'Maeba' scenes after initial 'shidai' (one of component parts of a Noh play) or 'dan' (a section) including 'nanori' (announcement of one's name) and 'michiyuki' (going on a road) of 'Waki' (supporting actor), and performs scenes after machi-utai (a song sung by a waki in the middle of a noh play).
- 二人はそれまでの慣例を破って武智鉄二の演出した新劇や歌舞伎に出演するなど、積極的に他芸と交わっていったため、能楽協会から退会勧告を受けたこともあった。
- They broke an old custom and performed in a new type of drama, Shingeki, directed by Tetsuji TAKECHI, or Kabuki and positively interacted with other arts, for which they were once urged to leave the Noh Association.
- また明治以降、累・与右衛門の物語は「薫樹累物語(めいぼくかさねものがたり)」などの外題で、独立の狂言として歌舞伎・人形浄瑠璃で上演されるようになった。
- The story of Kasane and Yoemon became a separate Kabuki play titled 'Meiboku Kasane Monogatari' (The Story of Kasane) after the Meiji period, and has been performed in Kabuki and Ningyo Joruri.
- 振興会には2004年9月現在、人形座14団体、大夫部屋6団体、三味線師匠6団体が所属しており、阿波十郎兵衛屋敷では阿波十郎兵衛座が定期公演を行っている。
- As of September 2004, 14 groups of Ningyo-za, 6 tayu stables and 6 groups of masters of shamisen belong to the Promotion Association, and Awa Jurobe-za gives regular performances at Awa Jurobe Yashiki.
- 能楽協会は、この四座一流に所属していた諸流派の系譜を継ぐ能楽師たちのうち、素人の習い事としての能楽ではなく、能楽上演を職業とする者が所属する団体である。
- Nogaku Kyokai is an organization for the nogakushi who have inherited those schools that were part of Yamato-shiza and who are professionally involved in Noh performances, not the kind taken as a lesson by amateurs.
- しかし「阪妻・立花・ユニヴァーサル連合映画」社の最大の欠点は、阪妻プロ第4作の『尊王』以降の契約を根拠に、阪東出演作の配給権は松竹が握っていたことである。
- However, the greatest fault of 'Bantsuma Tachibana Universal Rengo Eiga' was the fact that Shochiku held the right to distribute films starring Bando, based on a contract that applied to the fourth film of Bantsuma Puro 'Sonno' as well as subsequent films.
- 落語の「七段目」は、芝居好きの若旦那が丁稚と二階の部屋で平右衛門とおかるの件を演じ、丁稚が階段から落ちて「怪我はないか」「なあに、七段目」と下げる芝居噺。
- Rakugo 'Shichidanme' is a shibai-banashi (rakugo story based on kabuki) in which a servant boy and his young master, who likes kabuki, play the roles of Okaru and Heiemon respectively, in a room on the second floor, then the servant boy falls down the stairs, the young master says, 'Are you all right?' and the servant boy replies, 'I am all right, I only fell down from shichidanme' (seventh step on the stairs).
- 演劇改良運動の影響を受けた明治時代の後期になって、従来の荒唐無稽な筋書きではなく、近代社会にふさわしい歌舞伎劇を志す文学者が新たな作品を書くようになった。
- In the late Meiji period, when Engeki kairyo undo (theatrical performance improvement movement) was influential, new works were written by literary people who pursued kabuki plays suitable for modern society instead of those with traditional preposterous stories.
- さらにここの見学者は希望により大正琴の演奏を体験でき、これをきっかけに本格的に大正琴を習い始めたい場合はスタッフが全国各地の琴伝流講師陣を紹介してくれる。
- Visitors to this place, if they wish, will have an opportunity to perform taishogoto, and if visitors want to start learning taishogoto, the staff will introduce instructors of Kinden school from various places nationwide.
- 講談 - 武士、男性社会、エラい人の物語、タテマエ、演者と客との心理的距離の遠さ、公式的見解、無矛盾性、地の文による客観的描写、語りのテンポと歯切れを重視
- Kodan features: samurai, male-dominated society, stories on great people, public stances, psychologically great distance between the performer and the audience, official views, consistency, objective depiction in descriptive texts, and emphasis on tempo of narrative.
- これには、お三輪役で共演した中村歌右衛門 (6代目)が、以前から「成駒屋(鴈治郎のこと)の鎌七はすごいわよ」とその芸力を認め強く推薦していたからであった。
- This was because Utaemon NAKAMURA (VI), who performed together as Omiwa, had acknowledged his performing capability and had strongly recommended telling 'Kamashichi by Narikoma-ya (Ganjiro) must be fantastic.'
- 最後まで若々しい芸を見せ、「曽根崎心中」で共演した長男・四代目藤十郎(当時・二代目扇雀)が人気を集めると「嫉みますがな」とライバル心をむき出しにしていた。
- He displayed youthful performances until his last and, when his eldest son, Tojuro the fourth (Senjaku the second at that time) with whom he performed together in 'Sonezaki shinju,' found favor with public, he showed his competitive spirit saying 'No need to say, I feel jealous.'
- もともと京都の手猿楽に発した家系で、初代野村又三郎重信が和泉流樹立にあたり客分として招かれたために、独自の演目・台本・演出などを保持して現在に至っている。
- This family originally performed tesarugaku in Kyoto, and as Matasaburo Shigenobu NOMURA (the first) was invited as a guest to establish the Izumi school, their own programs, play scripts, and dramatic interpretation have been maintained.
- さらに東京に出て発明特許を得て、1888年(明治21年)12月には皇太后の、1889年(明治22年)4月には皇后の御前演奏の栄誉を得て、一時流行したという。
- It is also said that he moved to Tokyo to receive a patent for his invention, and was honored with Command Performance for the Empress Dowager in December 1888 and the Empress in April 1889, which made Chikkin become popular for a while.
- 前者は、天和 (日本)以前から、あるいは元禄ころから、作者は脚本の一部に「ほめことば」を挿入し、役者の口から、共演役者の容貌的な魅力をほめさせたものである。
- In the first case, script writers began to put 'homekotoba' as a part of script and let a player speak them to praise the costar for his attractive visage, from before the Tenna era (1681-1683) or around Genroku era (1688-1703).
- しかし、阪妻プロと松竹キネマとの契約上、ユニヴァーサル社が望む「阪東妻三郎主演作品」が1作もなかったため、同年5月末には契約解除となり、訴訟にまで発展した。
- However, since Universal Pictures, Inc. desired a film starring Bantsuma and such a film was never created due to a contract between Bantsuma Productions and Shochiku Kinema, the contract with Universal Pictures, Inc. was cancelled at the end of May of the same year and even turned into a lawsuit.
- 備考:「人間五十年」の時代、不惑の歳を迎えた役者は隠居するのが常だったが、この年61歳になった二代目海老蔵(二代目團十郎)は33年ぶりに若衆の助六を演じた。
- Notes: People lived as long as fifty years in those days as expressed in a famous song, and the actors who turned fifty were generally retired, but Ebizo ICHIKAWA II (Danjuro ICHIKAWA II) played the role of young man Sukeroku at the age of sixty-one in this program for the first time over thirty-three years.
- 油井昌由樹や隆大介、清水大敬(当時は「清水のぼる」名義)、阿藤海、島香裕など、無名の俳優、新人俳優から演技経験の全くない素人までが数々の重要な役で出演した。
- Many unknown and new actors, plus amateurs with no acting experience, including Masayuki YUI, Daisuke RYU, Taikei SHIMIZU ('Noboru SHIMIZU' at the time), Kai ATO, Yu SHIMAKA, were cast in leading roles.
- このような上方歌舞伎の現状を憂い、伝統の灯火を守ることを決意した仁左衛門は、私財を投じ「仁左衛門歌舞伎」と称して1962年以降五回にわたって自主公演を決行。
- Being worried about the state of Kamigata (Kansai region) kabuki, Nizaemon made up his mind to protect the presence of the tradition and daringly held self-promoted performances five times in and after 1962; he called them 'Nizaemon Kabuki' and funded them himself.
- 中国本土には、御座楽で演奏されたのと同じ楽曲が現存しているはずであるが、御座楽のどの曲が中国本土のどの曲にあたるかについては、目下、学者たちが研究中である。
- There is apparently music identical to Uzagaku still performed on mainland China although, at the moment, academics are researching which Uzagaku correspond to which pieces from the Chinese mainland.
- 本来は、五番目の能が鬼畜物など祝言性を持たない曲目であった場合に、一日の演能をめでたく舞いおさめる意味で、さらに一番、祝言の曲を追加して上演したことを指す。
- Originally it meant performing further an additional celebratory number in order to finish dancing the en-noh of the day happily when the fifth noh was an uncelebratory number such as a play featuring kichiku (brute).
- 歌舞伎では花道から登場する人物は、七三の位置(花道を十等分して舞台から三分目と四分目の間)で一旦動きを止め、短い演技(長いこともある)を見せるのが定石である。
- In kabuki, it is decided as a traditional form that a character who enters from the hanamichi stops the action and shows short performance (sometimes the performance is long) when he comes to the place where is between three-tenths and four-tenths of the hanamichi (three-tenths of the hanamichi) if it is divided into ten equal parts.
- 山城新伍が語った所によれば、当初は勝が武田信玄と影武者を、勝の実兄の若山富三郎が信玄の弟武田信廉役を演じる案があったという(実際の兄弟関係を逆転させた配役)。
- According to Shingo YAMASHIRO, Katsu was originally supposed to play the roles of Shingen TAKEDA and his body double, and his older brother Tomisaburo WAKAYAMA was to play the role of Shingen's younger brother Nobukado TAKEDA (the opposite of their true ages).
- 現在でも文楽座の太夫、三味線方が歌舞伎に出演する際には、特殊なとりきめ(歌舞伎役者が台詞を言わず、全編を義太夫がとる)があり、通常はこうした交流は行われない。
- Even today, special arrangements should be made when Tayu and Shamisen-kata belonging to the Bunraku-za Theatre appear in Kabuki performances (Kabuki actors do not speak the line, and the whole story is narrated by Gidayu), and under normal conditions, this type of interactive events are not practiced.
- 元来は、寄席において観客へのサービスとして行われていたもので、最後の演目として複数の出演者が再び登場し、観客から題目をもらって互いに芸を競い合う余興であった。
- It was originally performed last as a bonus for the audience in the theater and was a sideshow act in which more than one performer came on the stage again after all the other performances, and competed with each other on their performance based on a topic given by the audience.
- 明治時代に入って文明開化の世となり、西洋の演劇に関する情報も知られるようになると、歌舞伎の荒唐無稽な筋立てや、興行の前近代的な慣習などを批判する声が上がった。
- As information about Western theatres was introduced to Japan thanks to the civilization and enlightenment movement during the Meiji period, criticisms were voiced at Kabuki for its far-fetched scenarios and outdated performance practices.
- 1950年代から60年代にかけては雅雪の子観世寿夫、観世栄夫、観世静夫を中心とする新世代の能楽師が、演能、技法論、異分野との競演などでめざましい活躍を見せた。
- From 1950's through 1960's, Noh actors of new generation, whose main contributors were Hisao Kanze who was a son of Gasetsu, Hideo KANZE and Shizuo KANZE, made great achievements in the areas such as performance, theory of techniques and playing opposite to players in different fields.
- これからもわかるように、能ならば能という対象はどの流儀にも共通するのに対して、それにいかに演ずるかの技術が異なるところに流儀というものの源流があるといってよい。
- As understood from this, in the case of Noh, all of the Noh schools share the art of Noh while they differ in techniques for performing Noh dramas, from which each ryugi can be said to originate.
- 国立劇場開場後は積極的に埋もれた古典の復活上演を行い、歌舞伎十八番の『象引』『七つ面』『解脱』『関羽』『不動』や初代桜田治助作『御摂勧進帳』などで話題を集めた。
- After the National Kabuki Theater opened, he was active in restoring performances of Japanese classics which had fallen into obscurity, and drew attention for his performances of Kabuki 'juhachi ban' repertoire including 'Zohiki,' 'Nanatsumen,' 'Gedatsu,' 'Kan-u,' 'Fudo' and 'Gohiiki Kanjincho' by Jisuke SAKURADA (I).
- 歌舞伎雑誌『演劇界 (雑誌)』2007年1月号でのインタビューでは、自らの競馬歴は長く、幼少時に父・五代目福助に連れられて根岸競馬場に行ったのが最初だと語った。
- In an interview in the January 2007 issue of Kabuki magazine 'Engeki-kai' he explained that he had been visiting race tracks for a long time and that his first experience was at Negishi racetrack when he was taken there by his father, Fukusuke V, as a child.
- 栄御前の登場まで政岡が2人の子役とやりとりする「飯焚き」の部分は、政岡役者が舞台上で茶の湯の手前を行うという演出だが、大きな筋の動きがなく短縮されることが多い。
- As for the scene of 'Preparation of Rice' in which Masaoka talks with two children until Sakae Gozen appears, the actor playing Masaoka demonstrates tea ceremony, but there is not much story in it and the scene is often shortened.
- 旧皇族は世間の注目を避けて静かに生活してきた者がほとんどだったが、最近では、竹田恒泰のように積極的に著作や講演などで活躍し、マスメディアに登場している者もいる。
- Most of the former members of the Imperial Family maintained a quiet life by avoiding public attention; there were some, however, who appeared in the media, such as Tsuneyasu TAKEDA who wrote books and gave public lectures.
- これを台の上に置き、三弦は三味線と同じように調律し、演奏法は八雲琴に似て左手中指に翠管をはめて弦を押さえ、右手人差し指に斜めに切った鳳爪という管をはめて弦を弾く。
- After setting Chikkin on a stand and tuning three strings in the same way as Shamisen (a three-stringed Japanese banjo), it is played by holding the strings down with suikan (a green pipe) fitted on the middle finger of the left hand and plucking the strings with a diagonally-cut pick called otoritsume fitted on the forefinger of the right hand, in a similar manner to Yagumo-goto.
- さらに同年、今度は三船プロ製作・東宝配給による、三船敏郎、勝新太郎、石原裕次郎、中村錦之助、浅丘ルリ子の5大スター共演映画『待ち伏せ』(1970年 稲垣浩監督)。
- In the same year as 'Zatoichi to Yojinbo', the film 'Machibuse' (Ambush) was released (1970, produced by Mifune Production, distributed by Toho and directed by Hiroshi INAGAKI), co-starring the five big-stars Toshiro MIFUNE, Shintaro KATSU, Yujiro ISHIHARA, Kinnosuke NAKAMURA and Ruriko ASAOKA.
- 歌舞伎の演技の中で、着物の裾をはしょり、見得を切る場面などは、陰部や臀部を見せて褌を締めていることを表すことで、自分は成人した者であるとの証を象徴したものである。
- On a Kabuki stage, a player who kilts hems of kimono to make a proud gesture is presenting himself as an adult by showing his pubic region and buttocks covered by a fundoshi loincloth.
- 次に呉王、金剛、迦楼羅(かるら)、呉女、崑崙(くろん)、力士、波羅門(ばらもん)、大孤(たいこ)、酔胡(すいこ)という登場人物によって劇的展開をもつ演技がはじまる。
- Then, a theatrical performance with a dramatic twist begins with the characters including the king of Wu, Kongo (Vajra), Karura (Garuda), Kuron (Konron), Rikishi (wrestler), Baramon (Brahman), Taiko (an old Buddhist) and Suiko (Drunken Persian King).
- しかし、このように極めて完成度の高い曲目ばかり演じていては、能という芸能から活力が失われるのではないかとの懸念もあり、明治以降も新しい曲目が書かれ、上演されている。
- However, there was also anxiety that a performing art, Noh would lose its vitality when only songs each having a very high degree of perfection were played as in those days, and, therefore, new songs were written and played in and after Meiji period.
- 時代が下ると大和猿楽諸座がその中心となり、有名なのは寛正5年(1464年)4月、京都糺河原における鞍馬寺の再興のための僧善盛の勧進、音阿弥・観世政盛父子の演能である。
- As time went by, schools of the Yamato Sarugaku (Sarugaku developed mainly in Yamato Province) began to play a key role in kanjin-Noh, and one of their most famous performances was the play performed by Onami and his son Masamori KANZE at Tadasugawara, Kyoto in May 1464, which was sponsored by a Buddhist monk named Yoshimori (善盛) in order to raise subscriptions for the restoration of Kurama-dera Temple.
- 本作は上演すれば必ず大入り満員御礼となる演目として有名で、かつては不況だったり劇場が経営難に陥ったりしたときの特効薬として「芝居の独参湯」と呼ばれることもあったほど。
- This program is famous as a play that consistently draws big crowds every time it is performed, and it was once called 'shibai no dokujinto of theater' (medicinal bath for theaters) because it was an effective remedy for theaters facing financial difficulties.
- 逆に言えば、ほかの分野との共演が必要でなく、素人弟子の数が多い分野では新流創設が容易であり、実際に日本舞踊や華道においてはほぼ無数に流儀があると言っても過言ではない。
- Conversely, in fields where no cooperation with other fields is necessary and the number of lay disciples is large, a new branch is easy to establish and in fact, it is safe to say that the fields of buyo (dance) and kado (flower arrangement) include a myriad of ryugi schools.
- また1959年(昭和34年)『娘景清八嶋日記』では八代目竹本綱太夫や竹澤弥七と共演、それまで相容れなかった文楽との共演を実現し、テアトロン賞と毎日芸術大賞を受賞した。
- He also appeared alongside Tsunatayu TAKEMOTO VIII and Yashichi TAKEZAWA in 'Musume Kagekiyo Yashima Nikki' in 1959 in a performance combining the previously incompatible media of kabuki and bunraku puppet theater, for which he was awarded the Theatron Prize and the Mainichi Arts Prize.
- その起源は澤村宗十郎 (初代)が元文元年江戸中村座で梅の由兵衛を演じた際に創案した茶の錣頭巾にあるとされ、これが当時大いに流行したところから宗十郎頭巾の名が行われた。
- Sojuro-zukin is said to have originated from 'chano-shikoro-zukin' (brown-colored hood with 'shikoro') which was firstly worn by Sojuro SAWAMURA Ⅰ (Kabuki actor) in 1736, who played the role of UME no Yoshibei at Edo Nakamura-za Theater wearing the zukin, which became all the rage at that time and began to be called Sojuro-zukin.
- 悪党ながらもどこか間の抜けたところがあり、かつ品格と現実性が求められる演技は、この二代目松緑や、中村勘三郎 (17代目)、中村富十郎 (5代目)らによって継承された。
- The performance which demanded foolishness in spite of being a rascal as well as grace and realism, was passed down by this Shoroku II, Kanzaburo Nakamura XVII, Tomijuro NAKAMURA V and so on.
- 井上金太郎監督が演出した阪東の主演作で、同年9月25日に、マキノ・プロダクションの配給により、金森万象監督のマキノ御室作品『奇傑鬼鹿毛 第三篇』と二本立てで公開された。
- 'Ijin Musume to Bushi,' starring Bando and directed by Kintaro INOUE, was released and distributed by Makino Productions on September 25, 1925 as a double feature with 'Kiketsu Onikage Daisanpen' (Great Onikage, Part Three), directed by Bansho KANAMORI.
- 先陣を切って同年5月16日に双ヶ丘撮影所でクランクインした千恵プロ作品『天下太平記』に、市川小文治らとともに出演、同作は同年6月15日に「館主連盟」の配給で公開された。
- Along with Kobunji ICHIKAWA and a number of other actors, TAKEI acted in the film titled 'Tenka Taiheiki' (Peace on Earth) produced by Chie Pro, the first film to be shot in Narabigaoka Studio (filming started on May 16, 1928), and the movie was distributed and released by 'Kanshu Renmei' on June 15, 1928.
- 三瓶温泉の公衆浴場が1877年(明治10年)3月に出来てそちらの献立に取り入れられた事や明治後半に三瓶高原が陸軍演習場になり兵隊に食された事で広く知られるようになった。
- Sanbe soba became widely known due to some circumstances, for example, that it was introduced on the menu at the community bathhouse in Sanbe Hot Springs that opened in March 1877 and when the Sanbe Highlands became the Army Exercise Area in the late Meiji period whereby it was eaten by the soldiers there.
- また、講談は古くは大正時代頃まで見台に講釈本(代々師匠から受け継いだ物や自身が記した物であらすじや登場人物が書かれている)を置き読みながら演じられる事がしばしばあった。
- Until the Taisho period, rakugo was often performed while reading koshakubon (text for koshaku) on kendai, which contained the story line and the characters, and which had been passed on from the masters generation after generation.
- 落語 - 町人庶民、女性、ダメな人の物語、ホンネ、演者と客との一体感、下からの目線、世の矛盾を肯定、反社会性の肯定、心情描写、会話により展開される、しゃべりに緩急が必要
- Rakugo features: townspeople/common people, women, stories on poor people, true feelings, a sense of unity between performers and audience, standpoints from underneath, affirmation of inconsistency in the world, affirmation of antisocial nature, descriptions of sentiment, development by conversation, and required pacing of narrative.
- 普段は厚化粧しない俳優、歌手、等も、特別番組、化粧品等の広告や写真集、ビデオクリップ等を撮影する場合に、企画内容や、出演者や制作者の意図によって厚化粧をする場合がある。
- Actors, singers and so on who generally do not wear atsugesho may occassionally use it to follow planned content or to achieve an effect desired by the performers themselves or by a producer when they appear in photographs, movies, special programs, or advertisements for cosmetics.
- 千秋楽の日の舞台は歌舞伎などにおいては役者のふざけや冗談が許されるという不文律があり、芝居の流れを壊さない程度で、しゃれやいたずらを用意して共演者をからかうこともある。
- In kabuki, there was an unwritten rule that performers can banter and joke with one another onstage on the senshuraku day, and they sometimes mock other performers by preparing puns and mischief in advance, but only to the extent that it won't hinder the flow of the play.
- また、1つの演目で各地を巡業した場合、最後の公演地で行われる千秋楽の公演を、特に「大千秋楽」(おおせんしゅうらく、略して「大楽」(おおらく)とも)と呼ばれることがある。
- Additionally, when a play on the same program is performed in various places on a tour, the play that is performed at the site visited last is sometimes called osenshuraku or oraku in particular.
- 千之丞は兄と対照的に多才な理論家で、狂言の新作や復曲をしたりオペラやミュージカルの演出を手がけたりと、多方面での活動が目立つが、近年は狂言師としても円熟味を増している。
- Sennojo, in contrast to his elder brother, is a versatile theorist and is remarkable in many fields such as creating new Kyogen, reproducing old Kyogen, or directing operas and musicals, but in recent years, he has matured and mellowed as a Kyogen performer.
- もともと、元禄11年 (1698) に片岡仁左衛門 (初代)の初演した『宿無団七』が原作で、同じ系統に「宿無団七時雨傘」があり、現藤十郎らによってたまに上演されている。
- It was originated from 'Yadonashi Danshichi' (Homeless Danshichi) of which premiere was played by Nizaemon KATAOKA (the first) in 1698 and there is 'Yadonashi Danshichi Shiguregasa' of the same line, which is occasionally played by the current Tojuro and others.
- 演者は高座におかれた釈台(しゃくだい)と呼ばれる小さな机の前に座り、張扇でそれを叩いて調子を取りつつ、軍記物や政談など主に歴史にちなんだ読み物を、観衆に対して読み上げる。
- A performer of kodan sits in front of a pedestal called shakudai on koza (stage), and reads out reading materials associated with history such as gunkimono (military epic) and seidan (story of the law or politics) to the audience, while tapping the shakudai with a harisen/hariogi (paper fan) to keep his or her rhythm going.
- 能の舞はきわめて静的であるという印象が一般的だが、序破急と呼ばれる緩急があり、ハコビにおいてもゆっくりと動き出して、徐々にテンポを早くし、ぴたっと止まるように演じられる。
- The general impression of dances in Noh is static; however, dances in Noh have a slow and quick movement called Johakyu (three segments of performance and speed of plays; slower and quieter performance during the jo (beginning), gradually gaining tempo in the ha (middle portion), and becoming more energetic during the kyu (denouement)), and in Hakobi, performers also start moving slowly, step up the tempo gradually and stop suddenly.
- 休みの月は、海外旅行に出かけることも多く、特に1960年(昭和35年)の歌舞伎初のアメリカ公演の折に訪れて以来、ラスベガスはお気に入りで、カジノで終日楽しむことも多かった。
- During a month he did not had a stage, he was mostly on overseas travels, and especially since he had the first kabuki stage in the United States in 1960, he was fond of visiting Las Vegas and often enjoyed the casino all day long.
- 第二次大戦後、他の武道と同様にそれらは禁止されたが、戦後復興と共に行事が復活し、東京五輪の「射撃競技」の開始式典で大戦前から伝統の米沢市の「砲術隊」等による演武が行われた。
- After the World War II, the gunnery was prohibited like other martial arts; however, many events were restored in the process of Japan's postwar rehabilitation; in the opening ceremony for 'target shooting' in the Tokyo Olympics, the traditional demonstration of gunfire by the 'musket troops' in Yonezawa City, which dated back before the war.
- 改組第1回配給作品は、市川幡谷主演の『三好清海』、牧野省三監督の『弥次と北八 第一篇』、そして衣笠貞之助監督の現代劇『二羽の小鳥』の3本立て興行で同年6月1日に封切られた。
- The first movies distributed after the reorganization were 'Seikai MIYOSHI' starring Hataya ICHIKAWA, 'Yaji to Kitahachi Daiiippen' (Stories about Yaji and Kita, Vol. 1) directed by Shozo MAKINO, and 'Niwa no kotori' (Two Little Birds) directed by Teinosuke KINUGASA, which started to be shown as a triple feature program on June 1, 1923.
- 東京でも、市川團十郎 (9代目)、中村吉右衛門 (初代)、市村羽左衛門 (15代目)、十七代目中村勘三郎、尾上松緑 (2代目)などが江戸に上方式を融合した演出を取っていた。
- Even in Tokyo, Danjuro ICHIKAWA (the ninth), Kichiemon NAKAMURA (the first), Uzaemon ICHIMURA (the fifteenth), Kanzaburo NAKAMURA (the seventeenth), Shoroku ONOE (the second), and others adopted staging integrated kamigata (Kyoto and Osaka) style into Edo.
- 共演者は佐藤俊太郎、有田正広、千住真理子らがおり、2005年11月12日には第21回京都賞受賞のため来日していたニコラウス・アーノンクールが公開リハーサルという形で指揮した。
- On November 12, 2005, they performed with Shuntaro SATO, Masahiro ARITA and Mariko SENJU in the form of a public rehearsal conducted by Nikolaus Harnoncourt, who was visiting Kyoto to attend the 21st award ceremony of the Kyoto Prize.
- 現在では、国立演芸場や広小路亭で定期的に開催される女流義太夫演奏会をはじめ、さまざまな機会で女流義太夫を聴くことができ、ファン・支持者の裾野も徐々にではあるが広がりつつある。
- Nowadays, recitations by joryu-gidayu can be enjoyed in various venues in addition to the performances held regularly at National Engei Hall and in Hirokoji-tei, and the base of fans and supporters has gradually expanded.
- それだけではなく、吉右衛門が得意とする丸本歌舞伎の舞台に多く出演することで、戯曲に対する解釈力と役の把握を深め、古典的な様式美と近代的な心理描写の手法を着々と身につけていった。
- Besides, by performing many times on the scene of Maruhon Kabuki (kabuki plays of doll theatre origin) which Kichiemon was good at, he deepened the interpretation of the play and the understanding of the role and steadily acquired the classic beauty of style and techniques of modern psychological descriptions.
- 場面構成や台詞・演出についてはこの他多くのヴァリエーションがあり、「花水橋」「竹の間」「御殿」「床下」「対決」「刃傷」からなる現行の構成は明治半ばから徐々に定着したものである。
- As for the structure of the scenes, lines and interpretation, there are various other versions, and current structure that consists of the scenes 'Hanamizu-bashi Bridge,' 'Bamboo Room,' 'Mansion,' 'Under the Floor,' 'Confrontation' and 'Attack' has been gradually established since the mid-Meiji period.
- 初演時の大学之助と太平次とを演じた松本幸四郎 (5代目)の演技もさることながら、幕ごとに殺し場が用意された残虐性の強さと早替り、強請場などの見どころの多さも観客のし好に合った。
- The audience liked it because it had a lot to see, such as the brutality that every act contained the scene of murder, Hayagawari (quick-change technique used when actors play more than one role), the scene of a threat and so on, in addition to the performance of Koshiro MATSUMOTO the fifth, who played Daigakunosuke and Taheiji at its first performance.
- 能楽全体が危殆に瀕していた時期にあって、舞台、装束、面などが思うように手に入らない劣悪な環境のなかで、宝生九郎知栄らの援助によって演能をつづけ、東京における金春流の孤塁を守った。
- While the art of Noh itself faced extinction and a difficult time when stages, costumes and masks to perform were not as available as they had been, he continued to perform Noh with the aid of Kuro Tomoharu HOSHO and others and protected the lone base of the Konparu school in Tokyo.
- 平成9年(1997年)9月27日に、日本推理作家協会の設立50周年を記念し、北方謙三を理事長とし、脚本辻真先、協会員42名出演による文士劇『ぼくらの愛した二十面相』が上演された。
- On September 27, 1997, in commemoration of the 50th anniversary of Mystery Writers of Japan, Inc., a bunshi-geki 'The Nijjumenso We Loved' was put on the stage with Kenzo KITAKAWA as a chief director, Masaki TSUJI as a scenario writer and forty-two members as actors and actresses.
- 文楽の演者らで作る福利厚生団体・『むつみ会』の元代表理事・豊竹十九大夫(とよたけ とくたゆう)が、同会の資金資金約5,000万円を、銀行口座から不正に引き出していたことが発覚した。
- It was exposed that Tokutayu TOYOTAKE, a former head director of the welfare group of bunraku performers 'Mutsumi kai,' unduly withdrew 50 million yen of the group's fund from the bank account.
- 一般に黒川能と呼ばれるのは、山形県櫛引町大字黒川の春日神社の「王祗祭」で演じられる能のことを指すが、他にも3月23日の祈年祭、5月8日の例祭、11月23日の新穀感謝祭でも舞われる。
- Kurokawa-Noh, as it is called in general, refers to the Noh performed at 'Ogi-sai' (Ogi festival) at Kasuga-jinja Shrine in Oaza Kurokawa, Kushibiki-machi, Yamagata Prefecture, but it is also performed at Kinen-sai (a festival for bountiful harvests) of March 23, Rei-sai (an annual festival for the shrine) of May 8, and Shinkoku-kansha-sai (a festival for the harvest of the year) of November 23.
- 今ではよく見られる演出だが、侍同士の対決シーンで、すれ違いざま刀を振り下ろし、いったん静止して片方が倒れて死ぬという描写や、効果音として刀の斬殺音を使用したのは、本作が最初である。
- Although it is common practice nowadays, this was the first film to feature a fight sequence in which two samurai swung their swords down as they passed each other and then suddenly stopped moving as one of them collapsed to the ground and died, and the film also used sound effects to accompany the action in swordfights.
- しかし、戎橋松竹の後継として日本ドリーム観光が開設した京洛劇場の人気で客入りが悪くなり、剣劇や実演を主体に演芸を取り混ぜた興行を行った末、1958年12月中席で演芸興行を打ち切る。
- However Fuki started to have small audience because of the popularity of Kyoraku Theater, which was established by Nippon Dream Kanko as succession of Ebisubashi Shochiku theater, so that theatrical play with sword-rattling play and hand weaving demonstration was mainly performed, but theatrical performance was finished at nakaseki (performance showed from 11th to 20th of the month) of December 1958.
- そのため、このあと、大播磨は絶妙な間合いで笑いが引くのをまってから、悪徳坊主の面白みをチャリの笑いから引き継ぎ、観客を魅了する名人芸で見事に演じきる様を、現代でも聞くことができる。
- Listening to the record, it is known that O-Harima waited until the audience settled down, and at miraculously good timing, resumed performing as the bad cha-bozu (tea-server); he took advantage of the laughter triggered by Yamakawa's chari and finished the performance perfectly fascinating the audience.
- また舞台も伝統的な能舞台ではなく、舞台背景に鏡板ではなく十字架を使用したり(「ジゼル」)、特殊な鏡を使用してシテが鏡の中に消えたように見せる演出(「安倍晴明」)などが試みられている。
- As the stage itself, a traditional Noh-stage is not used however, use of a cross in the background of the stage instead of kagami-ita (the back board) ('Giselle') and stage-management to cause the shite (the main character) to be seen as if the shite enters and disappears in a mirror, using a special mirror ('ABE no Seimei') have been tried.
- わずか1年の間に28本(25本)もの映画に出演したが、翌1928年(昭和3年)4月に同社を退社、名も「嵐寛寿郎」と改めて、設立したのがこの「嵐寛寿郎プロダクション」(寛プロ)である。
- He appeared in twenty eight (twenty five) films, but resigned from Makino in April of 1928, changed his name to 'Kanjuro ARASHI,' and established 'Arashi Kanjuro Productions' (Kan Pro).
- たとえば能のシテ方に梅若流が設立されたときには、ワキ方や囃子方が旧来のシテ方五流に同調して共演を拒否し、実質上演能不能の状態に陥ったために、最終的に梅若流の分派行動は失敗におわった。
- For example, when Umewaka-ryu was established as a ryugi of shite-kata (main roles) in Noh, waki-kata (supporting actors) and hayashi-kata (players for musical accompaniment), sympathizing with the five conventional styles of shite-kata, refused to costar or play with Umewaka-ryu, forcing the new ryugi to give up performing any Noh play, and thus Umewaka-ryu's attempt to establish a new branch school ended in failure.
- 江戸時代から戦後にかけては見世物としての女相撲興行が盛んに行われていたし、大衆演劇の世界では男装した女役者が着物をはしょり、ふんどしを見せながらの剣戟を演じて客の喝采を浴びたという。
- From the Edo period to the postwar period, women's sumo exhibitions were actively performed as an entertainment show, and in the society of popular dramas, a female player wearing men's dress performed sword fights kilting her kimono and showing her fundoshi loincloth to gain plaudits from the audience for her performance.
- 「女義太夫」という呼び方は、たとえば『演劇百科辞典』(平凡社)や『国史大辞典』(吉川弘文館)で「女義太夫」として立項されているが、21世紀に入ってからは「女流義太夫」が一般的である。
- The term 'Onna-gidayu' is listed in 'Encyclopedia of Theatrical Arts (published by Heibon-sha)' or in 'Kokushi Daijiten (Great Dictionary of National History)' (published by Yoshikawa Kobunkan), for example, but during the twenty-first century, the term 'Joryu-gidayu' is generally used.
- 監督と撮影にはマキノから引き抜いた高見定衛と藤井春美をそれぞれ起用、共演には衣笠貞之助の作家系インディペンデント・プロダクション「衣笠映画連盟」の糸浦柳子(のちの桜井京子)を起用した。
- The film was directed by Sadae TAKAMI and shot by Harumi FUJII, both of whom had been recruited away from Makino, and Ryuko ITOURA (later known as Kyoko SAKURAI), who belonged to 'Kinugasa Eiga Renmei,' Sadanosuke KINUGASA's writer-led independent production, was selected as a costar.
- 松竹系の新派劇の俳優で、マキノ・プロダクションとの提携作で主演した山口俊雄 (新派俳優)が設立したスタープロダクションであり、貸しスタジオの双ヶ丘撮影所で1本のサイレント映画を製作した。
- It was established by Toshio YAMAGUCHI, an actor that belonged to Shinpa-Geki (a New-School Play) in the Shochiku family who acted in films produced in conjunction with Makino Productions; it produced one silent movie by renting Narabigaoka Studio.
- 演目としては、『石橋 (歌舞伎)』(初期の作品でごく短いもの)・『相生獅子』(二人で獅子の舞を見せる華やかなもの)・『連獅子』(獅子の組合わせを親子に設定し物語性を持たせたもの)等多数。
- There are many works, including 'Shakkyo (kabuki)' (a short piece of work from the early period), 'Aioi-jishi' (a gorgeous work with a lion dance performed by two actors) and 'Renjishi (a string of lions)' (story features parent and child lions and places more emphasis on plot).
- これはコンサートなどにおけるアンコールに相当し、現在の演芸の舞台でもよく耳にする「お客様方のご機嫌を伺いたいと思います」というフレーズは、このサービスという観念に由来するものと思われる。
- This is relevant for encores in concerts, and phrases such as 'We would like to ask you the audience how you liked the show,' which is still often used on the stage in present theatrical entertainment, may have originated from the concept of the bonus.
- テレビや映画の出演も多く、日本放送協会大河ドラマでは『花の生涯 (NHK大河ドラマ)』で井伊直弼、『勝海舟 (NHK大河ドラマ)』で勝小吉、『草燃える』で後白河天皇を好演して評判を取った。
- He also made many appearances on television and in movies and in NHK Taiga dramas where he starred as Naosuke II in 'Hana-no-shogai,' Kokichi KATSU in 'Katsu Kaishu' (NHK Taiga drama) and Emperor Goshirakawa in 'Kusa Moeru.'
- 片岡仁左衛門 (13代目)は、片岡仁左衛門 (11代目)の且元と十五代目羽左衛門の重成との素晴らしさが忘れられず、1960年代に、天竜寺で子息の孝夫(現片岡仁左衛門)と「長柄堤」を演じた。
- Nizaemon KATAOKA (the 13th), who was not able to forget great performances by Nizaemon KATAOKA (the 11th) who played Katsumoto and by Uzaemon ICHIMURA who played Shigenari, performed 'Nagara zutsumi' with his son Takao (present Nizaemon KATAOKA) at Tenryu-ji Temple in the 1960's.
- ただし今日では三段目「住吉鳥居前」(通称: 鳥居前)・六段目「釣船三婦内」(通称: 三婦内)・七段目「長町裏」(通称: 泥場)がよく上演されるので、これらが通称として用いられることが多い。
- However, nowadays the third act 'Sumiyoshi Toriimae' (aka. Toriimae), the sixth act 'Tsuribune Sabuuchi' (aka. Sabuuchi), and the seventh act 'Nagamachiura' (aka. Doroba) are often performed, therefore, these are frequently used as the common names.
- また、共演者に宮城とおなじ宝塚出身の霧立のぼる、松竹歌劇団(SSKK)第2期生のオリエ津坂、真三の兄・マキノ雅弘が戦前に撮った『鴛鴦歌合戦』(1937年)にも出演した歌手の服部富子を配した。
- Other actors and actresses featured in these productions included Noboru KIRITACHI, who used to be in the Takarazuka Revue just as Miyagi was, Orie Tsusaka, the second-year member of Shochiku Kageki Dan (SSKK), and singer Tomiko HATTORI who also appeared in 'Oshidori Utagassen' (A singing contest among couples: 1937), which was directed by Shozo's older brother Masahiro MAKINO before the war.
- 旧来のチャンバラが、演劇性のある一種の「なりきり遊び」であったのに対し、スポーツチャンバラではルールが存在し、また使用する道具も指定され、打撃によって怪我をしないよう配慮された物を使用する。
- While the original chanbara was a kind of theatrical 'make-believe play,' sports chanbara has rules and specific equipments with consideration to prevent injury by being beaten.
- 「豆天王寺屋」と呼ばれている鷹之資には20歳になった時に、富十郎の名跡を襲名させることを公言しているが、その襲名披露狂言には『娘道成寺』で競演するのが近頃の富十郎の目標であると言われている。
- Tomijuro declared publicly that he would make Takanosuke, who is referred to as 'Mame tennojiya' to succeed the family name when he turned 20 years-old, and Tomijuro's latest goal is to vie with Takanosuke in 'Musume Dojoji' (The maiden at Dojoji Temple) at the Kyogen where he will make an announcement of his succession.
- 1966年、歌舞伎座で演じた『廓文章』(吉田屋)の伊左衛門が好劇家から高い評価を受け、それまでどちらかといえば独特な持味はあるものの、手堅いだけとされていた仁左衛門の演技に変化がおとずれる。
- In 1966, Nizaemon's portrayal of Izaemon in 'Kuruwa-Bunsho' (Yoshida-ya) at the Kabuki-za theater received a high reputation from play lovers, and Nizaemon's acting, which until then had been called merely reliable despite its unique characteristics, started to vary.
- 舞は中之舞が常であるが、実際にはこれで演じられることは少年の初シテなどの特殊な場合をのぞけばほとんどなく、乱の小書つきに変る(その場合、曲名を「猩々乱乱特有の囃子と舞」もしくは「乱」とする)。
- Originally the mai of 'Shojo' was to be a chu-no-mai, however, at present, the performer usually dances the mai of 'midare' (an intense style of mai) except a stage debut of a young performer, and the title of the performance is changed to 'Shojo Midare' or 'Midare.'
- また、名古屋のマキノ・プロダクション中部撮影所(所長・マキノ雅弘)で牧野が撮影を開始した『忠魂義烈 実録忠臣蔵』に、「立花左近」役で勝見は出演、同作では一介の俳優として、マキノ作品に協力した。
- When Makino began to produce 'Chukon Giretsu Jitsuroku Chushingura' at Makino Production's Chubu Studio (headed by Masahiro MAKINO) in Nagoya, Katsumi collaborated with Makino as an actor by playing a role of 'Sakon TACHIBANA.'
- 同作は、マキノ省三が総指揮を執り、勝見が「勝見黙笑」名義で脚本を書き監督し、弟の正義が監督補として支え、松田定次がカメラを回し、勝見自身がマキノの女優玉木悦子こと環歌子と共演した作品であった。
- Shozo MAKINO presided over the production of the film, Katsumi wrote the screenplay under the name of 'Mokusho KATSUMI', his younger brother Masayoshi gave support as an assistant director, Sadatsugu MATSUDA ran the camera and Katsumi himself acted together with Makino's actresses Etsuko TAMAKI and Utako TAMAKI.
- 電撃ネットワークの南部虎弾(出演者クレジットは南部虎太となっている)、柳葉敏郎、山田五郎(クレジットなし)といった面々が、全く無名だった若き日に雑兵や死体役などのエキストラとして出演している。
- Current prominent figures, including Torata NAMBU of Dengeki Network, Toshiro YANAGIBA, Goro YAMADA (uncredited), appeared as extras, such as in the roles of common soldiers and the dead, when they were young and unknown.
- 起源は戦国時代 (日本)の御伽衆(おとぎしゅう)であると言われているが、寄席演芸としての講談の原型は、江戸時代の大道芸のひとつである辻講釈(つじこうしゃく、または町講釈)に求めることができる。
- Although the origin of kodan is said to be traced to otogishu (professional storytellers attending provincial lords) during the Warring States period, its original form as yose engei (vaudeville) can be seen in tsuji koshaku/tsuji goshaku or machi koshaku (storytelling in the street), which was a street performance during the Edo period.
- これは怪談『四谷怪談』において、四谷の女性・お岩が伊右衛門に殺され、そのお岩の霊が提灯に乗り移って怪異を現すという、歌舞伎の演出でも見られる「提灯お岩(ちょうちんおいわ)」を描いたものである。
- These illustrate 'Lantern Oiwa'in the Kabuki production of 'Yotsuya Kaidan Ghost Story'in which a woman named Oiwa from Yotsuya is killed by Iemon, and her spirit attaches itself to a lantern and causes mysterious phenomena.
- 後に文士劇を東京毎日新聞社で事業として経営しようとし、結局、杉、岡、栗島および岡本の4人を中心に東京毎日新聞演劇会が組織され、明治39年(1906年)12月1日から5日間明治座で第1回を上演。
- Thereafter, in order to manage the bunshi-geki as an enterprise the Tokyo Mainichi Shimbun organized the Tokyo Mainichi Shimbun Engeki-kai with SUGI, KURISHIMA and OKAMOTO as leading members and put the first play on the stage of the Meiji-za for five days from December 1, 1906.
- 新内を聞きながらおまんへの欲情が抑えきれなくなる件では、他の俳優が表現の工夫にもて余す中で、左團次は何もしないでじっと新内を聞いている演技によって源五兵衛の揺れ動く心理を観客に理解させたという。
- In the part where Gengobei loses the inner fight to hold down his sexual urge for Oman while listening to shinnai, Sadanji chose to have the audience understand the volatile emotion by being rapt in listening to shinnai, while other actors struggled to express the emotion.
- ただしこの説は北宋時代の高承『zh事物紀原』卷二 酒醴飲食部や曾三異『』などに記事があり、のちの明時代に書かれた説話『三国志演義』に収録され多く知られるようになり、このように解説されることが多い。
- This story is talked a lot, however, because it is mentioned in books such as the Shurei inshokubu, the Vol. 2 of the 'Jibutsukigen (similar books of China)' written by Cheng GAO and the 'Yin hua lu (因話録) (Anthology of Essays and Short Stories)' written by Sanyi ZENG (曾三異), and then became well known for the episode in the 'Romance of the Three Kingdoms' which was later written during the time of the Ming dynasty.
- 美貌を売り物にする女形役者がこうした役をつとめると、ふてぶてしい極悪人であることを観客に納得させることが容易ではなく、舞台演出が困難になってしまうことが配慮されていることもそのひとつの理由である。
- One of the reasons that those roles are not acted by onnagata actors, who are famous for their beauty, is that it is difficult to convince audience that they are villains, which will make it difficult to produce a drama.
- 明治維新後、金春宗家は奈良などで細々と演能を続けているにすぎなかったが、こうした流儀の危機にあって一人気を吐いたのが、宝生九郎、梅若実とともに「明治の三名人」といわれた桜間伴馬(後に左陣)である。
- Although the head Konparu family just barely continued to perform Noh in Nara and a few other places after the Meiji Restoration, Banma (later Sajin) SAKURAMA had some success during this time of crisis for the school and was admired as one of the 'three masters of Meiji,' being equal to Kuro HOSHO and Minoru UMEWAKA.
- 当時の主な出演作には『炎上_(映画)』『鍵』(市川崑監督)、『浮草』『小早川家の秋』(小津安二郎監督)、『どん底 (1957年の映画)』(黒澤明監督)、『雁の寺』(川島雄三監督)などが挙げられる。
- As main works in which he appeared in that period, there are 'Enjo' (burning), 'Kagi' (key) (directed by Kon ICHIKAWA), 'Ukikusa' (Floating Weeds), 'Kohayagawa-ke no Aki' (The End of Summer) (directed by Yasujiro OZU), 'Donzoko' (rock bottom) (directed by Akira KUROSAWA) and 'Kari no tera' (Temple of the Wild Geese) (directed by Yuzo KAWASHIMA).
- すなわち、講談における「世話物」(町人の世界を題材とするカテゴリ。武家を扱った「時代物」に対する)を、講談のように説明口調で口演するのではなく、(登場人物になりきって)感情を入れながら喋るものである。
- According to him, Ninjo-banashi is kodan storytelling of Sewamono (a category which features the world of townspeople in contrast with 'Jidaimono' which features samurai family) emotionally (identifying oneself with the characters), not explanatorily as usual kodan storytelling.
- 移籍後も国立劇場で、1969年(昭和44年)6月には河竹黙阿弥作の歌舞伎『蔦紅葉宇都谷峠』(文弥殺し)を復活上演、同年11月には三島由紀夫作の新歌舞伎『椿説弓張月』を初演するなど精力的に舞台に立った。
- After his transfer, he returned to kabuki in the Kawatake Mokuami play entitled 'Tsutamomiji Utsunoya Toge' ('Bunya-goroshi') in June of 1969 at the National Theatre of Japan, and in November of the same year he gave a spirited performance in the premiere of the new Yukio MISHIMA kabuki play, 'Chinsetsu Yumiharizuki.'
- また、1960年代以降に洋楽のロックや日本製のフォークやニューミュージック、アイドル歌謡などを聴いていた戦後生まれの世代が中年層になっても演歌に移行せず、ロック・フォークなどを聴き続けている者が多い。
- In addition, generations born after the war have listened to western rock music, Japanese folk music, new music, and idol music since the 1960s, and many of them continue to listen to rock and folk songs, without shifting to the enka music, even after hitting middle age.
- また、扇と結婚する前は、京都に相思相愛の芸妓がいたと言われており、その芸妓が自身の出演している舞台に訪れると、表は成駒屋(当時)の紋、裏はその芸妓が用いていた紋をあしらった扇で、舞台を務めたと言われる。
- It is also said that, before marrying Ogi, he was in love with a geisha in Kyoto and that, when the geisha came to see his stage work, he performed using a Japanese folding fan that carried the emblem of his stage family name, Narikoma-ya (in those days) on its front side and the emblem used by the geisha on its back side.
- (金春流の所演曲は五流のなかでももっとも少なく、大正末年の時点で153曲しかなかった。しかもこのなかには「姨捨」「砧」など多くの秘曲・人気曲が含まれておらず、この点が流勢低迷の要因の一ともなっていた。)
- (The number of Noh works performed by the Konparu school were the fewest among the five Noh schools, only 153 in the last year of the Taisho period. In addition, they did not include many secret or popular pieces such as 'Obasute' and 'Kinuta', and that was one of the chief causes of the school's difficulties.)
- その後も東宝で山本富士子や山田五十鈴らの女優と舞台で共演するなどしたが、東宝の興行方針に対する不満や自己の芸術観と菊田の脚本との相違・ずれなど問題が絶えず、この移籍は必ずしも成功とはいえないものだった。
- With Toho, he went on to appear on stage alongside actresses such as Fujiko YAMAMOTO, and Isuzu YAMADA, but dissatisfaction with Toho policies as well as continued disparities between his own artistic outlook and Kikuta's scripts meant that this move cannot be considered to have been a complete success.
- また池波正太郎のテレビ時代劇『鬼平犯科帳』で演じた長谷川平蔵は、池波が八代目幸四郎をイメージして書いたといわれるだけに当たり役となった(『鬼平』は次男の中村吉右衛門 (2代目)によって継承されている)。
- Heizo HASEGAWA who appeared in Shotaro IKENAMI's television period drama 'Onihei Hankacho' only assumed the role as it was said that Ikenami took inspiration from Koshiro MATSUMOTO VIII while writing (the role of Onihei was succeeded by Hakuo MATSUMOTO I's eldest son, Kichiemon NAKAMURA II).
- 大阪市北部には、大塩平八郎の乱で焼かれたか、アジア太平洋戦争における米軍の空襲によって焼かれたか、修理費を捻出できなかったか、などの理由によって山車の存在しない地区があり、演奏しか重要視できうるものがない。
- In northern Osaka City, there are areas that can put emphasis only on the music performance because they are missing dashi for various reasons, such as they were burnt during the Rebellion of Heihachiro Oshima, they were burnt due to the U.S. air raid during the Asia Pacific War, or no repair budget was secured.
- 1928年(昭和3年)3月、山口の所属する新派劇団「新潮座」と牧野省三率いるマキノ・プロダクションが提携して、山口の主演映画を2本撮ったのをきっかけに、同年4月、山口は「新潮座」を脱退してに単独で入社した。
- In March of 1928, triggered by being featured in two films while he was in the new school drama group called 'Shinchoza' that was partnering with Shozo MAKINO's Makino Productions, YAMAGUCHI left the group on his own and joined Makino Productions in April.
- 流儀とは、一言でいえば、あるものをどう行うか(敵とどう戦うか、ある戯曲をどう演じるか)ということについて個人の一代の技能でなく、ある一定の技術論に基づく技術が、集団的、伝統的に共有されている技能共同体を指す。
- To put it simply, ryugi is not one person's techniques for doing a certain thing (such as how to fight against enemies and how to perform a play) which last only in his lifetime, but fellowship in which a group of people traditionally share techniques based on a certain art theory.
- 天保年間に高島秋帆によって西欧の火器用兵術が紹介され、殊に武州徳丸原(ぶしゅうとくまるがはら=現、東京都板橋区高島平)での公開演練の後は、江戸幕府や西南雄藩において「高島流砲術」として導入され急速に普及した。
- During the Tenpo era, Western firearm strategy was brought by Shuhan TAKASHIMA; after its demonstration conducted in the open military drill held in Bushu Tokumarugahara (present-day Takashimadaira, Itabashi Ward, Tokyo), it was adopted as 'gunnery of Takashima school' by the Edo shogunate and the southwest strong domains, and spread quickly.
- 本来上方落語には人情噺を演じ手がいなかったが、上方には『油』、『鬼あざみ』、『子別れ』、『ざこ八』、『しじみ売り』、『土橋万歳』などの人情噺が伝わっており、近年では上方落語家が東京の人情噺を積極的に移植している。
- Although originally there were not story tellers of Ninjo-banashi in Kamigata Rakugo, they have Ninjo-banashi such as 'Abura (Oil)', 'Oniazami Gangster', 'Parting with Son', 'Grain Broker Zakohachi', 'Shijimi Clam Vendor', 'Long Live the Earthen Bridge!', and Kamigata Rakugo storytellers are actively transferring Ninjo-banashi of Tokyo recently.
- 監督にはマキノから富沢進郎を引き抜き、撮影は双ヶ丘撮影所の田中が行ない、「中根龍太郎喜劇プロダクション」(中根プロ)製作による中根の監督・主演作『助太刀商売』と同時上映で同年7月1日に「菊水館」を中心に公開された。
- The film was directed by Shinro TOMIZAWA who had been recruited away from Makino, shot by TANAKA of Narabigaoka Studio, and released in theaters such as the 'Kikusuikan' on July 1, 1928 as a dual feature with 'Sukedachi Shobai' (Business of Backing up Somebody) directed by and starring NAKANE and produced by 'Nakane Ryutaro Comedy Productions' (Nakane Pro).
- 例えば、雅楽の演奏の時には殆ど化粧しない東儀秀樹が写真集の中で歌舞伎舞踊と同様の舞台化粧で登場する、元々厚化粧の印象が強い浜崎あゆみもデジタルカメラの広告で更に厚化粧になる、と言うようなケースは枚挙にいとまが無い。
- Hideki TOGI, for example, who hardly ever puts on any makeup during his performances in gagaku (ancient Japanese court dance and music), appeared in a photo book wearing stage makeup similar to what is used in Kabuki Buyo, and Ayumi HAMASAKI, who already gives a strong impression of wearing atsugesho, puts on even heavier atsugesho in advertisements for digital cameras and other similar cases too numerous to mention.
- ともに大阪市北区(長柄は旧大淀区)なのに、このような呼び方がまかり通っているのは、天満が大阪天満宮を指し、天満宮境内で演奏している講が、今福・蒲生地区(大阪市城東区)の人たちを中心に構成されていることに由来している。
- They both belong to Kita Ward, Osaka City (Nagara belongs to former Oyodo Ward), but the reason why these names are widespread comes from the fact that Tenma refers to Osaka Tenman-gu Shrine, and the association that performed in the precincts of Tenman-gu Shrine consisted mostly of people of Imafuku and Gamo regions (Joto Ward, Osaka City).
- 解散後の山本は、マキノから寛プロが引き継いだ『鞍馬天狗』の近藤勇役を2本演じてから、監督の高見とともに東京の河合映画製作社に入社、撮影技師の藤井は寛プロを経て東亜キネマ京都撮影所へ、糸浦こと桜井は日活撮影所へ移籍した。
- After the dissolution of Yamamoto Pro and after playing the role of Isami KONDO in two movies of 'Kurama Tengu,' which Kan Pro had succeeded from Makino, Yamamoto joined Kawai Eiga Seisakusha in Tokyo with the director TAKAMI, the cameraman FUJII moved to Kan Pro and then to Toa Kinema Kyoto Studio, and SAKURAI moved to Nikkatsu Studio using the alias ITOURA.
- この河東節は、市川團十郎 (7代目)が成田屋 市川團十郎の専売特許扱いにしてしまったため、以来他家が『助六』を上演するときは成田屋に遠慮して、「出端の唄」は長唄・常磐津・清元などに代えて行うことが決まり事になっている。
- As Danjuro ICHIKAWA VII made the Naritaya Danjuro ICHIKAWA family the proprietor of Katobushi, it has become the rule that when other families put 'Sukeroku' on stage, they substitute Nagauta, Tokiwazu, or Kiyomoto for Katobushi for 'the Deha no Uta' out of consideration for the Naritaya family.
- また、『宿無團七』などの上方狂言に挑戦したり、東大寺二月堂お水取りに取材した新作舞踊『達陀(だったん)』の初演、さらには『オセロ』『シラノ・ド・ベルジュラック』などの欧米演劇で新劇俳優と共演するなど芸域の広さを見せた。
- He also attempted Kamigata style Kyogen including 'Yadonashi Danshichi,' and performed the first performance of the new dance 'Dattan' at the Ceremony of Water and Fire at Nigatsudo Hall, Todaiji Temple, as well as performing with new theater actors in Western productions such as Othello and Cyrano De Bergerac, displaying the breadth of his talents.
- 1926年(大正15)年市川左團次 (2代目)により再発見されたが大学之助の件は上演されず、本格的な蘇演は戦後1965(昭和40)年9月芸術座公演における松本白鸚 (初代)主演と、前進座の上演まで待たねばならなかった。
- In 1926, Sadanji ICHIKAWA the second rediscovered it, but the part of Daigakunosuke was not performed, and it was not really restaged until the performance at Geijutsu-za Theater on September 1965 with Hakuo MATSUMOTO the first as the leading actor, and the performance by Zenshinza Theater Company.
- 河東節を専業で行う者は今も昔も非常に少ないため、『助六』が上演されるときは、かつては蔵前の旦那衆が、そして今日では「十寸見会」(ますみ かい)という愛好会に所属する素人の語り手たちが、交代でこれを勤めることになっている。
- As few professional performers have specialized in Katobushi through the history of kabuki, it has been performed in alternative basis for the stage of 'Sukeroku' by merchant ship-owners in the past and amateur narrators belonging to the narrator group called 'Masumikai' at present.
- 九代目は、父・七代目が銘打った「新歌舞伎十八番」という名称は維持したが、その演目数は18に収まりきらず、結局「十八番」を数字の「じゅうはちばん」ではなく、むしろ得意芸の「おはこ」の意味に解釈して、32ないし40を撰じた。
- Danjuro the ninth maintained the name 'Shin Kabuki Juhachi Ban,' which had been given by his father, Danjuro the seventh, but the selection contained more than eighteen programs, and in the end he selected thirty-two or forty programs based on an interpretation of 'Juhachi Ban' not as '18 programs' but as 'Ohako, one's favorite stunt.'
- 菊五郎は尊敬する市川小團次 (4代目)が初演した『勧善懲悪覗機関』(村井長庵)をやりたかったが、これは菊五郎の柄に合わないと考えた関係者の意向を汲んで、黙阿弥が「村井長庵」の細部の筋書きを元に新たに書き直したものである。
- Kikugoro wanted to perform 'Kanzen choaku nozoki karakuri' (commonly known as 'Choan Murai') that Kodanji ICHIKAWA IV had played for the first time, but understanding the intention of persons involved that it was not befitting to Kikugoro's character, Mokuami rewrote it into a new program based on the outline of the details detailed outline?? of 'Choan Murai.'
- 現行の段のほか、平太の子公暁が実朝の隠し子であることを知った板額が、わが子市若を身代わりに立てる三段目「市若身替り」と、鶴が岡別当阿闍利のコミカルな演技で、滑稽な場を「チャリ場」と呼ぶきっかけとなった四段目などが知られる。
- In addition to the presently performed act, the known acts include the third act 'Ichiwaka Migawari' (Ichiwaka becoming a stand-in) in which Hangaku who has learned that Heita's son, Kugyo, is a Sanetomo's illegitimate child makes her child, Ichiwaka, a scapegoat, and the fourth act which has caused a fancy scene to be called 'Chari-Ba' (comical scene) due to the comical performance by Ajari, the Betto (Administrator) of Tsurugaoka Shrine.
- 戦前の大谷友右衛門 (6代目)、近年では實川延若 (3代目)、浅尾奥山 (4代目)、中村源左衛門、四代目市川段四郎など腕のいい役者が印象に残るが、最近は、十八代目中村勘三郎が「平成中村座」で演じた時の笹野高史が好評であった。
- Skillful actors such as prewar Tomoemon OTANI (the sixth), recent Enjaku JITSUKAWA (the third), Okuzan ASAO (the fourth), Genzaemon NAKAMURA, and Danshiro ICHIKAWA the fourth were impressive and lately Takashi SASANO was received well when Kanzaburo NAKAMURA, the eighteenth played at 'Heisei Nakamura-za Theater'.
- 現代の新作能では伝統的な曲目においては考えられないような実験的な演出が試みられることも多く、例えば「伽羅沙」では囃子方の他にパイプオルガンを背景音楽として使用しているし、「安倍晴明」では地謡の一部で同時に二つの旋律が謡われている。
- For the Shinsaku-Noh in modern days, experimental stage-management that cannot be considered for the traditional songs is often tried and, for example, music by a pipe organ is used as the background music in addition to the hayashi-kata (a traditional music player group) in a work 'Garasha' and two melodies are simultaneously sung in a portion of jiutai (background chorus) in a work 'ABE no Seimei.'
- 天保元年(1830年)に彦根城で能会が開かれた折に、彦根藩のお抱え狂言師であった小川吉五郎が「枕物狂」を上演中に急病で倒れ、その後を千吾(当時20歳)が見事に代演してみせたので、藩主の井伊直弼に気に入られ、その場で召し抱えられた。
- When Kichigoro OGAWA, a personal retainer and Kyogen performer of the Hikone clan, suddenly fell ill during his performance of 'Makuramonogurui' (a Kyogen love story between an old man and a young girl) at a Noh ceremony held in Hikone Castle in 1830, Sengo (20 years old at that time) managed to perform as a substitute for Kichigoro, by which Sengo gained favor with Naosuke II, the lord of the Hikome clan and was taken into his service on the spot.
- 主な会員は、東京朝日新聞の右田寅彦、栗島狭衣、二六新聞の岡鬼太郎、岡村柿紅、時事新報の伊坂梅雪、報知新聞の鹿島桜巷、演芸通信の小出緑水、東京毎日の杉贋阿弥、人民新聞の松本当四郎などであり、毎日新聞の岡本綺堂が作者として参加している。
- Its leading members were as follows: Nobuhiko MIGITA, Kigoromo KURISHIMA in the Tokyo Asahi Shimbun, Onitaro OKA, Shiko OKAMURA in the Niroku Shimbun, Baisetsu ISAKA in the Jiji Shimpo, Oko KASHIMA in the Hocchi Shimbun, Ryokusui KOIDE in the Jiji Tsushin, Ganami SUGI in the Tokyo Mainich, Toshiro MATSUMOTO in the Jinmin Shimbun and so on, and Kido OKAMOTO in the Mainichi Shimbun as a writer.
- コロッケ (タレント)が上記の美川憲一の真似で美川に似た化粧で出演して人気を博し、美川の人気も回復、小梅太夫も舞台経験を生かした妖艶な舞台化粧で出演する、ゴリ@ガレッジセールが厚化粧女装して松浦ゴリエとして出演する、等のケースがある。
- A few examples of this are Korokke, (an entertainer) who gained popularity and increased the popularity of Kenichi MIKAWA by imitating MIKAWA and wearing similar makeup; Tayu KOUME has appeared with voluptuous makeup on, making use of her stage experience; Gori@Garage Sale has put on atsugesho and disguised himself as a woman to appear a Gorie MATSUURA, and so on.
- 1927年(昭和2年)4月の『鞍馬天狗異聞 角兵衛獅子』以来、近藤勇役が板についた山本礼三郎であったが、マキノで25作の出演作を数えた1928年(昭和3年)5月に同社を退社、設立したのがこの「山本礼三郎プロダクション」(山本プロ)である。
- Reizaburo YAMAMOTO, having become quite at home in his role as Isami KONDO from the April 1927 production of 'Kuramatengu-ibun Kakubeejishi,' left Makino in May of 1928 after acting in twenty-five films and established 'Yamamoto Reizaburo Productions' (Yamamoto Pro).
- 現在、能楽と呼ばれる芸能は、室町時代に観阿弥、世阿弥、音阿弥、金春禅竹らによって大成され、織豊期に観世座、宝生座、金春座、金剛座のいわゆる大和四座が、専ら猿楽を上演する芸能集団として、黒川能などの例外を除くと寡占的な地位を占めるに至った。
- The performing art now known as nogaku was established during the Muromachi period by Kanami, Zeami, Onami and Zenchiku KONPARU, and during the Shokuho period, the so-called Yamato-yoza, consisting of Kanze-za, Hosyo-za, Konparu-za and Kongo-za, held a dominant position as a performing group which specialized in sarugaku (comical mimicry and speech performance), except for Kurokawa Noh.
- ちなみに公望は、西園寺家の家業である筈の琵琶の演奏が苦手であったが、首相在任中に明治天皇から悪戯半分に「久しぶりに西園寺家の琵琶が聞きたい」と言われ、宮内省の雅楽寮の職員と琵琶の共演をさせられて四苦八苦したというエピソードが伝わっている。
- There is an anecdote that Kinmochi was not good at playing the biwa Japanese lute, which should have been the family business of the Saionji Family, and during Kinmochi's time in office as prime minister, the Emperor Meiji said out of mischief to Kinmochi, 'For the first time in a long while, I would like to listen to biwa Japanese lute,' and therefore he was forced to play the biwa Japanese lute in dire distress together with the officials of Utaryo in the Imperial Household Ministry.
- これは本来、時代劇ヒーローのなかでも特に子供に人気があった鞍馬天狗に扮するために、嵐寛寿郎演ずる鞍馬天狗のトレードマークであった宗十郎頭巾(「鞍馬天狗の頭巾」とか、形状から「イカ頭巾」などと俗称された)を真似るために用いられたものであった。
- Originally it was used to imitate Kurama Tengu who was the most popular hero of historical drama especially among children, in which Kurama Tengu played by Kanjuro ARASHI was wearing Sojurozukin (the hood of Sojuro) as his trade mark, which was commonly called 'the hood of Kurama Tengu' or 'the squid food' due to the shape.
- そのころはお茶屋35軒、芸妓50名ぐらい(舞妓は襟替え等で含まれていない)いたが西陣織産業の衰退により減少し、芸妓数も20名以下に落ち込んで、歌舞会所属の舞踊学校で習っている優秀な生徒に対し組合が北野をどりへの出演を要請していた時期もあった。
- Kamishichiken at that time had thirty-five teahouses and approximately fifty geisha (apprentice geisha not included for reasons such as the eri-age, or promotion to geisha); during certain periods of time after the war, however, their numbers decreased, to less than twenty geisha for example, due to the decline of the Nishijin-ori (Nishijin weaving) industry, and the Geisha association requested talented students from dance schools affiliated with the Kamishichiken kabukai (dance society) to perform at the Kitano Odori (dance originally performed at the Kitano Tenmangu Shrine).
- 三婦が下帯を床の若い衆に解かせる場面においては、東京では地味に、又床の店に入るが、上方では三婦が床の者に下帯を持たせ「それ、引いたりしょ。」の掛け声から下座音楽に「かんから太鼓」を交える派手な演出となり、いかにも上方らしいサービス満点さが楽しい。
- In the scene where Sabu makes some young people at Toko no mise (store) remove their loincloths, he enters the store again quietly in Tokyo, but the staging is colorful in kamigata and Sabu has the Toko no people wear loincloths calling out 'Let's pull it' and geze (off-stage) music with 'Kankara Daiko' (drum), which is fullly enjoyable truly like kamigata.
- 栄御前が取り替え子を信じるくだりについて、浄瑠璃「伽羅先代萩」原文には、本当は忠臣方に連なる小槙が栄御前に予め嘘を吹き込んでいた、という設定があり、「御殿」の幕切れに小槙が登場しそのことを告げる演出もある(平成16年〈2004年〉11月松竹座など)。
- As for the scene in which Sakae Gozen believes that the children have been swapped, the original script of Ningyo Joruri 'Meiboku Sendai Hagi' says that it is because Komaki, who in fact supports the loyal retainers, has lied about it to Sakae Gozen, and on some occasions Komaki appears and discloses it before the curtain fall of 'Mansion' (for example, the performance in November 2004 at Shochiku-za Theater).
- 現存しない原本である南坊自筆本は、体裁としては南坊宗啓が書いた後に、利休に証明として在判(「墨引」のみは焼却するようにとの注意書き)をもらっていることになっているが(利休没後に書き足された「滅後」は除く)、実山創作説を採ると全ては実山による演出となる。
- The lost original book written by NANBO in his own hand (except for 'Metsugo,' which was added after Rikyu's death) is said, after Sokei NANBO finished writing, to be given Rikyu's Kao (written seal mark) (along with the notes saying only 'Sumibiki' should be burned) to prove it's the original; but according to the theory that Nanboroku was written by Jitsuzan, everything was organized by him.
- 調整がうまくつかないと、様々な作品のヒーロー役が乱立したり、悪人方に回されたのを納得しない子供がやられて死ぬ演技をなかなやかやってくれなかったりするが、中には「切られ役(殺陣)の美学」を持つ子供が、オーバーな臨終のシーンを演じる等といった動きも見られた。
- When it was not adjusted well, some children acted various heroes of different stories freely and evil strangers who wanted to play heroes did not die soon after killed, and also it was seen that children who had 'aesthetics of how to be killed' acted dying scenes exaggeratingly.
- 歌舞伎・文楽・日本舞踊等、江戸時代に盛んになった伝統芸能、特に庶民階級を対象にして劇場や屋外の舞台で演じられたものには、「浄瑠璃」(じょうるり)のような「語り」あるいは「唄」と三味線によって、旋律と緩急がはっきりした大衆的な音楽をつけることが一般的であった。
- It was common that popular music like joruri (dramatic narrative chanted to a shamisen accompaniment), which contained narration or songs with a distinct melody played by shamisen, composed of up-tempo tunes and slow-tempo tunes, was used for traditional performing arts that became popular during the Edo period such as kabuki (traditional drama performed by male actors), bunraku (Japanese puppet theater), and classical Japanese dance, especially for performances for the common people in a theater or on an outdoor stage.
- 1926年(大正15年)の初め、松竹蒲田撮影所と喧嘩をして飛び出した主演俳優兼映画監督の勝見庸太郎は、京都でマキノ・プロダクションの監督となっていた弟の勝見正義に説得され、松竹蒲田の「勝見一派」を引き連れて設立したのが、この「勝見庸太郎プロダクション」であった。
- In early 1926, star actor and film director Yotaro KATSUMI left Shochiku Kamata Studio after a quarrel, and after being persuaded by his younger brother Masayoshi KATSUMI, who had been working as a director at Makino Productions, he led members of the 'Katsumi Group' at Shochiku Kamata in establishing 'Katsumi Yotaro Productions' in Kyoto.
- またこれら現行曲も長い歴史の中で演出等が洗練に次ぐ洗練を重ねられ、当世梅若六郎の言葉を借りると「完璧にカットされ、磨かれたダイアモンド」「長い時間をかけて繰り返し繰り返し磨き込まれてきた、美しい宝石」と評される、極限まで高められた完成度を持つものとなってきている。
- These songs currently played have also been sophisticated continuously as to their stage-management, etc., in their long history and, using the words of the current Rokuro UMEWAKA, these songs as songs which have the degree of perfection which has been pursued to the limit being admired as 'diamonds each perfectly cut and polished' or 'beautiful jewels which have been repeatedly polished.'
- 「所縁江戸櫻」というのは、そもそもは河東節による「出端の唄」の曲名で、この河東節を七代目團十郎(五代目海老蔵)が成田屋の専売特許扱いにしてしまったため、他家が『助六』を上演するときは成田屋に遠慮して、この「出端の唄」を長唄・常磐津・清元などに書き替えたもので行う。
- Originally, 'Yukari no Edozakura' was a title of 'Deha no Uta' by Katobushi and Danjuro ICHIKAWA VII (Ebizo ICHIKAWA V) had a patent on the song of Katobushi; therefore, when other families put 'Sukeroku' on stage, they substitute Nagauta, Tokiwazu, or Kiyomoto for Katobushi for 'Deha no Uta' out of consideration for the Naritaya family.
- 本作には、初演された年の干支干支による紀年が60年に一度巡ってくる庚申(こうしん、かのえさる)であることから、3人の盗賊を、「見ざる」「言わざる」「聞かざる」の三猿(庚申の仏、青面金剛に従う猿)にたとえ、セリフのなかに「庚申の夜の話草」があるなど、江戸時代の民間信仰の影響が見られる。
- The influence of folk beliefs in the Edo period can be seen in this program such as the line of 'a story for the night of koshin,' which compares the three robbers to the three wise monkeys of 'Mizaru' (see no evils) 'Iwazaru' (hear no evil) and 'Kikazaru' (hear no evil) (monkeys that defer the Buddha of koshin, Shomen Kongo), since the Oriental zodiac of the year of the debut performance was koshin/kanoe saru which comes around only once in 60 years.
- 義光の4男山野辺義忠は最終的には水戸藩の家老に抜擢され、子孫は代々世臣として藩政に重きをなした(テレビ時代劇「水戸黄門 (パナソニック ドラマシアター)」において大友柳太朗・高松英郎・丹波哲郎らが演じた、水戸藩の口うるさい国家老「山野辺兵庫」は、義忠の子の山野辺義堅をモデルにしている)。
- Yoshitada YAMANOBE, the fourth son of Yoshiaki, was finally promoted to Karo (chief retainer) of Mito Province, and his descendents served as vassals and played an important role in the domain duties ('Hyogo YAMANOBE,' the captious kunigaro [the chief retainer in charge of the fief in the absence of the lord] of Mito Province, who was played by Ryutaro OTOMO, Hideo TAKAMATSU, or Tetsuro TANBA, in the TV historical play 'Mitokomon' (Panasonic drama theater) modeled after Yoshikata YAMANOBE, a son of Yoshitada).
- 1936年(昭和11年)には、トーキー脚本に力を見せた脚本家グループ「梶原金八」のメンバーである山中貞雄を起用、山中が『河内山宗俊』を日活との提携で撮り、また、その弟子の助監督・萩原遼 (映画監督)が、山中の原作を得て自ら脚色し、高勢実乗を主演にした『お茶づけ侍』で監督としてデビューした。
- The company hired Sadao YAMANAKA, who was a member of 'Kinpachi KAJIWARA', which was a group of script writers that proved their ability in talkie scripts, and Yamanaka shot 'Soshun KOCHIYAMA' with Nikkatsu, and his disciple assistant director Ryo HAGIWARA (film director) gained and adapted the original script of Yamanaka to make a debut as a director in 'Ochazuke Samurai' (literally, 'rice soup samurai'), starring Minoru TAKASE.
- 地方プロダクションであり近場に外注を出せる制作会社が無い事もあって、演出、作画、仕上げ、美術、撮影、デジタルエフェクトまでのプロダクション作業を社内で行なえる体制を構築しており、外注による分業体制を取るプロダクションに対して、スタッフのコミュニケーションが密に取れることが特徴となっている。
- Being a local studio with no production companies nearby to outsource to, Kyoto Animation has established systems capable of in-house production processes including staging, drawing, finishing, art, filming and digital effects, so that one of its characteristics is the close communication among its staff compared with studios which establish division of labor through outsourcing.
- 板額は離縁されたのち「・・・去られた女房は三界に家なし、家が無ければ主もなし。誰に憚り遠慮せん。」の台詞と「たとえこの門磐石にて固めるとも、夫思いの我が念力、やわか通さでおくべきかと」という浄瑠璃の詞に乗り、夫に会釈ののちもみ手をして門前に行き、懐紙で門にあてて押すという演じ方が伝わっている。
- It is perceived by the audience that, after being divorced, uttering the lines of '…the abandoned woman has no home of her own in the three worlds, and, if no home, then no master. There is nobody to show a reserved attitude.' and the joruri expression of 'Even if this gate is fortified with large stones, the force of my will arising from my devotion to my husband shall force through the gate.', Hangaku gives a nod to her husband, rubs her hands together, gets to the front of the gate, and then touches the gate with the kaishi (paper folded and tucked inside the front of kimono) to push it.
- 加賀藩お抱えの火消し人足「加賀鳶」の頭、梅吉の妻おすがをめぐる間男騒動と、悪党の按摩竹垣道玄の悪事の行状をない交ぜにした構成だが、道玄を得意とした六代目尾上菊五郎 (6代目)により演出が洗練され人気を集めたので、現在では道玄の件のみが上演され、加賀鳶の件は、二幕目「本郷通町勢揃い」のみしか演じられない。
- The story is structured in mixtures of an illicit affair involving Osuga, wife of Umekichi who was the head of the firefighters called 'Kagatobi' in Kaga clan's employ, and the crime of an evil masseur, Dogen TAKEGAKI; however, as Kikugoro ONOE VI, who was good at playing Dogen, made it into a sophisticated staging, and the play gained popularity, today only the story of Dogen is put on the stage, and for the story of Kagatobi, only Act Two, 'Hongo Toricho Seizoroi', is performed.
- 吉井勇の『かにかくに』の歌で有名なお茶屋『大友』の女将で芸妓である磯田多佳や、井上流の名手として、また後輩の育成に努めた松本佐多、ほかに早崎春勇、三宅小まめ、玉木里春、藤本竹葉、安藤孝子(現役当時の芸名は孝千代、後に11PMに出演)、岩崎究香、高田真知子、佳つ乃など京都のみならず、世間に花を添えてきた芸妓が数多くいる。
- Other geisha include: Taka ISODA who was a geisha and the proprietress of the teahouse 'Daitomo,' known by the tanka poem 'Kanikakuya' (meaning somehow) by Isamu YOSHII; Sata MATSUMOTO who was an excellent performer of the Inoue School of Dance and engaged in nurturing junior geisha and apprentice geisha; and many more geisha such as Haruyu HAYASAKI, Komame MIYAKE, Satoharu TAMAKI, Takeha FUJIMOTO, Takako ANDO (whose geisha name was Takachiyo when active and appeared on a TV program called '11 PM'), Mineko IWASAKI, Machiko TAKADA (高田真知子), and Katsuno, all of whom have enlivened not only Kyoto but also the world outside Kyoto.
- 「歌舞伎映画プロ」は、中根プロ、および山口の「山口俊雄プロダクション」に協力し、小文治はそれらの第1作に出演、奈良の市川右太衛門プロダクションあやめ池撮影所(右太プロ)から「歌舞伎映画プロ」に参加した市川芳之助(のちの沢田清)も千恵プロの『愛憎血涙』に出演したが、同年7月末に早くも山崎らの「館主連盟」が瓦解してしまった。
- Kabuki Eiga Pro,' in cooperation with Nakane Pro and YAMAGUCHI's 'Yamaguchi Toshio Productions,' Kobunji acted in the first films that were produced by these two production companies and Yoshinosuke ICHIKAWA (later known as Kiyoshi SAWADA), who had come from Ayameike Studio of Ichikawa Utakemon Productions (Uta Pro) in Nara and joined 'Kabuki Eiga Pro,' also acted in 'Aizo Ketsurui' (Love and Hate, Blood and Tears) produced by Chie Pro, but YAMAZAKI's 'Kanshu Renmei' fell apart early at the end of July in 1928.
- 本作以前にこの赤穂事件を扱った歌舞伎や人形浄瑠璃の演目としては、事件後間もない元禄十四〜五年(1702–03年)の『東山榮華舞台』(江戸山村座)、『曙曽我夜討』(江戸中村座)や、宝永六年(1710年)の、『太平記さざれ石』、『鬼鹿毛無佐志鐙』、そして近松門左衛門作の『碁盤太平記』などがあり、その世界も「小栗判官物」、「曽我物語」、「太平記物」などさまざまだった。
- Other kabuki or ningyo joruri plays based on the Ako Incident that existed before this program include 'Higashiyama eiga no butai' (Edo Yamamura-za theater) and 'Akemono Soga yauchi' (Edo Nakamura-za theater) performed from 1902 and 1703, shortly after the incident, 'Taiheiki Sazareishi' and 'Onikage Musashiabumi' performed in 1710, and 'Goban Taiheiki' written by Monzaemon CHIKAMATSU; their stories vary from 'Oguri Hoganmono' (Oguri Hogan-style), 'Soga monogatari' (the tale of Soga) to 'Taiheikimono' (Taiheiki-style).
- 平家滅亡時に救出されて帰京するが、都では既に後鳥羽天皇が即位していた(ちなみに『増鏡』では、守貞親王と尊成親王(後鳥羽天皇)が後白河法皇の前に呼ばれて、すぐに法皇に懐いた尊成が皇位に立てられたとする記述があるが、実際に尊成とともに呼ばれたのは守貞親王の異母弟惟明親王(高倉天皇第三皇子)といわれており、これについては『増鏡』作者による「演出説」と「勘違い説」に分かれている)。
- He was saved and went back to Kyoto when the Taira clan died out, however Emperor Gotoba had already succeeded to the throne in Kyoto. (in 'Masukagami' (The Clear Mirror) it is said Imperial Prince Morisada and Imperial Prince Takahira (Emperor Gotoba) were called in by the Cloistered Emperor Goshirakawa, and Takahira, who took to the Emperor before Morisada, was appointed to succeed to the throne, however there was another theory that it was Morisada's half younger brother, Imperial Prince Koreaki (Emperor Takakura's third Prince) who was called with Takahira, but there were two different theories of the author of 'Masukagami,' one was 'the direction theory' and another one was 'the misunderstanding theory.'
- この契約により、ユニヴァーサル社からは撮影・照明等の機材、現像機材、特殊撮影機材等、当時の金額で20万ドルに相当する供与を受け、また半年交代で3-4名の技術スタッフ派遣を受け、阪妻プロからは毎年男女優1名ずつをユニヴァーサル・シティ (カリフォルニア州)に派遣、見学および必要に応じては出演も可能、太秦撮影所製作の映画をユニヴァーサル社が世界配給も可能、という壮大な計画を立花は発表した。
- Under this agreement, according to Tachibana, Universal was obliged to provide filming and lighting, development and special filming equipment equivalent to two-hundred thousand dollars at the time, as well as dispatch three to four technical staff members, while Bantsuma Puro obtained the right to dispatch an actor and an actress every year to Universal City (California), have them appear in films if necessary and distribute films produced at Uzumasa Studio through Universal.
- 代表的な演目には、サゲのないものでは、続き物の長編が『牡丹灯籠』(一般には怪談噺に位置付けられる)、『塩原多助一代記』、『真景累ヶ淵』、『安中草三』、『双蝶々』、『ちきり伊勢屋』、『業平文治』、『怪談乳房榎』、『お富与三郎』、一席物は『文七元結』、『三井の大黒』、サゲのあるものでは『芝浜』、『子別れ』(『子は鎹』はその後編)、『紺屋高尾』、『唐茄子屋政談』(上方の『南京屋政談』)、『お直し』、『鼠穴』、『富久』、『火事息子』、『柳田格之進』、『鰍沢』、『立ち切れ線香』などがある。
- Foremost classical stories include the following: among those without point are long continuous stories such as 'Botan Doro (A Tale of the Peony Lamp' (this is usually regarded as Kaidan-banashi), 'The Story of Tasuke SHIOBARA', 'The Spine-Chiller in Kasanegafuchi', 'The Story of Soza ANNAKA', 'Futatsu Chocho (literally, two butterflies): Chobe and Chokichi', 'Chikiri Iseya', 'Bunji NARIHARA', 'The Vendetta under a Nursing Hackberry Tree', 'Otomi Yosaburo'; short stories such as 'Bunshichi's Motoyui Shop', 'Mitsui's Daikoku'; stories with points include 'Dream of a Leather Wallet', 'Parting with Son' (and 'Children Hold a Marriage Together' is the latter part), 'A Dyer and Courtesan Takao', 'The Pumpkin Vendor', 'Onaoshi (Extension Surcharge', 'Rat Hole', 'Kyuzo's Lottery', 'Kaji Musuko (My Son is a Firefighter)', 'Kakunoshin YANAGIDA', 'Kajikazawa Precipice', 'Dying Incense'.