帚: 52 Terms and Phrases
- 帚木
- Souboku
- Hahakigi
- Hahakigi (The Broom Tree)
- Hahakigi (broom tree)
- 帚木蓬生
- Hahakigi Housei (1947-)
- 帚木 (源氏物語)
- Hahakigi (The Tale of Genji)
- 帚木 (源氏物語)参照。
- See The Broom Tree.
- －桐壺・帚木／帚木・空蝉
- Kiritsubo, Hahakigi (The Broom Tree)/ Hahakigi, Utsusemi (The Cicada Shell)
- 帚木 (源氏物語)（ははきぎ）
- Hahakigi (The Tale of Genji)
- 帚木、空蝉、夕顔の三帖を帚木三帖
- Hahakigi, Utsusemi, Yugao are referred to as the Three Quires of Hahakigi.
- 五十四帖中「帚木」から「若菜」まで登場。
- Of the fifty-four chapters, she appeared in the chapter of 'Hahakigi' to 'Wakana' (new herbs).
- 桐壺、帚木、花宴、若菜上下、浮舟は明融本
- For Kiritsubo, Hahakigi, Hana no En, Wakana: Parts One and Two, and Ukifune, the Meiyu-bon manuscript was used.
- 帚木（ははきぎ）は信濃国園原伏屋にある木。
- Hahakigi was a tree in Fuseya of Sonohara, Shinano Province.
- 「帚木 (源氏物語)」から「御法」まで登場。
- He appears in the chapters from Hahakigi to Minori.
- 桐壺、帚木、花宴、若菜上下、橋姫、浮舟は明融本
- For Kiritsubo, Hahakigi (The Broom Tree), Hana no En (The Festival of the Cherry Blossoms), Wakana (New Herbs): Parts One and Two, Hashihime (The Lady at the Bridge) and Ukifune, the Meiyu-bon manuscript was used.
- For Kiritsubo, Hahakigi, Hana no En, Wakana: Parts One and Two, Hashihime and Ukifune, the Meiyu-bon manuscript was used.
- 主だった登場は「帚木」「空蝉」「関屋」の3巻のみ。
- Mainly she appeared in the three chapters of 'Hahakigi' (The Broom Tree), 'Utsusemi,' and 'Sekiya' (The Gatehouse).
- 帚木（ははきぎ）は、『源氏物語』五十四帖の巻名の一つ。
- Hahakigi (The Broom Tree) is one of the fifty-four chapters of 'The Tale of Genji.'
- 位置的には「桐壺」と「帚木 (源氏物語)」の間にあったとされている。
- It is said to have been placed between 'Kiritsubo' and 'Hahakigi' (The Broom Tree) (The Tale of Genji).
- 空蝉_(源氏物語)、夕顔_(源氏物語)が帚木_(源氏物語)の並びの巻
- The chapters of Utsusemi (The Cicada Shell) (The Tale of Genji) and Yugao (Evening Face) (The Tale of Genji) are narabi no maki for Hahakigi (The Broom Tree) (The Tale of Genji).
- 両者の間には「帚木」巻から「少女」巻までの間に1年の「ずれ」が存在する。
- Between these chronologies, there is a one-year 'gap' between the 'Hahakigi' and 'Otome' chapters.
- 本帖とそれに続く空蝉・夕顔の三帖をまとめて「帚木三帖」と呼ぶことがある。
- This chapter and the following two chapters of Utsusemi (The Cicada Shell) and Yugao (Evening Face) were called together the 'Three Chapters of Hahakigi.'
- 方丈前庭は築地塀で囲まれた一画に白砂を敷き詰め、帚目を付けただけのシンプルな庭。
- The garden in front of the hojo is of a simple design surrounded by a tsuiji fence and covered in white sand with raked lines.
- 「帚木」「空蝉」「若紫」「葵」「花散里」「澪標」「薄雲」「玉鬘」「常夏」「行幸」など。
- Hahakigi,' 'Utsusemi,' 'Wakamurasaki,' 'Aoi,' 'Hanachirusato,' 'Miotsukushi,' 'Usugumo,' 'Tamakazura,' 'Tokonatsu,' 'Miyuki,' etc.
- 「帚木」巻で語られた「雨夜の品定め」で、「常夏の女」として名前が出てくるがその時は聞き流される。
- In the chapter of 'Hahakigi' (The Broom Tree), her name 'Tokonatsu no Onna' comes up in the conversation about 'rating woman on a rainy night,' but nobody paid much attention to her at that time.
- 本巻と帚木との間の不整合については両巻の間に輝く日の宮の巻の存在を想定して解決しようとする説もある。
- There is a theory which tries to correct the inconsistency between this quire and 'Hahakigi' by presuming that a quire, 'Kagayakuhi no Miya' (The Shining Princess), exists between them.
- これらの内容があるとするといずれも位置的には「桐壺」と「帚木」の間にあるのが自然であると考えられること。
- If they existed, it is reasonable to assume that they were likely placed between 'Kiritsubo' and 'Hahakigi'.
- 『古今和歌集』の坂上是則の歌「園原や伏屋に生ふる帚木のありとてゆけど逢はぬ君かな」で広く知られることになった。
- The tree became widely known due to SAKANOUE no Korenori's poem in 'Kokin Wakashu' (A Collection of Ancient and Modern Japanese Poetry): 'Sonohara ya Fuseya ni ouru Hahakigi no Aritote yukedo Awanu Kimi kana (As the broom tree that grows by the lowly hut on Sonohara Plain, manifest to the eye, but beyond arms' reach are you, my love).'
- 「桐壺」1帖（室町時代の『源氏物語聞書』、与謝野晶子の説）、「帚木」「空蝉」「夕顔」3帖（風巻景次郎の説）など。
- For example, a chapter of 'Kiritsubo' (according to 'Hearsays Books of The Tale of Genji' and Akiko YOSANO), three chapters of 'Hahakigi,' 'Utsusemi' and 'Yugao' (advocated by Keijiro KAZAMAKI), etc.
- 源氏との夫婦仲の冷淡さは、葵の上が詠んだ和歌が一首も登場しないことにも象徴されている（「帚木 (源氏物語)」～「花宴」）。
- The cold relations between her and Genji are symbolized by the fact that no waka poems composed by Lady Aoi appear in the story (from 'Hahakigi' (The Broom Tree) through 'Hana no En' (The Festival of the Cherry Blossoms)).
- が、河内本系の写本である東山御文庫蔵『七毫源氏』の帚木巻巻末に付記された注釈では15歳説や19歳説があったことが知られる。
- However, according to the notes attached to the end of the 'Hahakigi' chapter in the 'Shichigo-Genji,' which is a copy of the 13th century Kawachi-bon manuscript and is kept at the Higashiyama Go-bunko library, it is known that there were also theories that he was fifteen or nineteen years old.
- 本巻は源氏物語の首巻であり、源氏物語年立の上で最も早い時間軸の部分が描かれているが、続く巻である「帚木」とのつながりが悪い。
- In this first quire, depicted are the earliest episodes of Genji Monogatari, but this quire is not well connected to the following quire 'Hahakigi' (The Broom Tree).
- 幅25メートル、奥行10メートルほどの敷地に白砂を敷き詰め、帚目を付け、15個の石を5か所に点在させただけのシンプルな庭である。
- Covering an area of about 25 meters wide and 10 meters long, it is a simple garden composed only of white sand through which lines have been drawn with a rake and 15 stones set in 5 places.
- 「帚木 (源氏物語)」をした、トンボを油で揚げて食べた、蚊取り線香の容器型のスタンプを作ってノートに押したなどの逸話も伝わっている。
- Amusing anecdotes are told about him as follows: He talked about women with his friends, He ate a deep-fried dragonfly, He pressed on a notebook his own made stamp with a design of a container of mosquito repellent stick.
- 帚木の名を伝える檜の木は現存し、長野県阿智村園原の月見堂（伝教大師＝最澄が立てた広拯院の跡地と考えられている）の裏手に根元の幹のみが残っている。
- The cypress tree named Hahakigi actually existed; today, only the bottom of the trunk can be seen at the back of Tsukimi-do (regarded as the site of Kojo-in Temple built by Saicho (Dengyo Daishi)) in Sonohara, Achi-mura, Nagano Prefecture.
- 桐壺巻と帚木巻、夕顔巻と若紫巻等、紫上系の巻から玉鬘系の巻に切り替わる部分や逆に玉鬘系の巻から紫上系の巻に切り替わる部分の描写に不自然な点が多い。
- Many discrepancies of description occur when the Murasaki no Ue series changes to the Tamakazura series or the Tamakazura series changes to the Murasaki no Ue series; such as the chapters between Kiritsubo and Hahakigi, the chapters between Yugao and Wakamurasaki, etc.
- 桐壺、帚木、花宴、若菜上下、橋姫、浮舟については定家の自筆本を文字の配列に至るまですべてそのまま写したとされていることから明融臨模本とも呼ばれる。
- It was also called Meiyurinmo-bon because the chapters of Kiritsubo (The Paulownia Court), Hahakigi, Hana no En (The Festival of the Cherry Blossoms), Wakana (new herbs) I and II, Hashihime (The Maiden of the Bridge), and Ukifune (A Drifting Boat) were faithfully copied from the manuscript by Teika, and even the order of the letters were the same.
- その他、「五節の君」のような「帚木」以降の巻において初めての登場であるにもかかわらず以前に登場したことがあるかのような記述のある人物が何人かいる。
- In addition, there are some people such as 'Lady Gosechi' who are described as if they had already appeared before, even though their first appearances were in 'Hahakigi' or other chapters afterwards.
- 位置的には「桐壺」と「帚木」のあいだにこれらの内容があってしかるべきであるとされる（現にこの脱落を補うための帖が後世の学者によって幾作か書かれている）。
- It is conjectured that these scenes should have been inserted between 'Kiritsubo' and 'Hahakigi' (in fact, subsequent scholars wrote supplementary chapters to fill in the gap).
- 能地謡が「そもそも桐壺の、ゆふべの煙速やかに、法性の空に至り、帚木の夜の言の葉は…」と源氏物語の巻名を順に読み込んだ謡を歌い、紫式部はこれにあわせて舞う。
- Noh-jiutai, (Noh chorus) sings Utai (a song) containing the volume titles of the Tale of Genji in order, such as 'To being with, the smoke of Kiritsubo (the Paulownia Court) quickly rose to the sky over Hossho last night, and words of Hahakigi (the Broom Tree) in the evening...,' and Murasaki Shikibu dances to the music.
- 例えば藤裏葉巻から逆算した再出発点にあたる帚木 (源氏物語)での『雨夜の品定め』の場面での光源氏の年齢について、新年立では17歳、旧年立では16歳となる。
- For instance, Hikaru Genji's age in the 'rainy night's judgment' scene in the 'Hahakigi' chapter, which is considered the restarting point when counting backwards from the 'Fuji no Uraba' chapter, is seventeen years old according to the new chronologies, and sixteen if the old chronologies are followed.
- そして、「輝く日の宮」を「桐壺」巻から分離し第2巻とし、これを本の巻とし、「空蝉」巻を包含した形の「帚木」巻と「夕顔」巻とをそれぞれ並一･並二として扱った。
- He separated 'Kakayakuhi no Miya' from 'Kiritsubo' and made the second chapter, thus considering it the main chapter while taking the chapters of 'Hahakigi' and 'Yugao' (including 'Utsusemi') as Narabi 1 and Narabi 2, respectively.
- このような状況を問題視する阿部秋生によって、帚木 (源氏物語)帖を例にとって「簡明を旨とする」の具体的な内容を中心に校訂本文の精度についてさまざまな検証が行なわれた。
- Akio ABE, who regarded such situation as a problem, took an example of the chapter of Hahakigi, and verified the accuracy of the collated text in many ways, and particularly the substantial meaning of 'aiming at brevity.'
- 名前は、源氏からアサガオの花を添えた和歌を贈られたという「帚木」や「朝顔」の逸話からきており、そこから「朝顔の姫君」「朝顔の斎院」「槿姫君」「槿斎院」などの呼び名がある。
- Her name was derived from the episodes in 'Hahakigi' (The Broom Tree) and 'Asagao' in which Genji sent her a waka poem with a morning glory, then she was called 'Princess Asagao,' 'Asagao no Saiin,' ('Asagao' was written in Japanese with the letter '朝顔' or '槿'), and so on.
- （「紫の上系」と「玉鬘系」はそれぞれ「a系」と「b系」、「本系」と「傍系」あるいはそれぞれの筆頭に来る巻の巻名から「桐壺系」と「帚木系」といった呼び方をされることもある。）
- ('Murasaki no Ue Series' and 'Tamakazura Series' are respectively called 'Group a' and 'Group b,' 'main group' and 'side group,' or the 'Kiritsubo Series' and 'Hahakigi Series,' based on the name of the first chapter in each group.
- そこから、近づいても逢ってくれない人、逢えそうで逢えない人の喩えに用いられ、『源氏物語』では第二帖の巻名にもなった（この場合の逢えない相手は空蝉。「帚木（源氏物語）」参照）。
- This poem became a metaphor for a lover who pay attention to you even when you came close or a lover you seemed you would meet but you couldn't, and the word 'Hahakigi' became the title of the second chapter of 'The Tale of Genji' (where the lover Genji couldn't see was Utsusemi (the Lady of the Locust Shell). See 'Hahakigi' (Tale of Genji)).
- 巻名は作中で光源氏と空蝉 (源氏物語)が交わした和歌「帚木の心をしらでその原の道にあやなくまどひぬるかな」及び「数ならぬ伏屋に生ふる名のうさにあるにもあらず消ゆる帚木」に因む。
- The title of this chapter came from the waka poems exchanged between Hikaru Genji and Utsusemi: 'I did not know the deceptive ways of the broom tree, so I wander aimlessly in the Sonohara moorlands.' and 'Born in a humble home and crushed by a name, I might like the broom tree vanishing away'
- そのため帚木巻から藤裏葉巻までの間の光源氏の年齢というのはすべて作品中で描かれている季節などから経過年数を推測した上で、藤裏葉巻から逆算して考察することによって明らかにされている。
- Therefore, Hikaru Genji's age all throughout the period between the 'Hahakigi' (The Broom Tree) chapter and the 'Fuji no Uraba' chapter was determined by guessing how many years had passed on the basis of clues in the story, such as the description of seasons, then calculating backwards from the 'Fuji no Uraba' chapter.
- 和辻哲郎は、「帚木」巻の冒頭部の記述についての分析などから、「とにかく現存の源氏物語が桐壺より初めて現在の順序のままに序を追うて書かれたものではないことだけは明らかだと思う。」と結論付けた。
- Tetsuro WATSUJI concluded, 'Anyway, it is totally clear that 'The Tale of Genji' was not written in the order of the present text beginning with Kiritsubo,' depending on the analysis of the opening lines in the chapter of 'Hahakigi.'
- 与謝野晶子は、『源氏物語』は「帚木」巻から起筆され、「桐壺」巻は後になって書き加えられたのであろうとする説を『源氏物語』の全体を二分して後半の始まりである「若菜」巻以降を紫式部の作品ではなくその娘である太宰三位の作品であろうとする見解とともに唱えた。
- Akiko YOSANO advanced the theory that the writing of 'The Tale of Genji' began with 'Hahakigi' and that 'Kiritsubo' would have been added later, effectively dividing 'The Tale of Genji' into two parts; she also expressed the view that the latter part of the book, starting from 'Wakana', was written not by Murasaki Shikibu, but by her daughter Dazai no Sami.
- また、これ以後に作られた校訂本では冷泉明融により藤原定家の自筆本を文字の配列や字形に至るまで忠実に写し取った臨模本とされる明融臨模本が存在する巻（桐壺、帚木、花宴、若菜 (源氏物語)上下、橋姫 (源氏物語)、浮舟）については大島本よりもそちらを底本にすることが多い。
- Most of the recensions which were made after this were not based on the Oshima-bon, but on the Meiyurinmo-bon, a copy book which REIZEI Meiyu faithfully transcribed from the manuscripts in Teika's own hand, from arrangement of letters to even letterforms, as long as the Meiyurinmo-bon manuscripts existed; the volumes based on the Meiyurinmo-bon were Kiritsubo, Hahakigi (The Broom Tree), Hana no En (The Festival of the Cherry Blossoms), Wakana (Spring Shoots) I and II, Hashihime (The Maiden of the Bridge), and Ukifune.
- 阿部秋生は、「桐壺」巻から「初音」巻までについて、まず「若紫」・「紅葉賀」・「花宴」・「葵」・「賢木」・「花散里」・「須磨」の各巻が先に書かれ、その後「帚木」・「空蝉」・「夕顔」・「末摘花」が書かれた後に、「須磨」以後の巻が執筆され、「乙女」巻を書いた前後に「桐壺」巻が執筆されたとする説を発表した。
- Akio ABE announced the supposition that the chapters from 'Kiritsubo' to 'Hatsune' were composed as follows: first the chapters of 'Wakamurasaki,' 'Momijinoga,' 'Hananoen,' 'Aoi,' 'Sakaki,' 'Hanachirusato' and 'Suma' were written, and after 'Hahakigi,' 'Utsusemi,' 'Yugao,' 'Suetsumuhana' were written all the chapters subsequent to 'Suma' were written, and 'Kiritsubo' was written around the time that 'Otome' was completed.
