楽: 1000 Terms and Phrases
- お楽しみ
- enjoyment
- pleasure
- diversion
- amusement
- hobby
- ball
- 能楽師。
- Nohgakushi
- He was a noh actor.
- 能楽協会
- Nogaku Kyokai (The Nohgaku Performers' Association)
- 吹奏楽曲
- The work of wind-instrument music
- Concert band pieces
- 管弦楽曲
- Orchestral works
- Compositions for symphonic orchestra
- 乙女文楽
- Otome Bunraku (women's bunraku)
- 文楽 -
- Bunraku (Japanese puppet theater)
- 楽式構造
- Music form structure
- 普請道楽
- Fushin doraku (recreational):
- 相楽縫い
- Sagara-nui (French knot stitch)
- 楽器として
- Mokugyo as an Instrument
- 能楽の場合
- Hari-ogi in Nohgaku
- 楽・盤渉楽
- Raku and banshiki-raku
- 伎楽の歴史
- The history of gigaku
- 伎楽の影響
- The influence of gigaku
- 写楽の記述
- Description of Sharaku (an obscure ukiyo-e artist who lived during the Edo period)
- 三楽書道会
- The Sanraku Shodo-kai association
- 別名冬明楽。
- Its alternate name is Tomeiraku.
- 曲芸・太神楽
- Acrobatics, Daikagura (Street performances of a lion dance and jugglery)
- 舞踊り・神楽
- Maiodori, kagura (sacred music and dancing performed at shrines)
- 二楽荘の建設
- The construction of Nirakuso
- シテ方能楽師。
- A shite-kata Nohgakushi (a Noh actor with a main role)
- 所属の能楽師数
- The number of Noh actors who belong to the association
- The number of Noh actors at the Hosho school
- 使用される音楽
- Music in which it's used
- 京都市交響楽団
- Kyoto Symphony Orchestra
- 別名安乗文楽。
- It is also known as Anori Bunraku.
- 歴史的な伎楽面
- Historical Gigaku-men mask
- 伎楽の上演様態
- Performance style of gigaku
- 青海波(雅楽)
- Seigaiha (as in gagaku)
- 京都音楽博覧会
- Kyoto Ongaku Hakurankai (Kyoto Music Expo)
- 番舞は仁和楽。
- The tsugaimai dance (dance that is simultaneously performed) is Ninnaraku.
- 蘭陵王 (雅楽)
- Ranryo-o (a number in gagaku [ancient Japanese court dance and music]).
- 能楽師養成の制度
- The system to nurture the Noh actors
- 復興された伎楽面
- Restored gigaku-men masks
- 想夫恋 (雅楽)
- Soburen (a musical piece of gagaku [ancient Japanese court dance and music])
- 浪速神楽の曲目。
- A number of Naniwa kagura-dance.
- 水海の田楽・能舞
- Dengaku and Noh dance of Mizuumi
- 自発的積極的安楽死
- voluntary active euthanasia
- 相葉家の能楽師たち
- Nohgakushi of the Aiba family
- その他の能楽師たち
- The Other Nohgakushi
- 颯々の声ぞ楽しむ。
- Enjoy the clear voice of the winds.
- 万歳楽ぞめでたき。
- Happy is the Manzairaku.
- 杉並能楽堂理事長。
- He is the administrative director of the Suginami Nohgakudo (Noh theater).
- 生涯と音楽上の業績
- Biography and the achievements in music
- 糸魚川・能生の舞楽
- Bugaku of Itoigawa and Nou
- 今日の楽譜と違った。
- The musical score at that time was completely different as that of today.
- 長男の匠人は能楽師。
- His first-born son Takuto is a Nohgakushi.
- 創風会所属の能楽師。
- A Nohgakushi belonging to the Sohu Association.
- 万歳楽には命を延ぶ。
- Make the life longer with Manzairaku (a dance to bless the ten-thousand-year life).
- 文楽以外の人形浄瑠璃
- Ningyo joruri other than bunraku
- 現在の音楽にあたる。
- It corresponds to the present music as a subject.
- 那須温泉山楽(旅館)
- Nasu-onsen Sanraku (Japanese-style inn)
- なお新楽では4人舞。
- In the Shingaku (a style of Japanese court dance and music, or the new Togaku music), it is performed by a team of four dancers.
- 日本音楽における合方
- Aikata in classical Japanese music
- 曲独楽(きょくごま)
- Kyokugoma (top spinning tricks)
- 世子六十以後申楽談儀
- Zeshi rokuju igo Sarugaku dangi
- 創風会所属の能楽師たち
- Nohgakushi belonging to the Sohu Association
- 匠人と同世代の能楽師。
- A Nohgakushi in the same generation as Takuto.
- 能楽の演目から転じた。
- It has been transformed from a program of Nohgaku.
- 京都音楽博覧会2007
- Kyoto Ongaku Hakurankai 2007
- 京都音楽博覧会2008
- Kyoto Ongaku Hakurankai 2008
- また雅楽の装束の一つ。
- Also, it is a kind of costume for players of gagaku (ancient Japanese court dance and music).
- 通常、雅楽に含まれる。
- Generally, roei belongs to gagaku (ancient Japanese court music and dance).
- 森澤楽(もりさわ がく)
- Gaku MORISAWA
- J-POP、その他の音楽
- J-POP, other music
- 青少年のための管弦楽入門
- The Young Person's Guide to the Orchestra
- 木魚が使用される主な楽曲
- Music composition in which Mokugyo is used
- 高砂:千秋楽は民を撫で。
- Takasago: Make the people glad with Senshuraku (a dance to celebrate Thousand Autumns).
- 会社名 株式会社能楽書林
- company name: Nogakushorin Co., Ltd.
- 独楽 (歌舞伎)(こま)
- Koma (kabuki)
- 写楽斎 【曳】東洲斎写楽
- Sharakusai: (E) Sharaku TOSHUSAI
- 1をモチーフにした舞楽。
- Bugaku (traditional Japanese court music accompanied by dancing) that used Kocho (Butterflies) as a subject.
- 管絃にも舞楽にも奏される。
- It is played in both Kangen music (wind and string instruments) and bugaku (traditional Japanese court music accompanied by dancing).
- 楽しうなるこそ目出たけれ。
- Happy is having fun.
- 水戸偕楽園(茨城県水戸市)
- Mito Kairaku-en Garden (Mito City, Ibaraki Prefecture)
- (舞楽では狭い袖がつく。)
- (There are narrow sleeves for bugaku.)
- 半独立した楽章とも言える。
- Tegoto can also be considered as being a quasi-independent movement.
- 難波:この音楽に引かれつつ。
- Naniwa: Led by this music.
- 保護団体名:真桑文楽保存会。
- Name of the conservation group: Makuwa Bunraku Preservation Society
- 信楽焼(滋賀県甲賀市信楽町)
- Shigaraki ware (Shigaraki-cho, Koka City, Shiga Prefecture)
- 左方(唐楽)に属する四人舞。
- It is a four-person dance that belongs to Saho style (left side, a style of Japanese court music) (Togaku, music from Tang [China]).
- 高麗楽では三ノ鼓が使われる。
- In komagaku (music from the Korean Peninsula), sannotsuzumi (a small double-headed drum struck on only one head) is used instead.
- 大谷光瑞の失脚と二楽荘の行方
- The fall of Kozui OTANI and fate of Nirakuso
- 二楽荘本館の華麗な意匠と庭園
- The gorgeous design and garden of the main building of Nirakuso
- 元彌の能楽協会退会が確定した。
- This made Motoya's withdrawal certain.
- 両者はまったく別の楽器である。
- These two instruments are completely different from each other.
- 文楽は男性によって演じられる。
- Bunraku is performed by men.
- 右方(高麗楽)に属する四人舞。
- It is a dance performed by a team of four dancers and belongs to the Uho (a style of Japanese court dance and music, or the Komagaku music).
- 右方(高麗楽)に属する6人舞。
- It is a dance performed by a team of six dancers and belongs to the Uho (a style of Japanese court dance and music, or the Komagaku music).
- 西洋楽器のピッコロに似ている。
- It looks like a piccolo (a western musical instrument).
- 国風歌舞、催馬楽に用いられる。
- It is used in kuniburi no utamai (ancient Japanese song and dance) or saibara (ancient Japanese music).
- 以来能楽書林とは深い関係にある。
- Since then, the family has had close relationship with Nohgakushorin.
- 演技は天理大学雅楽部が担当した。
- The acting and performance was conducted by the department of the ancient Japanese music at Tenri University.
- 静法楽舞(しずか ほうらくまい)
- Shizuka Horakumai
- 番舞は「万秋楽」或いは「陪臚」。
- It is a Tsugaimai Dance (a performance consisting of two pieces of dance) that involves either 'Manjuraku' or 'Bairo.'
- 納曽利 (なそり)は、雅楽の曲。
- Nasori is a musical piece in gagaku.
- 御座楽に関する現存資料は少ない。
- Existing materials relating to Uzagaku are scarce.
- 唐楽・太食調(たいしきちょう)。
- It is one of the Togaku music (music from Tang [China]), and the tone of the music is Taishikicho (Taishiki tone).
- 行楽の弁当などにも良く登場する。
- It is often prepared as an item in bentos (boxed lunch) for picnics, too.
- 正式名称は社団法人能楽協会である。
- Its official name is Koeki-Shadanhojin (Public Interest Incorporated Association) Nogaku Kyokai.
- 父親も創風会所属の能楽師、森澤陸。
- His father is also a Nohgakushi named Riku MORISAWA who belongs to the Sohu Association.
- 若手の能楽師で憲人の先輩に当たる。
- One of the younger Nohgakushi and Norito's senior.
- 神楽は能の神楽とは別の舞事である。
- Kagura in Kyogen is mai-goto different from that of Noh.
- 月琴は、日本の明清楽でも使われる。
- Gekkin is used for Ming and Xing-era Chinese music (popularized in Japan before the First Sino-Japanese war) in Japan.
- 賀茂(かも)は、能楽作品のひとつ。
- Kamo is one of the Noh works.
- 地久(ちきゅう)とは、雅楽の一曲。
- Chikyu is a piece from gagaku (an ancient Japanese court dance and music).
- また復元楽器が、首里城公園で展示。
- Also, reproduction instruments are on display at Shuri-jo Castle park.
- 能楽協会には10名余が登録される。
- 10-odd performers from this school are registered with the Nohgaku Performers' Association.
- 祭に付随した音楽について記述する。
- Matsuribayashi describes music that is incidental to festivals.
- 唐楽で使われ、指揮者の役目を持つ。
- It was used in togaku (music from the Tang Dynasty China), and it controls the whole tune like a conductor.
- 悩みながらも能楽師を目指して修行中。
- He trains himself for Nohgakushi even though he has other things to worry about.
- 寄席の楽屋が小さいことで有名だった。
- It was famous for small back stage of yose.
- 以降は能楽四流の宗家並みに扱われた。
- After that, it was treated as much as the head families of four schools of Nohgaku.
- そのため、変化を楽しむことができる。
- Therefore, kakejiku can be appreciated with the variety.
- 新たな音楽文化の第一歩を踏み出した。
- With this, it took the first step on a new music culture.
- 千秋楽の取組の最後の3番をこう呼ぶ。
- The final three bouts on the senshuraku day are named lika that.
- 奏法、譜としては能楽囃子と大差ない。
- Its playing style and score are as practically equal as that of Nohgaku theatre musical accompaniment.
- 起源は能楽の橋懸に由来するとされる。
- The hanamichi originates from the hashigakari (the bridge to the stage) used in Noh.
- アユの塩焼きや、味噌田楽などを作る。
- Cooks dishes such as ayu (a sweetfish) broiled with salt and miso-dengaku (skewed and roasted tofu with sweet miso sauce).
- 弦楽器:小瑟(しょうしつ) 琵琶 月琴
- The stringed instruments were the Shoshitsu, Biwa and Gekkin.
- より人々が楽しめる遊戯として普及した。
- The Hyakunin Isshu Karuta (Ogura Hyakunin Isshu Uta-Garuta) was popularized as a card game which the common people appreciated casually.
- 雷電(らいでん)は、能楽作品のひとつ。
- Raiden (written in two Chinese characters meaning thunderbolt) is one of noh-gaku (noh and kyogen) works.
- 兵庫県神戸市 相楽園内旧ハッサム住宅前
- In front of the former Hassam House in Sorakuen Park, Kobe City, Hyogo Prefecture
- 三島由紀夫の近代能楽集の題材になった。
- It became a theme of Modern Noh Plays written by Yukio MISHIMA.
- 蘇志摩利(そしまり)とは、雅楽の一曲。
- Soshimari is a piece from gagaku (an ancient Japanese court dance and music).
- 唐楽に属する平調(ひょうぢょう)の曲。
- It is classified as Hyojo (one of the six tones of gagaku) in Togaku music.
- 想夫恋(そうぶれん) とは雅楽の曲名。
- Soburen is a piece of music for gagaku.
- 前身は1911年創業の「三友倶楽部」。
- 1911: The 'Sanyu Club,' which was the forerunner of Kyogoku Toho, was founded.
- 本来は雅楽の演奏についての言葉である。
- Johakyu is a word relating to the performance of gagaku.
- 平安初期に、催馬楽と、ほぼ同時に発生。
- In the early Heian period, roei was born almost at the same time as saibara (another style of Japanese court music in the Heian period).
- 舞楽用の装束では下襲と一体化している。
- As a costume for bugaku dancing, this underwear is united with shitagasane (a long inner robe.)
- 憲人の弟弟子で楽・直角の兄弟子に当たる。
- A junior disciple to Norito and a senior disciple to Gaku and Naozumi.
- 大和猿楽の外山座(とびざ)の流れを汲む。
- This school was descended from the Tobi-za, which was one of the performer groups of the Yamato Sarugaku (medieval Noh farce which was developed mainly in Yamato Province).
- 摺鉦(すりがね)は金属製の打楽器の一種。
- Surigane is one of the metal percussion instruments.
- そのため当時の能楽界において問題化した。
- Therefore, it became an issue among Nohgaku theater community at that time.
- 1994年に観世寿夫記念法政大学能楽賞。
- The Hosei University Noh Drama Prize in Memory of Kanze Hisao in 1994.
- 庭燎(にわび)は、宮中神楽の1曲である。
- Niwabi (garden fire) is a piece of music used for the court kagura (sacred Shinto music and dancing performed in the Imperial Court).
- 森田流(もりたりゅう)は能楽笛方の流儀。
- The Morita school is a school of fue-kata (flute players) in Nohgaku (the art of Noh).
- その際に提供される娯楽を一般に肴と呼ぶ。
- The enjoyment offered in such occasions is generally called sakana.
- 序破急一組で楽式とも考えることができる。
- Johakyu can be regarded as a form of music in its own right.
- 高麗楽と、国風歌舞の内の東遊で使われる。
- It is used in komagaku (music from the Korean Peninsula) and azuma-asobi (entertainment of the eastern Japan), a genre of kuniburi no utamai (Japanese traditional dance executed in the ceremonies of the court).
- 明楽で使用する弦楽器は撥弦楽器のみである。
- The stringed instruments used in Mingaku were only of the plucked type.
- 中近世以降の邦楽に大きな影響を与えている。
- It greatly influenced the traditional Japanese music after the Medieval and modern period.
- 伎楽(ぎがく)は、日本の伝統演劇のひとつ。
- 'Gigaku' is one of the traditional theatrical performance in Japan.
- また散楽との密接な関係もあったと思われる。
- Gigaku is considered to have been also closely related with Sangaku (form of theatre popular in Japan during the 11th to 14th centuries).
- 舞楽を奏するときは、右4人舞ないし6人舞。
- When Azuma-asobi is performed as court music and dance, it is performed as an uho yonin-mai (which literally means 'four-dancer performance at the right-hand side,' representing a Japanese court dance and music style with four performers) or a rokunin-mai (six-dancer performance).
- 幸流(こう-りゅう)は能楽小鼓方の一流派。
- The Ko school is one of the schools of kotsuzumi-kata (small hand drum players) in Nohgaku (the art of Noh).
- 藤田流(ふじたりゅう)は能楽笛方の一流儀。
- The Fujita school is one of the schools of fue-kata (flute players) in Nohgaku (the art of Noh).
- 千歳楽8台、御船3台、だんじり1台が出る。
- The festival involves eight floats of senzairaku, three boats, and one foat of danjiri.
- これを備えた曲種、楽曲形式を手事物と呼ぶ。
- The type of piece or style of a composition which is equipped with tegoto is called 'tegotomono.'
- 曲の調子は高麗壱越調(唐楽の平調と同様)。
- The scale of music is Koma-ichikotsucho (the same scale as hirajoshi scale [one of the most basic scales of Japanese sokyoku koto music: literally, 'tranquil tuning'] in Togaku music).
- 蘭陵王(らんりょうおう)は雅楽の曲目の一つ。
- Ranryo-o is a number in gagaku (ancient Japanese court dance and music).
- 創風会所属の能楽師「岩村さん」の息子の子方。
- A ko-kata and son of 'IWAMURA-san' (Mr. IWAMURA), a Nohgakushi belonging to the Sohu Association.
- 能楽協会には20名弱の役者が登録されている。
- About twenty performers are enrolled the Nohgaku Performers' Association.
- 金春流(こんぱる-りゅう)は能楽の流派の一。
- The Konparu school (in the original meaning of its Chinese characters, 'golden spring') is one of the schools of Noh.
- 音量は繊細で小さく、楽器の作りも華奢である。
- The sound is subtle and weak and the musical instrument itself is slender.
- 大鼓は本来小鼓の連調から生まれた楽器である。
- The otsuzumi originated from a kotsuzumi (shoulder drum) ensemble.
- ブルーリボン賞(1961年) 音楽賞 佐藤勝
- Blue Ribbon Awards (1961) Best Music Award: Masaru SATO
- いずれも「読んで楽しむ能の世界」からの重引。
- Following are excerpts from 'Yonde Tanoshimu No no Sekai' (The World of Noh: Explored Through Text).
- 三島由紀夫の『近代能楽集』で取り上げられた。
- It was featured in 'Modern Noh Plays' written by Yukio MISHIMA.
- 砧(きぬた)は、世阿弥作といわれる能楽作品。
- Kinuta is a Noh play which is said to have been created by Zeami.
- この歌は楽人の腕前を見るという意味があった。
- The purpose of performing this song was to assess the musician's skill.
- 一噌流(いっそうりゅう)は能楽笛方の一流儀。
- The Isso school is one of the schools of fue-kata (flute players) in Nohgaku (the art of Noh).
- このように手事物は人気の高い楽曲形式である。
- As seen here, tegotomono is a very popular style of composition.
- また、近代に作られた神楽でも一部用いられる。
- Also, it is sometimes used in modern kagura (sacred music and dancing performed at shrines).
- 明楽で使う楽器は「管四、弦三、打四」であった。
- In Mingaku, 'four wind instruments, three stringed instruments and four percussion instruments' were used.
- 宝生流(ほうしょう-りゅう)は能楽の流派の一。
- The Hosho school is one of the Nohgaku (the art of Noh) schools.
- 呉鼓 (くれのつづみ)として伎楽に用いられた。
- It was used as Kure no tsuzumi (Wu drum) for gigaku (an ancient pantomime in which performers wear masks).
- 現在は「片山家能楽・京舞保存財団」を設立運営。
- Currently it presides over Katayamake Nohgaku Kyobu hozon zaidan (the foundation of protecting the Katayama family's heritage of Noh-gaku and Kyobu dance).
- 青海波(せいがいは)は雅楽の演目(本項で説明)
- Seigaiha is a program of gagaku (described in this section).
- 葛野流(かどの-りゅう)は能楽大鼓方の一流儀。
- Kadono school is one of the schools of otsuzumi-kata (large hand drum players) in Nohgaku (the art of Noh).
- 京こま(きょう-、京独楽)は日本の独楽の一種。
- The Kyo top is a kind of Japanese spinning top.
- 現代音楽に使用され、右3指義爪奏法などがある。
- It is used in modern music and is played with a pick and three fingers of the right hand (thumb, index and middle finger).
- だが、日本の大衆音楽に残した影響は極めて大きい。
- However, Shingaku made a huge impact on Japanese popular music.
- 明楽は明朝時代の荘重な廟堂音楽ないし雅楽である。
- Mingaku was stately music to be played in mausoleum halls or the Imperial Court in the Ming Dynasty or was Gagaku.
- 魏氏伝来の楽曲は全部で243曲の多きにのぼった。
- As many as 243 musical compositions had been handed down from generation to generation in the Gi clan.
- 創風会所属のシテ方の能楽師で、憲人の最初の師匠。
- A shite-kata Nohgakushi belonging to the Sohu Association and Norito's first master.
- 左方(唐)楽に属する童子の四人舞で、番舞は胡蝶。
- It belongs to Saho no gaku (category of gagaku music), or Togaku (Chinese music), and accompanies dance by four children; the dance performed to form Tsugaimai (a Pair of Dances) with Karyobin is called 'Kocho' (butterfly).
- 祭囃子・神楽等の祭礼を盛り上げるのに欠かせない。
- It is essential to enhance the atmosphere of rites and festivals such as matsuri-bayashi, (Japanese music) and kagura.
- 千秋楽の語源は諸説あるが、次の説が一般的である。
- There are many theories about the origin of the term of senshuraku, but the following are the most popular ones:
- 能楽 - 大倉流・葛野流・石井流・高安流・観世流
- Nohgaku theatre: Okura school, Kuzuno school, Ishii school, Takayasu school and Kanze school
- 伎楽は広く地方にも伝播していった形跡がみられる。
- Gigaku was widely spread throughout Japan, according to the evidences.
- 福王流(ふくおう-りゅう)は能楽ワキ方の一流派。
- The Fukuo school is a school of waki-kata (supporting actors) in Nohgaku (the art of Noh).
- 神楽坂はん子や久保幸枝などの歌手がデビューした。
- Singers to sing the ozashiki songs made their debut, including Hanko KAGURAZAKA and Yukie KUBO.
- 催馬楽の「桜人」に旋律が合わせて舞われたらしい。
- It is believed that Chikyu was performed together with the melody of 'Sakurabito,' a song collected in Saibara (a genre of the Heian-period Japanese court music, which primarily consists of gagaku-styled folk melodies).
- ・絵図:沖縄県立博物館蔵「琉球人座楽并躍之図」。
- - Picture: Okinawa Prefectural Museum warehouse, 'Picture of Ryukyu people performing music seated and dancing.'
- 石井流(いしい-りゅう)は、能楽大鼓方の一流儀。
- Ishii school is one of the schools of otsuzumi-kata (large hand drum players) in Nohgaku (the art of Noh).
- 大倉流(おおくら-りゅう)は能楽囃子方の一流儀。
- The Okura school is one of the schools of hayashi-kata (people who play hayashi, or the musical accompaniment) in Nohgaku (the art of Noh).
- 家元は代々、可進の号であった「後楽」を襲名する。
- The head of this school has succeeded the pseudonym of Kashin, 'Koraku.'
- 5月、『書鑑』刊行(辻本史邑、「寧楽書道会」)。
- May: 'Shokagami' was published (by Shiyu TSUJIMOTO and 'Neiraku Shodo-kai' (The Neiraku calligraphic association).
- 勧進のための能は、古くは猿楽の初期から行われた。
- Noh performances held to raise subscriptions for religious purposes had already appeared in the early stages of Sarugaku (the prototype of Noh).
- 明楽とあわせて明清楽(みんしんがく)とも称される。
- Combined with 'Mingaku' (Ming-era Chinese music), it is also called 'Minshingaku' (Ming and Qing-era Chinese music).
- 「創成版」(能楽書林)という独自の謡本を発行する。
- The group issues its own utaibon called 'Creative Edition' (Nohgakushorin).
- 乾隆帝時代の清では民衆音楽に楽器として用いられた。
- In Qing in the period of Chien Lung, it was used as an instrument for popular music.
- 藩士たちは、これで生活が少しでも楽になると喜んだ。
- The retainers of Nagaoka domain became happy, expecting that their life would be easier.
- 伎楽面(ぎがくめん)は伎楽につかわれた仮面のこと。
- Gigaku-men mask is a mask used for gigaku (an ancient pantomime in which performers wear masks).
- なら燈花会能 - 奈良県新公会堂能楽ホールで開催。
- Nara Tokae Noh (Noh performance at Nara Tokae Festival) performed at Noh Theatre in Nara Prefectural New Public Hall.
- 世阿弥の時代には、猿楽や田楽にとりいれられていた。
- During Zeami's (renowned Noh writer) time, it had been adopted in Sarugaku (form of theater popular during the 11th to 14th centuries) and Dengaku (style of dancing associated with rice planting rituals).
- なお後段の獅子の舞については古くは唐楽に由来する。
- The lion dance in the latter part is originally derived from Togaku (music from Tang dynasty China).
- 安宅(あたか)は『義経記』などに取材した能楽作品。
- Ataka is a Noh piece covering 'Gikeiki' (a military epic about the life of Yoshitsune) and so forth.
- 冊封使歓待を目的として発展した明清系の音楽である。
- It is a style of music with roots in the Ming and Qing dynasties that was developed with the aim of fostering warm diplomatic relations.
- 神楽は夜間に行なわれるから庭燎を焚く必要があった。
- It was necessary to light a niwabi (garden fire) because the kagura was performed at night.
- 平岩流(ひらいわりゅう)は能楽笛方の廃絶した一流。
- The Hiraiwa school is an extinct school of fue-kata (flute players) in Nohgaku (the art of Noh).
- 能楽協会に登録された役者は、2006年現在13名。
- 13 performers of this school are registered with the Nohgaku Performers' Association as of 2006.
- この4種を「お囃子」(邦楽囃子、長唄囃子)と呼ぶ。
- These four instruments are called 'ohayashi' (Japanese orchestra) (hogaku-bayashi (orchestra of Japanese traditional music), nagauta (long epic song with shamisen accompaniment) bayashi).
- 鴨の充分なコクを楽しむ為、最後に雑炊にして食べる。
- To enjoy the richness of duck meat, rice will be added in the end so that it can be eaten as rice gruel.
- 高麗笛(こまぶえ)とは、雅楽で使う管楽器のひとつ。
- Komabue is one of the wind instruments used in the orchestra of gagaku (ancient Japanese court dance and music).
- 羯鼓(かっこ)は雅楽で使われる打楽器で、鼓の一種。
- Kakko is a percussion instrument used in gagaku (ancient Japanese court dance and music), and it is a kind of tsuzumi (a long hourglass drum).
- 使用する楽器、詳細については箏、箏曲を参照のこと。
- For the instruments and the details of zokuso, please refer to the articles on So and Sokyoku.
- 幕末から明治にかけて、明楽は絶滅寸前の状態であった。
- In the era from the late Edo period to the Meiji period, Mingaku was on the verge of extinction.
- 積極的に女流能楽師を認めるなど、多くの改革を行った。
- He carried out many reforms such as actively approving female Noh actors.
- 観世流(かんぜ-りゅう)は能楽における能の流派の一。
- Kanze-ryu is one of the schools in Nohgaku theater
- 能楽協会に登録された役者は、2006年の時点で4人。
- As of 2006, four players have been registered at The Nohgaku Performers' Association.
- 「参考謡本」(能楽書林)という独自の謡本を発行する。
- It issues its special utaibon called 'The Reference Book of Noh Chants' (Nohgakushorin).
- 木魚を楽器としてみれば、一種のスリットドラムである。
- Considering Mokugyo as an instrument, it is a kind of slit drum.
- 性格はおのおの中之舞・楽に準じ、太鼓入りで奏される。
- Their features correspond to those of Chu no mai and Raku, respectively, and they are danced with drums as accompaniment.
- しかし日清戦争時に「敵性楽器」とされてからは廃れた。
- However, after it was treated as a 'musical instrument of the enemy' during the time of the Sino-Japanese War, the gekkin players decreased.
- 雅楽に用いられる龍笛と同じく、女竹(篠竹)製である。
- It's made of 'medake' (simon bamboo) or 'shinodake' (small bamboo), as well as 'ryuteki' (a kind of flute) which is used in 'gagaku' (ancient Japanese court dance and music).
- このように伎楽は仏教行事以外の場でも上演されている。
- As shown above, it was performed not only at Buddhist ceremonies but also at other events.
- 日本では神楽歌・催馬楽・今様・宴曲・小歌などがある。
- In Japan, some examples of kayo are Kagurauta, Saibara, Imayo, Enkyoku, and Kouta.
- 助六が花道から出る時の伴奏音楽を「出端の唄」という。
- An accompaniment for Sukeroku entering onto the hanamichi is called 'Deha no Uta.'
- 高麗楽の古楽譜は三五要録と仁智要録に記録されている。
- The classical scores of Komagaku are contained in the collections of musical notation, Sango Yoroku (score for biwa lute) and Jinchi Yoroku (score for koto zither).
- 威徳流(いとくりゅう)は能楽大鼓方の廃絶した一流儀。
- The Itoku school is an extinct school of otsuzumi-kata (large hand drum players) in Nohgaku (the art of Noh).
- 春日流(しゅんにちりゅう)は能楽笛方の廃絶した一流。
- The Shunnichi school is an extinct school of fue-kata (flute players) in Nohgaku (the art of Noh).
- つまり酒と一緒に楽しめれば魚介類でも野菜類でもよい。
- In other words, sakana can be seafood or vegetables as long as it goes well with alcoholic beverages.
- 同時代の藤原明衡が著した『新猿楽記』にも記述がある。
- Around the same time, FUJIWARA no Akihira also wrote about the topic in his work 'Account of the New Sarugaku.'
- 清楽の伝来は享保年間(1716年-1735年)である。
- Shingaku was introduced to Japan in the Kyoho era (1716 - 1735).
- 坂田古典音楽研究所(東京)によるレクチャーコンサート。
- A lecture and concert held by the Sakata Classic Music Institution (located in Tokyo).
- 左方(唐楽)に属する壱越調(いちこつちょう)の一人舞。
- Ranryo-o is a solo dance in Ichikotsucho tone which is classified as Saho (left side) (Togaku music).
- 宮増は大和猿楽の各座で鼓方を担当していた一族であった。
- Miyamasu was a family in charge of hand drum playing in each troupe of Yamato Sarugaku.
- ベトナムでは「モー」と呼ばれ、打楽器として用いられる。
- In Vietnam, it is called 'Mo,' and is used as a percussion instrument.
- 縮めて「楽日」(らくび)や「楽」(らく)ともいわれる。
- The term 'rakubi' (or the shorter 'raku') is also used for the same meaning.
- しかし、5段すべてを神楽地で演奏する「総神楽」もある。
- However, there also exist 'So-kagura' (Comprehensive kagura) in which all five sections are played in a kagura tune.
- 明楽、清楽の正統的な担い手と音はその数を失いつつある。
- However, the number of orthodox successors and the music of Ming and Xing-era Chinese music has been decreasing.
- また近年、新伎楽に使用するため復興された伎楽面もある。
- Some gigaku-men masks have been restored in recent years to be used for new gigaku.
- 一転して派手な激闘となる後段との対比が楽しい能である。
- It is an enjoyable Noh piece, with the contrast with the latter part that features a showy, fierce fight scene.
- 前漢の時、民間歌謡を収集する楽府という役所が作られた。
- During the Former Han Dynasty, a music bureau called Gakufu was set up, where folk kayo were collected.
- 今度、どのような展開をたどるかが楽しみな商品種である。
- This is the type of product with good future potential.
- のこされた面にある記銘から伎楽面の作者も知られている。
- The makers of gigaku-men masks are also known by the name of the maker inscribed on them.
- 能楽における八島(やしま)は、平家物語に取材した作品。
- Yashima is a Noh play based on Heike Monogatari (The tale of the Heike).
- 能楽協会に登録された役者は、2007年現在、20名強。
- Over 20 actors are registered in the Nohgaku Performers' Association as of 2007.
- 別名長久楽(ちょうきゅうらく)・蘇尸茂利(そしもり)。
- It is also known as 'Chokyuraku' or 'Soshimori.'
- 高麗楽の拍子には4拍子、揚拍子、唐拍子の三種類がある。
- Komagaku has three types of rhythms: Yon-byoshi (quadruple time), Age-byoshi (a faster tempo) and Kara-byoshi (a Chinese beat).
- 主に日比谷映画→TOHOシネマズ有楽座系の作品を上映。
- It was mainly showing the films of Hibiya Theater, followed by the films of TOHO Cinemas Yurakuza.
- 進藤流(しんどう-りゅう)は廃絶した能楽ワキ方の流儀。
- The Shindo school is an extinct school of waki-kata (supporting actors) in Nohgaku (the art of Noh).
- 胡蝶(こちょう)は胡の国のチョウをモチーフにした舞楽。
- Kocho is a bugaku (traditional Japanese court music accompanied by dancing) using butterflies in Ko (barbarian) Country as a subject.
- 江戸中期に夏の夜の娯楽として登場し、俳諧では夏の季語。
- It debuted in the middle of the Edo period as a summer night entertainment, and it is a word to symbolize summer in the haikai (Japanese 17-syllable verse).
- 「楽車」・「壇尻」・「台尻」・「段尻」とも表記される。
- It is written in Chinese characters as '楽車,' '壇尻,' '台尻,' or '段尻.'
- 掌の中に抱えた香炉からの香木の香りを楽しむわけである。
- One enjoys the scent of incense rising from the koro (incense burner) held inside their palms.
- 西洋音楽でたとえれば、クラシックとポピュラーほども違う。
- As compared to Western music, the extent of their differences is like that between classical music and popular music.
- 金剛流能楽師と井上流の舞い手が夫婦となっている例もある。
- There have been some examples of a married couple of a Noh actor from the Kongo school and a dancer from the Inoue school.
- 明治期の名人として宝生九郎知栄、松本金太郎 (能楽師)。
- Kuro-Tomoharu HOSHO and Kintaro MATSUMOTO were Noh masters of this school who lived during the Meiji period.
- このうち師範以上が純粋な玄人として能楽協会に登録される。
- Among these ranks, the players of shihan and upper levels are registered as pure professionals at The Nohgaku Performers' Association.
- そのため能楽の大鼓方では、小鼓方から分かれた流儀が多い。
- Therefore, many methods of the Nohgaku otsuzumikata came from the Kotsuzumikata.
- 莫目(まくも)は、高麗楽、百済楽で用いられた楽器である。
- Makumo (written as 莫目 in Japanese) is a musical instrument used in Komagaku (the court music of Japan introduced from Korea) and Kudaragaku (the court music of Japan introduced from Paekche) music.
- また細井幾太郎は文楽座楽屋周りの責任者として長く支えた。
- In addition, Ikutaro HOSOI supported Bunraku-za for a long time as a person in charge of matters related to backstage.
- 1963年、松竹は文楽から撤退し、文楽座も朝日座と改称。
- In 1963 Shochiku withdrew from bunraku and Bunraku-za changed its name into Asahi-za.
- 文楽成立以前の人形浄瑠璃については、浄瑠璃も参照のこと。
- For ningyo-joruri before establishment of bunraku, see joruri.
- 黒森神楽(2006年3月15日 宮古市 黒森神楽保存会)
- Kuromori kagura dance (March 15, 2006; Miyako City; Kuromori Kagura Hozonkai [Kuromori Kagura Preservation Association])
- 根子番楽(2004年2月6日 北秋田市 根子番楽保存会)
- Nekko bangaku music and dance (February 6, 2004; Kita-Akita City; Nekko Bangaku Hozonkai [Nekko Bangaku Preservation Association])
- 承和楽(しょうわらく/じょうわらく)とは雅楽の曲である。
- Showaraku or Jowaraku is a gagaku (ancient Japanese court music and dance) music piece.
- 主に男子の貴族が楽しむスポーツまたは神事として行われた。
- Kemari was a sports enjoyed by male aristocrats and performed as a Shinto ritual.
- それにより、単に田楽といえば焼き田楽をさすようになった。
- Hence, Dengaku came to mean only Yaki Dengaku.
- 笏拍子(しゃくびょうし)は雅楽などにおける打楽器の一つ。
- Shakubyoshi is a kind of percussion instrument used in music such as gagaku (ancient Japanese court dance and music).
- 明楽の月琴は、長いさおをもつ阮咸(げんかん)のことである。
- The Gekkin in Mingaku is a Genkan (four- or five-string Chinese lute) with a long neck.
- 明楽は男子の斉唱を主体とし、伴奏楽器で歌唱の旋律を支える。
- In Mingaku, the song sung by males in unison constitutes its major portion, with the musical instruments accompanying the song's melody.
- すでに室町時代の多武峰猿楽に四座立合の翁が奉納されていた。
- Okina was dedicated to Tonomine Sarugaku (Sarugaku performed at the Danzan-jinja Shrine of Tonomine-dera Temple) in the form of Yoza Tachiai (Noh performance competitions, in which Noh actors of yoza, or four Za (troupes), namely Kanze, Hosho, Kanparu, and Kongo, perform Noh on the same stage on the same day in competition with each other) already in the Muromachi Period.
- 清楽と合わせて明清楽(みんしんがく)と呼ばれることも多い。
- The term Min-Shingaku is often used to collectively call Shingaku and Mingaku.
- このような条件的制約も、明楽が清楽に押される一因となった。
- Such a constraint also caused Mingaku to give in to Shingaku.
- ちなみにこのイタ電のエピソードは実在の能楽師が行った実話。
- As a side note, the episode about a mischievous telephone call is a true story based on the actions of a real Nohgakushi.
- 三代 楽道入(慶長4(1599年)-明暦2(1656年))
- The third Donyu RAKU (1599-1656)
- 五代 楽宗入(寛文4(1664年)-享保元(1716年))
- The fifth Sonyu RAKU (1664-1716)
- 能が成立する以前の翁猿楽の様式を留める芸能が式三番である。
- Shiki Sanban is the performing art that maintains the style of Okina Sarugaku (the original form of the present-day Okina patterned after an ancient ritualistic ceremony), which precedes the formation of Noh.
- 緒は、能楽の世界では調緒(しらべお)または「調べ」という。
- In Nogaku (the art of Noh) field, a strap is referred to as Shirabeo or as 'shirabe.'
- 「二人袴」(三段之舞)、「唐相撲」(楽)などで用いられる。
- They are played in 'Futari bakama' in the Sandan no mai style and 'Tozumo' in the Raku style.
- また、文楽協会は、十九大夫との契約を11月25日付で解除。
- Furthermore Bunraku Kyokai terminated its contract with Tokutaro as of November 25 that year.
- 全役者・音楽・裏方は楽屋に一日中詰めていなければならない。
- All the actors, musicians and backstage staff must stay in their dressing rooms all day long.
- かつては、魔よけのためと楽屋裏にまで押しかけた贔屓がいた。
- At one time, patrons came even to the dressing room to receive the glaring as an amulet.
- 「裏門合点」の代わりに上演される、楽しく色彩豊かな所作事。
- It is a delightful and colorful shosagoto (dance in kabuki) which is performed in place of 'Uramon-gaten.'
- この絵では一人の女性が2匹のタコから性的快楽を受けている。
- It depicts a woman enjoying sexual pleasure with two octopuses.
- 御座楽(うざがく、おざがく)とは、琉球王国の室内楽である。
- Uzagaku (Ozagaku) is chamber music of the Ryukyu kingdom.
- 琉球の御座楽を伝承した楽師も、久米三十六姓の者が多かった。
- Many of the musical masters who passed on the traditions of Ryukyu Uzagaku were members of the Thirty Six Families of Kume.
- 器楽曲のほか、「明曲」「清曲」と記される唱曲も演奏された。
- Besides instrumental pieces, chants ('Ming compositions' and 'Qing compositions') were performed.
- 春藤流(しゅんどう-りゅう)は廃絶した能楽ワキ方の一流儀。
- The Shundo school is an extinct school of waki-kata (supporting actors) in Nohgaku (the art of Noh).
- しかし、地域によっては弦楽器などを取り入れるところもある。
- However, depending on the region, stringed instruments etc are also incorporated.
- 声楽が主体だが、それにあわせて器楽で伴奏し、舞いも踊られた。
- Singing constituted the major portion of the music, but musical instruments were also played to accompany the songs, and also dances were performed to the music.
- このほか、清楽の演奏を録音したレコードやCDなども若干ある。
- Besides, there exist some record albums and CDs in Japan that contain the performances of Shingaku.
- 二代 楽常慶(永禄4(1561年)-寛永12(1635年))
- The second Jokei RAKU (1561-1635)
- シテ方観世流は大和猿楽四座のひとつ結崎座に由来する能の流儀。
- Shite-kata of Kanze-ryu is a school that originated in Yuzaki-troupe, which was one of Four Troupes of Yamato-Sarugaku.
- 三段之舞は中之舞を、楽は能の楽を、それぞれ模した舞事である。
- Sandan no mai is the mai-goto imitating Chu no mai, and Raku is the one imitating Raku in the Noh play.
- 大鼓は能楽の職掌のうちでももっとも役者数の不足に悩んでいる。
- Among the Nogaku performers, otsuzumi players are most shorthanded.
- 文楽(ぶんらく)は、本来操り人形浄瑠璃専門の劇場の名である。
- 'Bunraku' originally referred to playhouses especially for performing ningyo joruri (traditional Japanese puppet theater).
- 浄瑠璃には多くの種別があるが、文楽では義太夫節が用いられる。
- There are many genres of joruri, but Gidayu-bushi (one genre of Joruri created by Gidayu TAKEMOTO) is used for bunraku.
- 歌謡(かよう)とは、音楽性を伴う韻文形式の作品のことをいう。
- Kayo refers to works of a poetry form with a musical nature.
- 以下に正倉院に伝わる伎楽面から、いくつか選んで特徴をしめす。
- Below is a selection of masks stored in Shoso-in with descriptions of their features.
- しかしながら、現在残っている御座楽の楽譜は、これだけである。
- However, at the present time this is all that remains of Uzagaku sheet music.
- 護謨毬なら3尺くらいからでも楽につけ、楽しさも数倍になった。
- It is easy to see why rubber balls became so popular, due to the ease in making them bounce 90 cm.
- 宝生流(ほうしょうりゅう)は能楽におけるワキ方の流儀の一つ。
- The Hosho school is a style of Waki-kata in Nohgaku.
- 庶人三台(そにんさんだい(しょにんさんだい))は雅楽の曲名。
- Sonin-sandai or shonin-sandai (庶人三台) is a name of gagaku (Japanese classical music).
- 室町時代に出現した味噌田楽、田楽と言われる食物が原型である。
- The prototype of Oden is dishes called Misodengaku (skewered and roasted tofu and konjac etc. with miso coating) and Dengaku (grilled foods such as tofu, konjac or egg plants on skewers).
- もし勝てば幡を挙げて示し、ついで奏楽がおこなわれ、終了する。
- After a flag is waved to show the winner, the music is played; this is the end of the game.
- 袖の無い胴着だが舞楽では豪華に刺繍されており、狭い袖がつく。
- Although the word hanpi means a kind of body wear without sleeves, when used as a costume for bugaku dancing, it is a gorgeously embroidered garment with narrow sleeves.
- 明治以降は、清楽の曲を邦楽器や洋楽器でも演奏するようになった。
- In and after the Meiji period, Shingaku music was performed by Japanese instruments and by Western instruments as well.
- 現在では父尉は省略し、翁を能楽師が、三番叟を狂言師が担当する。
- Today Chichi no jo is skipped, and Okina and Sanbaso are played respectively by Nohgaku-shi and Kyogen-shi (Kyogen actors).
- そのため日本で単に「明楽」と言えば、もっぱら魏氏の明楽を指す。
- Therefore, when the term of 'Mingaku' is used in Japan, it usually indicates the Mingaku by the Gi clan.
- 西洋音楽でいう微分音に相当する音を用いることも極一般的である。
- It is very common to use tones corresponding to microtones in Western music.
- ここでいう音程は、西洋音楽の音名ではなく、指と息の操作を指す。
- The pitch which is mentioned here is not the pitch name in Western music, but refers to fingering and breathing.
- このような宴席音楽でも「お囃子」をつけて演奏される場合がある。
- There are also cases in which ohayashi is played as banquet music.
- 能楽では「はりおうぎ」、講談では「はりせん」ということが多い。
- In many cases, the term 'Hari-ogi' is used in Nohgaku, and the term 'Hari-sen' is used in kodan storytelling.
- 聖徳太子の奨励などによって伎楽は寺院楽としてその地位を高めた。
- Encouraged by Prince Shotoku, it became the major performance for the Buddhist services at temples.
- 2003年、「人形浄瑠璃文楽」として世界無形遺産に指定された。
- Ningyo joruri, Bunraku' was registered as an intangible cultural asset in 2003.
- 文楽座はのちに御霊神社 (大阪市)境内(大阪市中央区)に移転。
- Later Bunraku-za was moved to the precincts of Goryo-jinja Shrine (Chuo Ward, Osaka City).
- 詞は後には詩と同様、音楽性から独立して朗読されるようになった。
- Ci, as with shi (poetry), later came to be recited separately from music.
- また江戸時代において能は式楽として改変があまり行われなかった。
- And in the Edo Period, Noh play was not modified so much as Shikigaku (the music and plays for official ceremonies).
- 高麗楽(こまがく)は、朝鮮から日本に伝わった雅楽の一種である。
- Komagaku is a form of Gagaku (traditional Japanese court music) that was introduced into Japan from Korea.
- 地域に根付いて伝承されてきた音楽であるという特徴のためである。
- As such, a particular feature of such music is its regional roots and handing down to others.
- 更にたいてい手事の最後にコーダ (音楽)的な「チラシ」がつく。
- Furthermore, mostly musical 'chirashi' (coda) is inserted in the end of tegoto.
- 常装束(つねしょうぞく)は、舞楽で最も普通に使われる衣装一式。
- Tsune-shozoku means a set of most ordinary costumes worn by performers of bugaku (traditional Japanese court music accompanied by dancing on stage).
- 打楽器:太鼓 小鼓(しょうこ) 雲鑼(うんら) 壇板(だんばん)
- The percussion instruments were the Taiko, Shoko, Unra and Danban.
- 清楽はソロでもアンサンブルでも演奏・歌唱を楽しめる軽音楽である。
- Shingaku is the light music that can be enjoyed in the form of solo or ensemble playing, and in the form of playing with instruments or singing alone.
- また鷺流は佐渡島に残存しているが、やはり能楽協会入会資格は無い。
- Although Za-ryu is still active in Sadoga-shima Island, it does not qualify, either.
- 第二次世界大戦後には、ジャズやクラシック音楽にも取り入れられた。
- After the World War II, it has been used in the Jazz or classic music.
- 講演の最終日を「千秋楽」ということは、これに由来するといわれる。
- This is said to be the origin of a word 'senshuraku' which means the final day of a performance.
- ただしこのとき、実際の演技として伎楽が上演されたかどうかは不明。
- However, it is unknown today whether gigaku was actually performed or not.
- 伎楽の教習者には課税免除の措置がとられるなど、官の保護もあった。
- Gigaku trainers were officially protected and supported by government with exemption of taxation and so on.
- 大日堂舞楽(1976年5月4日 鹿角市八幡平 大日堂舞楽保存会)
- Dainichi-do Hall bugaku court music and dance (May 4, 1976; Hachimantai, Kazuno City; Dainichi-do Bugaku Hozonkai [Association for the Preservation of Bugaku in Dainichi-do Hall])
- 1941年国民学校令の施行で唱歌は芸能科音楽へと発展的解消した。
- In 1941 with the enforcement of the National School Order, shoka developed into the geinoka (entertainment course) music.
- このようにしてできた音楽に合わせて作られた歌詞が詞の由来である。
- Verses thus composed in accordance with music were the origin of Ci.
- したがって許諾の上でのくすぐりは、時に性的快楽になる場合がある。
- Therefore, tickling with permission might be a sexual pleasure in some cases.
- 明和2年(1765年)に手島堵庵が五楽舎を開いたのが最初である。
- The first one was Gorakusha that was founded by Toan TEJIMA in 1765.
- 中国より伝来した独楽が宮中の遊びとして残ったものといわれている。
- It is said that spinning tops were introduced to Japan from China and became popular as amusements in the Imperial Court.
- 1954年(昭和29年)に能楽協会の斡旋で観世流に復帰している。
- Its members returned to Kanze-ryu school through a mediation of The Nohgaku Performers' Association in 1954.
- 胡蝶楽(こちょうらく)、胡蝶の舞(こちょうのまい)とも呼ばれる。
- It is also called the Kocho raku (a dance of butterfly) or Kocho no mai (a dance of butterfly).
- これを常楽我浄というが、これについては大乗の大般涅槃経に詳しい。
- This is called the four virtues of nirvana (absolute happiness, true self, and purity), but the Nirvana Sutra of Mahayana Buddhism explains it more in detail.
- また合の手は三曲のみならずそれ以外の三味線音楽や琵琶楽にもある。
- Ainote can be found not only in the instrumental trio but also in other shamisen music and biwagaku (Japanese lute music).
- 南宋の賈似道の用いた「賢者而後楽此」の印が成語印の最初とされる。
- It is said that the seal of '賢者而後楽此' was the first seigoin.
- 同じ中国伝来の音楽でも、明楽は、宮廷音楽的、雅楽的要素が強かった。
- Mingaku contained much more elements of the Chinese court music and gagaku than any other music introduced from China.
- なお、能楽において式三番は極めて神聖かつ重い曲として扱われている。
- Shiki Sanban is treated as an extremely sacred and heavy song in Nohgaku.
- 表千家9代・了々斎と共に紀州徳川家に伺候、「偕楽園窯」開設に貢献。
- He visited the Kishu Tokugawa Family with the ninth grand master of Omote Sen-ke, Ryoryosai and contributed to construct the Kairakuen kiln.
- こちらは生活用品など身近にある物を細かい模様にして洒落を楽しんだ。
- They made ordinarily objects like tools into a fine pattern and enjoyed the demand for this fashion.
- 2005年にプラハ交響楽団(FOK)と姉妹オーケストラ盟約を締結。
- In 2005, it formed a sister orchestra ties with the Prague Symphony Orchestra.
- 龍頭を模した舞楽面を着け、金色の桴(ばち/細い棒のこと)を携える。
- The dancer puts on a dragonhead shaped bugaku mask and carries golden stick.
- 国家保護と制約から解放されるにつれ、伎楽は様々に形を変えていった。
- As released from the governmental support and restrictions, gagaku has transformed into various ways.
- 奈良時代に仏教寺院で行われていた伎楽は、次のような上演様態をもつ。
- Performance style of gigaku played at Buddhist temples during the Nara period is as follows.
- 雄勝法印神楽(1996年12月20日 石巻市 雄勝法印神楽保存会)
- Ogatsuhoin kagura dance (December 20, 1996; Ishinomaki City; Ogatsuhoin Kagura Hozonkai [Ogatsuhoin Kagura Preservation Association])
- 伎楽面は造形的にもすぐれ、仏師の手になるものもあるといわれている。
- Gigaku-men masks excel in their fine shape and some are said to have been made by sculptors of Buddha statues.
- 琉球の使節団の「江戸上り」のとき、薩摩藩は琉球の音楽を演奏させた。
- Whenever a Ryukyu delegation was on 'Edo nobori (a mission to Edo)', the Satsuma clan had Ryukyuan music performed.
- したがって、当時の年号をとって「承和楽」と命名されたと伝えられる。
- Therefore, it is said that this piece was named 'Showaraku' from the name of the era at the time.
- その後、市中にもこの独楽が広まり、お座敷遊びの一つとして定着した。
- Eventually, these spinning tops spread among ordinary people and became established as one of Ozashiki-Asobi (playing games with Geisha [Japanese professional female entertainers at drinking parties]).
- 東京、京都を地盤とし、能楽協会には20名余の役者が登録されている。
- They are based mainly in Tokyo and Kyoto, and there are over 20 players who are registered with the Nohgaku Performers' Association.
- 東京、大阪などが主要な地盤で、能楽協会に登録された役者は10名余。
- Its main bases of activity are Tokyo and Osaka etc., and some ten players are registered with the Nohgaku Performers' Association.
- 東京、大阪などが主要な地盤で、能楽協会に登録された役者は20名余。
- Its main bases of activity are Tokyo and Osaka etc., and over 20 players are registered with the Nohgaku Performers' Association.
- 高麗楽は道楽のように来を使わず、付点のリズムを持つのが特異である。
- Unlike Michigaku, Komagaku uses no rai and is characterized by dotted rhythm.
- 東京及び九州が主要な地盤で、能楽協会に登録された役者は10名程度。
- They are active particularly in Tokyo and the Kyushu region, and approximately 10 performers from this school are registered with the Nohgaku Performers' Association.
- 神社内で祭が行われる場合、境内にある能舞台、神楽殿等で演奏される。
- For festivals taking place within shrines, performances take place on stage areas within the temple grounds and in dedicated temple halls used for music.
- そのため、からくりという言葉には娯楽性や意外性のニュアンスがある。
- And so, Japanese in those days associated the word karakuri with an amusing (or surprising) thing.
- 重要無形民俗文化財に指定されている舞楽、平安時代からの歴史を持つ。
- Bugaku designated as important Intangible Folk Cultural Properties and with a history from the Heian period.
- 加賀在の手猿楽役者として活躍した初代野村万蔵保尚の家系がこれである。
- This is the family of the first Manzo Yasuhisa NOMURA, who was active as a tesarugaku actor in Kaga Province.
- 正倉院蔵の〈弾弓散楽図〉には、鼓を桴や手で打つようすが描かれている。
- In the 'Dankyu Sangaku Zu' (the Dankyu bow with the ink paintings of ancient Chinese performing art of Sangaku) owned by Shoso-in Treasure Repository, the scene that Tsuzumi is beaten by bachi Beaters or hands is depicted.
- 2005年の能楽協会名簿における観世流所属の能楽師の数は以下の通り。
- The number of the actors who belong to Kanze-ryu, according to The Noh Association's list in 2005, is as follows.
- 舞台音楽は民間にも広まり、演劇や舞踊なしで演奏される機会も多かった。
- Stage music became available among the common people and was often played alone, not as a part of play or dance.
- 現在の中国製の月琴は、中華人民共和国の音楽改革の「改良」を経ている。
- Gekkin currently produced in the People's Republic of China has experienced 'improvement' in music reform of China.
- 矢来観世家(やらい-かんぜ-け)は能楽シテ方観世流の職分家のひとつ。
- The Yarai Kanze family is one of the occupational branch families of Kanze school of Nohgaku theatre shite-kata (main roles).
- 大宝律令に定められた雅楽寮には伎楽師もおかれ、国家の保護がなされた。
- Gigaku performers were assigned to Utaryo (Bureau of Traditional Music) regulated by the Taiho Code and supported by the government.
- 江戸時代初期、遊廓は代表的な娯楽の場であり、文化の発信地でもあった。
- In the early Edo period, Yukaku was a place of transmission of culture as well as the representative place of amusements.
- 早池峰神楽(1976年5月4日 花巻市大迫町 早池峰神楽保存会ほか)
- Hayachine kagura dance (May 4, 1976; Ohasama-machi, Hanamaki City; Hayachine Kagura Hozonkai [Hayachine Kagura Preservation Association], etc.)
- 1931年に東京芸術大学の前身である東京音楽学校邦楽科に寄贈された。
- In 1931, the Noh stage was donated to the department of traditional Japanese music at the Tokyo Music School, the predecessor of the present Tokyo University of the Arts.
- 人気のない夜の山奥から笛や太鼓などの神楽囃子の音が聞こえるともいう。
- It is also said that sound of 'kagurabayashi' (a musical sound of flute and drums) is heard from the deep mountains where no one is living.
- 例示として岩波文庫版(校訂仲田勝之助)より東洲斎写楽の項を引用する。
- The following texts are quoted from the section of Sharaku TOSHUSAI of the Iwanami Library edition (revised by Katsunosuke NAKADA).
- 前者には更に、楽器が主導的で歌が補助的なものと、その逆のものがある。
- The former type can further be divided into one in which instruments play a leading role and words play an auxiliary role, and a type in which the roles are reverse.
- また、だし汁ではなく湯で茹でた後、味噌をつけて食する味噌田楽もある。
- There is also Misodengaku in which ingredients are boiled not with soup stock but water and are eaten with miso dip.
- 踏歌の舞人は右近陣前庭から楽を奏しつつ仙華門をはいって庭前にすすむ。
- Performing gagaku (ancient Japanese court music), toka dancers came from the forecourt of Shishinden, went under Senka-mon Gate, and entered the forecourt of Seiryoden.
- 清楽と違い、胡琴(いわゆる「二胡」など)のような擦弦楽器は使用しない。
- Unlike the stringed instruments used in Shingaku, no bowed stringed instruments like Kokin (so-called Niko) were used.
- 坂本龍馬(坂本竜馬)とその妻の「楢崎龍」も、清楽の月琴の名手であった。
- Ryoma SAKAMOTO and his wife 'Ryo NARASAKI' were both experts of 'gekkin' (a moon harp) used in Shingaku.
- 2005年の能楽協会名簿における宝生流所属の能楽師の数は以下のとおり。
- According to the membership list of the Nohgaku Performers' Association issued in 2005, the number of the Noh actors who are at the Hosho school is as follows:
- 能楽協会に登録された能楽師は2006年の時点で560名あまりにのぼる。
- The number of Nohgakushi (Noh actors) of the school registered in The Nohgaku Performers' Association is more than 560.
- 父観阿弥の没後は、観世座の新大夫として近江申楽の犬王らと人気を争った。
- After the death of his father Zeami, he, as the tayu (a leading actor) of Kanze group, competed with Inuo of Omi Sarugaku for the popularity.
- 能楽協会に登録された役者は、2006年の時点で守家由訓ただ1人である。
- Yoshinori is the only actor of the group registered at The Nohgaku Performers' Association as of 2006.
- 音色よりも間を尊重する能楽の楽器にあっては当を得た奏法であるといえる。
- This is the best way to play instruments for Nohgaku which value pauses more than tones.
- リュート属の撥弦楽器で満月のような円形の共鳴胴に短い首(琴杵)を持つ。
- It is a plucked string instrument of the lute family and has a round sound box and a short neck.
- 後代、曲や楽譜の伝承が途絶えると、その平仄や句式を基準にして作られた。
- In later years, after the tradition of those music and scores were lost, Ci was composed based on the tones or the form of each line.
- これを得意とした二代目三遊亭円歌は、出囃子も七段目幕開きの音楽だった。
- Enka SANYUTEI the second, who was good at telling this story, used the starting music of Act Seven for his debayashi (stage music for rakugo).
- こうした時代の変化を受けて、現在、御座楽を復元する事業が行われている。
- Having accepted that times are changing, presently, efforts are being made to revive Uzagaku.
- 流儀の地盤は東京と金沢で、能楽協会には20名弱の役者が登録されている。
- The school's bases are Tokyo and Kanazawa, and little less than 20 players are being registered with the Nohgaku Performers' Association.
- 林家舞楽(1981年1月21日 寒河江市慈恩寺ほか 谷地の舞楽保存会)
- Hayashike bugaku court dance and music (January 21, 1981; Jion-ji Temple in Sagae City, etc.; Yachi no Bugaku Hozonkai [Association for the Preservation of Bugaku in Yachi])
- 櫓の上で音楽を演奏したり、櫓と繋いだ縄に飾りつけをして見栄えを整える。
- People play music on the yagura and make the yagura look more attractive with decorations on ropes attached to the yagura.
- また清楽の旋律は歯切れがよくシンプルなものが多く、覚えるのも簡単だった。
- Besides, most Shingaku melodies were so clear and simple that they were easy to learn by heart.
- これらの楽器は、日本人のアマチュア愛好家でも、わりあい簡単に習得できた。
- These instruments were relatively easy for Japanese amateurs to learn.
- 江戸から明治にかけて、日本でも、清楽の楽譜集の和刻本が多数、出版された。
- From the Edo period to the Meiji period, many music collections of Shingaku, written in Chinese with Japanese leading marks, were issued in Japan.
- 清楽は江戸から明治にかけて大人気を博したが、日清戦争を境に急速に衰えた。
- The popularity of Shingaku was overwhelmingly high from the Edo period to the Meiji period, but after the Sino-Japanese War, its popularity declined rapidly.
- 江戸時代の音楽文化は、概して、身分制や家元制に縛られた窮屈なものだった。
- The music culture in the Edo period was, as a whole, rigid as it was bound to the class system and to the monopolized system of licensing of teaching art.
- その一方で、清楽は清朝時代の軽妙な通俗音楽で、曲目も楽器の編成も異なる。
- Shingaku, however, was the light and popular music, so the two forms are different in their compositions as well as their instrumental configurations.
- 千代田区神田(淡路町)に「連雀能舞台」という自宅兼能楽堂を所有している。
- They own a home and a Noh theater called 'Ranjaku Noh Butai' (Renjaku Noh Stage) in Kanda (Awajicho), Chiyoda Ward.
- 大学卒業後に相葉左右十郎に弟子入りしたので楽より年上だが弟弟子に当たる。
- Since he became a pupil of Sojuro AIBA after graduating from his university, he is a junior disciple to Gaku even though he is older.
- 篠笛は「移調楽器」であり、実際に出る音(実音)は管の長さによって異なる。
- The shinobue is a transposing instrument, and the actual tone varies depending on the length of tube.
- 4月8日の仏生会、7月15日の伎楽会と、少なくとも年2回の上演があった。
- It was performed at least twice a year, on April 8 for Bussho-e (Buddhist mass celebrating Buddha's Birthday) and on July 15 for Gigakue.
- さらに先述のように各地の獅子舞のルーツも伎楽にあるとみてさしつかえない。
- Further, it would be fair to say that shishimai performed nationwide could have been originated from gigaku.
- 人形芝居が江戸時代初期に三味線音楽、浄瑠璃と結びついて生まれたとされる。
- It is said to be generated as a result of linkage of puppet plays with Shamisen music and joruri in the early Edo period.
- なお現存する最古のガス灯は兵庫県神戸市の相楽園内旧ハッサム住宅前にある。
- The oldest existent gas lights are installed in front of the former Hassam House in Sorakuen Park in Kobe City, Hyogo Prefecture.
- 【三】三馬按、写楽号東周斎、江戸八町堀に住す、はつか半年余行はるゝ而巳。
- (S) I believe Toshusai SHARAKU lived in Hatchobori, Edo, and he had been active only for a half year.
- 御神能はこのうち第2日目の21日に宇佐神宮境内にある能楽堂で奉納される。
- Goshin Noh (Noh play) is dedicated at Noh Theatre in precincts of Usa-jingu Shrine on October 21, the second day of the festival.
- 岡山県南西部の秋祭りに繰り出す太鼓台は千歳楽(せんざいらく)と呼ばれる。
- The taikodai carried in parades of the autumn festivals in the southwestern area of Okayama Prefecture is called 'senzairaku.'
- 祭囃子(まつりばやし)は祭の際に演奏される音楽で、邦楽のジャンルの一つ。
- Matsuribayashi' (festival music) is music that is performed at festival time and forms a particular genre of musical accompaniment.
- 宮下伸作曲 「三十絃と打楽器のための“ひびき”」(1972・NHK委嘱)
- Sanjugen to dagakki no tameno Hibiki' (sounds for 30-string Koto and percussions) composed by Shin MIYASHITA (1972, commissioned by NHK)
- 楽と同じように彩紀が気になるらしく、何かにつけ積極的に声をかけている様子。
- He appears to be as interested in Saiki as Gaku, implied by the manner in which he actively speaks to her whenever he gets a chance.
- それまで式三番など神事猿楽を中心としていた結崎座を猿楽中心の座へと改めた。
- He changed Yuzaki troupe whose main performance had been in shrine ritual sarugaku into the one centered in sarugaku (form of theatre popular in Japan during the 11th to 14th centuries).
- また祭囃子・神楽等の祭礼音楽でも「大甲」と合わせて大変好まれる音域である。
- In combination with the daikan (high-pitched) tone, it is favored in the music for rites and festivals such as matsuri-bayashi (Japanese music) and kagura (sacred music and dancing performed at shrine).
- 梅若万三郎(うめわか・まんざぶろう)は能楽シテ方観世流梅若家の分家当主名。
- 'Manzaburo UMEWAKA' is the name of the head of Umewaka family, a branch family of Kanze-ryu school of Noh shite-kata (main roles).
- 「千穐楽」など異体字での表記は「秋」の文字にある「火」を忌んだものである。
- The expressions using different characters, such as 千穐楽, are employed because the 火 (fire) included in character 秋 is observed a taboo.
- この楽器を「当たり鉦」というのは、「する」という言葉を嫌ってのことである。
- The reason why it's called 'atarigane' is to avoid using the word, 'suru' (means to pick pocket besides to rub).
- 能楽にあっては大小物の場合、囃子全体のリズムをリードする重要な役目を担う。
- An otsuzumi player takes an important role, i.e. leading the rhythm of an entire Nohgaku band when a tune is daishomono (played with three instruments of fue, a Japanese flute, kozutsumi and ozutsumi).
- 七小町(ななこまち)とは、小野小町を題にした七つの謡曲(能楽作品)の総称。
- Nanakomachi is a generic term for seven Yokyoku (Noh songs) dealing with ONO no Komachi.
- その来源には宮中の燕楽や民間の通俗音楽にいたるいくつかがあると考えられる。
- Ci is considered to have various origins, from Engaku (Chinese court music) to popular music.
- 紺青色の龍頭を模した舞楽面を着け、銀色の桴(ばち/細い棒のこと)を携える。
- Players wear Bugaku (court dance and music) masks representing deep blue-colored dragon heads and carry silver drumsticks.
- 5月、「三楽書道会」結成(若海方舟等、参考:書道団体の離合集散(戦前))。
- May: The Sanraku Shodo-kai association was established (by Hoshu WAKAUMI and others: refer to the item of 'Alignment and realignment of calligraphic bodies - before the war').
- 出囃子(でばやし)とは、演奏者が舞台に出て演奏する歌舞伎音楽のことである。
- Debayashi is a kind of kabuki music played on a stage by performers.
- 更に19世紀には京都の盲人音楽家達により多数の手事物の名曲が作り出される。
- Furthermore in the nineteenth century, blind musicians in Kyoto created many masterpieces of tegotomono.
- が、これら別伝の明楽は「魏氏明楽」の影にかくれて、あまり世に知られなかった。
- However, Mingau of other lineages weren't widely known, since they were in the shadow of the 'Mingaku by the Gi clan.'
- なお、現代の能楽師たちはこの芸能を「翁」「神歌」(素謡のとき)と呼んでいる。
- Incidentally, contemporary Nohgaku-shi (Noh actors) call it 'Okina' (the elder or an old man) or 'Kamiuta' (a song for god) (during su-utai, which is the chanting of a Noh text without music or dance).
- ムード歌謡、シャンソン、ラテン音楽、等の歌手にも演歌歌手と同様の傾向がある。
- Singers of mood music, shanson, Latin music, etc. show a tendency to wear makeup similar to enka singers as well.
- 演目名は極楽浄土に住むという人面鳥身で美声を持つ霊鳥迦陵頻伽に由来している。
- The title of this music is derived from a sacred bird called 'Karyobinga,' which has a human face and bird's body with a beautiful voice, living in paradise.
- 社会主義者らの集会などでも、余興として娘義太夫を楽しむといったことがあった。
- The socialists would sometimes enjoy performances of musume-gidayu as a form of entertainment at their meetings.
- 鼓(つづみ)は日本特有の伝統的な楽器のひとつで、もっとも狭義には小鼓を指す。
- Tsuzumi (hand drum) is a traditional instrument unique to Japan, and refers to Kotsuzumi (small hand drum) in a narrow sense.
- 東京を主たる地盤にし、能楽協会に登録された役者は、2006年の時点で16人。
- The major regional area is Tokyo, and the number of actors registered at The Nohgaku Performers' Association is 16 as of 2006.
- いずれにしろ地口の一種であり、雅楽や能の曲目と直接の関係があるわけではない。
- At any rate, either of them is a pun and is not related directly to the programs of gagaku or Noh.
- 芝居の下座音楽や郷土芸能の音楽、祭囃子、阿波踊りなどの民族舞踊に用いられる。
- It's used in 'geza' (off-stage) music, music for local performing arts, 'matsuri-bayashi' (Japanese festival music), and folk dances such as Awa Dancing Festival.
- (日本放送協会教育テレビ 『知るを楽しむ 歴史に好奇心』 10月放送分より)
- ('Shiru wo Tanoshimu Rekishi ni Kokishin' (Enjoy to Know and Have an Interest in History) by Japan Broadcasting Corporation Educational TV, broadcasted in October)
- 1909年には文楽座は松竹の経営となり、松竹が文楽の興行を行うこととなった。
- Bunraku-za was brought under the control of Shochiku in 1909, and Shochiku started to give performances of bunraku.
- 「汝是畜生発菩提心往生安楽… どんがんちん ヤァーヤァー 乞食の閻魔様め!」
- Sukeroku intones a prayer 'Joze chikusho hosshin bodaishin ojo anraku… Donganchin, Yah Yah! Great Beggar King of Hades!'
- 戦後、ゴジラ等の映画で自衛隊の出動する場面などに背景音楽としてよく使われた。
- After the war, it was often used in the films, such as Godzilla, as background music in the scene where Self-Defense Forces were sent out.
- (なお『白氏文集』には刺史になった白楽天が緋袍・緋衫に銀魚袋を身につけた。)
- (According to the 'Hakushimonju' [the 'Bai-Shi Wen Ji'] [a collection of poems by Hakkyoi, a famous Chinese poet], Bai Letian, who became a provincial governor, put on cardinal vestment and trousers with silverfish-bag ornament.)
- 半臂(はんぴ)とは、武官束帯や舞楽の装束で、袍の下に着る袖なしの胴着のこと。
- Hanpi is a formal court dress of military officers and a bugaku (traditional Japanese court music accompanied by dancing) costume, which are a sleeveless body wear worn underneath ho (outer robe/vestment).
- 一見見た目は通常「独楽」として販売されている物と同じだが、製法が全く異なる。
- It looks the same as an ordinary 'spinning top,' but it's made in a totally different way.
- 株式会社 平楽寺書店(へいらくじしょてん)は京都市中京区にある出版社である。
- Kabushiki Kaisha (a joint stock corporation) Heirakuji (literally, Heiraku-ji Temple) Shoten is a publishing company located at Nakagyo Ward, Kyoto City.
- 「祭囃子」という言葉であらわされる中にも非常に多種多様な楽曲が存在している。
- The word Matsuribayashi has come to refer to an extremely diverse range of musical compositions.
- 薬指から親指に掛ける為、三ツガケより取り掛け(弦の保持)が楽であるとされる。
- It is considered that torikake (nocking on with the right hand) is easier than mitsugake since a string is hooked by the annular finger, the middle finger, the forefinger and the thumb.
- 中でも有名なのは、『越天楽』のメロディーに歌詞を付けた『越天楽今様』である。
- Among others, the most famous tune of imayo is 'Etenraku Imayo,' which set the words to the tune of 'Etenraku' (literally, the music brought from heaven).
- しかし、父尉・翁・三番猿楽はかならず連続して上演されたためにこの呼び名がある。
- However, Chichi no Jo, Okina, and Sanban Sarugaku have been always put on the stage in a series and, as such, it has the common name of Shiki Sanban.
- 魏皓の没後、安永9年(1780)には、弟子によって『魏氏楽器図』が刊行された。
- After Giko died, in 1780, 'Gishi Gakki zu' (literally, drawings of musical instruments in the Gi clan) was published by his disciple.
- 禅竹は、自家に伝わる伝承を基に『明宿集』を物し、猿楽の創始について述べている。
- Zenchiku wrote/composed 'Meishuku shu' based on the stories that had been handed down in his family, and described the origins of sarugaku in it.
- 中年以降は次第に猿楽の名手として大和国以外でもその芸が認められるようになった。
- In and after his middle age, he gradually came to be recognized as the master of sarugaku even outside Yamato Province.
- また片山九郎右衛門門下の観世流の能楽師と井上流の名取りが結婚している例もある。
- And there have been some instances such that a Noh actor in the family of Kuroemon KATAYAMA in Kanze-ryu and a natori (a person given a diploma) got married.
- 佐藤はこの作品のテーマ音楽として用心棒の劇伴を彷彿とさせる音楽を作曲している。
- SATO composed the film's theme song, which is very reminiscent of the music used in 'Yojinbo.'
- 熱海温泉、鬼怒川温泉、別府温泉等の歓楽地型温泉では旅館ホテルの巨大化が続いた。
- Large hotels were built in hot springs with amusement area, such as Atami Onsen Hot Springs, Kinugawa Onsen Hot Springs, and Beppu Onsen Hot Springs.
- 明治維新ののちは神武天皇祭、春秋の皇霊祭の日に雅楽部員が皇霊殿のまえで奏した。
- After the Meiji Restoration, Azuma-asobi was performed in front of the Korei-den (the Imperial Ancestors' Shrine) by gagaku performers at Jinmu Tenno-sai Festival (Emperor Jinmu Festival) and Spring and Autumn Korei-sai Festivals.
- 一条天皇が神楽が散逸するのを心配して保存につくしたとき、東遊も5曲制定された。
- Emperor Ichijo was worried that kagura (sacred music and dancing) might be dispersed and lost, and when he worked hard on maintaining kagura songs, five songs from Azuma-asobi were also included in his collection.
- 合方(あいかた)または相方(あいかた)は日本音楽や日本舞踊における用語の一つ。
- Aikata is a term used in the fields of classical Japanese music and dance.
- 仕舞袴(しまい-ば(は)かま)は主として能楽において用いられる特殊な形状の袴。
- Shimaibakama (also called Shimaihakama) is a 'hakama' (a kind of trousers worn with a kimono) of a special shape, mainly used in Noh drama.
- 宮下伸作曲 「二面の三十絃と打楽器のための“ひびき”」(1972・NHK委嘱)
- Nimen no Sanjugen to dagakki no tameno Hibiki' (sounds for two 30-string Kotos and percussions) composed by Shin MIYASHITA (1972, commissioned by NHK)
- しかし4代安藤信友は、和歌、連歌、発句、茶道、香道、能楽など数々の文芸を嗜んだ。
- Nobutomo ANDO, the fourth head of the family, however, enjoyed various arts including waka (a traditional Japanese poem of 31 syllables), renga (linked verse), hokku (the first line of a waka poem), tea ceremony, kodo (incense-smelling ceremony), and Noh theater.
- 能楽界に生きる人々の日常、創風会所属の若手能楽師たちの心の動きなどを描いている。
- This manga depicts the daily lives of people living in Nohgaku (the art of Noh) circles and the changes of heart they have as young Nohgakushi belonging to the Sohu Association.
- 法隆寺に仕えた猿楽座である坂戸座を源流とする流派で、坂戸孫太郎氏勝を流祖とする。
- This school originated from the Sakado-za, a group of sarugaku (the prototype of the Noh play) performers who worked for Horyu-ji Temple, and the founder of this school was Ujikatsu (also called Magotaro) SAKADO.
- 一鼓、二鼓、三鼓、四鼓は、日本に奈良時代、 唐楽(とうがく) 用として伝わった。
- Ikko drum, Ni no tsuzumi drum, San no tsuzumi drum, and Yon no tsuzumi drum came down to Japan for Togaku music in the Nara period.
- だいたいは能楽のそれと同様だが、最初から張扇専用に、かなり大き目のものをつくる。
- Hari-sen is made through almost the same processes as Hariogi in Nohgaku, but, a comparatively large fan is made only for Hari-sen from the beginning.
- 2009年 運営を京都市文化市民局から外郭団体の京都市音楽芸術文化振興財団に移管
- In 2009, the operation of Kyoto Symphony Orchestra was transferred from the Culture and Citizens Affairs Bureau of Kyoto Prefecture to an extra-departmental organization, Kyoto City music art cultural Promoting Foundation.
- ズクは木箱などの他の木製品の表面に貼り、その文様、絵柄を楽しむためのものである。
- Zuku pieces are bonded onto the surface of other woodworking products such as wooden boxes, and they are used for appreciating the pattern and the motifs.
- 勘平は塩冶判官のお供で外出するが、一人抜け出しておかると逢い引きを楽しんでいた。
- Kanpei goes out accompanying Enya Hangan, but he sneaks out, enjoying a secret date with Okaru.
- 『申楽談儀』に曲名が出ており『糺河原勧進猿楽記』には音阿弥による上演記録がある。
- The name of the play appears in the 'Sarugaku Dangi' (Talks about Sarugaku) and a performance by Onami was recorded in the 'Tadasugawara Kanjin Sarugaku-ki.'
- 会津・米沢地域観光圏;「変わらぬぬくもり、変わる楽しみ~会津・米沢千の旅回廊~」
- Aizu and Yonezawa district sightseeing area: 'Unchanged warmth mind and variety of joys - Aizu and Yonezawa thousand-cloister walkway'
- ある夜、楽器の音色を聞いた男が家から外へ出てみると、若い男女が広場で遊んでいた。
- At night a man who heard the sound of a musical instrument went out of his house to find young men and women playing in the square.
- 但し、南都楽所では一人舞の場合は曲名を「納曽利」、二人舞の場合は「落蹲」と呼ぶ。
- In Nanto gakusho, however, the piece is called 'Nasori' in hitorimai and 'Rakuson' in futarimai.
- 「御座楽」の最後の上演記録は、明治20年、伊藤博文の前で演奏したのが最後である。
- The final documented performance of 'Uzagaku' was in 1888 in the presence of Hirobumi ITO.
- 能楽協会に登録された役者は4名で、現宗家十一世藤田六郎兵衛を含む全員が名古屋在。
- Four performers from this school are registered with the Nohgaku Performers' Association, and all the performers including the current head Rokurobyoe FUJITA the 11th live in Nagoya.
- そのため、能からの言葉と誤解されることが多いが、元来は雅楽から発した語であった。
- This word is thus often misunderstood as being a word pertaining to noh, but its origin is in fact gagaku.
- これは冬場の娯楽の少ない農耕社会で鬱積した気分を解消させることを目的としていた。
- Since there is not much entertainment in winter in agrarian society, the festival was aimed for releasing the pent-up feelings.
- 肴(さかな)とは、酒を飲む際に添えて共に楽しむ対象を言い、これは食品に限らない。
- Sakana is a thing with which people enjoy having alcoholic beverages; yet, it is not necessarily a food item.
- 胡弓楽では、普通手事物とは言わないが、実質的に本曲のすべてが手事物と言ってよい。
- Normally in kokyu music, they are not called tegotomoto, but virtually all the original works are said to be tegotomono.
- 二楽荘の全盛期があまりにも短期間のためか、今日、その建物の存在を知る人は少ない。
- The heyday was probably too short to be known and most people don't know about the existence of Nikakuso at the present day.
- こうした「風流」の趣向は同時代の寺院芸能である猿楽・能・狂言などに影響を与えた。
- This 'Furyu' trend affected the temple performing arts of the same period, such as Sarugaku, Noh and Kyogen.
- 清楽(しんがく)とは、清国から伝来した、民謡、俗曲を中心とする音楽群の名称である。
- 'Shingaku' is a group of music that is centered on 'minyo' (traditional folk songs) and 'zokkyoku' (folk songs), introduced from Qing.
- 現在、明楽は東京の湯島聖堂などで、坂田古典音楽研究所による再現演奏が行われている。
- Today, reproduced Mingaku are played by the Sakata Classic Music Institution at Yushima Seido (Sacred Hall at Yushima) in Tokyo.
- 清楽や現代中国の「月琴」と名前は同じでも、実際は違う楽器を指すので、注意を要する。
- Caution is needed, however, because this Gekkin is an instrument that differs from the Gekkin in Shingaku and that of the modern China, although the same term is used.
- また、清楽の演奏で使う中国楽器も、長崎経由で輸入されたり、日本で模倣して作られた。
- And Chinese instruments used in performances of Shingaku were imported via Nagasaki, and they were also made in Japan in imitation of the Chinese imports.
- 当時の日本では、雅楽などの例外をのぞけば、これだけ大規模な楽隊編成は他になかった。
- At that time, music would not be played by such a large group of participants in Japan except for Gagaku and the like.
- しかし、「明清楽」という呼称は、事実上清楽だけを指す場合も多いので、注意を要する。
- However, caution is needed because the term 'Min-Shingaku' is often used to indicate Shingaku alone.
- 迦陵頻(かりょうびん)とは、雅楽の演目で、「林邑八楽」(りんゆうはちがく)の一つ。
- Karyobin is a piece of Gagaku (ancient Japanese court dance and music), and one of 'Rinyu hachigaku' (eight old gagaku pieces from Vietnam).
- 喜多流(きたりゅう)とは、日本の伝統芸能である能楽のうち、能のシテ方の流派である。
- The Kita school is one of the shite-kata (actors who play leading characters) schools of Noh in Nohgaku (the art of Noh), which is one of the Japanese traditional performance arts.
- また中国から日本に伝わった民間芸能である散楽 (さんがく) にも鼓が使われている。
- Tsuzumi is also used in sangaku (form of theatre popular in Japan during the 11th to 14th centuries), the popular entertainment which came down from China to Japan.
- 「六本半」のように、洋楽の半音のさらに半分刻みの調律のものも用いられることがある。
- There are also shinobue that are tuned to half of a Western semitone such as the 'ropponhan' note.
- 式三番(しき-さん-ばん)とは、能・狂言とならんで能楽を構成する特殊な芸能の一つ。
- 'Shiki Sanban' is one of the performing arts that form part of Nohgaku (the theatrical art of Noh), along with Noh (Noh plays) and Kyogen (a farce presented between Noh plays).
- 楽は「鶴亀」「邯鄲」など唐人のシテが舞楽を模して舞うもので、大小物と太鼓物がある。
- In Raku, the shite, an actor representing a person of Tang China, for example in 'Tsuru-kame' (The Crane and the Tortoise) and 'Kantan' (The Pillow of Kantan, Noh play), dances imitating bugaku (traditional Japanese court music accompanied by dancing), accompanied by dai-sho (big and small) hand drums or drums.
- 1967年、第一回日本能楽団欧州公演に加わって以来、積極的に海外公演を行っている。
- Since he joined the Japan Noh Troupe's first performance tour to Europe in 1967, he has been active in overseas performances.
- この翌日(6月19日)には円山公園 (京都府)野外音楽堂にて第1回定期演奏会を開催
- On the next day June 19, it gave its first Subscription Concert at the outdoor concert hall in Maruyama Park (Kyoto Prefecture).
- 伎楽そのものは鎌倉期に衰退したとされるが、伎楽が後世の芸能に及ぼした影響は大きい。
- Although gigaku itself declined in the Kamakura period, it has largely influenced to other performing arts.
- 1984年に横浜市に寄贈され、市民の能楽・茶道・日本舞踊などの活動に使われている。
- In 1984, it was donated to Yokohama City, and has been used for residents' activities such as Nohgaku (the art of Noh), Sado (tea ceremony) and classical Japanese dance.
- 宗家を含めほとんどが関西在住で、東京には野島信の芸系に属する能楽師が数人いる程度。
- Most of the actors including those in the head family live in Kansai area, and in Tokyo, there are only several Noh actors belonging to the performance style of Makoto NOJIMA.
- ここで言う「瀬戸茶碗」は今日の美濃焼、今焼茶碗は楽茶碗に相当すると考えられている。
- It is thought that this 'Seto chawan' corresponds to today's Mino-yaki (Mino ceramic ware) and 'Imayaki chawan' to Rakujawan (Raku ware tea bowl).
- 近代に作られた神楽である豊栄の舞も、現代版「越天楽今様」・「今様舞」と言って良い。
- Toyosaka no Mai (the dance celebrating the blessed prosperity), which was one of kagura (the sacred music and dance performed at shrines) produced in the Japanese modern age, can be said the modern version of 'Etenraku Imayo' and 'Imayo Mai.'
- おかげで、明楽の資料は比較的よく残っている(現在これらの資料は東京芸術大学が所蔵)。
- Thanks to this, relatively good materials and documents concerned with Mingaku have been preserved today (they are now kept by the Tokyo University of the Arts).
- また江戸や大坂を中心に、清楽の歌詞と楽譜(工尺譜)を書いた清楽譜も盛んに刊行された。
- Further, 'Shingaku-fu,' on which the words and score of Shingaku (called 'gongchepu') were written, was often issued mainly in Edo and Osaka.
- 家臣に金森重近から伝授を受けさせ、遠州流、三斎流、古市流、有楽流なども研究していた。
- He had his vassal receive instructions from Shigechika KANAMORI and studied the styles of the schools of Enshu-ryu, Sansai-ryu, Furuichi-ryu and Uraku-ryu.
- だが、音階に調律されていないため、三味線等の音階がはっきりした楽器とは合わせにくい。
- However, it is difficult to play together with instruments, such as the shamisen, which have a distinct scale as it is not tuned according to a scale.
- 「お囃子」の4種と、追加された打楽器をまとめて「鳴物」(なりもの)と呼ぶことが多い。
- The four ohayashi instruments, and the percussion instruments that were additionally played are often collectively called 'narimono' (musical instruments).
- しかし一方で、国家保護のもとで伎楽の演者は居住地が定められるなどの制約も課せられた。
- On the other hand, however, the gigaku performers were imposed some restrictions on such as residential location.
- なお、同部は、平成4年からは薬師寺において、創作伎楽『三蔵法師』にも取り組んでいる。
- This department has been also performing an original gigaku called 'Sanzo hoshi' (Xuanzang with three collections of Buddhist scriptures) at Yakushi-ji Temple since 1992.
- その起源は16世紀頃まで遡るが、琉球王国の滅亡とともに伝承が絶え、幻の音楽となった。
- The origins go back to around the 16th century, though it became a lost art when handing down of the form died out with the demise of the Ryukyu kingdom.
- 首里城という「ハコ」が先にできたものの、ハコの中身である儀礼や音楽は空っぽであった。
- The restored castle was like an 'empty box', devoid of pageantry and music.
- 能楽協会には10名弱が登録される程度であるが、京都・名古屋を中心として活躍している。
- Less than ten players are registered with the Nohgaku Performers' Association, and they are performing mainly in Kyoto and Nagoya.
- 大和猿楽(やまとさるがく)とは、大和国(現在の奈良県)を中心として活躍した猿楽の座。
- The Yamato Sarugaku is one of the groups performing Sarugaku (a traditional form of a Japanese theatre) mostly in Yamato Province (today's Nara Prefecture).
- また一説には承和元年(834年)に楽所預・従五位上大中臣成文が作ったという説もある。
- Alternatively, there is a theory that considers that it was composed by Gakusho Azukari (the Lower chamber of music) Jugoinojo (Junior Fifth Rank, Upper Grade) ONAKATOMI no Narifumi in 834.
- もう一つが手まりで、女児の遊びであるが、江戸時代には男児も一緒に楽しむことがあった。
- The other is the temari ball, which was generally considered a girls' plaything; however, during the Edo period, boys used to play with them along side the girls.
- 近世邦楽は声楽中心の音楽であったが、三曲の音楽においては大きな器楽的展開が見られた。
- The traditional Japanese music of the early-modern times centered around vocal music; however, instrumental music developed significantly in the instrumental trio.
- 「二楽」とは「山を楽しみ、水を楽しむ」「山水を楽しみ、育英を楽しむ」の意味だという。
- It is said that Niraku (two enjoyments) means 'Enjoying mountains, enjoying water' and 'Enjoying natural landscapes, enjoying education.'
- その地に、明治41年3月17日に二楽荘本館を起工し、1年半後の翌年9月20日に竣工。
- The construction of the main building of Nirakuso began on March 17, 1908 and was completed on September 20 of the following year, one and a half years later.
- 二楽荘(にらくそう)は、西本願寺二十二世門主・大谷光瑞が六甲山に建設した別邸である。
- Nirakuso was the second house of Kozui OTANI, the 22nd chief priest of West Hongan-ji Temple, which he built in Mt. Rokko.
- 管楽器:巣笙(そうしょう) 觱篥(ひつりつ) 龍笛(りゅうてき) 長簫(ちょうしょう)
- The wind instruments were the Sosho, Hitsuritsu, Ryuteki and Chosho.
- これに対して清楽は、俗曲の色彩が強く、歌詞(中国語)の内容も市井に受け入れやすかった。
- In contrast, the important factor of Shingaku was folk songs and the content of the song's words (in Chinese) was also accessible for ordinary people in Japan.
- 明楽の伝来は、明国の魏之琰(ぎしえん)(1617年?-1689年)の帰化にさかのぼる。
- The introduction of Mingaku to Japan dates back to when Gishien of Ming (c.1617 - 1689) became naturalized in Japan.
- 明楽は、姫路藩のような大藩がパトロンとなってはじめて維持できる上流階級の音楽であった。
- Therefore, Mingaku was music for the upper classes that could be only maintained with a big domain such as the Himeji domain supported it as a patron.
- 「明宿集」によれば、日本における猿楽の創始者は聖徳太子の寵臣・秦河勝であったとされる。
- According to 'Meishuku shu', the founder of sarugaku (the prototype of the Noh play and kyogen farce) in Japan is said to have been HATA no Kawakatsu, a court favorite of Prince Shotoku.
- 同じく先端に取り付けられた木魚を演奏出来る「パチモク」なる楽器を制作し、使用している。
- The instrument called 'pachimoku,' which enables to play Mokugyo installed in the end, is used as well.
- しかしこれらの改正は能楽師にとって全曲の覚えなおしを意味するもので評判が大変悪かった。
- However, the revision had a very bad reputation because for Noh actors it meant to memorize all the pieces again.
- 特に歌舞伎においては、さらに「下座音楽」(げざおんがく)と呼ばれる演出音楽が発達した。
- In kabuki, the music for stage effects called 'geza ongaku' (music for plays) developed.
- 笛は黄鐘調が基本であるが、替として初段前に盤渉調に転調する盤渉楽(太鼓物のみ)もある。
- The fue is basically played in the Oshiki-cho scale, but there is also Banshiki-raku in which, as a replacement, the scale is changed to Banshiki-cho before the initial section is played (always accompanied by drums).
- また天武天皇14年(西暦685年)には、筑紫で外国の賓客を供応するため伎楽が行われた。
- It was also held in 685 at Tukushi Region to entertain honored guests from a foreign country.
- 現存日本最古の瓦は飛鳥時代のもので、元興寺の極楽坊本堂と禅室に葺かれている瓦とされる。
- The oldest existing Kawara tiles in Japan were made in the Asuka period, and they are the ones on Gokuraku-bo Hondo (main hall) and Zenshitsu (room for Zen sitting meditation) of Gango-ji Temple.
- ただし、音楽における京流手事物や陶芸の京焼のように、上方で著しく発展を見たものもある。
- However, like Kyoto style music or Kyo-yaki as Kyoto style ceramic arts, some were highly developed in Kamigata.
- そこで1879年、伊沢修二の主唱で文部省は音楽取調掛(のちの東京音楽学校)を創設した。
- Therefore, the Monbusho (Ministry of Education) established Ongaku Torishirabe-Gakari (later Tokyo Music School) at the instance of Shuji IZAWA.
- 楽曲の多くは「蝶々」、「蛍の光」、「仰げば尊し」など外国曲に歌詞をつけたものであった。
- Many of the songs were foreign songs with Japanese words such as 'Chocho', 'Hotaru no Hikari', and 'Aogebatotoshi'.
- 保呂羽山の霜月神楽(1977年5月17日 横手市大森町八沢木 保呂羽山霜月神楽保存会)
- Mt. Horowa Shimotsuki kagura dance (May 17, 1977; Yasawagi, Omori-machi, Yokote City; Horowa-san Shimotsuki Kagura Hozonkai [Association for the Preservation of the Mt. Horowa November Kagura])
- 自然なタバコの味を楽しむため(香料を使わない刻みタバコを吸う方法として最良であること)
- Joy of tasting natural tobacco, which is the best way to smoke unflavored shredded tobacco.
- また、神事から発達した田楽・猿楽などが能など後の日本中世伝統芸能を形作る素地となった。
- In addition, Dengaku (ritual music and dancing in shrines and temples), sarugaku (form of theater popular in Japan during the 11th to 14th centuries) and so on which were developed from Shinto rituals became the base to form later Japanese medieval traditional performing arts such as Noh and so on.
- その額は、二楽荘の建築、地所、美術品一切を含んで16万円とも21万円ともいわれている。
- It is said that the price was 160,000 yen or 210,000 yen including all the buildings, lands and art objects.
- 仏教の声明(しょうみょう)音楽に器楽演奏を添えたような感じの、力強く荘重な音楽であった。
- It was powerful and stately music, something like Shomyo (the chanting of Buddhist hymns) music accompanied by instruments.
- 現在、能楽協会に二十名あまりが登録し、東京都、名古屋市、金沢市などを基盤として活動する。
- At present, the Nohgaku Performers' Association has some 20 registered members who work mainly in Tokyo, Nagoya City, and Kanazawa City.
- 彼は願い出て上京し、延宝元年(1673年)には内裏で演奏するなど、明楽は広まりを見せた。
- He requested permission to visit Kyoto, where he made Mingaku widely known, for example by playing such music in the dairi (Imperial Palace) in 1673.
- この氏安が円満井座の中興の祖となり、以下禅竹に至るまで代々猿楽の徒として活躍したという。
- It is said that this Ujiyasu became the restorer of the Enmani troupe, and that his successors, from generation to generation up to Zenchiku, played a major role as sarugaku performers.
- 雪号(せつごう)とは能楽シテ方観世流において、隠居後に名のる「雪」字を用いた雅号のこと。
- Setsugo is a pseudonym after the retirement, using a Chinese character, '雪,' in shite-kata (main roles) of Kanze school of Noh.
- 十二律(じゅうにりつ)とは、中国や日本の伝統音楽で用いられる12種類の標準的な高さの音。
- Ancient Chinese chromatic scale is the twelve kinds of average pitch that are used in Chinese or Japanese traditional music.
- 株式会社能楽書林(のうがくしょりん)は、東京都千代田区にある能楽関係を中心とする出版社。
- Nohgakushorin Co., Ltd. is a publishing company in Chiyoda Ward, Tokyo which mostly produces books on nogaku (the art of Noh).
- 雅楽を演奏する際、1日の最後の曲には祝言の意味から必ず「千秋楽」を演奏したという古い風習
- It came from the ancient custom that, when gagaku (traditional court music) was played, 'senshuraku,' which suggested congratulations, was played as the last number of the day.
- ただし、江戸時代の看板大関の場合、千秋楽だけに看板大関同士の取組がくまれることもあった。
- However, during the Edo period, matches between Kanban Ozeki ('guest Ozeki,' big strong-looking local lads who were only brought in to draw local crowds) sumo wrestlers were sometimes scheduled on the senshuraku day alone.
- 三世梅若万三郎(さんせい うめわか まんざぶろう、1941年 -)はシテ方観世流能楽師。
- Manzaburo UMEWAKA the third (1941-) is a Noh actor, of shite-kata (main roles) of Kanze school.
- また音量を確保するため、弦の張力は強く、それに耐えるように棹や楽器も頑丈に作られている。
- In order to secure the sound volume, the tensile strength of the string is high and the neck and the body are made strong so that they can stand the high tensile strength.
- 『道成寺』 (どうじょうじ) は、紀州道成寺に伝わる、安珍・清姫伝説に取材した能楽作品。
- 'Dojo-ji Temple' is a Nogaku piece that is based on the Legend of Anchin and Kiyohime which has been passed down in Dojo-ji Temple, Kishu Province (present day Wakayama Prefecture).
- 楽屋銀杏(がくやいちょう):はわせ、前割れともよばれる、前髪を立てずに中央で分けた髪型。
- Gakuyaicho: This hairstyle was also called Hawase or Maeware, where hair is parted in the middle without making the forelock stand up.
- すき焼きの具を始め、田楽 (料理)、煮物、炒め物などさまざまな料理に使われることが多い。
- It is used in various dishes including sukiyaki (thin slices of beef, cooked with various vegetables in a table-top cast-iron pan), Dengaku (grilled foods such as tofu, konnyaku or egg plants are fixed on skewers), boiled and seasoned dishes, and stir-fried dishes.
- 酒を嗜む事は娯楽の一とされ、その生成が比較的楽な事から古来から広く一般に楽しまれてきた。
- Drinking alcoholic beverages has been regarded as a recreational part of life and has been widely enjoyed by ordinary people since the old times thanks to their relatively easy production methods.
- すでに当時、先輩音楽家たちにより地歌三味線音楽の作曲や演奏技巧の開発が頂点に達していた。
- In those days, the composition of jiuta shamisen music and the finesse of performance had already been culminated by his senior associates.
- 手事には、歌詞の情景を描写するものと、歌とは関係なく絶対音楽的に作られているものがある。
- There is a type of tegoto which is representative of the scenes depicted by words in a piece, as well as a type which is created as absolute music regardless of the words.
- 明楽は江戸時代の中期には衰退したため、明清楽と称しても、事実上、清楽だけを指すことも多い。
- Mingaku was on the decline in the middle of the Edo period, so Minshingaku substantially means - in many cases - Shingaku.
- 明清楽奏者の家元としては、平井連山(女性。明治19年5月に88歳で没)などが有名であった。
- There were some known 'iemoto' (the head of a school) of Minshingaku musician, including Renzan HIRAI, a female player who died in May 1886 at the age of eighty-eight.
- 祭り、晴れ着、音楽や舞踊等の発表会においては、普段は化粧しない人でも厚化粧する場合が多い。
- When participating in festivals, getting dressed up in haregi (the best clothes) or performing a recital of music or dance, even people who usually do not wear makeup often put on atsugesho.
- 管絃の遊びにも用いられたが名前の由来からもわかるように、仏教行事の舞楽として多く奏された。
- This piece was also used for music entertainment; however, as its name suggests, it was mainly played as Bugaku (dance and music) in Buddhist events.
- 日本画も楽しむという価値観をもった人達に支持され、掛軸もそれにつれ芸術価値を高めていった。
- Kakejiku's artistic value became higher, with the support by people who also appreciated Nihon ga' (Japanese paintings).
- 能の付祝言において、「高砂 (能)」キリの「千秋楽は民を撫で」以下が謡われることが多かった
- Or in Tsukeshugen (a short celebratory Noh play) of a Noh play, 'Stroking people in general in Senshuraku' and the following part at the end of 'Takasago (a Noh play)' was often sung.
- 11世紀の藤原氏全盛期には素材は綾織で色彩のグラデーション(かさねの色目)を楽しんでいた。
- In the 11th century, during the heyday of the Fujiwara clan, uchiki was made of twill with graduated colors.
- 派手な衣装に身を纏った福の神のその出で立ちと世俗的、庶民的な性格とのギャップを楽しむ祝言。
- It is a short celebratory play in which contrast is shown between the God's appearance in a gaudy outfit and his secular and worldly characteristics.
- 文楽太夫、文楽三味線、文楽人形遣いの「三業(さんぎょう)」で成り立つ三位一体の演芸である。
- It is entertainment played by a trinity, which consists of 'sangyo'; tayu (narrator or chanter), shamisen player, and puppeteers.
- 歌詞をその音楽と分けずに言及する言葉であり、朗読する詩歌に対して歌う詩歌を指す言葉である。
- It is a term that refers to lyrics and its music together, and the term of poetry for singing in contrast with poetry for reciting.
- ほのあかりライブ - 様々な楽器演奏者や声楽者を招きろうそくの明かりに囲まれて行うライブ。
- Honoakari Live (concert), the live concert in which invited various instrument players and vocalists perform concert surrounded by the light of the candles.
- CD 能楽「熊野」コロムビアミュージックエンタテインメント 演能形式でほとんど全曲を収録。
- CD: Nohgaku theatre 'Yuya,' Columbia Music Entertainment: Nearly all the music is included, in Noh performance style.
- この話の内容は、能の『安宅』としてより、歌舞伎や人形浄瑠璃(文楽)の『勧進帳』として有名。
- This story is more famous as 'Kanjincho' in Kabuki or Ningyo joruri (also called bunraku) rather than as 'Ataka' in Noh play.
- 型破りで非常に長大な曲が多く、ことに器楽部である「手事」が長く複雑で、かつ難技巧を極める。
- Many of his songs were unconventional and very long and in particular the instrumental parts 'tegoto' were long, complicated and extremely difficult to play.
- 武人や龍神などを演じる際に身に着けるもので、蘭陵王 (雅楽)、納曽利などの演目で着用する。
- Ryoto is worn by players of gagaku when they portray bujin (warrior) and ryujin (dragon god) in such programs as Ranryo-o (gagaku), Nasori, and so on.
- 明楽(みんがく)とは、江戸時代に明朝から日本に伝えられた廟堂(びょうどう)音楽の名称である。
- Mingaku is the name of the music played in mausoleum halls or the Imperial Court, and the music was brought to Japan from the Ming dynasty during the Edo period.
- 大和猿楽に吸収・統合されて江戸期の武家社会の式楽の担い手となっていった猿楽の役者たちがいた。
- Some Sarugaku actors were assimilated and incorporated into Yamato Sarugaku (Sarugaku in Yamato Province) and became the bearers of the Shikigaku (the ceremonial art) of the Samurai, or warrior, society in the Edo Period.
- 楽屋内・ファンからは、この親子での『連獅子』を早く見たいとの要望も多く寄せられているという。
- It is said that there are many requests coming from his fans in the back stage that they would like to see the father and son in 'Renjishi' (A string of Lions) soon.
- 金剛流(こんごうりゅう)とは、日本の伝統芸能である能楽のうち、能のシテ方の流派の一つである。
- The Kongo school is one of the shite-kata (actors who play leading characters) schools of Noh in Nohgaku (the art of Noh), which is one of the Japanese traditional performance arts.
- その薫陶を受けた松本長、野口兼資、近藤乾三、高橋進 (能楽師)などの名人を多く輩出している。
- Also, many great performers who were trained in the Hosho school's performance appeared; for example, Nagashi MATSUMOTO, Kanesuke NOGUCHI, Kenzo KONDO, and Susumu TAKAHASHI.
- 流祖観阿弥清次(1333年〜1384年)は山田猿楽の美濃大夫に養子入りした何某の三男である。
- Kiyotsugu KANAMI (1333-1384), the founder of the school, is Mr So-and-so's third son adopted by Mino dayu of Yamada sarugaku.
- だが、修行中の書生が1人いて、大阪能楽養成会のほか大阪の各能楽堂の研究会などに出演している。
- But there is one shosei (a student who is given room and board in exchange for performing domestic duties) in the group, who appears in study groups of Osaka Nohgaku Yoseikai (Osaka Nohgaku Training Facility) and other Noh theaters.
- 近世以降、鼓を中心とする打楽器の飛躍的な発達と流布によって扇拍子は徐々に下火になっていった。
- After early modern times, due to the drastic development and popularization of percussion instruments centered on Tsuzumi (hand drum), Ogi byoshi gradually lost its popularity.
- そのため千秋楽の公演は人気があり、他の公演日に先駆けて前売りチケットが売切れになったりする。
- Therefore, performances on the senshuraku day are favored, and advance tickets are sometimes sold out before those for the other days.
- 管弦楽曲でも使用されることがあり、大栗裕の『大阪俗謡による幻想曲』では特徴的なリズムを刻む。
- It's sometimes used in orchestral works, and it beats out a characteristic rhythm in 'Fantasy on Osaka Folk Tunes' by Hiroshi OGURI.
- 奈良時代にさかんに行われていた伎楽も平安時代を経て鎌倉時代になると次第に上演されなくなった。
- It has been often performed in the Nara period, however, gradually declined in the Heian to Kamakura periods.
- 848年嘉祥元年9月22日 (旧暦)の太政官符に、雅楽寮、雑色生を減定するべきことが見える。
- Daijokanpu issued on October 26, 848 describes that gagakuryo and zoshiki no sho (student of low level functionaries) should be decreased.
- 以後、ここで集められた作品、あるいはそれ以後の民間歌謡を「楽府」(がふ)と呼ぶようになった。
- From then on the works collected in this bureau and the later folk kayo came to be called 'Gafu' (yuefu in Chinese) folksongs.
- 「もし一紙半銭なりと奉れば、この世では無比の楽を得、来世では数千の蓮の上に座すことになる。」
- If contributing even just a little, you will get extraordinary comfort in this world, and will sit on the thousands of lotuses (in the paradise) in the after life.'
- 催馬楽よりもふるく、もと東国でおこなわれたものであるが、外来楽の隆盛とともに都会にはいった。
- Azuma-asobi, which is older than Saibara (a genre of the Heian-period Japanese court music, primarily consisting of gagaku-styled folk melodies), had been originally performed in the eastern provinces, but it was introduced to the capital city as foreign music became popular.
- また、沖縄独自のアイデンティティーと国際交流の象徴として、「御座楽」を見直す風潮も出てきた。
- Also, there is a trend to look again at 'Uzagaku' as a symbol of Okinawa's unique identity and international exchange.
- 安土桃山時代に、京の手猿楽役者初世石井庄左衛門滋長が名人樋口久左衛門に師事して一流を興した。
- In the Azuchi-Momoyama period, the first head Shozaemon Shigenaga ISHII who was a te-sarugaku (amateur Noh) player established the school in Kyoto under the guidance of master Kyuzaemon HINOKUCHI.
- 幸清流(こうせい-りゅう)または幸清次郎流(こう-せいじろう・りゅう)は能楽小鼓方の一流派。
- The Kosei school, or Ko Seijiro school, is one of the schools of kotsuzumi-kata (small hand drum players) in Nohgaku (the art of Noh).
- なお、第1日目の20日には俚舞楽打(さとまいがくうち)が宇佐神宮勅使門前の斎庭で奉納される。
- In addition, Sato maigaku uchi is dedicated at funeral hall in front of Usa-jingu Shrine Chokushi-mon gate (the gate for the Imperial Envoys) on October 20, the first day of the festival.
- いずれにしても多くの場合、手事は楽器の技巧や旋律の面白さを聴かせることに主眼がおかれている。
- At any rate, in most cases tegoto focuses on instrumental techniques and on melodic appeal.
- 多くの場合は、それぞれの料理を順番に口に運ぶことで、味を最大限に楽しめるよう配慮されている。
- In most situations, dishes are arranged to make a guest enjoy tasting each dish in turn to the utmost extent.
- 舞楽では童舞のみ厚化粧が原則だが化粧しない場合がある一方で、大人の舞楽も厚化粧する団体もある。
- In Bugaku (traditional Japanese court music accompanied by dancing), while it is a rule to apply atsugesho only for Dobu (a dance performed by children) with sometimes no makeup at all, there are some groups which apply atsugesho on adults.
- 江戸時代から続く古い能楽師の家で、代々の「左右十郎」の書を虫干ししているシーンも描かれている。
- An old Nohgakushi family that has been succeeded from the Edo period; to show how old it is, the author illustrates a scene with calligraphy works by a 'Sojuro' of each generation.
- このように世阿弥没後の猿楽にあって、禅竹を中心とする金春流はひろい人気を集め、大勢力となった。
- In the sarugaku world after Zeami's death, the Konparu school with Zenchiku as the central figure became widely popular and extremely powerful.
- 後に腰鼓、二鼓、四鼓は絶えたが、壱鼓は舞楽に残り、三ノ鼓は高麗楽(こまがく) で使われている。
- Afterward, waist drums, Ni no tsuzumi drum, and Yon no tsuzumi drum were died out, and Ikko drum has been used in bugaku (traditional Japanese court music accompanied by dancing) while San no tsuzumi drum is used in Komagaku music.
- 福原流では楽譜は縦書きで、音程は数字(呂音=低音は漢数字、甲音=中高音はアラビア数字)で表す。
- In the Fukuhara School, a score is vertically indicated, and the music pitch is indicated using numerals (the ryoon (lower tone) is indicated using Chinese numerals, while the kanon (medium-higher tone) is indicated using Arabic numerals).
- 清楽の月琴に、現代中国の月琴用の弦をそのまま張ると楽器を破損することもあるので、注意を要する。
- Because the musical instrument may be damaged if a string for the gekkin of modern China is used for gekkin for Xing-era music, care must be used.
- 崑崙の「マラフリ」や、波羅門の「ムツキアラヒ(褌を洗う所作)」は、のちの猿楽にも受け継がれた。
- The acts of 'Marafuri' by Kuron or 'Mutsukiarahi' of Baramon (the performance of washing his loincloth) were inherited to sarugaku (form of theatre popular in Japan during the 11th to 14th centuries) developed in later years.
- 主人公の弥次郎兵衛と喜多八、繋げて『弥次喜多』は、派生する娯楽メディア類に、なお活躍している。
- The main characters, Yajirobe and Kitahachi, called 'Yaji Kita' together, still remain popular in the entertainment media that have their origins in this series.
- 以降、天理大学雅楽部は『教訓抄』記載の伎楽の復元試作を続け、復曲は引き続き芝祐靖氏が当たった。
- Since then, this department at Tenri University has continued the attempt to restore gigaku performance described in 'Kyokunsho,' (the oldest comprehensive music book of Japan) while the re-composition of the music part of the performance was continued by Mr. Sukeyasu SHIBA of the Imperial Household Agency.
- 伎楽面は、能面などにみられる顔をおおうだけの形態とちがって、頭からすっぽりかぶるものであった。
- The gigaku-men mask, unlike the No-men mask which covers only the face, covered the whole head.
- 音楽では生田流箏曲、地歌の野川流が生まれ、また義太夫節や一中節などの新浄瑠璃や長唄が生まれた。
- In music, koto (a long Japanese zither with thirteen strings) music of Ikuta-ryu School, Jiuta (a genre of traditional songs with shamisen accompaniment) of Nogawa School, Shin-joruri (new ballad drama) such as Gidayu-bushi (musical narrative of the puppet theatre) and Icchu-bushi melody, and Nagauta (long epic song with shamisen accompaniment) appeared.
- ただし現代においては宮内庁式部職楽部を除いて東遊笛の代わりに高麗笛が用いられる事が殆どである。
- At present, however, a koma-bue (horizontal bamboo flute with six holes) is used instead of an Azuma-asobi bue in most cases, except for the Music Department, the Board of the Ceremonies, the Imperial Household Agency.
- 琉球の御座楽もその一つであり、その品格と優美さは、日本本土の雅楽に勝るとも劣らぬものであった。
- Ryukyuan Uzagaku (lit. seated music) was also part of this tradition and in quality and elegance surpassed Gagaku from mainland Japan.
- 神前で奉納する能楽(御神能)としては、厳島神社の桃花祭御神能と並んで日本を代表するものである。
- It is a leading Goshin Noh (Nogaku play dedicated to before the gods) along with Tokasai (a festival of offering peach blossoms to the enshrined deity) Goshin Noh of Itsukushima-jinja Shrine.
- しかし、ここでは歌舞伎や能、神楽などの舞台芸術に付随する音楽的要素としての「囃子」を含まない。
- However, elements of musical performances associated with Kabuki, Noh and Shinto are not included within this classification.
- 父・観阿弥から観世座を受け継いだ世阿弥は、ライバルであった田楽、近江猿楽などの芸を取り入れた。
- Zeami, who had succeeded Kanzeza troupe from his father, took the art of dengaku and Omi sarugaku, his rivals, into his sarugaku.
- 宮下伸作曲 「三十絃・箏・尺八・打楽器のための“海流にのって”」(1993・日本三曲協会委嘱)
- Sanjugen, So, Shakuhachi, dagakki no tameno 'Kairyu ni notte'' (Going with Kairyu, the ocean current for 30-string Koto, 13-string Koto, Shakuhachi, and percussion) composed by Shin MIYASHITA (1993, commissioned by Nihon Sankyoku Kyokai)
- また、国立能楽堂能楽三役第四期研修終了の深田博治、高野和憲など若手狂言師も着々と育ってきている。
- Also, there are some new Kyogen actors growing steadily in this group such as Hiroharu FUKATA and Kazunori TAKANO, who finished the fourth Nogaku sanyaku (three roles of Nogaku) training at the National Noh Theatre.
- 流祖は室町時代中期に近江国坂本 (大津市)に住まった佐々木岳楽軒とされるがにわかには信じがたい。
- The founder of the school is said to be Gakurakuken SASAKI, who lived in Sakamoto, the Province of Omi (Otsu City) in the mid-Muromachi period, but this is not very convincing.
- 能楽師の道に進む時にはそれが議論の種となったが、理解者を増やし、ゆっくりと受け入れられていった。
- Although it becomes a heavily debated topic when he tries to begin a career as a Nohgakushi, more and more people slowly begin to accept him.
- 没後、長次郎の妻の祖父・田中宗慶が豊臣秀吉から聚楽第の一字を取った「樂」の黄金の印を与えられた。
- After Chojiro's death, Hideyoshi TOYOTOMI gave a golden seal with one kanji character '樂' (raku) derived from the characters of Jurakudai (name of Hideyoshi's residence) to the grandfather of Chojiro's wife Sokei TANAKA.
- 宝生座は多武峰や春日大社(若宮祭)、興福寺(薪猿楽)に参勤し、代々の宝生太夫は室町幕府に仕えた。
- The Hosho-za worked for shrines and temples on Mt. Tonomine, the Kasuga Taisha Shrine (at Wakamiyamatsuri Festival), and Kofuku-ji Temple (at Takigi-Sarugaku, an outdoor sarugaku play performed during the night), and every generation of Tayu HOSHO served the Muromachi bakufu (Japanese feudal government headed by a shogun).
- 三味線と「お囃子」(前述の4種の楽器)だけでなく、さらに大太鼓や鉦、銅鑼なども加えて演奏される。
- Odaiko (large drums), bells and dora (gongs) are played together with Shamisen and ohayashi (the four instruments described earlier).
- 一方、祭囃子など、祭礼音楽では口承と手真似による伝承が主で、楽譜の使用は一部地域に限られていた。
- Meanwhile, in the music for rites and festivals such as matsuri-bayashi (Japanese music) music was been handed down orally and by imitation, while notation was used in only some areas.
- また、花を好み晩年まで世田谷の自宅の庭では頻繁に庭師が呼ばれ、季節の花を楽しんだといわれている。
- He also liked flowers, so a gardener was often called to his house in Setagaya Ward and he enjoyed seasonal flowers until his last years.
- 現在では儀礼が簡略化され、中日の挨拶などは略されることが多いが、初日と千秋楽は重要視されている。
- Although these formalities especially nakabi's compliment have been simplified these days, importance is still placed on shonichi and senshuraku.
- 室町時代以前には着衣で相撲を楽しむ庶民の絵などがあり遊戯としては土俵も無く着衣で行なわれていた。
- There's a picture of people enjoying sumo with their clothes on and without a dohyo (sumo ring) before the Muromachi period.
- このため、乱は能楽師の修行の過程において、重要な階梯であると考えられ、初演を披きとして重く扱う。
- Therefore, the acquisition of the midare is considered to be important at the training, and the first performance of the midare is even considered to be the performer's debut.
- 明治末期には文楽座が唯一の人形浄瑠璃専門の劇場となったことから、人形浄瑠璃の代表的存在となった。
- As Bunraku-za became the only theater specialized in ningyo joruri at the end of the Meiji period, it represented ningyo joruri.
- 橋懸リでの道行きの後、楽しげな宴会が開かれているのを発見した維茂は、供の者に様子を見てこさせる。
- After a travel-dance scene at the hashigakari (bridge-form passageway to the main stage), Koreshige discovers the joyous banquet and tells an attendant to find out what is happening.
- 中国最古の詩集である『詩経』はもともと歌謡であり、音楽・舞踊をともなっていたことが知られている。
- The poems in 'Shijing', the oldest Chinese poetry book, were originally kayo, and it is known that they were accompanied with music and dance.
- 声楽出身の歌手に混じって、小唄勝太郎、市丸、赤坂小梅、美ち奴などの芸妓出身の歌手も多く出ていた。
- Among these singers who had studied singing at school, there were also singers who were originally geisha, such as Katsutaro KOUTA, Ichimaru, Koume AKASAKA and Michiyakko.
- 日本音楽で用いる場合、楽曲の分類名として用い、日本舞踊で用いる場合は相手役、相手方を指して言う。
- The term is used as a category name of musical composition in the field of classical Japanese music, while it means a partner when being used in classical Japanese dance.
- 文官と違って武官や舞楽の衣装の袍は脇が縫われていないので、半臂が外に覗くため現在まで残っている。
- Unlike civil officer's wear, side of ho is not sewed for court dress of military officers or bugaku costume, from which hanpi is showing and this is why it is still used at present.
- ・曲目:『通航一覧』ほかの「江戸上り」の文献記録の中に、楽隊の編成や曲目名などが記載されている。
- - Song lists: notes about ensemble makeup and song lists are recorded in 'Tsuko Ichiran' and other records of 'Edo nobori'.
- 小川流(おがわりゅう)とは、江戸時代末期に小川可進(初代 小川後楽)が開いた煎茶道の流派である。
- The Ogawa school is one of the schools of Senchado (the way of brewed green tea) established by Kashin OGAWA (Koraku OGAWA the first) in the last years of Edo period.
- そのため、日本全国で同じ曲や楽器構成を指すのではなく、一つの起源に遡ることができるものでもない。
- For that reason, it does not refer an identical nation-wide repertoire or use of instruments, nor is it possible to trace its roots back to one sole source.
- 手事(てごと)は、三曲の音楽である地歌、箏曲、胡弓楽において、歌と歌の間に挟まれた長い器楽部分。
- Tegoto is a long part of instrumental music sandwiched between vocal music in a piece by an instrumental trio, which is a collective term for jiuta (a genre of traditional songs with accompaniment by shamisen (three-stringed lute)), sokyoku (koto (thirteen-stringed Japanese zither) music), and kokyugaku (Chinese fiddle music).
- 現存最古の清楽譜は、天保3年(1831)ごろ刊行された亀齢軒斗遠(葛生斗遠)編『花月琴譜』である。
- The oldest extent Shingaku-fu is 'Kagetsu Kinpu' that was issued around 1831, and it was compiled by Toen KIREIKEN (also called Toen KUZUO).
- 町人も武士も、男も女も、身分の上下や性別を超えて、いっしょになって合奏や合唱を楽しむことができた。
- Merchants and warriors, and men and women could enjoy an ensemble and a chorus together without regard of class and gender.
- 晩年の世阿弥は『拾玉得花』を女婿金春禅竹に相伝し、聞書『申楽談義』を残すなどなお意欲的に活動した。
- Zeami, in his later years, handed down his book 'Shugyoku Tokka' (gathering gems and gaining flowers) to his son-in-law Zenchiku KONPARU and was actively engaged in his activities such as writing kikigaki (account of what one hears) 'Sarugaku Dangi' (lecture about Sarugaku).
- 1954年には代替わりした梅若実も能楽協会の斡旋で観世流に復帰し、二十数年にして梅若流は消滅した。
- In 1954 the new generation of Minoru UMEWAKA also returned to Kanze-ryu, thus Umewaka-ryu disappeared in 24 years.
- 能楽では、アシライと称して、稽古や申合せの際に、小鼓・大鼓・太鼓を扇拍子で間に合わせることがある。
- In Nohgaku, Ogi byoshi is sometimes used as a substitute for Kotsuzumi (shoulder drum), Otsuzumi (hip drum) and Taiko (stick drum) for practice or moshiawase (run-through rehearsal), which is called Ashirai.
- 花伝書(かでんしょ)、一名八帖花伝書(はちじょう-かでんしょ)は室町時代末期に編纂された能楽伝書。
- Kadensho and Hachijo kadensho are written records on noh play, which were edited during the late Muromachi period.
- 江戸や京都の能楽師から地方の素人弟子に至るまでひろく享受された背景には右のごとき事情が考えられる。
- Therefore, the reason why it was widely received by various people from noh performers in Edo and Kyoto to their amateur disciples in local regions can be found in this point just mentioned above.
- また、伊勢神宮や伊勢観光のガイドも勤め、参拝の作法を教えたり、伊勢の名所や歓楽街を案内して回った。
- Onshi also worked as a guide for visiting the Ise-jingu Shrine and sightseeing in Ise, and taught the peasants how to offer prayers and took them around famous places and entertainment districts in Ise.
- なお、『乱』で音楽を手掛けた武満とも黒澤は激しく対立し、降板こそしなかったものの決別に至っている。
- Kurosawa was also in fierce conflict with Takemitsu, who had produced music for 'Ran' and after the completion of the movie, he broke ties with Takemitsu.
- 三河国の山間部の奥三河地域には、賀茂郡賀茂郷、宝飯郡賀茂郷、設楽郡賀茂郷など賀茂の付く地名が多い。
- The mountainous Oku-mikawa area in Mikawa Province has many place names with 'Kamo,' such as Kamo-go in Kamo County, Kamo-go in Hoi County and Kamo-go in Shitara County.
- FUJI ROCK FESTIVALに代表されるような他の大型音楽フェスティバルとは大きく異なる。
- It differs widely from other big music festivals such as the FUJI ROCK FESTIVAL.
- 東京・名古屋が主要な地盤で、能楽協会には10名の役者が登録されている(2008年6月30日現在)。
- Its main bases of activity are Tokyo and Nagoya, and ten players are registered with the Nohgaku Performers' Association (as of June 30, 2008).
- 田村は清楽(しんがく)を修め、日本在来の俗楽は淫靡であるとして、その弊を改めようと竹琴を発明した。
- Tamura mastered the technique of Shingaku (Qing-era Chinese music) and regarded the worldly music originated in Japan as low-grade music, so he invented Chikkin in order to change the bad habit.
- 第二次世界大戦後、現家元、小川後楽 (6代目)は、畳に座らず椅子と机を用いる立礼での手前を定めた。
- After the end of World War II, today's head of the school, Koraku OGAWA the sixth defined the temae in Ryurei method by using chairs and tables for not sitting directly on a tatami mat.
- 熊手は熊手商と買った(勝った)、まけた(負けた)と気っ風の良いやり取りを楽しんで買うものとされる。
- A rake is bought with a smart and fun exchange of words -- 'katta' which has two different meanings, 'bought' and 'won,' and 'maketa' which likewise has two different meanings, 'reduced' and 'lost' -- with the rake dealer.
- 他の邦楽との違いとして祭囃子の奏者は祭りを主催する神社や寺社の氏子や檀家である一般人の場合が多い。
- As opposed to other forms of traditional Japanese music, performers of Matsuribayashi are in many cases members of the general public drawn from parishioners and supporters of the temple or shrine hosting the festival.
- また文楽『壺阪霊験記』では、主人公の沢市がやはり同検校の作品『ままの川』の一節を弾くくだりがある。
- Also, in the work of bunraku (Japanese puppet theater) called 'Tsubosaka reigenki (The Miraclous Story of Tsubosaka Temple)' there is one scene where the hero Sawaichi plays the part of 'Mamanokawa' by kengyo KIKUOKA.
- のち、煮込み田楽が女房言葉で田楽の「でん」に接頭語「お」を付けた「おでん」と呼ばれるようになった。
- Later on, Nikomi Dengaku came to be called 'Oden,' a term consisting of 'den' as in Dengaku and 'o,' which is a prefix used in lady's language.
- しかし中国伝来の現代音楽(当時として)であった清楽は、例外的に、江戸時代の身分制度から自由であった。
- But Shingaku, contemporary music introduced from China, was exclusively free from the class system in the Edo period.
- 「かんかんのう(看々踊り)」や、「法界節(ほうかいぶし)」や「演歌」も、清楽から発展したものである。
- Kankan no' (Kankan dance), 'Hokaibushi' and 'Enka' (Japanese ballad) all derived from Shingaku.
- 従って、身分制度が厳しかった江戸時代でも、百姓町人から大名まで身分の上下を問わず楽しむことができた。
- Therefore, even in the Edo period when the class system was firmly established, Shingaku could be enjoyed by persons in any class, from farmers and merchants to Daimyo (Japanese feudal lords).
- 梅若 実(うめわか みのる/みのり)は能楽シテ方観世流梅若家において隠居名として用いられる名である。
- Minoru UMEWAKA is the name used as an 'inkyomei' (name after retirement) in the UMEWAKA family, shite-kata (main roles) of Kanze school of Noh.
- 祭囃子、神楽、獅子舞等、各地の祭礼に古来から用いられてきた篠笛を便宜的に「囃子用」「古典調」と呼ぶ。
- Shinobue which have been used since ancient times for the rites and festivals in various places such as matsuri-bayashi (Japanese music), kagura (sacred music and dancing performed at shrines), and shishimai (lion dance) are called 'hayashi-yo' (lit. for hayashi (musical accompaniment played on traditional Japanese instruments)) shinobue or 'koten-cho' (lit. classical style) shinobue.
- 独楽(こま):タイなどで作られた漆器で、同心円状に塗られた色漆が回転する独楽に似ることから称される。
- Koma: Lacquerwares made in Thailand and other countries, named as the colored lacquer painted in a concentric circle style resembles a koma (spinning top).
- 大鼓方(おおつづみ がた、おおかわ がた)は、能楽囃子や歌舞伎鳴物において大鼓を担当する専門の職掌。
- Otsuzumikata refers to a special duty that is to take charge of an otsuzumi (big drum) in Nogaku-hayashi (Japanese orchestra for Noh performance) or kabuki musical accompaniment.
- 酒饅頭(餡入りと餡無しがある)を竹串に刺し、甘い味噌だれを塗りながら田楽(料理)のように焼いたもの。
- It is bamboo-skewered sake-manju (with or without bean paste) which is roasted by basting it with sweet miso paste like dengaku dish (simmered miso paste on food).
- 狸の腹鼓とも、山の神の鳴らす音楽ともいうが、現代の科学者からは一種の気象学的な現象と推測されている。
- The sound is considered to be the belly drums of raccoon dogs or a music produced by the mountain god, but modern scientists presume that it is a kind of meteorological phenomenon.
- 東遊(あずまあそび)は、雅楽の国風歌舞に類される、演奏時間は30分程度かかる、かなり長い組曲である。
- Azuma-asobi is a fairly long suite that needs approximately 30 minutes to be completed, which is classified into the Kuniburi no Utamai (native-style songs and dances based on the music of ancient Japan), a type of gagaku (Japanese Imperial Court music).
- 面霊気(めんれいき)は、鳥山石燕による妖怪画集『百器徒然袋』にある日本の妖怪の一つで、伎楽面の妖怪。
- Menreiki is one of Japanese specters that is introduced in 'Hyakki Tsurezure Bukuro' (One hundred bags in idleness) which is a collection of specters illustrations by Sekien TORIYAMA, and it is a specter of Gigaku-men Mask (masks for Gigaku, an ancient masked drama).
- 1832年の尚育王の謝恩使の一行が、江戸の芝白金の島津邸で行った奏楽と舞踊、演劇の様子を描いた絵巻。
- The letters of gratitude sent by King Sho Iku in 1832 include a scroll depicting a musical performance, dance and play held at the Shimazu mansion in Shiba-Shirokane in Edo.
- 「序破急」の語は、猿楽、世阿弥の書『花鏡』、『三道』、『風姿花伝』で触れられているので、有名である。
- The word 'johakyu' is well known because this word is mentioned in 'Kakyo,' 'Sando' and 'Fushikaden' (these three books form the doctrine of Noh art) written by Zeami.
- 祭囃子は祭に付随する音楽を総称したもので、各地域にあるそれぞれの祭に密着して発展してきたものである。
- Matsuribayashi is a general term that refers to music associated with festivals and as such, its development is closely linked with festivals of various regions in Japan.
- これは、一曲の中で声楽と器楽の両方を楽しむことができ、また曲に変化を持たせやすいからでもあるだろう。
- This is because audiences could enjoy both vocal parts and instrumental parts in one work and the works could be easily changed.
- 古く田楽と呼ばれた料理には、具を串刺しにして焼いた「焼き田楽」のほか、具を茹でた煮込み田楽があった。
- The dishes that had been called Dengaku in the olden times included Nikomi Dengaku (Boiled Dengaku), in which ingredients were boiled, as well as Yaki Dengaku (Grilled Dengaku), in which skewered ingredients were grilled.
- また『明楽唱号』(編者不詳)や『唐音和解』、『雅遊漫録』付録「笛譜」にも明楽の簡単な楽譜が載っている。
- Furthermore, simple scores of Mingaku are recorded in 'Mingaku shogo' (compiler unknown), 'Toon Wage' and 'Fuefu' (scores for fue flutes) attached to 'Gayu manroku (Miscellaneous Records of Elegant Pastimes).'
- 本願寺の坊官である少進は金春喜勝(号笈蓮。安照の父。六十一世宗家)に師事した手猿楽の第一人者であった。
- Also known as Shojin, he, a bokan (a residential retainer) serving at Hongan-ji Temple, was a top-ranking te-sarugaku (amateur Noh) performer who had studied under Yoshikatsu KONPARU (also known as Gyuren, the father of Yasuteru, the sixty-first head).
- 観世大夫を襲って後、三世音阿弥元重(1398年〜1467年)は猿楽の第一人者として義教の寵愛を受けた。
- After he had obtained the position of Kanze dayu, the third Otoami Motoshige (1398-1467), as the master of sarugaku had the patronage of Yoshinori.
- 「三味線音楽」の多くの種目はこういった舞台音楽である(地歌など舞台に直接関係しない三味線音楽もある)。
- Many pieces of 'Shamisen music' are such stage music (some Shamisen music like jiuta (a genre of traditional songs with samisen accompaniment) are not directly related to a stage).
- 巡業中は、双方とも仲良く「長谷川先生」「成駒屋さん」と呼び合って、連夜マージャンを楽しんでいたという。
- During the tour, they got along with each other and called each other 'Hasegawa-sensei' and 'Narikomaya-san' and enjoyed mah-jong every night.
- 披き(ひらき)とは、能楽師が、ある曲のシテもしくはそれに準ずる役、狂言、囃子などをはじめて演ずること。
- Hiraki is what a Nohgakushi (Noh actor) performs for the first time as a shite (a main actor of a Noh play) or a quasi shite role for a certain music, Kyogen (farce played during a Noh play cycle), or hayashi (musical accompaniment played on traditional Japanese instruments).
- そのほか、1980年代ごろから「真伎楽」という形での復興もおこなわれ、奈良の寺院などで上演されている。
- Another project called 'Shin Gigaku' (genuine gigaku) to revive gigaku for today's audience has been developed since 1980's, to be performed at temples in Nara Prefecture.
- 1948年、松竹との待遇改善がからみ、文楽界は会社派の「文楽因会」と組合側の「文楽三和会」に分裂した。
- Due to conflict with Shochiku over better treatment, the Bunraku world was divided into 'Bunraku Chinami kai' on the side of the company and 'Bunraku Mitsuwa kai' on the side of the union in 1948.
- 文楽人形には、男女のほか、年齢・身分・性格によって「かしら」が異なり、それぞれ以下のような種類がある。
- Bunraku puppets have different 'kashira' according to their age, status and personality as well as their gender, as follows:
- 歌舞伎のファンの中には楽屋に絹本を持ち込んで、役者に隈取を写し取ってもらってコレクションする人もいる。
- Some Kabuki fans bring kempon (a painting or calligraphy executed on silk) to the back stage and make actors to copy their own kumadori and make it into their collection.
- 『千秋楽は民を撫で、萬歳楽には命を延ぶ、相生の松風、颯々の聲ぞ楽しむ、颯々の聲ぞ楽しむ』(トメ拍子)。
- 'The music of a thousand autumns soothes the people, the music of ten thousand years extends life; the breeze of the Aioi pines, how joyous the sound of the breeze, how joyous the sound of the breeze' (tome-hyoshi [closing stamps]).
- 御座楽は荘重で優雅な雅楽であり、路次楽もチャルメラや太鼓などによる荘厳な鼓吹楽(こすいがく)であった。
- Uzagaku was a solemn and refined form of Gagagu (traditional Japanese court music), whereas Rujigaku utilized instruments such as the charamela (a shawm-like double reed wind instrument) and taiko (large drum) for impressive and inspirational musical effect.
- 俗に一休の作とされるうた「極楽は何処の里と思ひしに杉葉立てたる又六が門」は、杉玉をうたったものである。
- The poem supposedly made by Ikkyu stated, 'Paradise is not far but within one's heart and can be discovered while drinking sake,' and sang of sugitama.
- 千歳楽が出る祭で最も賑わうのは10月最終土日に行われる倉敷市玉島乙島の戸島神社秋季例大祭(乙島祭り)。
- Out of many festivals which include parades of the senzairaku, few can match the annual autumn festival of Toshima-jinja Shrine (Otoshima Festival) for festivities held on the last Saturday and Sunday of October in Tamashima Otoshima, Kurashiki City.
- 上方歌(かみがたうた)は、「上方唄」とも、「上方端唄(歌)」とも呼ばれる京阪都市部の三味線音楽である。
- 'Kamigata uta' (also called 'Kamigata hauta') is the songs with shamisen (the three-stringed Japanese banjo) accompaniment, performed and enjoyed in Kamigata (Kyoto-Osaka area).
- その場合は、舞楽面を着けずに桜の挿頭花を挿した前天冠を着け、歌舞伎舞踊と同様の舞台化粧をする場合がある。
- In that case, the dancer put a maetengan (a charm of the front of cap) with a cherry kazashi (snapped branch of cherry flower or tree put in the hair or the cap) instead of bugaku mask, and wears similar stage makeup as Kabuki Buyo (Dance of Kabuki [traditional drama performed by male actors]).
- 観世銕之亟 (かんぜ・てつのじょう) は能楽観世流宗家観世家の分家当主がもっぱら明治以降名乗っている名。
- Tetsunojo KANZE is the name used mostly after the Meiji period, by the head of a branch family of the Kanze family, the head family of Kanze school of Nohgaku.
- 『風姿花伝』『至花道』『花鏡』といった能楽論を執筆して、実演・実作・理論の諸方面で能楽の大成につとめた。
- He also wrote theory books of Nohgaku such as 'Fushikaden,' 'Shikado' and 'Kakyo,' trying to establish Nohgaku in the fields of performance, writing Noh dramas and theory.
- これは「打ち指」と呼ばれる伝統的演奏技法であり、祭囃子・神楽・獅子舞等の祭礼音楽において特に多用される。
- This is a traditional technique for playing the shinobue which is called 'uchiyubi' (lit. tapping finger), and it is often used in the music of rites and festivals such as matsuri-bayashi (Japanese music), kagura (sacred music and dancing performed at shrine), and shishimai (lion dance).
- 江戸時代にはご法度とされたが、現在では歌舞伎鳴物の大鼓方が能楽囃子の大鼓方に師事している例も少なくない。
- Today, it is common for otsuzumi players of kabuki to study under an otsuzumi player of Nohgaku theatre although it was not allowed in the Edo period.
- 穴穂部王子と異なり政治的手腕にも豪胆さにも欠け、目先のことしか考えない享楽的で無能な人物として描かれる。
- Unlike Prince Anahobe, he is portrayed as a pleasure-seeking, incapable person who lacked political ability and courage and only took short views.
- ベトナム国立交響楽団アップグレーディングプロジェクト・ミュージックアドヴァイザー本名徹次の実家でもある。
- It is also known as Tetsuji HONNA's parents' home, who is the music adviser for the upgrading project of Vietnam National Symphony Orchestra.
- 世界のタバコ製品の中で最も加工度が低いものの一つで、タバコ葉本来の味が楽しめるとして熱心なファンが多い。
- It is one of the least processed tobacco products in the world and there are many enthusiasts because the original taste of tobacco can be enjoyed.
- 一例として、出雲国造が古伝新嘗祭の神楽に使用するのは、袍のような黒い生地の小直衣で、冠とともに使用する。
- One example is the konoshi made from black fabric like a ho and worn with a kanmuri, which is used by the Kuni no Miyatsuko (Provincial Magistrate) of Izumo Province during the kagura (ancient Shinto music and dancing) of the ancient Niiname-sai festival (the Harvest Festival).
- 東アジアの漢字文化圏の諸国では、日本も朝鮮もベトナムも、それぞれ中国伝来の宮廷音楽を「雅楽」としていた。
- The East Asian countries that use Chinese characters, Japan, Korea and Vietnam, each had 'Gagaku' court music imported from China.
- 「楽家録」によれば、その作法は、まず人長が進んで軾の前に行って3拍子を踏んで右足で軾を蹴って本方に立つ。
- According to the 'Gakkaroku' (fifty books on gagaku written by Suehiro ABE in 1690), the Niwabi was performed as follows: a nincho (chief kagura dancer) would go to a point in front of the shoku (straw mat), dance in triple meter, kick the shoku with his right foot, and then stand to the side of the motokata (leaders who sat to the left of the garden fire during the performance of the Mikagura, a type of music performed in court Shinto ceremonies).
- 古くは儀式だけで歌は無かったであろうといい、あるいは楽人の試奏に音取が奏されるていどであったろうという。
- It is assumed that, in the past, only the ceremony was conducted without singing or with netori (tuning of Japanese instruments) only, which was performed by musicians for the purpose of rehearsal.
- 室町時代に入って結崎座の観阿弥・世阿弥父子が将軍家に重んじられて猿楽を能(猿楽能)として発展させている。
- In Muromachi period, Kannami and Zeami (father and his son), the Sarugaku performers of Yuzaki Group, were highly regarded by the Muromachi Shogunate family, and they developed the Sarugaku into the form of Noh (Sarugaku Noh) under the patronage of Muromachi Shogunate family.
- 各種コンサートの他、学校音楽観賞会を京都府内の小学校で行うなどクラシック音楽の啓蒙活動に取り組んでいる。
- In addition to various concerts, this orchestra conducts educational campaigns for classical music through their performances at elementary schools in Kyoto Prefecture.
- 元来は禁裏に出仕した手猿楽の役者であったと思われるが、後に尾張藩に仕え、江戸時代は長らく同地で活躍した。
- It is said that performers of this school were originally te-sarugaku (amateur Noh) performers who served at the Imperial Court, and then they served at the Owari Domain, where they had been active during the Edo period.
- 「ふぐのひれ酒」は、ふぐのヒレの部分を干物に加工し、これを火で炙ったものを熱燗にした日本酒に入れて楽しむ。
- When dried pufferfish fins are roasted over the fire and put into hot sake, it is called 'fugu no hirezake.'
- 舞事と同じく、能管、小鼓、大鼓、太鼓(太鼓は入るものと入らないものがある)の四種の楽器が囃子に用いられる。
- Similar to mai-goto (instrumental dances), hayashi (musical accompaniment played on traditional Japanese instruments) for hataraki-goto consists of four kinds of musical instruments: nohkan (Japanese Noh flute), kotsuzumi (small hand drum), otsuzumi (big drum), and taiko (stick drum).
- 河勝は太子に従って物部守屋討伐などに功を挙げる一方、太子に命じられて猿楽の技を行い、天下の太平を祈願した。
- While Kawakatsu followed the prince and rendered distinguished services such as destroying Moriya MONONOBE, he also performed some sarugaku plays to pray for a period of peace and tranquility under the prince's rule.
- 1984年には国立文楽劇場が完成し、松竹の撤退後もときおり文楽を興行していた朝日座、旧文楽座は幕を閉じる。
- The National Bunraku Theatre was completed in 1984, and then Asahi-za (former Bunraku-za), having given performances from time to time after withdrawal of Shochiku, was closed down.
- この劇場は1872年、植村文楽軒(文楽翁)の時に松島(大阪市西区_(大阪市))に移り、「文楽座」を名乗る。
- This theater was moved to Matsushima (Nishi Ward, Osaka City) in times of Bunrakuken UEMURA (Bunrakuo) in 1872 and changed its name into 'Bunraku-za Theater.'
- 暇つぶしに好きな碁を楽しもうかと、同じ宿にいた老人と碁を打っていると、なぜか碁の腕前がめきめきと上達した。
- Thinking that he ought to kill time enjoying his igo that he liked, he played igo with an old man who was staying in the same inn, and as he did so, his skill remarkably progressed for some reason.
- 二人の楽人がゆったりと袖を振りながら舞う非常に優美な舞で、源氏物語紅葉賀の場面に取り上げられたことで有名。
- It is a very graceful dance in which two gakunin (players) dance with their sleeve waving, and is well known for appearing in the scene of Momiji no Ga (The Autumn Excursion) in 'Genji Monogatari' (The Tale of Genji).
- 右方(高麗楽)に属する高麗壱越調 (こまいちこつちょう)の二人舞だが、一人舞の場合は曲名を「落蹲」と言う。
- Although it is futarimai (dance in pairs) in Koma-ichikotsucho (one of Japanese chromatic scale based on Em) that belongs in uho (the right side), also known as Komagaku music, the piece is called 'Rakuson' when performed as hitorimai (solo dance).
- 宇佐神宮の御神能は、安元年間(1175年 - 1177年)に猿楽として始まったものであると伝えられている。
- It is believed that Goshin Noh of Usa jingu started around 1175-1177, as a sarugaku (comical mimicry and speech performance in Heian period).
- 梅若流(うめわかりゅう)とは、1921年(大正14年)から1954年(昭和29年)まで存在した能楽の流派。
- Umewaka-ryu school refers to a school of Noh play which existed only for a period from 1921 to 1954.
- 屋形船(やかたぶね)とは、和船の一種で、主に船上で宴会や食事をして楽しむ、屋根と座敷が備えられた船のこと。
- Yakata-bune is a kind of Japanese boat and is a roofed ship with zashiki (tatami room) for use in festivals and enjoying food on a ship.
- また浅野家、井伊家、藤堂家、山内家等の旧藩主の協力や、喜多流に属する地方の能楽師たちも流派の存続に尽力した。
- Former feudal lords from the Asano family, the Ii family, the Todo family, and the Yamauchi family also supported the school, and other local Noh actors of the Kita school made efforts to maintain the school.
- 『延喜式』によると法隆寺をはじめ、大安寺、東大寺、西大寺 (奈良市)などに伎楽を上演する一団がおかれていた。
- According to 'Engishiki' (three major code books of Heian period), the groups of gigaku were held at Daian-ji Temple, Todai-ji Temple and Saidai-ji Temple (Nara City).
- なお、一般の馬乗袴や日本舞踊で用いる舞袴を仕舞袴と呼ぶことがあるが、いずれも能楽の仕舞袴とは別なものである。
- Sometimes a general hakama used for horse riding and a 'mai bakama' used for Classical Japanese dance ('Nihonbuyo' in Japanese) are also called shimaibakama, but these are different from the shimaibakama used in Noh.
- 「江戸上り」では、元服前の男児が、楽師から楽曲を仕込まれて、「楽童子」(がくどうじ)として御座楽を演奏した。
- For 'Edo nobori (the missions to Edo),' boys were trained in musical repertoire by music teachers before attaining manhood and, participated in Uzagaku ensembles as 'Gakudoji (lit. child musicians).'
- 女官が着物の端切れを竹の棒を芯にして巻き付け、独楽状にして室内で回して遊んでいたのが京こまの起源といわれる。
- The origin of the Kyo top is said to be the fact that court ladies wound twist the ends of kimono (Japanese traditional clothing) around bamboo sticks to make spinning tops, and that they would amuse themselves by spinning them indoors.
- 以後、久原房之助は学園の創立委員、理事となり、二楽荘を学園に提供する意志を表明したが、結局立ち消えとなった。
- Fusanosuke KUHARA subsequently became a charter member and joined the school's board of directors of the school; he expressed his intent to offer Nirakuso to the school, but in the end, it didn't happen.
- 低音絃は極太(十七絃用より太い)を使用し、打楽器として手で力いっぱい叩いても十分耐えられるようにされている。
- The extra-thick strings (thicker than the strings for Jushichigen So) are used for tenor note strings and made strong enough for beating at full strength with a hand as percussive.
- また楽器の平面同士を当てて打ち鳴らすのではなく、左の笏拍子の平面に対して右の笏拍子を垂直に立てて構え、打つ。
- This percussion instrument is struck not by each flat surface of shakubyoshi, but by the flat surface of the left piece and the edge of the right piece held in an upright position.
- ちなみに1964年(昭和39年)に発見された金春禅竹による能楽理論書『明宿集』の中に、翁を論じた箇所が見える。
- Incidentally, Zenchiku KONPARU's book on the theory of Nohgaku, 'Meishuku-shu' which was discovered in 1964, includes some discussions of Okina.
- 彼は交易に携わる傍ら、明国の宗室や廟の音楽に造詣が深かったが、それらの音楽を長崎で一族郎党を率い演奏していた。
- Though he was engaged in trade, he well versed himself in music played in the Imperial Court or mausoleum halls in Ming, and he played these pieces of music with his family and followers.
- 半能(はん-のう)とは、能楽において付祝言のために、一曲の能を後場に焦点をあて、前場を大幅に略して演じる形態。
- 'Han-Noh' is a style of 'Nohgaku' that a play is performed with largely shortened 'Maeba' (the first half of the drama), focusing on 'Nochiba', (the second half of the drama) for 'Tsukeshugen' (a short celebratory Noh play).
- 娯楽性も強いが漢語が散りばめられ、会話文主体で平易な滑稽本や草双紙などと比べ文学性の高いものと認識されている。
- Despite its entertaining tendency, Yomihon texts often included words of Chinese origin, and as such, it is considered literature of higher quality in comparison to Kokkeibon (comical and humorous stories) and Kusazoshi (illustrated books).
- 織田長益(有楽斎)、千道安(利休の実子)、荒木村重(道薫)を加えて「十哲(じってつ)」と呼称される場合もある。
- The term 'Jittetsu' (ten leading disciples) is sometimes used by adding Nagamasu ODA (Urakusai), Doan SEN (a son of Rikyu) and Murashige ARAKI (Dokun).
- 束帯の場合は袍と同じ黒(本来は濃蘇芳)で袖が無いが、舞楽装束では色鮮やかな織物で仕立てごく狭い袖がついている。
- For sokutai (traditional ceremonial court dress), it is in black (originally dark suo (deep dark red)) like ho and has no sleeve, and for bugaku costume, it is made with colorful woven fabric and has narrow sleeve.
- また清楽のメロディーに乗せたさまざまな替え歌は、清楽そのものが衰退したあとも、昭和の初め頃まで歌い継がれていた。
- And various parodies, changed versions of the same melody as the original Shingaku song, continued to be sung by the early Showa period even after Shingaku itself went into decline.
- 父尉(ちちのじょう)・翁(おきな)・三番猿楽(三番叟(さんばそう)、大蔵流では三番三)および風流から構成される。
- It is composed of Chichi no jo (the dance of the father elder), Okina (the celebratory words and dance of white Okina), Sanban Sarugaku (or Sanbaso written as 三番叟 and in the case of Okura-ryu (Okura school) as 三番三 in kanji (Chinese characters), which consists of the celebratory words and dance of black Okina), and Furyu (a program performed by Kyogen-kata in special stage performances).
- 明和5年(1768)、魏皓は明楽の曲を工尺譜(こうせきふ)で書き表し、門人のための教科書『魏氏楽譜』を刊行した。
- In 1768, he recorded the scores of Mingaku in gongchepu (a method of musical notation), and published 'Wei shi yue pu' (Score by the Wei Family) as a textbook for his followers.
- また姫路藩主の酒井雅楽頭の扶持も受け、一時は百人もの弟子を抱えまでになり、広く明楽を貴族階級、武士階級に広めた。
- Furthermore, he obtained a stipend from the lord of the Himeji domain Sakai Uta no kami (the Sakai clan, Director of Music), had as many as 100 followers at a time, and made Mingaku widely known by people of the nobility and the samurai class.
- 樂 吉左衛門(らく きちざえもん)は、千家十職の一つ、楽焼の茶碗を作る茶碗師の樂家が代々襲名している名称である。
- Kichizaemon RAKU is a name inherited from generation to generation by the leader of the Raku family of chawanshi (tea bowl maker) who makes Raku-yaki ware, which is one of the Senke jissoku (Senke's ten designated craftsmen families).
- また廃業の際には退会しなければならず、能楽協会会員であることが玄人の能楽師であることと事実上は同義となっている。
- Additionally, one must withdraw from Nogaku Kyokai when he or she goes out of business, which means that being a member of the association is in effect equivalent to being a regular nogakushi.
- 本来はリズム楽器であるが、手で打つ奏法と緒を自由に操作することによって数種類の音色を打ちわけることが可能となる。
- Originally, it was a rhythm instrument, and enables to produce different tone colors depending on the methods of beating it by hand (s), and freely operating a strap.
- 大相撲においては、1909年(明治42年)の両国国技館開館以前は、千秋楽は幕内力士は出場しないしきたりがあった。
- In the grand sumo tournaments before 1909, when Ryogoku Kokugikan (National Sumo Stadium) opened, it was customary that no wrestler in the elite Maku-uchi division would appear in the sumo ring on the senshuraku day.
- しかしやがてそれらの小説を実用目的ではなく楽しみとして読むものが現れ、影響を受けた創作や翻訳を行うものが現れた。
- In the course of time, some people started to read these novels not only for the practical purpose but for pleasure, and some also started to translate them and write stories under their influence.
- このような微妙な国際関係も一因となって、沖縄における中国系音楽の伝統、特に「御座楽」は、明治時代に伝承が絶えた。
- This questionable situation in international relations became one reason that the traditions of Okinawan music of Chinese origin and in particular 'Uzagaku (lit. seated music)' ceased to be passed down in the Meiji period.
- 千歳楽は高梁市・旧美星町以南の備中國分で広く分布するが、備讃瀬戸の島嶼部香川県側でも一部この呼称が使われている。
- The senzairaku is widely distributed in Takahashi City and in the area south of old Bisei-cho in Bicchu-Kokubun and this name is also used in some island areas of the Kagawa Prefecture side in Bisanseto (the area of Seto Inland Sea between Okayama Prefecture and Kagawa Prefecture).
- 曲の中間にまとまった器楽部分をもつ地歌曲は、すでに地歌最古の種目である「組歌」の「乱後夜」「晴嵐」にも見られる。
- Jiuta songs which have a cohesive instrumental part at the middle of the songs were seen in 'Rangoya' and 'Seiran' which were 'kumiuta' (koto suites of songs) that were the oldest kind of jiuta.
- 祇園豆腐(ぎおんどうふ)は、江戸時代、京都の八坂神社(祇園神社)門前の2軒の茶屋で売られた田楽豆腐の料理である。
- Giondofu refers to a Dengakudofu (tofu, bean curd skewered, roasted over charcoal, and coated with miso) dish, sold by two chaya (tea houses) in front of Yasaka-jinja Shrine (Gion-jinja Shrine) in Kyoto in the Edo Period.
- これは当初から和泉流が、その起源となった京手猿楽の芸系を保ちつつ三派連合のゆるやかな集合体であったことに由来する。
- This came from the fact that while the Izumi school was a flexible assembly of three ha, it had kept its own lines of Kyoto tesarugaku performances, which were its origin from outset.
- 例えば、朱舜水が伝えた明楽が梁川藩で伝承されていたことを示唆する記録もある(『音楽雑誌』第二拾五号、1892年)。
- For example, there is a record suggesting that the Mingaku brought by Shun-Shui CHU was descended from generation to generation in the Yanagawa Domain ('Music Journal,' Vol. 25, 1892).
- これにちなみ、千秋楽の前日、もしくは1つ前に行われる公演は「前楽」(まえらく、楽日の前の意)と呼ばれることがある。
- Related to this term, the day before senshuraku or the play performed before the last one is called maeraku (the day before rakubi).
- また、岐翁は武野紹鴎と親しく交わり「茶話を楽」しんだというが、紹鴎誕生時(文亀2年・1502年)岐翁は既に74歳。
- It is also said that GIO formed a close friendship with Joo TAKENO to 'enjoy chatting over tea,' but GIO was already 74 years old when Joo was born (1502).
- 蜂楽饅頭の本社は熊本市であるが、子会社が福岡県・鹿児島県・宮崎県など九州各地に存在し同じブランド名で販売している。
- The headquarters of the Horaku manju maker is in Kumamoto City, but its subsidiaries are in various places in the Kyusyu region, such as Fukuoka, Kagoshima and Miyazaki and sell the manju under the same brand name.
- 『類聚三代格』によると、809年(大同 (日本)4年)3月21日 (旧暦)の太政官符に雅楽寮、雑楽師が定められた。
- According to 'Ruiju sandaikyaku' (statute book written in the Heian period), gagakuryo (a government official in the ritsuryo codes, who administers gagaku [ancient Japanese court dance and music] and gakunin [players]) and zatsugakushi (a musician of various music other than gagaku) were established when Daijokanpu (official documents from Daijokan [Grand Council of State] to local governments) was issued on May 23, 809.
- 流祖葛野九郎兵衛定之(日楽)は大鼓方大倉流四世大蔵平蔵正氏に学び、豊臣秀頼・徳川家康らの贔屓によって一家を成した。
- The founder Kurobei Sadayuki (Nichiraku) KADONO learned from Heizo Masauji OKURA, who was the fourth head of the otsuzumi-kata of Okura school, and established the school with the help of Hideyori TOYOTOMI and Ieyasu TOKUGAWA.
- 千歳楽は布団を3枚もしくは5枚を載せたモノが一般的であるが中には2枚布団(連島)7枚布団(旧金光町)のモノもある。
- The standard folats of senzairaku include three layered futon or five, while some have two (Tsurajima), some seven (old Kinko-cho).
- 石川勾当(いしかわ こうとう、生没年不詳)は、19世紀前半に京都で活躍した盲人音楽家(地歌三味線演奏家、作曲家)。
- Koto ISHIKAWA (year of birth unknown) was a blind musician who was active during the early nineteenth century in Kyoto (jiuta shamisen (traditional Japanese shamisen music) player, so or koto (a long Japanese zither with thirteen strings) player and composer).
- その結晶として、応永6年(1399年)には足利義満の後援で三日間の勧進猿楽を演じ、名実ともに芸能界の頂点に立った。
- As a result, in 1399 he had the honor of performing kanjin sarugaku for three days under the auspices of Shogun Yoshimistu ASHIKAGA, at which point he reached the pinnacle of the performing arts world.
- 清の中国支配が始まり、清国との貿易で長崎には多くの清国商人が渡来し、彼らが清国の戯曲や民謡といった民間音楽を伝えた。
- After the Qing dynasty began in China, many Qing merchants came to Nagasaki for trade and they introduced the people's music, such as Qing plays and minyo.
- そのため今日でも、古書店や骨董品店で、清楽の楽譜集(たいてい工尺譜で書かれている)や月琴などの楽器を、よく見かける。
- Therefore, music collections of Shingaku, which are written in gongchepu in general, and Chinese instruments such as gekkin are often seen at an used bookstore and an antique shop.
- 維新後の能楽衰退期に一時宗家の家系が途絶えたが、熊本から上京した増見仙太郎が流儀の孤塁を守り、多くの高進を育成した。
- The line of the head family broke off once when the art of Noh was in its twilight after the Meiji Restoration, but Sentaro MASUMI who left for Tokyo from Kumamoto preserved the school's lone base and raised many younger performers.
- 能においては、囃子に用いる楽器の構成から、笛・小鼓・大鼓から成る大小物と、太鼓の加わる太鼓物に大別することができる。
- Mai-goto in Noh are largely classified into dai-sho mono (a type that uses big and small hand drums), which is accompanied on fue (Japanese flutes), Kotsuzumi (small hand drums) and otsuzumi (big hand drums); and taiko mono (a drum-using type), in which drums are included among the instruments for playing the music.
- また1907年には丸岡莞爾の観世流改定本刊行会(現能楽書林)と協力し、それまでの謡本と一線を画す改訂本を独自に刊行。
- Moreover, in 1907, in cooperation with Kanji Maruoka's Publishing Association of the Kanze-School Revised Editions (the present Nohgakushorin), they published their own revised Utai-bon (chant book), which was clearly different from the previous books.
- 呉国の国王の血をひく和薬使主(やまとくすしのおみ)が、仏典や仏像とともに「伎楽調度一具」を献上したという記述がある。
- This chapter mentions that Yamato Kusushino omi, the descendant of the king of Wu, offered a 'series of instruments for gigaku performance' along with the Buddhist scriptures and statues.
- 最近では日本各地のおでんや、韓国、台湾などのおでん等も紹介している等、イベントで楽しめるおでんの幅が広がりつつある。
- Recently, the varieties of Oden that can be enjoyed in events have been widening thanks to, for example, the introduction of Oden from various regions in Japan and from foreign countries such as South Korea and Taiwan.
- 古典的な神楽に、大陸からの渡来芸が加わったものとされ、民衆の中から生まれた踊りに較べて専門的技能を要するものである。
- Mai is said to be classical kagura (shinto music and dance) with the addition of arts introduced from China and requires specialist techniques as compared with the dances (odori) originating from the common people.
- 庶民の楽器であった三味線を武士が弾いたり、虚無僧の法器とされた尺八を百姓町人が吹くことは、江戸時代には許されなかった。
- In the Edo period, warriors were not allowed to play 'shamisen' (a three-stringed Japanese banjo), which was the instrument for ordinary people, and peasants and merchants were not allowed to play 'shakuhachi' (a vertical bamboo flute), which was a Buddhist ritual vessel of 'komuso' (a mendicant Zen priest of the Fuke sect).
- 能楽協会(のうがくきょうかい)とは、大和四座の流れを直接継承している流派に所属する能楽師によって構成される団体である。
- Nogaku Kyokai is an organization comprised of nogakushi (Noh actors) who belong to the schools that have directly inherited the methods of Yamato-yoza or Yamato-shiza (four sarugaku performance groups in the Yamato Province).
- 道入は別名(俗称)・のんこう、またはノンカウとも言われる楽焼の名人で、樂家の釉薬の技法を完成させたとまで言われている。
- Donyu, also called Nonko or Nonkau, was an expert of Raku-yaki and is even said that he perfected the technique of glaze.
- 中国の律を低いものから高いものへと並べ、西洋音楽の音名と対照すると以下のようになる(規準音である黄鐘をCとした場合。)
- The following is the Ritsu of China that are placed in the order of lowest to highest, in comparison with the pitch name of western music (Kosho [the first note of the ancient chromatic scale]; the reference tone, is set at C).
- 神楽は巫女(「巻絹」)や女体の神(「三輪」)が舞うもので実際の神楽を模してつくられており、かならず太鼓入りで奏される。
- Kagura is danced by a miko (a shrine maiden) (in 'Makiginu' (bolt of silk) or by a goddess (in 'Miwa'), imitating a real kagura dance, and is always accompanied by drums.
- 一時期は人材不足に悩んだ文楽界だが、1973年に研修生制度が始まってからは、家柄に関係なく若者が門を叩くようになった。
- Though the bunraku world suffered a talent shortage for a while, young people have begun to approach the bunraku world to become a disciple since the trainee system was launched in 1973.
- そこで維茂は馬を降り通り過ぎようとするが、シテが現れ、どうかお出でになって、一緒に紅葉と酒を楽しみましょうと誘惑する。
- Koreshige gets off his horse and tries to walk past, but the shite appears and tempts him by asking him to join them and enjoy the autumn leaves and sake (wine) together.
- 阿知女作法(あちめのわざ、あちめわざ、あちめさほう、あじめのさほう、等々)とは、宮中及び神社等で歌われる神楽歌の一つ。
- Achimenowaza (also known as Achimewaza, Achimesaho, Ajimenosaho, and so on) is a Kagurauta (songs to accompany kagura [sacred music and dancing performed at shrines] performance) performed in the Imperial Court or shrines.
- 当時の芝居見物は早朝から日没までの一日がかりの娯楽だったので、枡席にもいくらかの「居住性の改善」が求められたのである。
- As a play was a whole day event at that time, from early in the morning to the sundown, people attempted to make the masuseki more 'livable.'
- 後世、この手事を単独に器楽曲様式として抽出、作曲する試みもあり、宮城道雄作曲の「手事 (宮城道雄)」などが有名である。
- Later, there were attempts to extract tegoto and make music from tegoto alone as a type of instrumental music; 'Tegoto' by Michio MIYAGI is a well-known example of such cases.
- 俗箏(ぞくそうまたはぞくごと)とは、雅楽の楽箏に対し、近世、八橋検校によって始められた箏曲以降の箏、および箏曲を指す。
- Zokuso (zokugoto) is the koto or the koto music from the time Yatsuhashi Kengyo reformed the koto music in the early modern ages of Japan, and his koto contrasts with gakuso (the koto used in gagaku [ancient Japanese court music and dance]).
- 以後、二楽荘は、大谷光瑞が中国の旅に出る中、住吉村 (兵庫県)に豪邸を構える大阪の富豪で旧知の久原房之助に売却された。
- After that, while Kozui OTANI was travelling in China Nirakuso was sold to Fusanosuke KUHARA, a rich man from Osaka living in a luxury house in Sumiyoshi Village (Hyogo Prefecture) whom Kozui had known.
- 外伝登場時は主人公は内弟子になる直前であったが、単行本第2巻収録「風天」で内弟子修行期間を終え、玄人の能楽師として独立。
- When Norito appeared in the side story for the first time, he was on the verge of becoming a private pupil, but in 'Futen,' published in an the second volume of an independent book, he had gone through the period of practicing to be a private pupil and had become independent as a kuroto (an expert) of Nohgakushi.
- 大和四座は江戸時代に入ると江戸幕府の正式な音楽担当者と位置づけられ、金剛座から分かれた喜多流を加えて四座一流と呼ばれた。
- During the early Edo period, Yamato-shiza was regarded as the official musical function of the Edo bakufu, and it was called Shiza Ichiryu, together with Kita-ryu, which was derived from Kongo-za.
- 樂家初代の長次郎(ちょうじろう)は、楽焼の創設者である中国出身の父・あめや(飴屋または飴也)と母・比丘尼の間に生まれた。
- Chojiro, the first leader of the Raku family was born between the father Ameya from China who was the originator of the Raku-yaki and the mother who was a bikuni (female Buddhist disciple).
- 「伎楽」の文字が日本の文献に初めて登場するのは、『日本書紀』欽明天皇(在位 西暦540年~572年)の項においてである。
- The description about 'gigaku' first appeared in the chapter of emperor Kinmei (reign period: 540-572) of 'Nihon Shoki.'
- しかし、現在、文楽といえば一般に日本の伝統芸能である人形劇、人形浄瑠璃(にんぎょうじょうるり)を指す代名詞的存在である。
- At present, however, it is synonymous with ningyo joruri, one of Japan's traditional performing arts.
- このことで、競技者の間から初心者の敷居が高くなってしまう、気軽に楽しめなくなってしまうなどの懸念があり、反対の声がある。
- There are concerns that the obligation keep beginners away and other players also cannot enjoy the game casually, and some people are dissenting from the new rule.
- 日本の東部と西部に分かれており、東部の事務局は東京都千代田区有楽町、西部の事務局は大阪市中央区 (大阪市)高麗橋にある。
- The association has both eastern and western offices in Japan: the former is at Yuraku-cho, Chiyoda Ward, Tokyo and the latter is at Koraibashi, Chuo Ward, Osaka City.
- 捨てられたこれら食器類がこれらの妖怪となって夜に遊び出すことがあり、そのときにはごみ捨て場から音楽が聞こえてくるという。
- It is said that sometimes eating utensils which have been thrown away become specters and begin to play at night, and music comes from the garbage at this time.
- 歌舞伎における黒御覧(下座音楽)において俳優の登場や退場などにあわせて演奏する唄を伴わない音楽を合方(相方)と呼称する。
- In the field of kabuki, the term aikata refers to instrumental music which is played, accompanying the movements of actors, including entrances and exits, in kuromisu (a slatted room at the stage right) (geza music).
- ・楽器:「江戸上り」のとき献上された現物が、幸い、尾張徳川家(名古屋市・徳川美術館)と水戸徳川家(茨城県水戸市)に現存。
- - Instruments: Fortunately, the actual instruments presented to the Owari Tokugawa Family (Tokugawa Art Gallery, Nagoya City) and the Mito Tokugawa family (Mito City, Ibaraki Prefecture) during 'Edo nobori (missions to Edo)' exist to this day.
- この祀りは神楽(かぐら)などの巫女の舞や太神楽などの曲芸や獅子舞などであり、広く親しまれるものとして恵比寿講などがある。
- This matsuri refers to Miko no mai (shrine maidens dancing) such as Kagura (sacred music and dancing performed at shrines) and so on, or acrobatics and shishimai (lion dance) such as Daikagura (Street performances of a lion dance and jugglery) and so on, and a festival in honor of Ebisu and so on is popularized broadly.
- 醤油味の汁のおでんについては「関東煮(かんとに)」と呼び、おでんといえば味噌おでんや味噌田楽を指す場合が珍しくなかった。
- Oden with a soy sauce-flavored soup was called 'Kanto ni;' hence, 'Oden' mostly referred to Miso Oden or Misodengaku
- 平安時代には貴族や富豪に豪侈品・雅楽の衣装として、安土桃山時代には能装束として用いられ、江戸時代には町人階級に普及した。
- In the Heian period, nihon shishu was treasured by court nobles and millionaires as a luxury item or as a costume for gagaku (ancient Japanese court dance and music), in the Azuchi-Momoyama period, it was used as costumes for Noh performers, and in the Edo period, it gained popularity among the merchant class.
- 大正7年(1918年)、二楽荘山裾の増田太郎右衛門(本山村長)の所有地に甲南学園私立甲南中学校の設立計画が具体化された。
- In 1918, a concrete plan to establish Konan Gakuen Middle School on the land of Tarouemon MASUDA (the Head of Motoyama Village) at the foot of the mountain of Nirakuso was formed.
- 名古屋の和泉流狂言師には、別に生業を持つ手猿楽的な役者が多かったため、比較的ゆるやかなつながりで開明的な傾向を持っている。
- As Izumi school Kyogen performers in Nagoya were mostly half-amateur noh performers, who had other jobs to make their livings, they tended to be open and liberal and to have a relatively loose bond among them.
- いっぽう明楽は、武士や儒学者などが集団で演奏・斉唱する雅楽であり、実演にあたっては高度な集団訓練と相当の経費を必要とした。
- On the other hand, Mingaku was Gagaku (ancient Japanese court dance and music) that samurai or Confucian scholars played or sang in groups, and high-leveled group training and considerable expenses were necessary to play the music.
- 現在、シテ方金春流は東京、奈良、熊本、名古屋などを主たる地盤として活動するが、能楽協会に登録される役者は100名強である。
- Nowadays the shite Konparu school is active at its bases in Tokyo, Nara, Kumamoto and Nagoya, and more than 100 of its actors are enrolled in the Nohgaku Performers' Association.
- 伝統音楽では叙情的な唄もの音楽(民謡、長唄等)や歌舞伎・文楽(人形浄瑠璃)等の芝居・舞踊を引き立てる役割として用いられる。
- The shino-bue is used in traditional music to enhance lyrical songs (such as folk songs and nagauta) as well as plays and dances performed in kabuki and bunraku (or ningyo joruri [traditional Japanese puppet theater]).
- 現在の日本で流通している月琴には、骨董品である清楽の月琴と、新品として中華人民共和国から輸入した現行の月琴の2種類がある。
- With respect to gekkin distributed in Japan now, there are two types: one type for Xing-era Chinese music as an antique; and the other is the current gekkin imported from the People's Republic of China as new ones.
- 勝ち負けが存在し、またその一方で集団戦などの従来のチャンバラが持つ楽しさもあるため、年々その愛好者は増えている模様である。
- It seems that there are increasing numbers of players year after year because it determines winners and losers in the game and also it has the original excitements of chanbara such as team competition.
- 曲に合わせて詞が書かれたので、詞を埋めるという意味で填詞(てんし)、音楽に合わせるという意味で倚声(いせい)とも言われる。
- Since Ci was originally composed in accordance with music, it is sometimes called Ten Ci, meaning 'filling the music with verses,' and also Isei, meaning 'to the tune of the music.'
- この特徴からギリシャ悲劇の仮面との共通性が指摘され、伎楽の伝来がギリシャであるという説もとなえられたが、詳細は不明である。
- Although similarities with Greek Tragedy masks have been pointed out and some have put forward a theory that gigaku originally came from Greece, the details are unknown.
- 吉志舞(きしまい)とは大嘗祭などで、阿倍氏の当主等が監督して、闕腋袍(けってきのほう)等、主に武官の服装で、踊られた舞楽。
- Kishimai is a bugaku (court music and dance) directed by the family head of Abe clan and others, and was danced mostly in uniforms of military officers, such as ketteki no ho (open sleeve seams outer robe) at events such as Daijo-sai Festival (a festival to celebrate the succession of an emperor).
- 久米三十六姓の人々は、琉球国王の命令を受けて、中国本土(主に福建)に渡って留学し、中国語や、音楽などの中国文化を学習した。
- Individuals included as part of the Thirty Six Families of Kume took orders from the Ryukyu monarchy, studied Chinese culture,including language and music, in mainland China, principally Fujian Province.
- 他の邦楽にはプロ奏者が存在し、そういった奏者が祭囃子を担当することもあるが、祭囃子に限ってのプロ奏者というのは数が少ない。
- Professionals are common in many branches of traditional Japanese music and some also participate in Matsuribayashi performances; however, there are few professional performers who limit themselves to Matsuribayashi.
- 絲鞋(しがい・いとのくつ・しあい)とは、未成年の皇族や童舞の舞楽装束や神道の儀式に参加する幼い巫女に用いられる絹糸製の靴。
- Shigai (also known as Ito no Kutsu, or Shiai) is a pair of silk shoes worn by underage member of Imperial family, performers of Dobu (also known as Warawamai Dance, performed by children), or young shrine maidens who participate in the Shinto rituals.
- 主がいなくなった二楽荘は荒廃し、本殿の漏水が著しく、ケーブルカーも停止し各所に崖崩れが起こり、レールの錆びが目立っていた。
- Without the owner, Nirakuso went to ruin and the main building got water leakages remarkably and the cable cars was stopped and it was seen landslides everywhere and the rails became very rusty.
- 清楽で使う楽器は、月琴、唐琵琶、清笛、吶(チャルメラ)、三弦子、胡琴など各種の「擦絃楽器」、などであった(右の写真を参照)。
- The instruments used in Shingaku included various kinds of string instruments, such as 'gekkin' (Moon guitar), 'karabiwa' (Chinese lute), 'shinteki' (Qing flute), 'charamela' (Suona), 'sangenshi' (three-stringed Chinese instrument played with fingers) and 'kokin' (Chinese string instrument played with a bow) (cf. the right photograph).
- 芸風は全体におとなしやかで、幽玄なやわらかみがまさっており、和泉流の中でも特に式楽としての品を意識する傾向が強いと言われる。
- Their performances are generally calm, rather subtle and soft, and among the Izumi school, they are said to have a special tendency to care more about grace as the music and plays for official ceremonies.
- 盛り方に工夫を凝らし、見た目にも楽しめるようにした「鶴盛り」、「菊盛り」、「孔雀盛り」、「牡丹盛り」などという盛り方もある。
- There are more elaborate displays to please those who eat sashimi such as 'tsuru mori' (crane shaped display), 'kiku mori' (chrysanthemum shaped display), 'kujaku mori' (peacock shaped display) and 'botan mori' (peony shaped display), etc.
- 女流に対して、男流はなんという? との疑問が予想されるが、演奏団体としては、近年世界遺産に登録された「文楽」(通称)がある。
- One could ask how Dan-ryu (gidayu performed by males) is called corresponding to Jo-ryu (gidayu performed by females), and the so-called 'Bunraku' which has recently been registered as a World Heritage will be the answer.
- 前代には有力な競争相手であった田楽や近江国猿楽がこの時代にはほとんど駆逐され、観世座が猿楽の筆頭として室町幕府に重用された。
- Dengaku and Omi Sarugaku, which had been strong competitors in the previous generation, were driven out almost completely in this period, and Muromachi bakufu treated Kanze-za preferentially as the head of sarugaku.
- 前半では笛と小鼓が特殊な手を奏する神楽部分3段、後半は神舞2段に変化する(直り)のが普通(巫女に神が乗り移った解釈)である。
- Ordinarily, the first half is composed of three kagura sections where fue and kotsuzumi play a special tune and the latter half is changed (fixed) into two kami mai sections (it is construed that the miko has been possessed by the goddess).
- さりげなく南蛮や唐渡りの名物裂の袋に銀無垢の煙管を携えて、遊郭では静かに酒を飲んで冗談を楽しむという具合の御仁が人気だった。
- A gentleman, who would carry a solid silver tobacco pipe casually in a bag made of famed fabrics imported from Spain and Portugal, or China, and exchange jokes by drinking sake quietly, was especially poplar in Yoshiwara.
- 武満の映画音楽のアシスタントをしていた池辺は『どですかでん』にも関わっており、その後『乱』を除く全作品を手がけることになる。
- Ikebe, who had worked as Takemitsu's musical assistant, was also involved with 'Dodesukaden' and worked on all of Kurasawa's films except 'Ran' thereafter.
- 獅子舞や梯子乗り、纏舞い(まといまい)の伝統芸能であり御利益も神楽や町火消が職業として公的にない今、主に鳶職が伝承している。
- Tobishoku mainly carries on the traditional performing arts such as shishimai (lion dance), hashigonori (ladder-top stunt), and matoimai (dance using firemen's flags) with the rewards since there are no officially registered jobs today such as kagura dancer (Shinto theatrical dancer) and machihikeshi.
- 1934年東京美術倶楽部で、春峯庵なる旧家の所蔵品という触れ込みで東洲斎写楽、喜多川歌麿などの肉筆浮世絵の入札会が開かれた。
- In 1934, there was a public auction at Tokyo Art Club for inviting the bids for the hand-painted Ukiyo-e owned by a good old family called Shunpoan, whose art works were claimed to be produced by Sharaku TOSHUSAI or Utamaro KITAGAWA.
- 玄人の能楽師によるものではなく、何処の能楽流派にも属さず、約450年以上前から受け継がれて来たこの地方独自の郷土芸能である。
- Not played by professional Noh actors nor belonging to any Noh schools, it is an original local art that has been handed down for about over 450 years in this region.
- 笏拍子の担当は音楽全体の調子を整える役目であるため、素人集団による演奏では一座の最も主だった人物が担当するのが普通であった。
- Since the player of shakubyoshi has a role of keeping rhythm in the whole music, the leading person in all players was usually in charge of shakubyoshi in amateur performances.
- 清楽の歌詞は中国語で、江戸時代の日本人は、南方の中国語の発音をカタカナで写し(当時、これを「唐音」と言った)、そのまま唱った。
- The song's words were written in Chinese, so Japanese during the Edo period noted down the pronunciation of the southern Chinese in 'Katakana' (a square form of 'kana' [Japanese syllabaries]) - the notes were called 'toon' at that time - and they sang according to these notes.
- ともに、京都の手猿楽役者であった野村又三郎と三宅藤九郎を客分として招き、京都を地盤として和泉流を創設し、禁裏能などで活躍した。
- While inviting two tesarugaku actors from Kyoto, Matasaburo NOMURA and Tokuro MIYAKE, he also established the Izumi school with its base in Kyoto and played an active role in Kinri (the Imperial Palace) Noh.
- しかし、そのうち魏皓が生前に門人に伝授した曲は半分の百余曲で、『魏氏楽譜』に収録されたのはさらにその半分の50曲のみであった。
- However, only 100 of them (slightly less than half) were handed over to his followers while Giko was still alive, and only 50 compositions (further half) were recorded in 'Wei shi yue pu (Scores by the Wei family).'
- 清楽の月琴は長崎経由で中国から輸入されたが、ほどなく日本国内でも模倣製作され、清楽以外の俗曲の演奏にも用いられるようになった。
- Gekkin for Xing-era Chinese music were imported from China through Nagasaki, but, later, it was manufactured in Japan imitating the Chinese instruments and it came to be used for performances of Japanese folk melody other than Xing-era Chinese music.
- 奈良時代の大仏開眼供養(西暦752年/天平勝宝4年)でも上演され、正倉院には、その時使用されたと思われる伎楽面が残されている。
- It was also performed at the consecration ceremony of the Great Buddha in the Nara period (in 752), and the gigaku masks supposed to have been used for this performance exist in Shoso-in Temple.
- 世阿弥作と考えられ、世阿弥自身が世子六十以後申楽談儀でこの曲を「上花也」(最上級の作品である)と自賛するほどの自信作であった。
- It is believed to be a work by Zeami, who was so proud of this piece that he praised it as a work of the finest quality in Zeshi Rokuju Igo Sarugaku Dangi (Zeami's Reflections on Noh).
- だし汁ではなく湯で煮込んで熱くしたコンニャクに甘い味噌ダレを付けて食べる淡白な食品で、古い時代の煮込み田楽の遺風を残している。
- This is a plain dish of konjac which is boiled with water, instead of soup stock, and is eaten with sweet Misodare (miso-based dip), retaining the old tradition (and custom) of Nikomi Dengaku.
- 魏之琰から四代目にあたる魏皓(ぎこう)(1728年?-1774年)(魏君山、鉅鹿民部規貞)は、特に秀でた音楽の才能を持っていた。
- Giko, a fourth-generation descendent of Gishien (1728? - 1774) (Gikunzan or OGA Minbu Norisada), had an outstanding talent for music.
- 文楽座の始まりは、淡路仮屋の植村文楽軒が「西の浜の高津新地の席」という小屋を大坂高津橋南詰で建てて、興行したのが始まりとされる。
- It is said that Bunraku-za Theater started when Bunrakuken UEMURA of Awajikariya set up a hut called 'Seats in Kozujinchi, Nishinohama' at Minamizume, Kozu-bashi Bridge, Osaka and gave a performance there.
- 音楽、舞踊、演劇その他の芸能及びこれらの芸能の成立、構成上重要な要素をなす技法のうち我が国の芸能の変遷の過程を知る上に貴重なもの
- The performing arts including music, dance and drama, and the techniques playing an important role in such performing arts' establishment and construction, which possesses a high value for seeing the history of transition of the performing art in this country.
- 作品名は世阿弥の申楽談義にみえ、『糺河原勧進猿楽記』に寛正5年(1464年)上演の記録があるなど、古くから頻繁に上演されてきた。
- It has often been performed for a long time as evidenced by the fact that this title can be found in a lecture about Sarugaku by Zeami and 'Tadasugawara Kanjin Sarugaku-ki'has recorded this having been performed in 1464.
- 2007年9月8日に放送された『タモリ倶楽部』(「徳川家康もビックリ!庶民はお盛んだった!!江戸人の夜のしきたり」)に出演した。
- On September 9, 2007, he appeared on the TV program, 'Tamori Club' ('It must have been eye-poppig for Ieyasu TOKUGAWA! Life of ordinary people was full of sexual energy! Edo people's bedroom rules').
- 初世進藤久右衛門忠次(1552年~1635年)が、手猿楽のワキとして活躍していた堀池宗活(観世元頼の弟子)に学んで一流を興した。
- The first generation head was Kyuemon Tadatsugu SHINDO (1552 - 1635), who had learned from Sokatsu HORIIKE (a follower of Motoyori KANZE), a great waki (supporting actor) performer of te-sarugaku (amateur Noh), before the establishment of this school.
- 語源は、もともと邦楽において楽器の奏法、技法、パートなどを「手」と呼び、「歌」に対し、「手」のみで演じられる「事」から来ている。
- The word 'tegoto' is derived from the 'act' ('koto' in Japanese) of performing using only 'hands' ('te' in Japanese), which originally referred to a manner of performance, technique, or part by an instrument in traditional Japanese music.
- 安土桃山時代に入ると身分制が崩壊した混乱期に乗じて有力な町人が活躍し始め、織豊期の前後には市井の女性たちが自由に化粧を楽しんだ。
- In the Azuchi-Momoyama period, some influential merchants took advantage of the confusion in the collapse of the class system and they began to increase their power, and ordinary women enjoyed makeup in their favorite styles around the Shokuho period (also known as the Azuchi-Momoyama period).
- この保護フィルムは食べる時に簡単に手で抜き取れるよう工夫が凝らしてあり、いつでも巻きたての、パリパリとした海苔の食感が楽しめる。
- This protection film is devised to be easily pulled out by hand when eating, and just-wrapped, crispy texture of dried laver is enjoyable all the time.
- しかし、特に上方舞の世界や関西の一部の地歌箏曲の世界で使われるこの名称がさすものはそれとは少し異なるジャンルの音楽のようである。
- Kamigata uta has also been used in the world of 'Kamigata mai' (dances born in the pleasure quarters of Kamigata) and in some parts of the world of 'jiuta sokyoku' (songs accompanied with shamisen and koto [the long Japanese zither with 13 strings]), but this Kamigata uta seems to be a little different from the above-mentioned 'Kamigata uta.'
- からくりは元々は機械全般をあらわす言葉だが、現代ではからくり人形など娯楽性のある日本の伝統的機械装置を指す場合に使うことが多い。
- Originally, karakuri was the general term for mechanical objects, and today, it mostly refers to the Japanese traditional mechanical devices intended for amusement, such as karakuri ningyo (a mechanical doll).
- 芸風は野村万蔵家と大きく変らないが、本狂言においては世話物的写実性が目立つ一方で、間狂言では式楽的な上品さが強調されるようである。
- Although their performances are not so different from those of the Manzo NOMURA family, in Hon Kyogen (played independently, this normally is the one generally called Kyogen), realism which is often seen in plays dealing with the lives of ordinary people is highlighted while in Ai Kyogen (comic interlude in Noh) they emphasize the grace of the music and plays for official ceremonies.
- 伎楽は「呉楽(くれがく)」「伎楽儛(くれのうたまい)」ともいわれるように、中国南部の仏教文化圏であった呉国に由来する楽舞であった。
- Also known as 'Kuregaku,' (literally means the performance of Wu) or 'Kureno Utamai' (the music and dance of Wu), it was a singing and dancing brought from state of Wu located in Southern China within the cultural sphere of Buddhism.
- このように地車と認めづらい地区が存在するのだが、これらの地区にあたる(北)長柄・南長柄等では地車囃子を独立した音楽ととらえている。
- Thus, there are areas which can hardly be called to be in possession of danjiri, but places such as (north) Nagara and Minami Nagara in these areas view danjiri bayashi as an independent music.
- 鶏ガラ清湯スープ(いわゆる「中華そば」)である「あっさり」は、「こってり」に合わない人には普通のラーメンとして楽しむことができる。
- For those who do not like the 'kotteri' soup, ordinary ramen with 'plain' type of Torigara Chintan Soup (a soup with transparent chicken-bone broth), so-called Chuka Soba, Chinese noodles, is also available.
- ベーゴマなど通常の日本独楽では胴に紐を巻き付けて回転を加える物が多いが、京こまは心棒に指で直接回転を加えるひねりゴマに分類される。
- Although an ordinary Japanese spinning top, including the beigoma, is usually spun with a string wound around its body, twist spinning tops (including the Kyo top) are spun by directly spinning their stems.
- そもそもは歌う際に臨時に笏を割ったもの、または2つの笏を用いて、それが後に様式化し、独立した1つの楽器として成立したと考えられる。
- Originally, two pieces of divided shaku or two shaku were provisionally used in singing, and it is thought that later they were conventionalized and established as new instruments.
- 不幸中の幸い、明治年間に音楽取調掛(東京芸術大学の前身)が、鉅鹿氏の子孫から明楽の楽器や楽器図、楽譜図などの資料をまとめて購入した。
- However, it was fortunate that Ongaku Torishirabe Gakari (the predecessor of the Tokyo University of the Arts) purchased from a descendant of the Oga clan an entire set of materials and documents concerned with Mingaku, such as instruments, drawings of instruments and drawings of scores.
- 舞台ではずっと座りっぱなしだったが、千穐楽の日、大詰の「千住大橋の場」幕切れで、ふと何かに取り憑かれたかのようにすっくと立ち上った。
- While he mainly sat while on stage, on the day of senshuraku (closing day), he stood up as if possessed during the final scene of the 'Senju Ohashi no B'' (scene of Senju Ohashi Bridge) just before the fall of the curtain.
- 帯板を必要とせず(但し現代の着付けでは帯板を使うことがほとんどである)扱いも楽なため、現在は丸帯に代って礼装用の帯の代名詞となった。
- It has become synonymous with obi for formal dress since obi ita (cardboard belt to stiffen the obi sash) is not necessary in tying (however, obi ita is normally used in contemporary kimono-wearing) and it is easy to handle.
- その後河勝の三人の子のうち、末子が猿楽の芸を引き継ぎ、代々継承したといい、村上天皇の代にはその末裔・秦氏安が紫宸殿で「翁」を演じた。
- After that, it is said that the youngest son among the three sons of Kawakatsu carried on the art of sarugaku and handed it down from generation to generation, and their descendant HATA no Ujiyasu performed 'Okina' (old man) at the Shishinden (The Throne Hall) in the reign of Emperor Murakami.
- だが、以後幕末まで五軒家と禁裏能楽御用の片山九郎右衛門家が京都の観世流を主導し、いわゆる「京観世」と呼ばれる一派を成すことになった。
- However, later on until the end of the Edo Period the Gokenya and the family of Kuroemon KATAYAMA who served as the Noh players in the Imperial Palace led Kanze school in Kyoto, and formed a school called 'Kyokanze' (the Kanze school in Kyoto).
- 西洋楽器との合奏が増えるにつれ、これを更に平均律に近付けた「ドレミ調」篠笛、「みさと笛」(商標)等の「改良型篠笛」も開発されている。
- As the opportunity to play the shino-bue together with western musical instruments increases, 'improved versions of the shino-bue' with a musical score that is closer to the meantone temperament, such as the 'do re mi-like shino-bue' and the 'misato-bue flute' (trademark), have been developed.
- なお、五線譜によって記譜する場合、通常は運指「一」の基本音=「C」(階名)の移調楽器としてなるべく調号が少ない譜面で表すことが多い。
- If the tones are written in staff notation, they are indicated with few key signatures since the shino-bue is a transposing musical instrument with a fundamental tone of C and fingering 1.
- これはあくまで略式の演奏であるとされるが、特に大鼓のように道具の準備に時間のかかる楽器においてはすぐれた代替法として用いられている。
- Although this is just a simplified performance, it is used as an alternative method for playing instruments especially such as the Otsuzumi for which the preparation requires time.
- 興行の中で、初日・中日(なかび)・千秋楽の3日が特に重要な日として考えられており、出演者が互いに楽屋を訪れ挨拶するなどの習慣がある。
- When plays on the same program are performed for days, the three days of shonichi (the first day), nakabi (the middle day) and senshuraku (the final day) are considered to be the most important ones, and it is customary that the performers visit each other at their respective backstage rooms and pay their compliments to each other.
- 興行における一座の一体感を確認し、共にひとつの舞台をつくりあげてきたことを喜び合う日として、千秋楽は独自の意味を持っているといえる。
- Senshuraku has the special meaning as the day when a sense of unity should be confirmed among the performers, and they all take delight in having achieved a play together.
- (参考:文楽ではないが、歌舞伎の舞台で義太夫節を語る、いわゆる竹本の太夫の場合は、現在でも「大夫」ではなく「太夫」と表記している。)
- (Note: Apart from bunraku, in the case of so-called Dayu of Takemoto [name of gidayu] who chants Gidayu-bushi on the stage of kabuki, his stage name is still represented with kanji meaning a 'stout man,' not a 'big man.')
- こんな縁が唐紙(からかみ)の、鴛鴦(おし)のつがひの楽しみに泊り泊りの旅籠屋(はたごや)で、ほんの旅寝の仮枕、嬉しい仲ぢやないかいな
- It is comforting to find a pair of mandarin ducks drawn on a paper door in our temporary lodging.
- このような音楽の場合、「○○相方」などのように一般的に呼ばれるものの他に「対面三重」や「清仰」といった固有名詞を持つ合方も存在する。
- This kind of music includes those generally called 'XX Aikata' as well as those having proper names such as 'Taimen Sanju' and 'Seigyo.'
- 琉球王国では、中国(明や清)から冊封使が来たとき、あるいは徳川将軍に謝恩使や慶賀使を送る「江戸上り」のとき、中国系の音楽を演奏した。
- Music with roots in China was performed in the Ryukyu kingdom when diplomatic missions arrived from China (Ming & Qing) or whenever missions of gratitude and congratulations (Edo nobori) were sent to Shogun Tokugawa.
- 京都音楽博覧会(きょうとおんがくはくらんかい)とは、2007年より毎年開催されている京都府の梅小路公園で行われる音楽フェスティバル。
- The term 'Kyoto Ongaku Hakurankai (Kyoto Music Expo)' refers to a music festival that has been held annually since 2007 in Umekoji-koen Park, in Kyoto Prefecture.
- 観劇や噺などの日常娯楽に浸る事に併せ酒を呑むという、娯楽が食文化を発展させ、また食文化が娯楽を発展させてきた歴史は世界各地に存在する
- In many parts of the world, history shows that enjoyment of drinking along with usual enjoyments such as going to plays and comic stories has helped food culture develop while food culture has helped enjoyments grow.
- 竜角からピンまでの間隔を長くし、そこの位置で絃を弾いたり(無調音)、打ったり(打音)できるように工夫され、打楽器的機能も備えている。
- The instrument is designed to extend the interval from the ryukaku (the fixed bridge on the performer's right) to pins and to have the function of percussion instruments so that a player can play strings (atonal) or beat (hit) there.
- 張扇(はり-おうぎ、はり-せん)は能楽や講談、落語(上方落語)においてものをたたいて音を立てるためにつくられた専用の扇子のことをいう。
- Hari-ogi, also called Hari-sen, refers to a special fan that is made for the purpose of making noise by slapping something during Nohgaku theatre, kodan storytelling and rakugo (traditional comic storytelling) (Kamigata rakugo (traditional Japanese comic storytelling as performed in the Kyoto-Osaka region)).
- マウスピース (楽器)歌口と一番手前の指穴との間に「のど」と呼ばれる厚さ2mm程の竹管が挿入され、狭隘部を形成しているのが特徴である。
- It is characterized by consisting the narrow part by fitting a 2-mm-thick bamboo tube called 'nodo' between 'utaguchi' (a mouthpiece) and the nearest finger hole.
- 後に指揮者朝比奈隆の強い勧めによってソプラノと管弦楽のための作品へと改訂され、1969年の「大阪の秋」国際現代音楽祭で演奏されている。
- On the strong recommendation of a conductor, Takashi ASAHINA, the music was later revised to be for soprano and orchestral music, and it was played at 'Fall in Osaka' International Contemporary Music Festival in 1969.
- 千家十職の中には同じく茶碗を作る樂吉左衛門がいるが、善五郎は主に伝世品の写しなどを作っており楽焼のみの樂家とは住み分けがなされている。
- Although the Senke jusshoku includes another tea bowl maker family called Kichizaemon RAKU, they and Zengoro have their own territories because Zengoro's major products are replicas of works which have been prized for a long time, while the Raku family focuses only on rakuyaki (hand-molded pottery).
- 作品の半数ほどは、八重崎検校が箏の手付をしており、八重崎の名アレンジにより、三味線・箏の合奏曲として更なる磨きがかかった音楽となった。
- In about half of his works, kengyo YAEZAKI played the so or koto (a long Japanese zither with thirteen strings) and by YAEZAKI's good arrangement his works became more sophisticated ones as ensembles of shamisen and koto.
- 明和年間(1764年-1772年)に最盛期を迎えた明楽は、清楽(しんがく)の流行に押されて急速にすたれ、その一部は清楽に取り入れられた。
- After the Meiwa era (1764 - 1772), when Mingaku was most prosperous, Mingaku declined rapidly due to an increase in the popularity of Shingaku (Qing-era Chinese music, popularized in Japan during the early 19th century), which incorporated certain characteristics of Mingaku.
- 後代には音楽に合わせて作られるのではなく、前人の作品の平仄に合わせて作られるようになったため、漢詩と同様、朗読される詩歌の一種となった。
- In later years, Ci was composed not to the music but to the tones of previous works, so it became regarded as a kind of recited verses like Chinese poems.
- その信仰儀式を一目見ようとする庶民たちも多かったが、中には儀式に反し、現世に未練があるなどして極楽往生できなかった者もいたとされている。
- Many lay people wanted to see this religious ritual of self-cremation, and it was assumed that despite the ritual, some monks did not die a peaceful death because they were attached to the life on the earth.
- その後も宮城道雄の作品『春の夜』、『比良』、『虫の武蔵野』など新日本音楽でもよく使われ、また現代の作曲家によってもしばしば使われている。
- After that, the works 'Haru no yoru' (a spring night), 'Hira,' 'Mushi no Musashino' (Insects in Musashino) and so on by Michio MIYAGI were used in new Japanese music and often used also by modern composers.
- なお長唄でも地歌の影響を受けて、江戸時代末期になると楽式的には地歌の手事物とほぼ同じ構造で、長い「合方」を聴かせる曲がいくつか作られた。
- Influenced by jiuta, some chokas, which had almost the same structure as the tegoto of jiuta in terms of musical structure and had long 'aikata' (partner) songs, were composed in the end of the Edo period.
- 巣笙と觱篥は、それぞれ日本の雅楽の笙と篳篥(ひちりき)にあたる(ただし、楽器のサイズや形状が微妙に違い、それにともない音色もやや異なる)。
- Sosho and Hitsuritsu correspond to Sho and Hichiriki in Japan, respectively (however, their sizes and shapes are subtly different, making their tones slightly different as well).
- 特に寿夫は世阿弥の再来とまで評された名手で、観世銕之亟 (8世)(観世静夫)や片山九郎右衛門 (9世)など、その影響を受けた能楽師は多い。
- Especially, Hisao was so excellent a performer as to be called a second coming of Zeami; there were many Noh actors affected by him, including Tetsunojo KANZE (the eighth) (Shizuo KANZE) and Kuroemon KATAYAMA (the ninth).
- そして民謡や祭囃子など、他の分野の音楽とも相互に影響を及ぼしあい、「お座敷」と呼ばれる宴席で披露するための小曲「小唄」「端唄」が生まれた。
- Stage music and genres of music such as minyo and matsuri-bayashi (Japanese festival music) influenced each other, and short kouta (ballads sung to shamisen accompaniment) and hauta (traditional Japanese song or ballad sung to the accompaniment of the shamisen) were created to be performed at banquets called 'ozashiki.'
- 壺焼きであったかどうかは不明だが、1588年に豊臣秀吉が後陽成天皇を聚楽第に招いた際の献立の中に「焼栄螺」の文字を見ることができるという。
- Although it is not known whether it was a tsuboyaki, it is said that the characters '焼栄螺' (burnt turbo) appeared on the menu card of a banquet hosted by Hideyoshi TOYOTOMI when he invited Emperor Goyozei to his Jurakudai residence in 1588.
- 最大流派の優位性を生かして大正琴及び属品の価格も他流派より安く設定し、老若男女あらゆる世代が大正琴を楽しめるよう様々な取り組みをしている。
- By making the most of their dominance as the largest schools, it set lower prices for taishogoto and accessories than other schools and makes various efforts so that people of all ages and both sexes can enjoy taishogoto.
- 京都市交響楽団(きょうとしこうきょうがくだん、Kyoto Symphony Orchestra)は、京都市に本拠を置くプロのオーケストラ。
- Kyoto Symphony Orchestra is a professional orchestra headquartered in Kyoto City.
- 神楽歌は、庭燎(にわび:夜の準備)、採物(とりもの:神迎え)、前張(さいばり:神祭り)、明星(あかぼし:神送り)の段階に大きく分けられる。
- Kagurauta is roughly divided into the following parts: Niwabi (preparation for the night), Torimono (greeting the gods), Saibari (entertainment for the gods), and Akaboshi (sending off the gods).
- 女性や少年少女が舞う場合もあり、その場合は、舞楽面を着けずに山吹の挿頭花を挿した前天冠を着け、歌舞伎舞踊と同様の舞台化粧をする場合がある。
- Women, as well as boys and girls, may also perform the dance, in which case they may put on maetengan (a charm of the front of cap) with kazashi (snapped branch of flower or tree put in the hair or the cap) in it and wear stage makeup as in Kabuki dance, without wearing Bugaku masks.
- しかし多くの曲ではこれらの要素が入り交じり、また部分的に描写的であったり、絶対音楽的であったりして変化が大きく、それが魅力ともなっている。
- However, many pieces have a mixture of these factors and thus consist of a wide variety of parts (for example, some parts are descriptive and some parts are absolute music), which is also a feature that makes these pieces attractive.
- 光崎 検校(みつざき けんぎょう、生年不詳 - 1853年頃)は、19世紀前半に京都で活躍した盲人音楽家(地歌三味線、箏演奏家、作曲家)。
- Kengyo MITSUZAKI (year of birth unknown, but estimated around 1853) was a blind musician who was active during the early nineteenth century in Kyoto (jiuta shamisen (traditional Japanese shamisen music) player, so or koto (a long Japanese zither with thirteen strings) player and composer).
- 現在の日本で清楽を演奏する団体としては、東京の明清音楽研究会、長崎市の長崎明清楽保存会、神奈川県横須賀市のよこすか龍馬会・月琴部などがある。
- In present-day Japan, there are some groups that perform Shingaku music, such as the Association of the Study of Ming and Qing-era Chinese Music (in Tokyo), Nagasaki Association of the Preservation of the Ming and Qing-era Chinese Music (in Nagasaki City) and the gekkin section of Yokosuka Association of Ryoma (in Yokosuka City, Kanagawa Prefecture).
- 指孔すべてを閉じて出す最低音(「筒音」、つつね)は竹と製作者による差が大きいため、基本音とは見なされておらず、楽曲で用いることもまれである。
- The lowest tone (tsutsune), which is produced when all the finger holes are closed, is not regarded as the fundamental tone as it varies greatly depending on the manufacturer, and it is rarely used in musical composition.
- なお「大正琴音楽大賞」の受賞者は、平成18年の第1回が北島三郎(「風雪ながれ旅」で受賞)、平成19年が秋川雅史(「千の風になって」で受賞)。
- The winner of the first 'Taishogoto Ongaku Taisho' in 2006 was Saburo KITAJIMA (for the song 'Fusetsu Nagaretabi') followed by Masafumi AKIKAWA (for the song 'Sen no kazeni natte') in 2007.
- 「東方書道会」は解散、「泰東書道院」・「三楽書道会」は休眠状態に入り、「興亜書道連盟」は健在である声明書を発したものの自由が利かなくなった。
- In such a situation, 'the Toho Shodo-kai association' was dissolved, 'Taito Shodo-in' and 'the Sanraku Shodo-kai association' became totally inactive, and 'Koa Shodo Renmei' issued an announcement about continuing activities, but could not act freely.
- その間、新たな方向をさまざまに模索、そのひとつとして、江戸時代初期の音楽である三味線組歌や箏組歌、段物をよく研究し、自らの曲にも取り入れた。
- Meanwhile, he sought for various new ways, for example, he studied well shamisen kumiuta (song cycles accompanied by koto or shamisen), koto kumiuta (koto suites of songs) or danmono (most important type in shirabemono (the koto solo instrumental music)) and incorporated them into his own works.
- 『越後獅子』は地歌の『越後獅子』や『さらし』を取り入れ、『秋色種』もやはり地歌の『虫の音』や箏曲の『みだれ』を取り入れて器楽性を高めている。
- 'Echigojishi' incorporated jiuta such as 'Echigojishi' or 'Sarashi' (bleached cloth) and 'Aki no irokusa' also incorporated jiuta such as 'Mushi no ne' (sound of insect) or so (or koto) song called 'Midare' (disorder) to enhance the instrument parts.
- 日本では明楽の楽器の現物のセットと『魏氏楽譜』という完備した楽譜が残っているのに対して、中国本土では明楽についての資料はほとんど残っていない。
- While in Japan a set of real music instruments and the complete scores called 'Wei shi yue pu' have been preserved for Mingaku, almost nothing about Mingaku remains in Mainland China.
- 頭に鍍金した唐草模様の宝冠(雅楽では、山形の額飾りと側頭部に二本の剣形の飾りを備えた金属製のヘッドバンドを指す)をつけ、二本の桜の枝をはさむ。
- They wear gold-plated crowns with an arabesque design on their heads (in Gagaku, dancers put mountain shape tiaras on their forehead and metal headbands with two sword-shaped ornaments on their temporal region), and stick two sprays of cherry blossoms under each crown.
- 明治初年の衰微期を経て、1876年の岩倉具視邸天覧能以後、徐々に人気を回復しはじめた能楽界にあって梅若実は紅雪とともに観世流の普及につとめた。
- Passing through the declining period of 1868, after the Noh play (performed) with the Emperor in attendance at the residence of Tomomi IWAKURA in 1876, Minoru UMEWAKA and Kosetsu put efforts to develop the Kanze-ryu while the field of Noh was gradually restoring its popularity.
- なお大正琴及びその属品(楽譜・アンプ・ケーブル・チューナー・各種補修部品等)は一般店頭販売を行っていないが、同社ホームページからも入手できる。
- Although taishogoto and accessories (scores, amplifiers, cables, tuners, various spare parts, etc.) are not available in normal stores, they can be purchased through the company homepage.
- 1797年に出版された『秘傳千羽鶴折形』は、明らかに大人向けに書かれており、当時から子供だけでなく大人にも折り紙を楽しむ人がいたことが分かる。
- The 'Hiden Senbazuru Origata' (Secret Folding of Thousand Cranes) published in 1797 was clearly targeted towards adults, which proves that adults as well as children enjoyed origami in those days.
- また、出囃子ではある程度以上の長さを備えた音楽的なまとまり部分(間奏部)を合方と呼び、「吾妻八景」や「鶴亀」といった標題がつけられる事が多い。
- Pieces of music of debayashi (an onstage ensemble) above a certain length (interlude) are also referred to as aikata, each of which is usually given a title like 'Azuma Hakkei' (The Eight Views of the East) and 'Tsuru Kame' (Crane and Turtle).
- 日野一位資枝卿という人物が若い頃、仲間たちと共に夜更けまで酒を飲みつつ世間話を楽しんでいたところ、屏風の後ろが急に明るくなり、人の気配がした。
- When a young man called Lord Sukeki HINO (First Rank) enjoyed talking with his friends over sake till late at night, something lightened suddenly behind a folding screen and there was a sign of a person.
- 「空海・道風の崇拝時代には唐碑以外は殆ど見る所なく、六朝書の如きは数々翻刻せる王羲之黄庭経・王羲之楽毅論等を目覩したるに過ぎざるものの如し。」
- During the period when Kukai and Tofu worshipped calligraphy in China, they could view almost nothing other than inscriptions on monuments in Tang, and concerning six-dynasty style calligraphy, they could view only Huang Ting Jing by Wang Xizhi and Gakki ron also by Wang Xizhi, which included many reprints of such calligraphy.
- 「本邦無二の珍建物」と評され、当時の大阪毎日新聞の連載記事「光瑞法王と二楽荘」には「天王台の大観」と題する見出しがつけられているほどであった。
- It was described as 'a building like no other, unique to this county', and The Osaka Mainichi Daily News at the time headlined it as 'Tenno-dai's (heavenly king's hill) spectacular view' in the running story titled 'Buddhist Leader Kozui and Nirakuso.'
- 例えば、雅楽に用いる鳥兜と火炎太鼓に紅葉を添えたものは、源氏物語「紅葉の賀」で主人公が紅葉の下で鳥兜をかぶる優美な舞青海波を舞った場面を表す。
- For instance, the uta-e depicting a torikabuto (a traditional hat worn when playing gagaku (ancient Japanese court dance and music)), a kaendaiko (a large drum decorated with flames), and Japanese maple leaves suggests the scene where the hero of 'Genji Monogatari' performed an elegant dance 'Seigaiha' (Blue Ocean Wave) donning a torikabuto under Japanese maple trees, which appears in the chapter of 'Koyo-no-ga' (An Autumn Excursion).
- 父の厳格さを敬遠して京都の大学に進学、能からも一時遠ざかるが、ニューヨークで左右十郎シテ、憲人ツレにより演じられた「恋重荷」を見て能楽師を志す。
- He goes to a university in Kyoto to get away from his strict father, not becoming interested in Noh until he watches 'Koi no Omoni' (The Burden of Love) performed by Sojuro as a shite and Norito as a tsure (a shite's companion) in New York, and then decides to be a Nohgakushi.
- また茶道の拡大に伴って需要が増えると備前焼や信楽焼で倣製品が作られるようになり、江戸時代には野々村仁清が室礼専用の色絵金彩の茶壺を制作している。
- Also, those copies were produced with Bizen yaki (Bizen ware) and Shigaraki-yaki (Shigaraki ware) as demands increased along with the expansion of tea ceremony, and in the Edo period, Ninsei NONOMURA created a chatsubo colored with various hues and gold specifically for the shitsurai (putting decorations suitable for a season or ritual onto an appropriate indoor places).
- 手事はもともと地歌曲、胡弓楽曲の楽式部分であるが、江戸時代中期になると地歌に箏が合奏されるようになり、箏曲としても手事が演奏されるようになった。
- Originally tegoto referred to instrumental parts in jiuta and kokyugaku pieces; however, since around the middle of the Edo period, tegoto began to be performed in concert with koto (a Japanese harp), and it came to be played also as sokyoku.
- これらの曲の多くは、現在の中国でも古典的な軽音楽としての生命を保っている(ただし歌詞の字句や編曲などは、日本の清楽のものとかなり違うことが多い)。
- Most of these songs keep their vitality as classical popular music even in today's China; the words, the style of arrangement and others are, in many cases, quite different from those of Shingaku in Japan.
- 仙洞御所での演能の中止(1429年)や醍醐寺清滝宮の楽頭職を音阿弥と交代させられるなどさまざまな圧迫が世阿弥・元雅親子に加えられた(国史大辞典)。
- Much pressure including the cancellation of the Noh performance at Sento Imperial Palace and replacement of gakuto-shiki (right to play sarugaku) in Daigoji-Temple, Kiyotaki-miya Shrine with Otoami was put on the father and son of Zeami and Motomasa (Great Dictionary of National History).
- 近年では「篠笛」による「独奏」「合奏」といった器楽曲も多く作られ、上記の分野以外の和楽器および洋楽器、他国の民族楽器との合奏も盛んに行われている。
- Many 'shino-bue' solos and ensembles have been written in recent years, and ensembles featuring Japanese musical instruments other than those described above as well as western musical instruments (including folk music instruments from abroad) have been frequently played.
- 次に笛、鼓などの楽器で構成される前奏の楽隊、音声という声楽のパート、さらに獅子、踊物、そして後奏の楽隊、帽冠(ほうこ)とよばれる僧がつきしたがう。
- Then a band playing prelude with flutes and tsuzumi (hand drum), a vocal group called onjo, a lion, a group of dancers, then another band for playing postlude, and a group of Buddhist priests called hoko (priests wearing crown cap).
- 歴史的な伎楽面は、奈良の法隆寺(現在は東京国立博物館法隆寺宝物館に収蔵)、東大寺、正倉院、春日大社などに飛鳥時代および奈良時代の遺品が残っている。
- Historical gigaku-men masks made during the Asuka period and the Nara period are kept at Horyu-ji Temple (today housed at The Gallery of Horyu-ji Temple Treasures at The Tokyo National Museum) in Nara, Todai-ji Temple, Shoso-in, Kasuga-taisha Shrine, and other places.
- 浄瑠璃とは、簡単にいえば、物語性を重視した声楽で、複数の登場人物の詞(ことば)、背景説明、情景描写、心理描写などをすべて表現する「語りもの」である。
- To put it simply, pure joruri is vocal music that emphasizes stories and can be called a kind of narrative in which, concerning a story, the characters' words, background explanations, depictions of scenes and psychological descriptions are all expressed vocally.
- 序破急(じょはきゅう)とは、日本の雅楽、能楽など日本の伝統音楽から転じて、連歌、蹴鞠、香道、剣術、抜刀術、居合道など芸道論で使用されることばである。
- Johakyu is a word used in discussions regarding such arts as renga (Japanese collaborative poetry), kemari (a kick-ball game arranged by aristocrats in the Heian period), kodo (traditional incense ceremony), swordsmanship, batto-jutsu (the art of using swords and cutting with swords) and iaido (an art using swords), which was originally used in the field of Japanese traditional music including gagaku (ancient Japanese court dance and music) and nohgaku (the art of noh).
- 薪能(たきぎのう)は、主として夏場の夜間、能楽堂、もしくは野外に臨時に設置された能舞台の周囲にかがり火を焚いて、その中で特に選ばれた演目を演じる能。
- Takigi-noh (Noh play performed at night by a fire) is a Noh play that is especially chosen and performed in Noh Theater or on a Noh stage with a beacon fire around which is temporarily installed outside mainly on summer nights.
- 基本的な楽式構造は、前唄 - 手事 - 後唄という三段構成をとるが、大曲になると前唄 - 手事 - 中唄 - 手事 - 後唄という構成のものも多い。
- The basic music form structure has the three-step structure which consists of maeuta (the former song), tegoto (Japanese Koto) and atouta (the latter song), but in large scale songs, many have a structure which consists of maeuta, tegoto, nakauta (the middle song), tegoto and atouta.
- また、風流の格好・芸能・感覚は江戸時代に確立した歌舞伎・文楽などにも影響を与えた他、安土桃山時代桃山文化や元禄文化の建築などにもその影響が見られる。
- The styles, performances and sensations of Furyu affected Kabuki and Bunraku, which were established in the Edo period, the architecture of the Azuchi-Momoyama period, and Genroku culture.
- 周りに正方形の紙がなくとも、例えば目の前にあるいらない書類などを工夫して正方形に整えれば、予め用紙を用意してなくとも折り紙を十分に楽しむことが出来る。
- Even if square paper is not available, origami can be fully enjoyed with paper made by shaping unwanted documents in hand into a square with a little ingenuity, and therefore it is not necessary to prepare origami paper in advance.
- 新たに大阪府・大阪市を主体に文部省(現・文部科学省)・日本放送協会の後援を受けた財団法人文楽協会が発足し、文楽界は再統一され、再出発することとなった。
- Bunraku Kyokai was newly established, mainly operated by Osaka Prefecture and Osaka City and sponsored by the Ministry of Education, Science, Sports and Culture (currently Ministry of Education, Culture, Sports, Science and Technology) and Japan Broadcasting Corporation, so the bunraku world was reintegrated and set to restart.
- 歌舞伎音楽は通常、竹本を除けば下手の黒御簾の中で演奏される(下座音楽)が、所作事(歌舞伎舞踊)の場合に、舞台に山台を置き、その上で演奏することがある。
- The music for kabuki is usually played behind a black bamboo screen on the side of the stage (geza music) except for Takemoto (gidayu) or on top of the raised platform at a stage for Kabuki Dance.
- 能楽協会は、この四座一流に所属していた諸流派の系譜を継ぐ能楽師たちのうち、素人の習い事としての能楽ではなく、能楽上演を職業とする者が所属する団体である。
- Nogaku Kyokai is an organization for the nogakushi who have inherited those schools that were part of Yamato-shiza and who are professionally involved in Noh performances, not the kind taken as a lesson by amateurs.
- 発音については、古代インドの打楽器 dudubhi または dundubhi から出たという説と,中国の都曇鼓 (つどんこ)の音から出たという説がある。
- There are two possible explanations for the pronunciation of this word: it is derived from the dudubhi or dudubhi, a percussion instrument from ancient India or it is derived from the dutangu drum (Tsudonko), an instrument from China.
- しかしながら大孤の礼拝の所作は、仏教に対する敬虔さを表現しており、伎楽が喜劇的な要素をもちながら、寺院楽として用いられた理由がここにあるという説もある。
- However, the act of Taiko performing the Buddhist service expresses the devout behavior and spirit of people approaching toward Buddhism, which could be the reason that gigaku was performed at Buddhist temples even with the comical aspects of the performance.
- 小文吾が城内で出会った女田楽師旦開野(犬坂毛野)は、嵐山盗難の一件により不当に殺された粟飯原胤度の遺児であり、一族の仇の一人・大記を対牛楼で討ち果たす。
- Kobungo met a female Dengaku performer Asakeno (Keno INUSAKA) in the castle, whose father Tanenori AIHARA had been unjustly killed for the theft of Arashiyama and who avenged Daiki, one of the foes of her family, in Taigyuro.
- しかし、石川の作品群は地歌手事物の頂点を極めたと言ってもよく、地歌のみならずあらゆる三味線音楽を通じ第一級の作品として、現代でも高い評価を失っていない。
- However, it is right to say that the works of ISHIKAWA were the pinnacle of jiuta tegotomono and as the first-class works not only in jiuta but in shamisen music, even now they have never lost a high evaluation.
- 曲中の器楽部としては、手事の他に「合の手」(あいのて)があり、これは手事ほどの長さを有しない短いものを指し、様々な声楽曲に見られる間奏と同じものである。
- Another part of instrumental music in a piece other than tegoto is 'ainote;' ainote refers to a part which is not as long as tegoto and which is the same as the interlude often found in various vocal music pieces.
- 清楽の代表的な曲には、「算命曲」「九連環(右上の写真の楽譜参照)」「茉莉花 (民謡)」「四季」「紗窓」「売脚魚」「哈哈調」「満江紅」「将軍令」などがある。
- Typical Shingaku songs are 'Sanminkyo,' 'Kyurenkan' (cf. the upper right photograph of the score), 'Matsurika' (folk song), 'Shiki', 'Saso,' 'Baikyakugyo,' 'Hahacho,' 'Man Jiang Hong' and 'Jiang Jun Ling.'
- もともと京都の手猿楽に発した家系で、初代野村又三郎重信が和泉流樹立にあたり客分として招かれたために、独自の演目・台本・演出などを保持して現在に至っている。
- This family originally performed tesarugaku in Kyoto, and as Matasaburo Shigenobu NOMURA (the first) was invited as a guest to establish the Izumi school, their own programs, play scripts, and dramatic interpretation have been maintained.
- 石川県の金沢市には正月に色とりどりの辻占煎餅を、縁起物として家族で楽しむ風習があり、現在も和菓子店における辻占の製作風景は、年末恒例の風物詩となっている。
- In Kanazawa City, Ishikawa Prefecture, there is a custom that the whole family enjoy colorful tsujiura-senbei as good lucky charms, and even now the scene of tsujiura production in Japanese sweets shops is a special feature at the year end.
- 世阿弥による能の理論書『風姿花伝』では、太子に仕えた猿楽の祖・泰河勝が太子の作による面を与えられたとあり、面霊気はこの逸話をもとに描かれたといわれている。
- According to the book on noh theory, 'Fushikaden' (The Flowering Spirit) by Zeami, Kawakatsu SO who was the originator of sarugaku (form of theatre popular in Japan during the 11th to 14th centuries) who served Prince Shotoku was given a mask that the prince himself had made, and Menreiki is said to have been depicted based on this anecdote.
- アルコール(エタノール)を摂取すると人はその麻酔作用により酩酊を得、抑制を引き起こすためにストレス (生体)から開放され、様々な快楽に対し抵抗感を無くす。
- When they consume alcohol (ethanol), people become intoxicated due to its sedative effect, get relieved from stress which has restrained them, and stop refraining from various pleasures.
- ことに、大阪の峰崎勾当や三つ橋勾当が完成させた地歌の楽曲形式、様式である「手事物」を京都風に洗練させ、「京流手事物」のスタイルを確立、多くの名曲を残した。
- In particular, he refined tegotomono (a form of Japanese chamber music), which was a style or form of composition of jiuta completed by koto MINEZAKI or koto MITSUHASHI in Osaka, to a Kyoto-style one and established 'Kyoto-style tegotomono' and composed many good songs.
- 1959年 二期会との提携による「ヴォルフガング・アマデウス・モーツァルト・オペラシリーズ」で全国を巡業し、毎日音楽賞、大阪府民劇場賞、大阪府芸術祭賞を受賞
- In 1959, in cooperation with Nikikai Opera Foundation, Kyoto Symphony Orchestra made a nationwide tour performing 'Wolfgang Amadeus Mozart Opera Series' and received THE MAINICHI NEWSPAPER Award for Music, the Osaka Fumin Hall Award, and the Osaka Prefecture Art Festival Awards.
- 中国本土には、御座楽で演奏されたのと同じ楽曲が現存しているはずであるが、御座楽のどの曲が中国本土のどの曲にあたるかについては、目下、学者たちが研究中である。
- There is apparently music identical to Uzagaku still performed on mainland China although, at the moment, academics are researching which Uzagaku correspond to which pieces from the Chinese mainland.
- 通常の日本独楽は木を削りだして作成されるが、京こまは竹製の心棒に木綿製の幅広のヒモ(高級品では友禅や西陣織等の絹製の細長いテープ状の生地)を巻き付けてある。
- Ordinary Japanese spinning tops are made of wood, but Kyo tops are made of a bamboo stem around which a long piece of thick cotton string (or a strip of expensive silk such as yuzen-dyed fabric or nishijin brocade) is wound.
- 手事物(てごともの) は、三曲の音楽である地歌、箏曲、胡弓楽において、器楽部である手事を備えた楽曲形式 (この場合『手事物形式』とも呼ぶ)、また曲種のこと。
- Tegotomono is the style of composition which has instrumental parts (here, it is also called 'tegotomono-form') or the kind of songs in sankyoku music which consists of jiuta, so (or koto) music and kokyu (Chinese fiddle) music.
- 手事は、はじめのうちは音楽的にはわりと単純なものであったが、次第に長大、複雑なものとなり、18世紀後期、大阪の峰崎勾当らにより高められ、手事物が完成された。
- In the beginning, tegoto was a rather simple form of music; gradually it became longer and more complex, and it took a complete form around the eighteenth century as the result of enhancement by people like Koto (the third title of the official ranks within the Todo-za (the traditional guild for the blind)) MINEZAKI in Osaka.
- 大流であるためにいくつもの名家があること、すべての玄人を宗家のもとで修行させる宝生流などとは異なり一定の家格を持つ家(職分家以上)に能楽師の養成を認めている。
- There are many distinguished families within Kanze-ryu as it is a big school, and it allows families having a certain family status (being an occupational branch family or higher) to train Noh actors unlike Hosho-ryu that has all the experts have training at soke (the head family).
- 1950年代から60年代にかけては雅雪の子観世寿夫、観世栄夫、観世静夫を中心とする新世代の能楽師が、演能、技法論、異分野との競演などでめざましい活躍を見せた。
- From 1950's through 1960's, Noh actors of new generation, whose main contributors were Hisao Kanze who was a son of Gasetsu, Hideo KANZE and Shizuo KANZE, made great achievements in the areas such as performance, theory of techniques and playing opposite to players in different fields.
- ただし、味付けに用いられている調味料により、調味されていない製品と比較して吸湿性が高まっており、パリパリとした食感を楽しみたい場合には、食べる直前に開封する。
- Since the moisture absorbency is enhanced by seasonings used for seasoning, compared with unseasoned food, it is recommended to eat it just after opening the package for enjoying its crispy touch.
- 実際、手事物は地歌において組歌や長歌から派生 (短い合の手が発展) したものと、もともと器楽曲であったものに歌の部分を付加したものの二通りがあると考えられる。
- In fact, tegotomono is thought to be divided into two kinds: the one which originated from kumiuta or choka in jiuta (short intermezzo developed) and the one which added the song parts to the works that were originally pieces of instrumental music.
- 紫宸殿の桜が盛りの頃に藤原公任が柱を扇で打ちながら催馬楽の「桜人」を歌ったところ、近衛陣の直所にいた多政資らが庭に出て「地久」の破を舞ったという話が残っている。
- There is a story of FUJIWARA no Kinto singing 'Sakurabito' of Saibara while rhythmically tapping a pillar with his fan at the Shishinden Hall (a hall for state ceremonies) around the prime season of the cherry blossoms, when O no Masasuke and others, who were stationed at the guard tower, came out to the garden and danced the Ha (the middle part) of 'Chikyu.'
- ほんらい「楽しみ」の具であるはずの酒が、「いじめ」「虐待」「意地の張り合い」の具となっていたわけである(体育会系概説及び体育会系体育会系の不祥事も参照のこと)。
- It means that sake, which was originally a tool of 'pleasure,' turned into a tool of 'bullying,' 'abuse,' and 'ego battle' (See the sections of summary and scandals in the article of Taiikukaikei [people who belong to sports club in universities]).
- ただし、これらもリアルに描写するというよりは象徴的であり、またあくまでもモティーフとして音楽的に発展させられており、単なる描写音楽として片付けることはできない。
- However, the depiction in these pieces is symbolic rather than realistic, and its musical development was clearly as motifs; thus these pieces cannot be regarded simply as depictive music.
- このため、独楽の胴体部分にはヒモが作り出す独特の質感があり、また、心棒が他の日本独楽より相対的に長めに作られている(心棒が長いのは回し方の影響もあると見られる)。
- The body of the Kyo top has a peculiar texture thanks to its cotton string, and the stem of the Kyo top is relatively longer than that of an ordinary spinning top (which is probably influenced by the way it's spun).
- 使われる衣装類には山形県有形文化財に指定されている光狩衣・蜀紅の錦といった能衣装は清和天皇の御衣とされ、中には現在で言う能楽の発生初期のものと見られる能面もある。
- Among the Noh costumes are Hikari-kariginu and Shokko no nishiki, which are said to be Emperor Seiwa's clothes and designated as tangible cultural assets of Yamagata Prefecture, and some of the Noh masks are considered to have been made in the early days of Noh.
- このように八重崎検校の音楽的功績は多大であるが、金銭には疎く清貧な生涯を送ったことが知られ、質素な生活ぶりで、京都の両替商万屋がパトロンとして八重崎を支えていた。
- The musical achievement of Kengyo YAEZAKI was huge like this, but allegedly he was ignorant of money and led a life of honorable poverty and austerity and was supported by the money changer Yorozuya as a patron in Kyoto.
- それを師の浦崎検校が受けて発展させたが、更に八重崎がより工夫、洗練させ、松浦検校や菊岡検校が完成させた京流手事物を、合奏音楽として更に音楽的価値の高いものとした。
- His master Kengyo URASAKI took over and developed it, but YAEZAKI himself devised and refined it further and made Kyoto-style tegotomono (a form of Japanese chamber music) which kengyo MATSUURA or kengyo KIKUOKA had completed an ensemble music which had a higher musical value.
- 宗慶とその長男・宗味(長次郎の義父)は樂家の制作活動に深く関わっていたが、前政権の秀吉と親しかったことを慮り、宗慶の次男・楽常慶(じょうけい)が樂家の2代となった。
- Although Sokei and his first son Somi (Chojiro's father in law) involved deeply in the creation activity of the Raku family, Jokei RAKU the second son of Sokei became the second leader of the RAKU family because it was thought to be a delicate matter that Sokei and Somi had a friendly relationship with Hideyoshi of the previous administration.
- また本社では大正琴の製造工程が見学できる他、歴代(森田伍郎発明当時の品から現代に至るまで)の大正琴及び古い楽譜やレコードが展示され、大正琴の歴史を知ることができる。
- At the head office, in addition to an observation tour of the manufacturing processes of taishogoto, taishogoto of each generation (which ranges from the original taishogoto invented by Goro MORITA to the present one), old sheets of music and record albums are displayed allowing people to learn the history of taishogoto.
- 音楽については『どん底 (1957年の映画)』から『赤ひげ』までコンビを組んできた佐藤勝が黒澤と対立して降板、武満徹の推薦で急遽池辺晋一郎が起用されることになった。
- As Masaru SATO, who had produced the music for 'Donzoko' (the Lower Depths, 1957) and 'Akahige' (Red Beard), clashed with Kurosawa and left the movie, Shinichiro IKEBE was used in place of him at the recommendation of Toru TAKEMITSU.
- 結局、五十四世が隠居して二世梅若実となり、五十五世梅若六郎が梅若流家元となっていた1954年になって、ようやく能楽協会の斡旋により、梅若流の観世流合流が果たされた。
- Umewaka-ryu school could be finally merged into Kanze-ryu school through the mediation of The Nohgaku Performers' Association in 1954 when the 54th Rokuro UMEWAKA had retired to succeed to the second Minoru UMEWAKA, and accordingly the 55th Rokuro UMEWAK had become the head of Umewaka-ryu school.
- また1959年(昭和34年)『娘景清八嶋日記』では八代目竹本綱太夫や竹澤弥七と共演、それまで相容れなかった文楽との共演を実現し、テアトロン賞と毎日芸術大賞を受賞した。
- He also appeared alongside Tsunatayu TAKEMOTO VIII and Yashichi TAKEZAWA in 'Musume Kagekiyo Yashima Nikki' in 1959 in a performance combining the previously incompatible media of kabuki and bunraku puppet theater, for which he was awarded the Theatron Prize and the Mainichi Arts Prize.
- 伝説の上では聖徳太子に近侍した秦河勝を初世としているが、実質的には室町時代前期に奈良春日大社・興福寺に奉仕した猿楽大和四座の一、円満井座に端を発すると考えられている。
- According to a legend, the founder was said to be HATA no Kawakatsu, who was a retainer of Prince Shotoku, but in actual fact, the origin of the school is considered to have been from the Enmani troupe, one of the four Sarugaku groups from Yamato (Yamato Sarugaku yoza) that served the Kasuga Taisha Shrine and the Kofuku-ji Temple in Nara in the early Muromachi period.
- 時代が下ると大和猿楽諸座がその中心となり、有名なのは寛正5年(1464年)4月、京都糺河原における鞍馬寺の再興のための僧善盛の勧進、音阿弥・観世政盛父子の演能である。
- As time went by, schools of the Yamato Sarugaku (Sarugaku developed mainly in Yamato Province) began to play a key role in kanjin-Noh, and one of their most famous performances was the play performed by Onami and his son Masamori KANZE at Tadasugawara, Kyoto in May 1464, which was sponsored by a Buddhist monk named Yoshimori (善盛) in order to raise subscriptions for the restoration of Kurama-dera Temple.
- そこで庶民らは再び三味線を手にすることが出来るようになったが、長く楽器を触っていなかった者にとっては長唄のような長いレパートリーをすぐにさらい直す事は素人には難しい。
- The common people then came to be able to play shamisen again, but it was difficult for ordinary people who hadn't touched the musical instruments for such a long time to recall long songs such as nagauta.
- また、1つの演目で各地を巡業した場合、最後の公演地で行われる千秋楽の公演を、特に「大千秋楽」(おおせんしゅうらく、略して「大楽」(おおらく)とも)と呼ばれることがある。
- Additionally, when a play on the same program is performed in various places on a tour, the play that is performed at the site visited last is sometimes called osenshuraku or oraku in particular.
- 千秋楽の日の舞台は歌舞伎などにおいては役者のふざけや冗談が許されるという不文律があり、芝居の流れを壊さない程度で、しゃれやいたずらを用意して共演者をからかうこともある。
- In kabuki, there was an unwritten rule that performers can banter and joke with one another onstage on the senshuraku day, and they sometimes mock other performers by preparing puns and mischief in advance, but only to the extent that it won't hinder the flow of the play.
- 現代の日本人が、ウクレレやギターを弾きつつ英語の歌を唄うように、江戸から明治にかけての日本人も、清楽の楽器(主として月琴)をかなでつつ唐音で中国語の歌詞を唄ったのである。
- As modern Japanese sing an English song to their own accompaniment of a ukulele or a guitar, so did Japanese from the Edo period to the Meiji period, singing Chinese words in 'toon' while playing the instrument of Shingaku (mainly, gekkin).
- 歌舞伎伴奏などのプロの長唄奏者は営業が続けられたが、街角の稽古場で三味線を教えるようないわゆる「街のお師匠さん」(今で言う個人宅の音楽教室)は禁止されてしまったのである。
- Although professional nagauta players could continue to play the instruments to the accompaniment of kabuki and for other occasions, giving shamisen lessons in town, so-called 'music teachers in your town' (similar to private music lessons held at the teacher's house today), was banned.
- 休みの月は、海外旅行に出かけることも多く、特に1960年(昭和35年)の歌舞伎初のアメリカ公演の折に訪れて以来、ラスベガスはお気に入りで、カジノで終日楽しむことも多かった。
- During a month he did not had a stage, he was mostly on overseas travels, and especially since he had the first kabuki stage in the United States in 1960, he was fond of visiting Las Vegas and often enjoyed the casino all day long.
- 作者の前作『NATURAL (漫画)』に登場した榊原西門の兄である能楽師・榊原憲人(正しくは「のりと」だが、概して作中では「けんと」と呼ばれている)を主人公としたスピンオフ作品。
- 'Hanayorimo Hananogotoku' is a spin-off work featuring Norito SAKAKIBARA (his real name is 'Norito,' but he is usually referred to as 'Kento' in the work) as a main character who is a Nohgakushi (a Noh actor) and the older brother of Saimon SAKAKIBARA who appeared in the same author's previous manga 'NATURAL.'
- 能楽全体が危殆に瀕していた時期にあって、舞台、装束、面などが思うように手に入らない劣悪な環境のなかで、宝生九郎知栄らの援助によって演能をつづけ、東京における金春流の孤塁を守った。
- While the art of Noh itself faced extinction and a difficult time when stages, costumes and masks to perform were not as available as they had been, he continued to perform Noh with the aid of Kuro Tomoharu HOSHO and others and protected the lone base of the Konparu school in Tokyo.
- 旧来世阿弥作ともいわれてきたが、世阿弥自身がこの能の一部について「金春の節である(申楽談儀)」と書いているところから、世阿弥の時代にはすでにこの主題の能があったことが推測される。
- Although it has been said to be a work of Zeami, due to the fact that Zeami himself has written that a part of the play was 'the tune of Konparu ('Sarugaku Dangi,' Zeami's talk on his own art),' there is speculation that a Noh piece with this title already existed at his time.
- 東京九段の靖国神社(旧紅葉山)舞台は京都の某画家、東京麹町富士見町の細川公別邸舞台は近藤樵仙、東京浅草南元町の梅若宗家舞台は土屋秀禾、鎌倉笹目谷の鎌倉能楽会舞台は平福百穂による。
- The pictures of the front stage of Yasukuni-jinja Shrine (formerly, Mt. Momiji) at Kudan in Tokyo were painted by a painter living in Kyoto; the pictures of the stage in a villa of the Hosokawa clan at Fujimi-cho, Kojimachi in Tokyo were painted by Shosen KONDO; the pictures of the stage of the Umewaka head family at Minami-motomachi, Asakusa in Tokyo wee painted by Shuka TSUCHIYA; and the pictures of the stage for Kamakura-nohgaku-kai society in Sasamegayatsu, Kamakura were painted by Hyakusui HIRAFUKU.
- 文楽の演者らで作る福利厚生団体・『むつみ会』の元代表理事・豊竹十九大夫(とよたけ とくたゆう)が、同会の資金資金約5,000万円を、銀行口座から不正に引き出していたことが発覚した。
- It was exposed that Tokutayu TOYOTAKE, a former head director of the welfare group of bunraku performers 'Mutsumi kai,' unduly withdrew 50 million yen of the group's fund from the bank account.
- 能・狂言とともに能楽を構成する3要素の1つであった式三番においては派手な格好で歌唱混じりに演じる芸を「風流」と呼んで演出の重要な要素として用いられ、狂言の演出中にも採り入れられた。
- In Shikisanban, one of the three elements of Nohgaku (together with Noh and Kyogen) was called 'Furyu', and meant to perform while singing, dressed in gaudy clothes; it was used as an important element of direction, and was also adopted by Kyogen direction.
- 文才もあり、主な著書には「菅原と忠臣蔵」「夏祭と伊勢音頭」「とうざいとうざい」「十一代目片岡仁左衛門」「嵯峨談語」「仁左衛門楽我記」「芝居譚」「忘れられている先祖の供養」などがある。
- He was also an excellent writer whose representative books include 'SUGAWARA to Chushingura (SUGAWARA and Chushingura),' 'Natsu-matsuri to Ise-ondo (summer festivals and Ise-ondo song),' 'Touzai-touzai (ladies and gentlemen, welcome),' 'Nizaemon KATAOKA XI,' 'Saga-dango (episodes of the Saga area),' 'Nizaemon-rakugaki (Nizaemon's graffiti),' 'Shibai-tan (episodes of stage acting)' and 'Wasurerareteiru-senzo-no-kuyo (forgotten memorial services for the ancestors).'
- 現代においては島田髷、桃割れ、等、娘の髪型は結婚式や舞踊発表会、祭りの時代行列等で見る機会が多いが、丸髷や先笄、両輪等の既婚女性の髪型は歌舞伎や文楽、時代劇以外では見る機会が少ない。
- Today young girls' hairstyles such as shimada-mage, momoware (literally, split peach; female hair style in kimono that the bun is split and a red fabric woven in the center) and so on can be often seen at the weddings, programs of dance performances by students, Jidai Gyoretsu (a procession of people in historical costumes) in festivals and so on, but married women's hairstyles such as marumage, sakko, ryowa and so on are seldom to be seen except for in Kabuki (traditional performing art), Bunraku (Japanese puppet theater) and period dramas.
- 宇治の猿楽座はもと幸・藤若・梅松・守菊の四座であったが、早くも天文年間には廃絶し、正忠の子四郎次郎忠能は小鼓の名人宮増親賢に師事し、また金春禅鳳に能を学ぶなどして、金春座で活躍した。
- There were four Sarugaku troupes in Uji - Ko, Fujiwaka, Umematsu (梅松) and Shugiku (守菊) - but they were abolished between 1532 and 1554, and Masatada's son, Shirojiro Tadayoshi studied under Chikakata MIYAMASU, who was a master of kotsuzumi, learned Noh from Zenpo KONPARU, and then played an active part in the Konparu troupe.
- 松浦検校(まつうら けんぎょう、生年不詳 - 文政5年11月21日 (旧暦)(1823年1月2日))は、19世紀前半に京都で活躍した盲人音楽家(地歌三味線および箏曲演奏家、作曲家)。
- Kengyo MATSUURA (year of birth unknown – January 2, 1823) was a blind musician who was active during the early nineteenth century in Kyoto (jiuta shamisen (traditional Japanese shamisen music) player, so or koto (a long Japanese zither with thirteen strings) player and composer).
- またこれらの曲に八重崎検校らが箏のパートを付け、あるいは三味線の替手が付けられたり、段合わせや地合わせ、三曲合奏など、さまざまな合奏形態で演奏され、合奏音楽としての発展も著しかった。
- And kengyo YAEZAKI put the so (or koto) parts to these works or made kaede (accompanying melody) for shamisen and they were played in various ensembles such as danawase (type of ensemble method), jiawase (type of ensemble method), instrumental trio (shamisen (three-stringed Japanese guitar), so (thirteen-stringed Japanese zither), and shakuhachi (bamboo flute)) ensemble and so on and dramatically developed as ensemble music.
- 箏にいまだ開拓の余地があることに注目し、これ以上進む余地の少なくなりつつあった三味線から離れた、箏のみの音楽を再び作り出したことは特に重要で、これは後の邦楽の新たな方向付けとなった。
- He paid attention to this and composed music only for koto again, instead of shamisen that had no room to develop any more, which was very important and oriented the new direction of later traditional Japanese music.
- 1995年、十三世宗家和泉元秀の死去後、和泉流は宗家を定めておらず、能楽に関する決め事については、和泉流職分会 (会長:野村萬、代表幹事:井上菊次郎) における会員合議制を取っている。
- Since the death of the 13th Soke Motohide IZUMI in 1995, the Izumi school does not have Soke, and decisions regarding Nogaku (Noh and Kyogen) are made by a membership council system called Izumi-ryu shokubunkai (Chair: Man NOMURA, Secretary: Kikujiro INOUE).
- 月琴(げっきん、中国語名yueh-chin, yueqin、英語名moon guitar, moon-zither、ベトナム語名Đàn nguyệt)は中国・日本・ベトナムの伝統楽器。
- Gekkin (Chinese name: yueh-chin, yueqin; English name: moon guitar, moon-zither; and Vietnamese name: {-D}{a`}n nguy{e^.}t) is a traditional musical instrument in China, Japan and Vietnam.
- 『日本書紀』の推古天皇20年(西暦612年)5月、百済人味摩之(みまし)が伎楽儛を伝え、奈良の桜井に少年を集めて教習したという記事が、実際に日本で伎楽が行われた記録としては最古である。
- The oldest record of gigaku actually performed in Japan is the article of 'Nihon Shoki,' entry in May, 612, saying that it was introduced by Mimashi of Baekje and he gathered young boys to teach it in Sakurai, Nara.
- 平安時代後期になると、源信 (僧侶)の『往生要集』などの影響で、阿弥陀如来の住する西方極楽浄土への再生を願う浄土信仰が広まり、また、現世を仏法の衰えた末法の世とする末法思想が広まった。
- In the late Heian period, as influenced by 'Ojoyoshu' (The Essentials of Salvation) by Genshin (a priest) and other writings, Jodo-shinko (the Pure Land faith) which prays for resurrection to Saiho Gokuraku Jodo were spread, and also Mappo-shiso (the 'end of the world' belief) which considers the present world as the end of the world where Buddhism has declined was spread.
- 『高砂 (能)』『老松』『大社』『岩船』『右近』『絵馬』『賀茂(加茂)』『呉羽』『志賀』『西王母 (能)』『玉井』『竹生島』『鶴亀』『難波』『白楽天』『氷室』『放生川』『和布刈』『養老』
- 'Takasago (Noh)', 'Oimatsu' (The Old Pine Tree), 'Oyashiro' (Grand Shrine), 'Iwafune' (A Rock Boat), 'Ukon,' 'Ema' (The Votive Tablet), 'Kamo,' 'Kureha,' 'Shiga,' 'Saiobo (Noh)' (The Queen Mother of the West), 'Tamanoi' (Jewel Well), 'Chikubushima' (Chikubu-shima Island), 'Tsurukame' (Crane and Tortoise), 'Naniwa,' 'Hakurakuten' (Bai Letian), 'Himuro' (The Ice House), 'Hojogawa' (Hojo-gawa River), 'Mekari' (Harvesting Seagrass), 'Yoro' (Nurturing the Aged)
- 18世紀末から19世紀のはじめにかけて(寛政年間)、初世植村文楽軒は歌舞伎の人気に押されて廃れつつあった人形浄瑠璃の伝統を引き継ぎ、高津橋(大阪市中央区 (大阪市))に座を作り再興させた。
- During the Kansei era, between the end of the eighteenth century and the early nineteenth century, Bunrakuken UEMURA I created a za (theater) at Kozu-bashi Bridge (Chuo Ward, Osaka City), inheriting the tradition of ningyo joruri, which was about to go out of fashion with the popularity of kabuki.
- 釈尊が成道して悟った時、衆生の多くは人間世界のこの世が、無常であるのに常と見て、苦に満ちているのに楽と考え、人間本位の自我は無我であるのに我があると考え、不浄なものを浄らかだと見なしていた。
- When Buddha achieved nirvana, most of mankind saw the human world as constant despite being mujo, happiness despite being full of suffering, themselves as not selfish despite being selfish, and considered impure as pure.
- これによって、それまで一部のごく限られた愛飲家だけに楽しまれていた吟醸酒が、市販流通に耐えうる量を生産できる展望が開かれたが、昭和12年(1937年)日中戦争の勃発によって頓挫した形となった。
- This made it possible to produce ginjoshu, which had been enjoyed only by limited drinkers, enough for market distribution, but it was interrupted by the outbreak of the China-Japan War in 1937.
- 頭に鍍金した唐草模様の宝冠(雅楽では、山形の額飾りと側頭部に二本の剣形の飾りを備えた金属製のヘッドバンドを指す)をつけて二本の山吹の枝をはさみ、図画資料では髪は下の輪のみの角髪に結うことが多い。
- They wear hokan (crown) (in gagaku [ancient Japanese court dance and music]), it refers to a metal band for hair with a mountain-like ornament on the front and two sword-like ornaments on each side of the band), with arabesque, plated with gold, guilt on their head, and clip two yamabuki (bright yellow) branches, and lower ring of their hair was often set in mizura, tsunogami style.
- - 祭り矢・祭り弓を起源とし、江戸時代には市や縁日が立つ参道や境内、門前町で出店や夜店として、弓矢を使い的に当て、的の位置や種類により、商品や賞金が振舞われ、庶民はこれを縁起担ぎとして楽しんだ。
- It originates from matsuriya and matsuriyumi, for in the Edo period common people enjoyed, as superstition, aiming at targets with a bow and arrows and were given prizes and prize money according to the position and type of targets on an approach to the temple where a fair or festival was held and at stands and yomise (night stall) in temple grounds and Monzen-machi.
- 曲の方も、後述の越天楽今様(音節型)の他に各種作られ、長生殿のようなメリスマ型の曲や、中部日本放送の局名告知(1964-1993)に使われたような暗い曲調のもの(原曲は箏曲、シラブル型)もあった。
- Various tunes of imayo, including Etenraku Imayo (syllabic-style tunes) mentioned below, were also composed, and there existed two categories of tunes : melisma-style tunes, such as Choseiden, and syllabic-style tunes, such as the melancholy music used from 1964 to 1993 in the self-introduction announcement of Chubu-Nippon Broadcasting Co., Ltd., which was originally the music of koto (a long Japanese zither with 13 strings).
- 八重崎 検校(やえざき けんぎょう、安永5年(1776年)頃 - 嘉永元年9月11日 (旧暦)(1848年10月7日))は、19世紀前半に京都で活躍した盲人音楽家(地歌三味線、箏曲演奏家、作曲家)。
- Kengyo YAEZAKI (around 1776 – October 7, 1848) was a blind musician who was active during the early nineteenth century in Kyoto (jiuta shamisen (traditional Japanese shamisen music) player, so or koto (a long Japanese zither with thirteen strings) player and composer).
- 「何本調子」の表記に「笨」の字を用いる流派もある(なお、三味線音楽、箏曲・三曲、琵琶においても「何本調子」で基本音を定める慣習があるが、分野によって実際の音の高さは異なっているので注意が必要である)。
- The character '笨' is used instead of '本' in the notation of 'nanbon-joshi' in some schools (there is the practice of specifying the fundamental tone using nanbon-joshi even in shamisen music, sokyoku (koto music), sankyoku (music performed by a shamisen (three-stringed Japanese guitar), so (thirteen-stringed Japanese zither), and shakuhachi (bamboo flute) trio), and biwa (Japanese flute) music, but attention is required because the actual tones vary according to the instrument).
- 三宅派は、野村又三郎派と同じく、もと京都の手猿楽役者であった三宅藤九郎が和泉流樹立にあたって客分として招かれたもので、後に三世三宅藤九郎喜納が在京のまま加賀藩の扶持を受けたため、その芸系が加賀に伝播した。
- Like the Matasaburo NOMURA school, the Miyake school started when Tokuro MIYAKE, a tesarugaku actor in Kyoto, was invited as a guest to establish the Izumi school, and later, as 三宅藤九郎喜納, the third was granted fuchi by the Kaga Clan while living in Kyoto, their performances spread in Kaga Province.
- 加えて芸力の不足や度重なるトラブルとスキャンダルを引きおこしたこともあって、能楽協会からは退会命令(「除名」の次に重い処分、復帰の可能性は残されている)の処分を受け、流内職分から宗家相続無効を主張された。
- In addition, as he lacked talent and repeatedly caused troubles and scandals, he was given an order by the Nohgaku Performers' Association to withdraw from membership (which is the second heaviest punishment after expulsion, but still leaves room for coming back) while occupational branch families in the school claimed that his succession should be invalid.
- 明楽は清楽に押されて早くに衰退したこともあり、日本で単に「月琴」と言えば、清楽で使う月琴(写真参照)を指す(阮咸(明楽の月琴)と清楽の月琴の形状の差異については、清楽の頁の「明清楽器」の図を参照のこと)。
- As Ming-era Chinese music declined early under the pressure of Xing-era Chinese music, if they simply mention 'gekkin,' it means gekkin used for Xing-era Chinese music (refer to photographs) (For the difference in appearance between 'ruanxian'(gekkin for Ming-era Chinese music) and gekkin for Xing-era Chinese music, refer to figures of 'Ming and Xing-era musical instruments' on the page for Xing-era Chinese music.)
- 昭和7年(1932年)10月 日午前3時30分ごろ、大谷光瑞が全精力を注ぎ込み、英才教育の推進や建築、園芸、西域探検などの調査、研究を通じて、教団を近代化に導く舞台とした二楽荘は、不審火によって焼失した。
- Around 3:30 in October 1932, Nirakuso was burned down by suspicious file where Kozui Otani put their full energy and the temple was led to modernization through the implementation of special education, architecture, horticulture and research and studies like western area expedition.
- 幕末期には十二世正員の代に義兄の正孚とのあいだで宗家継承の争いがおこり、維新後の能楽衰退と相まって宗家の権威が衰える一因となったが、高弟生駒秀三郎、三須錦吾(一時芸事総取締)らによって流儀の伝統は守られた。
- During the last days of the Edo period, the 12th head Masakazu had a dispute over succession with his brother-in-law, Seifu (正孚), and together with the decline of Nohgaku after the Meiji Restoration, it became one of the causes of the decline of the authority of the head family of the school, but the tradition of the school was preserved by senior pupils, Shuzaburo IKOMA, Kingo MISU (general director of entertainment for a while) and others.
- 第4代の村上元信以後、深草の日政との関係が密接になり、専ら日蓮宗の宗書を出版するようになり、村上平楽寺は、寛保元年(1741年)には、法華宗門書堂と号するまでになり、繁栄し、貞享年間には、江戸に出店もしている。
- The relationship with Nissei of Fukakusa deepened since Motonobu MURAKAMI (Kanbe MURAKAMI the 4th,) and the Murakami Heirakuji bookstore started to exclusively publish religious books of the Nichiren sect, and renamed itself Hokke Shumon Shodo (Bookstore of the Hokke Sect) in 1741, which flourished and opened up a branch store in Edo during the Jokyo era.
- 人が近づくと神楽が鳴り出して機械仕掛けの獅子舞がはじまり、硬貨を投入しておみくじ(みくじ)の種類(英文、和英対訳、子供用など6種類)を選ぶと、神楽に合わせて獅子が舞いながら御籤を届ける仕掛けが人気となっている。
- When you come near to the karakuri mikuji, kagura (the sacred music performed at shrines) and a mechanical Japanese lion dance automatically begin, and when you put coins into a box and select a fortune-telling slip from among the six kinds (including that in English, that in both Japanese and English, and that for a child), the mechanical lion brings you the slip, performing the Japanese lion dance in accord with kagura --- these comical devices have become popular.
- 基本運指以外の「半音」を出す際には、複雑な指使い(「クロスフィンガリング」)をあまり用いず、指孔の半開や息と歌口の角度(マウスピース (楽器)アンブシュア)を微妙に調整して音程を上げ下げする方法のほうが好まれる。
- To produce semitones without using basic fingering, it is preferable to raise or lower the scale by closing a finger hole by half, slightly adjusting the breathing and the angle of the mouthpiece rather than using the complicated cross fingering technique.
- 例えば、雅楽の演奏の時には殆ど化粧しない東儀秀樹が写真集の中で歌舞伎舞踊と同様の舞台化粧で登場する、元々厚化粧の印象が強い浜崎あゆみもデジタルカメラの広告で更に厚化粧になる、と言うようなケースは枚挙にいとまが無い。
- Hideki TOGI, for example, who hardly ever puts on any makeup during his performances in gagaku (ancient Japanese court dance and music), appeared in a photo book wearing stage makeup similar to what is used in Kabuki Buyo, and Ayumi HAMASAKI, who already gives a strong impression of wearing atsugesho, puts on even heavier atsugesho in advertisements for digital cameras and other similar cases too numerous to mention.
- 平成18年からは、次世代の大正琴音楽文化を担う後継者育成のため流派を問わず参加できる「全国子供大正琴コンクール」をスタートさせたほか、大正琴愛好者に最も好まれた曲を歌った歌手に贈られる「大正琴音楽大賞」も創設した。
- From 2006, in order to foster the next generation of players who will promote the music culture of taishogoto, a 'Nationwide Children's Taishogoto Contest,' open to players from any school was launched and the 'Taishogoto Ongaku Taisho' was established, and is given to the singer who sings the song most liked by taishogoto fans.
- これに対して、清楽の月琴は、胴体は真円に近い楕円形で、絹弦(現在ではナイロンも使う)の複弦を2コース張り、胴内に金属製の「響き線」が入っているのが普通である(楽器を弾くたびに、振動で胴内の響き線がチャラチャラと鳴る)。
- On the other hand, gekkin for Xing-era music has an oval (almost perfect circle) sound chamber and two courses of paired silk strings (today, nylon string is also used) and, usually, a metal echo wire is equipped in the sound chamber (Every time, the musical instrument is played, the hibikisen in the sound chamber jingles because of vibration).
- 1934年(昭和9年)1月14日、久保為義 監督の『霧の地下道』を「大阪パークキネマ」で、後藤岱山監督の『大利根の朝霧』と、そしてついに監督となった高村の初監督作『片仮名仁義』の二本立てを「大阪敷島倶楽部」で公開した。
- On January 14, 1934, the studio released the film directed by Tameyoshi KUBO called 'Kiri no Chikado' at 'Osaka Park Kinema', as well as the film directed by Taizan GOTO called 'Otone no Asagiri' and the first film directed by Takayama called 'Katakana Jingi' at 'Osaka Shikishima Club.'
- 足利義持の代となると、義持の後援した田楽の名手増阿弥と人気を争う一方で、『高砂 (能)』『忠度』『清経』『西行桜』『井筒 (能)』『江口 (能)』『桜川 (能)』『蘆刈』『融』『砧 (能)』『恋重荷』などの能を新作した。
- In the era of Yoshimochi Ashikaga, while he competed with Zoami, the master of Dengaku supported by Yoshimochi for the popularity, he wrote new Noh plays such as 'Takasago,' 'Tadanori,' 'Kiyotsune,' 'Saigyozakura,' 'Izutsu (Noh play),' 'Eguchi (Noh play),' 'Sakuragawa (Noh play),' 'Ashikari,' 'Toru,' 'Kinuta (Noh play)' and 'Koi no Omoni (The Burden of Love).'
- 他に群馬県甘楽郡の2町1村・滋賀県彦根市・兵庫県尼崎市・島根県松江市・高知県幡多郡の2町1村・福岡県嘉麻市・長崎県五島列島の福江島など日本各地において類似の話が残っており、それらが相互に影響しあいながら成立したものであろう。
- Similar stories also remain all over Japan: In two towns and one village of Kanra-gun, Gunma Prefecture; Hikone City, Shiga Prefecture; Amagasaki City, Hyogo Prefecture; Matsue City, Shimane Prefecture; two towns and one village of Hata County, Kochi Prefecture; Kama City, Fukuoka Prefecture; the Island of Fukue, Goto-retto Island, Nagasaki Prefecture: and it is assumed that those stories were made with a mutual influence on each other.
- 國技舘は戦時中に陸軍によって接収され、以後大相撲は後楽園球場・明治神宮外苑の相撲場・浜町公園の仮設国技館を経て、昭和25年 (1950) からは蔵前国技館で、昭和60年 (1985) 以後は両国国技館で興行されるようになる。
- As the Imperial Japanese Army took over the Kokugikan during the war, the grand sumo tournaments were held consecutively at Koraku-en garden baseball stadium, a sumo stadium established in the outer garden of Meiji-jingu Shrine, a temporary Kokugikan established in Hamacho Park during the war, at Kuramae Kokugikan from 1950 to 1984, finally being held at Ryogoku Kokugikan since 1985.
- 本来地歌および胡弓楽において発生したもので、もともと独奏曲であったものの前後に声楽部分を付属させ、楽曲形式として手事物の体裁を整えたものと、声楽曲の中の短い間奏部分が次第に発達して長大となったものの二種類があると考えられる。
- Originally, tegoto developed from jiuta and kokyugaku and can be divided into two types; one which was shaped into tegotomono as a style of composition by sandwiching a solo with vocal parts, and one in which a short interlude in a vocal music piece gradually developed and became a long interlude.
- 伎楽の役柄に応じて、治道、獅子、獅子児、呉王(または呉公)、金剛、迦楼羅(かるら)、呉女、崑崙(くろん/こんろん)、力士、波羅門(ばらもん)、大孤父(たいこふ)、大孤児、酔胡王(すいこおう)、酔胡従の14種類が確認されている。
- There were 14 roles in gigaku: Chido (the role of usher), Shishi (Lion), Shishiko (two boys who lead the Shishi), Goo (or Goko) (Man of the country of Wu), Kongo (Thunderbolt-Bearer), Karura (Garuda), Gojo (maid of the country of Wu), Kuron/Konron (lecherous man), Rikishi (the Buddhist guardian king Rikishi), Baramon (Brahmin [the highest caste in India, known for its scholars and priests]), Taikofu (old Persian man), Taikoji (young Persian boy), Suiko-o (Drunken Persian King), and Suikoju (the followers of suiko-o).
- 現代の新作能では伝統的な曲目においては考えられないような実験的な演出が試みられることも多く、例えば「伽羅沙」では囃子方の他にパイプオルガンを背景音楽として使用しているし、「安倍晴明」では地謡の一部で同時に二つの旋律が謡われている。
- For the Shinsaku-Noh in modern days, experimental stage-management that cannot be considered for the traditional songs is often tried and, for example, music by a pipe organ is used as the background music in addition to the hayashi-kata (a traditional music player group) in a work 'Garasha' and two melodies are simultaneously sung in a portion of jiutai (background chorus) in a work 'ABE no Seimei.'
- 家伝によれば、幸家はもと北面の武士として後花園天皇に仕え、後に幸正忠が「宇治幸大夫」と名のって金春流のツレとなったと伝えるが、本来は宇治市猿楽の大夫であった者が、後に勢力を失って金春座にツレ・囃子方などとして参加したものであるらしい。
- According to the story handed down to the Ko family, the family served Emperor Gohanazono as Hokumen no bushi (the Imperial Palace Guards for the north side), and later Masatada KO became a tsure (an associate actor) in the Konparu school of Noh under the name of 'Uji Ko dayu,' but in fact, it is said that an actor of Sarugaku (a form of theater) troupe in Uji joined the Konparu troupe as a tsure and hayashikata (people who play hayashi, or the musical accompaniment) after he lost his influence.
- 「クラシックパンツ」の呼称は三越が命名したと言われる以前(1963年(昭和38年)頃)から、コミック・コントを手掛けた音楽バンドのドンキーカルテットが、舞台コント上でメンバーの一人であるジャイアント吉田によって既に取り上げられてもいた。
- Before Mitsukoshi was said to name it a 'Classic Pants' around 1963, the name had already been used in a comic short play by Giant YOSHIDA, a member of Donkey Quartet, a musical band that performed a comic skit.
- 現在、能楽と呼ばれる芸能は、室町時代に観阿弥、世阿弥、音阿弥、金春禅竹らによって大成され、織豊期に観世座、宝生座、金春座、金剛座のいわゆる大和四座が、専ら猿楽を上演する芸能集団として、黒川能などの例外を除くと寡占的な地位を占めるに至った。
- The performing art now known as nogaku was established during the Muromachi period by Kanami, Zeami, Onami and Zenchiku KONPARU, and during the Shokuho period, the so-called Yamato-yoza, consisting of Kanze-za, Hosyo-za, Konparu-za and Kongo-za, held a dominant position as a performing group which specialized in sarugaku (comical mimicry and speech performance), except for Kurokawa Noh.
- 一方『秋風の曲』は、白居易の詩「長恨歌」に取材、やはり江戸初期の楽曲形式である箏組歌と段物のスタイルによって作られた箏と歌のための曲で、そのために新たな箏の調弦法「秋風調子」を考案したが、当時流行していた明清楽の旋法が取り入れられているという。
- On the other hand, 'Akikaze no kyoku' (a song for the autumn wind), composed by researching the poem 'The Song of Everlasting Sorrow' by Bai Juyi, was a work for koto and song by the compositional style of koto kumiuta (koto suites of songs) and danmono (most important type in shirabemono (the koto solo instrumental music)) during the early Edo period and for this he invented a new method of tuning koto called 'Akikaze-joshi tuning' where he incorporated the mode of Ming and Xing-era Chinese music (as popularized in Japan before the First Sino-Japanese war) that had been popular in those days.
- 合方は地歌で言う手事とほぼ同じであり、「佃」「滝流し」など独自の合方もあり長唄の魅力の一つとなっているが、どちらかといえば描写に徹しており、また大方が劇場音楽であるだけに、はるかに多様な音楽的展開を見せた地歌の手事とは性格を異にする部分もある。
- Aikatas are almost the same as tegoto in jiuta and the unique aikata such as 'Tsukuda' or 'Taki nagashi' (Falling down a waterfall) is one enchantment of choka, but they are rather devoted to description and in some points they characteristically differ from the tegoto of jiuta which musically developed far more variously as most of them are for theater music.
- 古く雅楽において笏によって拍子をとる笏拍子なる役掌が見られ、古浄瑠璃にも同様の扇拍子と呼ばれるものがあったことを見てもわかるように、拍子楽器として近世以前の日本でもっとも広くかつ簡便に用いられたのは、手に持つ道具によって手のひらを打つことであった。
- The Shaku byoshi was used to keep the beat using Shaku (a plate shaped like a scepter) in ancient gagaku (ancient Japanese court dance and music), and as evidenced by the fact that old Joruri (dramatic narrative chanted in accompaniment to a samisen) also had the same kind of Ogi byoshi (fan rhythm), slapping the palm with a handheld instrument was the most widely and easily used way to use an instrument to keep rhythm before early-modern times in Japan.
- また1924年4月、新進作家直木三十五(当時「直木三十三」)が書いた小説『心中きらゝ坂』が、大阪プラトン社の雑誌『苦楽』に掲載されているのを読んだ牧野は、たまたま同月撮影所に招待したプラトン社の小山内薫と川口松太郎に同伴した直木に映画化を要望した。
- In April of 1924, Makino, after reading 'Shinju Kirarazaka,' a novel written by a then-budding writer, Sanjugo NAOKI (then called himself 'Sanjusan NAOKI') and published in a magazine called 'Kuraku' issued by a publishing house Platon Osaka, happened to meet Naoki accompanying Kaoru OSANAI and Matsutaro KAWAGUCHI of Platon whom he had invited to his film studio, and then asked permission of Naoki about making the novel into a movie.
- 何よりも生涯学習時代の到来を踏まえ、自己の知識を活かして訪れる観光客のお役に立ちたい、それが自己実現につながる、そして自分の街を誇りに思い、他の地域の人々との新たな出会いが楽しいという、ボランティアの成り手自身の意識の成熟が大きな要因として挙げられる。
- Major reasons for choosing to become a tourism volunteer guide include the desire to use one's knowledge acquired through lifelong study to educate visiting tourists to attain a feeling of self-fulfillment, a sense of pride in the area in which one lives, and taking pleasure in meeting new people from different places.
- 山麓の下段には、事務所の洋館と学生の教育をおこなう私塾・武庫中学(明治44年1911年)開校の校舎と付属館、中段には二楽荘本館、上段の山頂には純白の窮屋と称せられる白亜殿(含秀居・がんしゅうい)、測候所、図書館兼宿舎の巣鶴楼(すかくろう)などが配置された。
- A western-style building for office use and a school building and auxiliary buildings for Muko Middle School (a private school opened in 1911) were built on the step lowest on the foot of the mountain; Nirakuso's main building was built on the middle step, while the highest step, at the mountain's top, held Hakuaden (Ganshui), known as 'the white room', a weather station, and Sukakuro, a library and dormitory building.
- 歌舞伎・文楽・日本舞踊等、江戸時代に盛んになった伝統芸能、特に庶民階級を対象にして劇場や屋外の舞台で演じられたものには、「浄瑠璃」(じょうるり)のような「語り」あるいは「唄」と三味線によって、旋律と緩急がはっきりした大衆的な音楽をつけることが一般的であった。
- It was common that popular music like joruri (dramatic narrative chanted to a shamisen accompaniment), which contained narration or songs with a distinct melody played by shamisen, composed of up-tempo tunes and slow-tempo tunes, was used for traditional performing arts that became popular during the Edo period such as kabuki (traditional drama performed by male actors), bunraku (Japanese puppet theater), and classical Japanese dance, especially for performances for the common people in a theater or on an outdoor stage.
- このため、全くの部外者や、見物する者や参加する者という当事者にとっても「祭=楽しいイベント(お祭り騒ぎ)」という程度の認識しか持たれないことが多く、祭のために仕事を休むということは、例えば葬儀のためにということなどと比べると遥かに理解が得られにくい状況にある。
- Therefore, in many cases, complete outsiders, viewers and concerned people called participants only have a recognition at a level of 'matsuri equaling to cheerful event' (omatsuri sawagi), and now is in the situation where it is almost far from clear to take days off for a feast compared with cases of taking days off for funeral service and so on.
- 翌1932年(昭和7年)から松竹、日活、月形陽候プロダクション、片岡千恵蔵プロダクション、新興キネマ、新映画社、音映の各社が数本ずつのオール・トーキー、サイレント映画にトーキー部分を織り込んだパート・トーキー、サイレントに音楽や活弁を収録したサウンド版を製作しはじめた。
- From 1932, Shochiku, Nikkatsu, Tsukigata Yoko Production, Kataoka Chiezo Production, Shinko Kinema, Shin Eigasha and Onei began to produce all-talkie films, part-talkie films which incorporated talkie part into silent films and sound films which incorporated music and katsuben (silent film narration) into silent films.
- 第三次大谷探検隊をはじめとする教団事業の出費がかさみ、大谷家の負債が表面化するとともに、大正3年(1914年)には本願寺に関する疑獄事件が突発するなど多くの問題を抱える中で、同年3月、二楽荘そして武庫中学も閉鎖され、大谷光瑞は西本願寺住職・本願寺派管長を辞任するにいたった。
- While there were a lot of problems that the debts of Otani family came into surface because of the large expenses of the temple's projects like the 3rd Otani Expedition and in 1914 Hongan-ji Templea had a corruption scandal suddenly, Nirakuso and Muko Middle School were closed and Kozui OTANI finally resigned as the chief priest of West Hongan-ji Temple and leader of Hongan-ji Temple school in March of the same year
- 本領を発揮した舞踊では、記録映画に残された『遅櫻手爾葉七文字』(越後獅子)のほか、『大和い手向五字』(子守)、『六歌仙容彩・喜撰』、『神楽諷雲井曲毬』(どんつく)、『傀儡師 (舞踊)』、『再春菘種蒔』(舌出し三番)、『深山櫻及兼樹振』(保名)、『三つ面子守』、その他多数に至芸を見せた。
- In addition to 'Osozakura Teniha no Nanamoji' ('Echigo-Jishi'), which can be seen as a documentary film, buyo dances that perfectly demonstrated his specialty included 'Yamato Gana Tamuke no Itsumoji' ('Komori'), the 'Kisen' dance of 'Rokkasen Sugata no Irodori,' 'Kagurauta Kumoi no Kyokumari' ('Dontsuku'), 'Kairaishi' (buyo), 'Mata Kuru Haru Suzuna no Tanemaki' ('Shitadashi Sanba'), 'Miyama no Hana to Dokanu Edaburi' ('Yasuna') and 'Mitsumen Komori,' among many other productions.
- 菊岡検校とは名コンビ、良きライバルとして有名で、先に検校へと登官した菊岡から食事の残り物を食べさせられたのを遺恨に思い、菊岡との合奏の際に箏を縦横無尽に弾き菊岡を打ち負かしたが、菊岡も次には八重崎を圧倒するほどの即興演奏を行ない、そうこうする内に互いに打ちとけて良き楽友となったという。
- He was famous for being a good combination and rivalry with kengyo KIKUOKA, but he was forced to eat the leftovers of KIKUOKA who had assumed a kengyo earlier and bore a grudge against KIKUOKA, but when there was an ensemble with KIKUOKA he played the koto freely and beat KIKUOKA down and next time KIKUOKA improvised staggeringly blowing him out and at last they thawed and became good musical friends.
- 描写的な面では、砧を打つリズムを取り入れた「砧物」の曲群、宇治川での布ざらしを描写した「さらし」、虫の音を描写した「虫の音」(藤尾勾当作曲)や「八重衣」(石川勾当作曲)後半、胡弓楽では「鶴の巣籠」のツル、「蝉の曲」(吉沢検校作曲)のセミ、「千鳥の曲」(同)のチドリ、波、松風が挙げられる。
- Examples of tegoto having a descriptive aspect include a group of pieces in 'Kinutamono' which incorporates rhythms of beating with kinuta (wooden or stone block for beating cloth), 'Sarashi' which depicts nunozarashi (washing of cloth at a riverside) at Uji-gawa River, 'Mushi no Oto' (by Koto FUJIO) which depicts sounds of insects, the latter part of 'Yaegoromo' (by Koto ISHIKAWA), and in kokyugaku, the crane in 'Tsuru no Sugomori' (a song depicting various aspects of the life cycle of the crane), the cicada in 'Semi no Uta' (a song of cicadas) (by Kengyo YOSHIZAWA), the plover, wave, and matsukaze (wind blowing through pines) in 'Chidori no Kyoku' (a song for plover).
- さらにこれが京都の音楽家たちに受け継がれ、洗練されて「京流手事物」が生まれ、松浦検校の『宇治巡り』、『四季の眺』、『末の契』など、石川勾当の『八重衣』、『新青柳』など、菊岡検校の『長等の春』、『磯千鳥』、『夕顔』、『茶音頭』など、光崎検校の『桜川』、『七小町』など、数多くの名曲が作られた。
- Furthermore, these came down to musicians in Kyoto, refined by them and 'Kyoto-style tegotomono' (a form of Japanese chamber music) was spawned and the following numerous famous works were composed: 'Uji meguri' (uji tour), 'Shiki no Nagame' (Viewing the Four Seasons), 'Sue-no-chigiri' and so on by kengyo MATSUURA and 'Yaegoromo' (An Eight-Fold Garment), 'Shin Aoyagi' (new green willow) and so on by koto ISHIKAWA and 'Nagara-no-haru,' 'Iso Chidori' (beach plover), 'Yugao' (Evening Face), 'Cha ondo' (Tea Song) and so on by kengyo KIKUOKA and 'Sakuragawa' (Sakura river), 'Nanakomachi' (Seven Komachi) and so on by kengyo MITSUZAKI.
- 有名な夜市として、台北市士林地区の「士林夜市」(北台湾最大規模)、大同区の「寧夏夜市」、萬華区の「華西街夜市」、松山区の「饒河街夜市」、台湾師範大学近くの「師大夜市」、台湾大学本部近くの「公館夜市」、台北県永和市の「楽華夜市」、台中市の「逢甲夜市」(中台湾最大規模)、高雄市の「六合夜市」などがある。
- Some of the more famous Night Markets are: 'the Shilin Night Market' (Largest scale in northern Taiwan) in the Shilin area of Taipei City, 'the Ningsia Night Market' of Datong District, 'the Huasi Street Night Market' of Wanhua District, 'the Raohe Street Night Market' of Songshan District, 'the Shida Night Market' near the National Taiwan Normal University, 'the Gong Guan Night Market' near the administration building of the National Taiwan Normal University, 'the Le hua Night Market' of Yonghe City in Taipei County, 'Fong Jia Night Market' (the Largest scale in Middle Taiwan) of Taichung City, and 'the Liu He Night Market' of Kaohsiung City.
- お蔭参りから帰ってきた者によって、最新のファッション(例:京都や松坂の最新の織物の柄)や農具(例:新しい品種の農作物がもたらされる。箕に代わって、手動式風車でおこした風で籾を選別する唐箕が広まる)、音楽や芸能(伊勢音頭に起源を持つ歌舞が各地に広まる)が、実際の品物や口頭、紙に書いた旅の記録によって各地に伝わった。
- Those who returned from okage mairi spread the latest fashions (e.g., the newest patterns of textile fabrics in Kyoto and Matsuzaka), farming tools (e.g., new varieties of crops were introduced, and winnowers to separate the chaff by means of a current of air created with a hand operated windmill was spread to replace winnowing baskets), and music and performing arts (music and dance originating from Ise Dance were spread around the country) across the country by actual products, word of mouth, and notes of a journey.
- 一方で、永長元年(1096年)には貴族・官人から庶民までが風流な格好を纏って田楽を演じながら行進した永長大田楽や久寿元年(1154年)の今宮神社 (京都市)御霊会において傘の上に風流な飾りの花を掲げて唄い囃した「風流のあそび」が行われ(『梁塵秘抄』巻14)、後世における音曲や歌で囃す「風流」の原型が記録されている。
- On the other hand, the original form of the 'Furyu' which was remembered by future generations as 'to keep rhythm with music and songs' is recorded in events such as the 1096 Eicho Daidengaku, in which people from the aristocrats and government bureaucrats down to the common people wore Furyu-style costumes and marched while playing Dengaku (a Japanese traditional performing art), and a festival of souls at Imamiya-jinja Shrine (in Kyoto City) in 1154, where a 'Pleasure of Furyu' was held ('Rojinhisho' (poetry book) Vol. 14), in which people held umbrellas decorated with Furyu-style flowers and sang songs.
- シテ方は観世流、宝生流、金春流、金剛流、喜多流、ワキ方は高安流、福王流、宝生流、笛方は一噌流、森田流、藤田流、小鼓方は幸流、幸清流、大倉流、観世流、大鼓方は葛野流、高安流、石井流、大倉流、観世流、太鼓方は観世流、金春流、狂言方は大蔵流、和泉流に所属する能楽師で、所属する流派の宗家および既に能楽協会の会員である者一名の推薦が必要とされる。
- To qualify for membership in Nogaku Kyokai, one is required to get referrals from a current member of the association and from the soke (head of family, originator) of the school, to which he or she belongs, and to be a nogakushi of one of the following schools; Kanze-ryu, Hosho-ryu, Konparu-ryu, Kongo-ryu and Kita-ryu for shite-kata (main roles); Takayasu-ryu, Fukuo-ryu and Hosho-ryu for waki-kata (supporting actors); Isso-ryu, Morita-ryu and Fujita-ryu for fue-kata (roles who play the flute); Ko-ryu, Kosei-ryu, Okura-ryu and Kanze-ryu for kotsuzumi-kata (small hand drum players); Kadono-ryu, Takayasu-ryu, Ishii-ryu, Okura-ryu and Kanze-ryu for otsuzumi-kata (large hand drum players); Kanze-ryu and Konparu-ryu for taiko-kata (drum players), and; Okura-ryu and Izumi-ryu for kyogen-kata (comic actors).
- これは山や川などの「ヌシ(主)の伝承」にしても同様の構図を持つものであり、付喪神もまた日本古来よりのアニミズム的な価値観から、人格や生命すら持ち得ない対象でさえ時にこれらを獲得し得る、あるいは借景(しゃっけい)や和菓子の造形と同様の「見立ての精神」における、解釈して楽しむといった擬人観が、普遍的な価値観としてこれらの根底に存在するということである。
- As seen in 'Nushi no densho' (transmission of nushi [master]), mountains and rivers can also acquire personality or life based on the Japanese traditional philosophy of animism, and they are utilized for shakkei (making use of the surrounding landscape in the design of a garden) or the design of Japanese cakes based on the 'mitate no seishin' (spirit of simulation).
- その目的や意義は、豊作の「五穀豊穣」を始め、「大漁追福」、「商売繁盛」、「疫病退散」、「無病息災」、「家内安全」、「安寧長寿」、「夫婦円満」、「子孫繁栄」、「祖先崇拝」、「豊楽万民」、「天下泰平」などを招福祈願、厄除祈念として行われるもの、またはそれらの成就に感謝して行われるもの、節句などの年中行事が発展して行われているもの、偉人の霊を慰めるために行われるものなど様々である。
- The purpose and meaning are diversified because some feasts are held for 'the productiveness of grain' for good harvests, and a prayer for good luck charm and prayer for warding off evil such as 'good catch and memorial service,' 'prosperous trade,' 'an attempt to secure protection from a plague,' 'state of perfect health,' 'safety of one's family,' 'peace and longevity,' 'harmonious marriage,' 'fertility and family prosperity,' 'ancestor worship,' 'abundance and joy to all people,' 'universal peace' and so on, some are held in appreciation for accomplishments of such prayers, some are held as a result of development of annual events such as Sekku and so on, or some are held to console spirits of great people.