後輩: 32 Terms and Phrases

• 後輩
• junior (at work, school, etc.)
• younger people
• younger student

• 先輩後輩
• one's seniors and juniors
• seniority-based hierarchy

• 彼は私より３年後輩です。
• He is my junior by three years.

• 後輩にノートＰＣをかりた。
• I borrowed the notebook PC from the junior staff member.

• その後輩はすでに役目を終えた。
• The junior has already finished his part.

• 俺も後輩にアドバイスする歳になったか。
• I guess I've reached the age where I have to dispense advice to my underlings.

• 菊岡検校の後輩である光崎検校はその頃に活躍した。
• Kengyo Mitsuzaki, a musician junior to Kengyo Kikuoka, was active during this period.

• 若狭国小浜藩の蘭方医であり、杉田玄白の後輩にあたる。
• He served the Obama clan of Wakasa Province as a doctor, especially as Ranpoi (a doctor who studied Western medicine by means of the Dutch language); Genpaku SUGITA is known very well as an older Ranpoi.

• 先輩に当たる赤染衛門には後輩として尊敬の意を見せている。
• She showed her respect to the senior colleague, Akazome Emon.

• この影響を受けたのが、後輩にあたる名古屋の吉沢検校であった。
• His junior fellow influenced by Mitsuzaki was Yoshizawa Kengyo in Nagoya.

• その一人が旧制盛岡中等学校の後輩で当時在学中だった宮沢賢治である。
• Kenji MIYAZAWA was one of those who was inspired by this book, while Kenji was studying at the same school where Takugoku had studied, Moriok Secndary School (in pre-war system).

• 彼の後輩である三ツ橋勾当も「松竹梅」「根曵の松」の作曲で知られている。
• His junior musician, Koto Mitsuhashi, is also known for composing 'Shochikubai' (Pine, Bamboo and Plum Blossoms) and 'Nebiki no Matsu' (Pine Seedlings).

• 後輩の役者が、「先日あなたの通りに演じたら好評でした。」と礼を述べた。
• A junior actor expressed his gratitude for Tojuro, saying, 'The other day, I played like you and received good reviews.'

• 修猷館の後輩である後の首相広田弘毅を外務省に導いた人物としても知られる。
• He was also known for leading Koki HIROTA who became Prime Minister later and was his junior in Shuyukan to Ministry of Foreign Affairs.

• この傾向は後輩にも受け継がれ、幾山検校や吉沢検校なども同様に作品を残した。
• This trend was passed down to his juniors, and similar works were created by Kengyo Ikuyama and Kengyo Yoshizawa.

• 4月には同じ郷中の後輩が詰役として来島したので、西郷の待遇は一層改善された。
• In April, the younger students of the same Goju (Satsuma's educational organization) that he had attended arrived on the island as Tsume-yaku, so Saigo's treatment further improved.

• 市川の独特の映像表現には定評があり、後輩の映画監督に多大な影響を与えている。
• Ichikawa's established unique picture expressions greatly influencing younger film directors.

• 松竹の後輩である篠田正浩が「物がなくなっていく映画」とユニークに評している。
• Masahiro SHINODA, his younger colleague at Shochiku, made the unique comment that 'things disappeared in his movies.'

• 菊岡の開拓した芸術は後輩にあたる光崎検校らに更に受け継がれ発展することとなる。
• The art pioneered by KIKUOKA was passed down to his junior fellow kengyo MITSUZAKI and he developed furthermore.

• 和泉式部に対しては先輩として後輩の才能を評価しつつもその情事の奔放さに苦言を呈している。
• She appreciated the talented younger colleague, Izumi Shikibu, but also gave frank advice about her unrestrained love affairs.

• 現在では約70流派が活動を続けているが、高齢化が進み、後輩の育成に各流派ともに尽力している。
• At present, about 70 schools are making their activities, and they are making every effort to train the younger generation, because most members of the schools are aging.

• 地歌や箏曲での合奏の中で、胡弓に独自の旋律を持たせたのは光崎の後輩にあたる名古屋の吉沢検校である。
• It was Yoshizawa Kengyo (Mitsuzaki Kengyo's junior), a resident of Nagoya, who made the kokyu melody distinctive in the Jiuta (or Sokyoku) ensemble.

• 宗十郎の功績としては、後輩の育成に熱心で、特に初代中村鴈治郎の素質をいち早く認めたことがあげられる。
• As a great achievement of Sojuro, he enthusiastically trained juniors and especially, he recognized Ganjiro NAKAMURA Ⅰ's talent faster than anybody.

• 松浦の完成した「京流手事物」は、後輩にあたる石川勾当や菊岡検校、光崎検校らに受け継がれ更に発展してゆく。
• Kyoto-style tegotomono' which MATSUURA completed was handed down to his junior fellows such as koto (the title of the official ranks within the Todo-za) ISHIKAWA, kengyo KIKUOKA and kengyo MITSUZAKI and developed further.

• 1032年（長元5年）にようやく合格し左衛門尉に任命されたが、後輩に対策の答えをひそかに教え罰せられたこともある。
• He finally passed in 1032 and was assigned to Saemon no jo (third-ranked officer of the Left Division of Outer Palace Guards), but was punished for revealing the answer for Taisaku to his junior fellow secretly.

• 1888年、北海道庁長官に後輩の永山武四郎が就くと自らは理事官を辞して北海道炭礦鉄道（後の北海道炭礦汽船）を設立。
• When his younger clique member, Takeshiro NAGAYAMA took the position as the Governor of the Hokkaido Government in 1888, HORI left the position of the government director, and he established the Hokkaido Colliery and Railway Company (it is the future Hokkaido Colliery and Shipping Company).

• 50歳の時紀州のひとつ下の後輩である野呂介石らとともに牟婁郡に遊歴し、この経験をもとに『熊野奇勝図巻』や『那智滝図』などの傑作を遺した。
• At age 50 together with Kaiseki NORO (a younger associate from Kishu) and others, Gyokushu traveled to Muro-gun and from the experience produced some of his best work: 'Kumano Scenic Folio' and 'Nachinotaki Waterfall Folio.'

• 東京高等工業学校卒業後は、京都市立陶芸試験場に入所し、東京高等工業学校の後輩でもある濱田庄司とともに1万種以上の釉薬の研究や、中国陶磁など過去の陶磁の模倣や研究も行った。
• Kanjiro joined the Kyoto Ceramic Research Center (京都市立陶芸試験場) after graduating from Tokyo Higher Technical School, and along with Shoji HAMADA, his junior at the school, he studied more than 10,000 types of glazes, reproduced and studied ceramics from the past, such as Chinese ceramics.

• 明治21年 (1888) に『寺子屋』の武部源蔵を勤めた際には、源蔵の女房戸浪を勤める後輩役者から戸浪のやり方を聞かれ、下記のように理論的に説明している（大阪朝日新聞 1889年10月11日の記事）。
• In 1888, when he performed Genzo TAKEBE in the drama 'Terakoya,' he was asked how to play Tonami by his junior who played Genzo's wife Tonami and he asked him, 'Tonami is whose wife and what her husband Genzo's position?

• 多くの助監督が後輩を指導する際、脚本を勉強することを第一とするのが通常であったのに対し、その他に中平は編集の技術も身に付けることを強く主張するなど、助監督時代から既に後の映画テクニックへの執着を見せる。
• While many assistant directors emphasized studying scenario when they taught juniors, Nakahira strongly insisted on learning editing techniques at the same time, which showed his obsession with film techniques since he was an assistant director.

• また、佐多は井上八千代の右腕として後輩の育成に努め、1948年（昭和23年）、門外不出である井上流の東京公演を成功させ、1950年（昭和25年）、京都文化院文化賞、1952年（昭和27年）に芸術賞を受賞した。
• Sata also worked hard as Yachiyo INOUE's right hand, training younger dancers and, in 1948, successfully gave a performance of Inoue school dance in Tokyo, the first time it had been performed outside the district; and for those achievements, she was awarded the Culture Prize by the Kyoto Culture Academy in 1950, and the Art Prize in 1952.

• 吉井勇の『かにかくに』の歌で有名なお茶屋『大友』の女将で芸妓である磯田多佳や、井上流の名手として、また後輩の育成に努めた松本佐多、ほかに早崎春勇、三宅小まめ、玉木里春、藤本竹葉、安藤孝子（現役当時の芸名は孝千代、後に11PMに出演）、岩崎究香、高田真知子、佳つ乃など京都のみならず、世間に花を添えてきた芸妓が数多くいる。
• Other geisha include: Taka ISODA who was a geisha and the proprietress of the teahouse 'Daitomo,' known by the tanka poem 'Kanikakuya' (meaning somehow) by Isamu YOSHII; Sata MATSUMOTO who was an excellent performer of the Inoue School of Dance and engaged in nurturing junior geisha and apprentice geisha; and many more geisha such as Haruyu HAYASAKI, Komame MIYAKE, Satoharu TAMAKI, Takeha FUJIMOTO, Takako ANDO (whose geisha name was Takachiyo when active and appeared on a TV program called '11 PM'), Mineko IWASAKI, Machiko TAKADA (高田真知子), and Katsuno, all of whom have enlivened not only Kyoto but also the world outside Kyoto.