入社: 155 Terms and Phrases
- 入社
- entry to a company
- joining (a firm)
- 入社式
- initiation or welcoming ceremony
- induction ceremony
- 新入社員
- new employee
- freshman employee
- new hire
- newly joined member
- 入社試験
- test for a position in a company
- company entrance test
- 東芝に入社。
- He entered Toshiba.
- 入社の申込み
- Application for membership
- 新入社員教育
- training of new employees
- 復員し東映に入社。
- Tomu was repatriated and joined Toei.
- 12月:日本新聞社入社
- In December, he was employed by Japan Newspaper Company.
- 経験のない若い新入社員
- young recruits destitute of experience
- 同年4月、東映に入社。
- In April the same year, he joined Toei Company, Ltd.
- 入社後3度徴兵された。
- He was drafted three times after joining the company.
- 1946年に東宝入社。
- He entered Toho Co., Ltd. in 1946.
- 12月、読売新聞に入社。
- In December joined the Yomiuri Shimbun.
- 1953年、東映に入社。
- In 1953, Fukasaku enters into Toei.
- - 松竹大船撮影所、入社
- He entered Shochiku Obune studio.
- 新入社員 (テレビドラマ)
- Super Rookie
- 朝日新聞社入社と文豪への道
- Entering Asahi Shimbun Company and his way to becoming a great writer
- 日活京都大将軍撮影所に入社。
- Joined Nikkatsu Kyoto Taishogun Film Studios.
- 彼は高校卒業直後に入社した。
- He joined the company right after he got through high school.
- 新入社員のための適応プログラム
- an orienting program for new employees
- 1937年、東宝撮影所に入社。
- In 1937, he entered Toho Film Studios.
- その後、日活太秦現代劇部に入社。
- She later went on to enter Nikkatsu Uzumasa's contemporary drama department.
- 横山はのちにマキノに入社している。
- YOKOYAMA later worked for Makino.
- 大学卒業後、松竹京都撮影所に入社。
- After graduating from university, he was employed at the Shochiku Kyoto Studio.
- 入社を許可する資格の1つは学位である
- one of the qualifications for admission is an academic degree
- 1947年、大映に助監督として入社。
- In 1947 he joined Daiei Motion Picture Company as an assistant director.
- 本日、会社に新入社員が入社しました。
- New employees have started at our company today.
- 読売新聞社に入社し時事スケッチを担当。
- He joined the Yomiuri Shimbun and came to be in charge of the illustrations for current affairs.
- 小山内薫の紹介で松竹蒲田撮影所に入社。
- He entered Shochiku Kamata Studios through the introduction of Kaoru OSANAI.
- 1954年京大卒業後、松竹大船に入社。
- After graduating from Kyoto University in 1954, Oshima entered Shochiku Ofuna Studios.
- その後、日活に入社して助監督を勤めた。
- Afterwards, Yamamoto was employed by the Nikkatsu (movie studio) and worked as an assistant director.
- 同年に松竹大船撮影所助監督部に入社する。
- He joined the Assistant Director Department of Shochiku Ofuna Studios in the same year.
- 1930年、松竹に助監督として正式入社。
- In 1930, he officially joined Shochiku Co., Ltd. as an assistant director.
- 幸いにも再起し製作を再開した日活に入社。
- Fortunately he made another recovery and joined Nikkatsu Corporation which had resumed its film making activities.
- 明治40年(1907年)、朝日新聞社入社。
- In 1907, he entered Asahi Shinbun Company.
- 新入社員は初めての失敗をうまくいいぬけた。
- The new employee glossed over his first mistake.
- 関西学院大学文学部卒、1948年大映入社。
- He graduated from the School of Humanities, Kansai Gakuin University, before starting work in the Daiei Motion Picture Company in 1948.
- 1891年(明治24年)日本土木会社に入社。
- 1891: He joined the Nippon Doboku Gaisha (Japan civil engineering company).
- 大正11年、日活向島撮影所に俳優として入社。
- In 1922, he joined the Nikkatsu Mukojima film studio as an actor.
- 1927年、谷崎十郎プロに俳優として入社する。
- In 1927, he joined Tanizaki Juro Productions as an actor.
- 入社以来、島津保次郎の下で助監督として活躍する。
- After joining the studio, he was active as an assistant director under Yasujiro SHIMAZU.
- 1951年、大学を卒業し、松竹大船撮影所に入社。
- In 1951, he graduated from university and began working at Shochiku Ofuna Studios.
- 星製薬で宣伝の映写技師を応募していたため、入社。
- Since Hoshi Seiyaku (Hoshi Pharmaceutical Company) was recruiting cinematographers for their advertisements, he entered the company.
- 1956年- 東映京都撮影所に助監督として入社。
- 1956: He was hired at Toei Kyoto Movie Studio as an assistant director.
- 坪内逍遥と親しくなり、1896年「都新聞」に入社。
- He became acquainted with Shoyo TSUBOUCHI and joined 'Miyako Shinbun' (Miyako Newspaper) in 1896.
- 明治大学専門部文芸科卒業後、松竹大船監督部に入社。
- After graduating from the Professional Course, Meiji University, he joined the Shochiku Ofuna Director Department.
- 1926年、東大を卒業後、住友グループの本社に入社。
- In 1926, he joined the corporate headquarter of Sumitomo Group after the graduation from the University of Tokyo.
- 慶應義塾大学経済学部卒業後、1947年、新東宝に入社。
- After graduating from the Keio University Faculty of Economics, he entered Shintoho studios in 1947.
- 1890年、貿易を志して森村市左衛門の森村組に入社する。
- He aspired to engage in trading and joined Ichizaemon MORIMURA's Morimura Gumi in 1890.
- 岡田と鈴木を除いて全員がこの「等持院撮影所」に入社する。
- Everyone except Okada and Suzuki joined this 'Tojiin Studio'.
- 福沢諭吉の教えを受け、1893年福沢創刊の時事新報に入社。
- He was taught by Yukichi FUKUZAWA, and in 1893 he joined Jiji Shinpo, the newspaper company which was launched by FUKUZAWA.
- その後朝日新聞社に入社し、「虞美人草」「三四郎」などを掲載。
- Later, he entered The Asahi Shimbun Company, and wrote novels 'Gubijinso' (Red Poppy), 'Sanshiro' and others for the newspaper.
- 中根の推薦で有馬と小崎、千葉(大乗寺)も同撮影所に入社した。
- Arima, Ozaki and Chiba (later known as Daijoji) also joined the studio through Nakane's recommendation.
- 新入社員に事務所の規則をよく理解させるのは君の仕事になるよ。
- It will be your job to acquaint the newcomer with the rules of the office.
- 慶應義塾大学文学部卒業後の1941年、松竹大船撮影所に入社。
- In 1941, after graduating from Keio University Faculty of Letters, Nomura joined Shochiku Ofuna Studio.
- 明治35年(1902年)、読売新聞社を退社し、二六新報に入社。
- In 1902, resigned from the Yomiuri Shimbun and joined the Nirokushimpo.
- 立命館大学専門部商科卒業後、日活京都撮影所に助監督として入社。
- After graduating from the Specialized Department of Commerce, Ritsumeikan University, he entered the Nikkatsu Kyoto Studios as an assistant director.
- あの男鳴り物入りで入社したけど、実力のほど看板に偽りなしだったね。
- He came on board this company with a lot of fanfare and he turns out to have the skill and talent to live up to it.
- 1929年に親戚のつてで松竹蒲田撮影所に助手見習いとして入社した。
- In 1929, with the help of a relative, he entered the Shochiku Kamata Film Studio as an assistant apprentice.
- この年、時事新報社に入社するが官民調和の臨調に反発して翌年退職する。
- In that year, he joined a newspaper company Jiji Shinpo-sha; however, he opposed the policy of kanmin chowa (the harmony between the government and people) in the Ad Hoc Commission on Administrative Reform, he retired his job the following year.
- 中でも荃廬は長尾雨山とともに呉昌碩に学び、西泠印社にも入社している。
- Senro, in particular, learned from Goshoseki with Uzan NAGAO and joined the academic society Xi Ling Yin She.
- 明治8年(1875年)4月に東京曙新聞に入社し主筆(編集長)となる。
- In April 1875 he joined the Tokyo Akebono Shinbun and became the chief editor.
- ― 信三郎(三男)が勤めていた朝日新聞社を退社し、一澤帆布工業に入社
- - Shinzaburo (the third son) retired the Asahi Shinbun Company for which he had worked and joined Ichizawa Hanpu Co., Ltd.
- 1927年(昭和2年)、21歳の無名の青年八田尚之を入社させている。
- In 1927, Katsumi Yotaro Productions hired an unknown young man named Naoyuki Hotta.
- 1952年、大学卒業と同時に松竹京都撮影所に入社し、助監督を務める。
- Upon graduating university in 1952, he entered Shochiku Kyoto Studios and served as an assistant director.
- 同年8月には月形一党は松竹京都撮影所に入社、名も「月形龍之介」に戻した。
- During August of the same year, Tsukigata's group joined Shochiku Kyoto Studio and Tsukigata changed his name back to 'Ryunosuke TSUKIGATA.'
- これを機に厳格な父の反対を押し切って1924年、日活大将軍撮影所へ入社。
- Tasaka took this as an opportunity to join Nikkatsu Daishogun Studios in 1924 despite opposition from his strict father.
- 1923年(大正12年)3月に上京し、親類のつてで松竹蒲田撮影所に入社。
- In March 1923, he arrived in Tokyo and began work at Shochiku Kamata Studios on the recommendation of a relative.
- 日本大学芸術学部映画学科卒業後、1933年、PCL(東宝の前身)に入社。
- He graduated from the Cinema Department of the College of Art, Nihon University in 1933 and joined PCL (Photo Chemical Laboratory, the predecessor of Toho).
- その後平民社の堺利彦を訪ね、その紹介で和歌山県田辺市の牟婁新報に入社した。
- Subsequently Suga met Toshihiko SAKAI in Heimin-sha (The Commoner's News Company) and through the good offices of him, she joined Muro Shinpo (Muro News) in Tanabe City, Wakayama Prefecture.
- 5月に設立された「片岡千恵蔵プロダクション」(千恵プロ)に武井は入社した。
- TAKEI joined 'Kataoka Chiezo Productions' (Chie Pro) established in May of 1928.
- 1935年、東京大学を中退し、J・Oスタジオ(現・東宝)企画部に入社する。
- In 1935, he dropped out of the University of Tokyo and was hired at the Planning Department of J.O. Studio (present-day Toho Co., Ltd.).
- 阪東の日活入社第1作は、おなじく同社に入社したマキノ正博の監督作『恋山彦』
- The first production in which Bando appeared after joining Nikkatsu was 'Koi Yamahiko,' directed by Masahiro MAKINO who had joined the company the same year.
- 横浜に創立されたばかりの大正活映に入社し、トーマス・栗原監督の助手を務める。
- Tomu joined Taisho Katsuei, which had recently been founded in Yokohama, where he served as an assistant to Thomas Kurihara.
- 慶應義塾大学経済学部卒業後、1947年角川映画東京撮影所助監督部へ入社する。
- After graduating from the Faculty of Economics, Keio University, he entered Kadokawa Movies Tokyo Studios, Assistant Director Section in 1947.
- 第一高等学校 (旧制)中退、1893年二六新報に入社、青々園の名で劇評を書く。
- He joined Niroku Shinpo in 1893 to write stage reviews under the name of Seiseien after he quitted Daiichi High School (the first old-education-system high school).
- そこで東坊城も、1932年末をもって古巣の日活を退社、「入江ぷろ」に入社した。
- Then, Higashibojo left his old nest, Nikkatsu Corporation, at the end of 1932, and entered 'Irie Production.'
- 私自身も、当社に入社する前の会社では、2度ほどトップに直言した経験があります。
- I myself have, before becoming employed by this company, twice spoken bluntly to the people at the top.
- 雑誌『国民之友』を創刊し山路愛山・竹越与三郎・徳冨蘆花・国木田独歩らが入社した。
- The group founded the magazine 'Kokumin no Tomo (Friend of the people)', and Aizan YAMAJI, Yosaburo TAKEKOSHI, Rokka TOKUTOMI and Doppo KUNIKIDA joined the magazine.
- 明治36年東京に戻るものの、明治44年大阪帝国新聞社入社のために再び大阪に転居する。
- Although he returned to Tokyo in 1903 (表記の変更), he again moved to Osaka 1911(表記の変更) to join a newspaper company, Osaka Teikoku Shinbun-sha.
- 明治40年(1907年)2月、一切の教職を辞し、池辺三山に請われて朝日新聞社に入社。
- In February 1907, he gave up all of his teaching posts and entered Asahi Shimbun Company as invited by Sanzan IKEBE.
- つぎに京都・嵯峨野の日活撮影所に入社、「現代劇部」の映画俳優としてキャリアが始まる。
- Then, he entered the Nikkatsu Studio in Sagano, Kyoto, and began his career as a movie actor of 'the Contemporary Drama Section.'
- 父の友人の息子である島津保次郎の口添えもあり、1923年、松竹蒲田撮影所へ入社する。
- With the recommendation of his father's friend's son, Yasujiro SHIMAZU, he entered Shochiku Kamata Studios in 1923.
- 26年再度上阪し、尼崎紡績に入社、27年には抜擢され副支配人、34年取締役に就任した。
- In 1893, he moved to Osaka again and joined Amagasaki Spinners Ltd., where he was promoted to an assistant manager in 1894 and to a director in 1901.
- 菊池寛が自ら試験問題を作成して募集した文藝春秋の入社試験に、この作者を問う問題がある。
- The question to answer this author appeared in the recruitment examination of Bungeishunju Ltd. which Kan KIKUCHI himself prepared the questions for recruiting.
- 愛媛県松山市に生まれ、京都帝国大学文学部を卒業後、1933年日活太秦撮影所に入社する。
- He was born in Matsuyama City, Ehime Prefecture, and entered Nikkatsu Uzumasa movie studio in 1933 after graduation from Faculty of Letters, Kyoto Imperial University.
- 嵐は浪人の身となり、自由を謳歌したのち、1938年(昭和13年)に日活撮影所に入社した。
- Arashi became independent and enjoyed his freedom until he was hired at Nikkatsu Studio in 1938.
- 松竹から阪東妻三郎を譲り受け、入社第1作として阪東主演で『恋山彦 風雲の巻』を監督した。
- After getting Tsumasaburo BANDO from Shochiku, he directed 'Koi Yamahiko Fuun no maki' with Bando being a leading actor as his first film at Nikkatsu.
- 怠学による出席日数不足で中退するところだったが、1954年に卒業して松竹に補欠入社する。
- Although he almost dropped out of school due to skipping classes and failing to attend sufficient days, he graduated in 1954 and was accepted by Shochiku after being put on their waiting list
- 小説家志望であったが、次善の途として映画監督を志し、松竹大船撮影所に監督助手として入社。
- Although he wanted to become a novelist, he also wished to become movie director as his second choice, so he entered Shochiku Obune studio as an assistant director.
- 卒業の半年前に大学を中退し1878年パリ万国博覧会の通訳として貿易商社に入社しとして渡仏。
- He dropped out of the university six months before graduation and got employed by a trading company as an interpreter at the Paris World Exposition, and consequently went to France in 1878.
- 明治29年1896年、農商務省 (日本)参事官を退官し、住友に入社、大阪本店の副支配人となる。
- In 1896, he resigned as counselor of the Ministry of Agriculture and Commerce (Japan) to enter a company of the House of Sumitomo, and became assistant manager of the head office of Osaka.
- 1927年(昭和2年)、一商の先輩であるマキノ正博を頼って、マキノ・プロダクションへ入社する。
- In 1927, he entered Makino Productions through his connection to his senior of the school Masahiro MAKINO.
- マキノは、比佐芳武の書いた吉川英治原作の『恋山彦』の脚本を手に、再び横田更迭後の日活に入社した。
- Makino rejoined Nikkatsu, which had already replaced Yokota, with a scenario written by Yoshitake HISA based on Eiji YOSHIKAWA's 'Koi Yamahiko.'
- 1914年(大正3年)、共同火災保険(現在のニッセイ同和損害保険の前身のひとつ)に入社している。
- In 1914, Senzaburo was employed by Kyoto Fire Insurance (one of the predecessors to present Nissei Dowa).
- 1956年、経営が行き詰った近代映画協会を離れ(新藤兼人の要望で名義だけは残した)、大映に入社。
- In 1956, he left Kindai Eiga Kyokai, which was having financial problems (he left only his name because of the wishes of Kaneto SHINDO), and joined Daiei.
- この前年の末に、大学在学中ながら読売新聞に入社し、以後紅葉の作品の重要な発表舞台は読売新聞となる。
- At the end of the previous year, he joined the Yomiuri Shimbun (a daily newspaper) while attending the university; since then, the newspaper was his primary medium for publishing his works.
- この養父昌之助には、漱石が朝日新聞社に入社してから、金の無心をされるなど実父が死ぬまで関係が続く。
- He was troubled by his foster father Shonosuke, who came to him asking for money or something, after he began working for Asahi Shimbun Company; that relationship lasted until his birth father died.
- しかし、山田が松竹に補欠合格したため、日活に補欠合格することができ、1954年に助監督として入社。
- However, because Yamada was accepted as a backup candidate by Shochiku, he was able to be a backup for Nikkatsu as well, and he joined the company as an assistant director in 1954.
- 武井は地方巡業を経て、翌1930年(昭和5年)6月、市川右太衛門プロダクションに入社することになる。
- After a number of regional tours, TAKEI joined Ichikawa Utaemon Productions in June of 1930.
- その時の試験官だった鈴木清順に誘われ、日活の入社試験を山田と共に受け、不合格となり、山田は合格する。
- Seijun SUZUKI, the examiner at this time, suggested that he take the Nikkatsu employment exam with Yamada, but he didn't pass and Yamada did.
- しかし、松竹が映画事業に乗り出すことを知り、父の友人の紹介で小山内薫の門下生として、松竹に入社する。
- However, when he learned about Shochiku Co., Ltd. entering the film industry, he joined the company as an apprentice to Kaoru OSANAI via the introduction of a friend of his father.
- 明治5年(1872年)に釈放後、家老粛清の追及を逃れるためアメリカ合衆国に留学し、帰国後は三菱に入社。
- After he was released in 1872, he studied in the United States in order to escape from questioning over his liquidation of the chief retainer, and after he returned to Japan, he joined Mitsubishi.
- 潰れかかった国際活映に入社して女形(日活向島を退社した衣笠貞之助が出演)を使った映画を撮ったりもした。
- Also, he joined Kokusai katsuei which was going to fold up and made films starring an actor of female roles (starring Teinosuke KINUGASA who had quit Nikkatsu Mukojima).
- 帰国後の1874年、政府系の東京日日新聞に入社し(主筆、のち社長)、ジャーナリストとして大いに筆名を上げた。
- After he came back to Japan, in 1874, he entered a government-controlled newspaper company, Tokyo Nichinichi Newspaper (main writer, and later president) and became very famous as a journalist.
- 松竹の京都第二京極にある芝居小屋「大正座」の座付作者だったが、火事のため人気が低下し、松竹蒲田撮影所に入社。
- He was a scriptwriter exclusively for the theater group 'Taisho-za' at Shochiku's Kyoto Kyogoku No.2, but after a fire, the theater lost its popularity and he entered the Shochiku Kamata Studios.
- 姉の家に居候しながら映画やオペラ、文学にひたり、日活の俳優であった富岡正の知遇を得、9年に日活撮影所に入社。
- As he lived off his sister, Mizoguchi was fascinated by movies, opera and literature; in 1920, favored by an actor for the Nikkatsu (a movie studio), Tadashi TOMIOKA, he was hired by the Nikkatsu Studio.
- 発起人は、前条第一項の募集に応じて入社の申込みをしようとする者に対し、次に掲げる事項を通知しなければならない。
- The incorporators shall notify the following matters to those who are willing to apply for membership in response to the solicitation under paragraph (1) of the preceding Article:
- J・Oが東宝と合併した1937年、今井は入社2年目にして早くも監督昇進に指名され、異例のスピード出世となった。
- When J.O. Studio and Toho Co., Ltd. merged in 1937, Imai was selected as director in his second year at the company, which was an unusually fast promotion.
- 1500人中8人(鈴木清順、松山善三、斉藤武市、井上和男、生駒千里、今井雄五郎、有本正)の内に撰ばれ、松竹入社。
- He was selected as one of the eight members (Seijun SUZUKI, Zenzo MATSUYAMA, Buichi SAITO, Kazuo INOUE, Chisato IKOMA, Yugoro IMAI, and Tadashi ARIMOTO) among 1,500 applicants and entered Shochiku Co., Ltd.
- 同期入社は赤八会(赤っ恥を八人でかくの意)の中平康、斎藤武市、井上和男、生駒千里、松山善三、今井雄五郎、有本正。
- Suzuki and the other successful candidates who joined the company in the same year including Ko NAKAHIRA, Buichi SAITO, Kazuo INOUE, Chisato IKOMA, Zenzo MATSUYAMA, Yugoro IMAI and Tadashi ARIMOTO formed the Akahachikai (meaning that the eight of them will embarrass themselves).
- 松竹入社後、ダンディで名高い松竹トップクラス監督の木下惠介が、「あんな汚らしい男をうちの助監督につけるな」と発言。
- After Suzuki's joining Shochiku, the top director of that company Keisuke KINOSHITA who was well-known for his refined stylishness said, 'I don't want that grubby guy for my assistant director.'
- しかし、この2作で月形は15万円もの負債を背負い、再度プロダクションを解散、月形は東活映画社に入社することになった。
- However, Tsukigata incurred a debt of 150,000 yen in the production of these two films and joined Tokatsu Eigasha after liquidating the company.
- 卒業後、1950年、大映京都撮影所に助監督として入社し、吉村公三郎、溝口健二、市川崑、新藤兼人、斎藤寅次郎らにつく。
- After graduating, he joined Daiei Kyoto Studios in 1950 as an assistant director and worked under Kozaburo YOSHIMURA, Kenji MIZOGUCHI, Kon ICHIKAWA, Kaneto SHINDO and Torajiro SAITO.
- 米子商蚕学校(現鳥取県立米子南高等学校)卒業後上京し、明治大学専門部商科卒業後、1943年に東宝に入社し助監督となる。
- After he graduated from Yonago Shoyogakko (Yonago commercial and sericultural institute) (present Tottori Prefectural Yonagominami High School), he went to Tokyo, and after he graduated from the Commercial Department of the Professional Course at Meiji University, he joined Toho Co., Ltd. to become an assistant film director.
- 東京府尋常中学(のちの東京府立一中、現東京都立日比谷高等学校)在学中から劇作家を志し、卒業後1890年、東京日日新聞入社。
- When he was studying at Tokyo Ordinary Middle School (later Tokyo First Junior High School and currently Tokyo Metropolitan Hibiya High School), he intended to become a playwright and after graduation joined a newspaper publisher, Tokyo Nichinichi Shinbun.
- しかし、程なくして司法官職を辞職し、住友の総理事をしていた叔父・広瀬宰平の勧めにより1879年(明治12年)に住友に入社。
- Soon afterwards, he decided to leave this legal career, and he joined Sumitomo in 1879 at the recommendation of his uncle Saihei HIROSE, who worked as Director General of Sumitomo.
- 大映京都撮影所の助監督部に入社し、少年時代映画のとりことなるきっかけを作った伊藤大輔 (映画監督)監督作品につくこととなる。
- He entered Daiei Kyoto Studios as an assistant director and became involved in making films directed by Daisuke ITO, whose films had captivated him when he was a boy.
- マキノ入社直後、嵐はマキノ省三から「このなかからやりたい役を選べ」と雑誌『少年倶楽部』昭和2年(1927年)3月号を渡される。
- Soon after having joined the company of Makino, Arashi was handed the 1927 March issue of the Shonen Club (Boys' Club) magazine by Shozo MAKINO who said, 'Choose a role that you want to play from the stories here.'
- 同社は「牧野教育映画製作所」開業と同時に入社した横浜・大活出身の俳優二川文太郎、井上金太郎をそれぞれ監督としてデビューさせた。
- The company made Buntaro FUTAGAWA and Kintaro INOUE, the actors who had belonged to Daikatsu in Yokohama before joining Makino's company at its start, come out as film directors.
- 解散後の小文治は、千恵プロ、寛プロに出演したのちの同年内に、芳之助とともに日活撮影所に入社、監督の富沢は帝国キネマに移籍した。
- After the dissolution, Kobunji acted in films produced by Chie Pro and Kan Pro and then joined Nikkatsu Studio with Yoshinosuke in 1928, while the director TOMIZAWA moved to Teikoku Kinema Engei Kabushiki Gaisha (Imperial Cinema Entertainment Co. Ltd.).
- だが旧態依然な歌舞伎の世界に飽き足らず、1923年(大正12年)、マキノ映画製作所結成にあたり、スカウトをされて 入社をする。
- However, he was not satisfied with the kabuki world, which was very traditional and Tsumasaburowas scouted by the newly established Makino Film Studios upon its founding in 1923.
- 1923年に、親戚で美術家の斎藤佳三(上野美術学校の講師で、松竹蒲田撮影所の美術部長でもあった)の紹介で、松竹に監督志望で入社。
- He entered Shochiku Co., Ltd while seeking the position of director with the recommendation of his relative and artist, Kazo SAITO (a lecturer in Ueno Art School and Art Department Director of Shochiku Kamata Studio) in 1923.
- 前条第一項の募集に応じて入社の申込みをする者は、次に掲げる事項を記載して署名した書面を二通作成し、発起人に交付しなければならない。
- A person who applies for membership in response to the solicitation under paragraph (1) of the preceding Article shall prepare and submit to the incorporators two pieces of the signed document describing the following matters:
- 正映マキノキネマで巻き返そうとした兄・正博は1932年(昭和7年)御室撮影所の焼失で全てを失い、マキノ一党を率いて日活に入社した。
- Although his brother Masahiro attempted to take a chance and become successful in Shoei Makino Cinema, he lost everything from the fire of the Omuro Movie Studio in 1932, and joined Nikkatsu Corporation with other people from the Makino families.
- 同作には、同時期にマキノを退社して千恵プロに入社した武井龍三や、「市川小文治歌舞伎映画プロダクション」を設立した小文治も出演している。
- Making appearances in this film were Ryuzo TAKEI, who resigned from Makino and joined Chie Puro around the same time, and Kobunji, who established 'Ichikawa Kobunji Kabuki Eiga Productions.'
- さらに上に述べたタクシー事業の多角化に対応するため、入社後、ホームヘルパー、警備員検定、救命講習修了等の資格取得を求められる会社もある。
- In addition, to diversify their taxi businesses, there are also some taxi companies that have the drivers obtain qualifications of a care attendant, lifesaving certification, or be certified as a security guard after they enter the company.
- 明治15年(1882年)、絵入自由新聞に月給百円の高給で入社するが、明治17年(1884年)に自由灯に挿絵を描いたことで絵入自由新聞と問題になる。
- In 1882, he was employed by the Eiri Jiyu Shinbun newspaper at a large salary of a hundred yen, but in 1884, he drew for another newspaper Jiyu no tomoshibi, which made trouble with the Eiri Jiyu Shinbun.
- 慶應義塾大学予科を卒業後、京都に移り、23歳、小笠原長生の長男小笠原明峰が1923年、京都に設立したばかりの映画会社「小笠原プロダクション」に入社。
- After graduating from the preliminary course of Keio University, he moved to Kyoto; at the age of 23, he entered a motion-picture company named 'Ogasawara Production,' just established in Kyoto in 1923 by Meiho OGASAWARA, the eldest son of Naganari OGASAWARA.
- 春一番 - 雪形 - ランドセル - 新入社員 - 全国高等学校バレーボール選抜優勝大会 - 選抜高等学校野球大会 - 雛人形 - 鯉幟 - 五月病
- The first spring gale - pattern formed by snow still lying on a mountainside after the spring thaw - a school rucksack - new employees - Annual National Senior High School Volleyball Tournament - the Invitational High School Baseball Tournament - a doll displayed at the Girls' Festival, (a doll displayed at the Dolls' Festival) - Koinobori (carp streamer) - May depression syndrome
- 第三十条の五第二項の規定は、相互会社の成立前における入社の申込みに係る意思表示について準用する。この場合において、必要な技術的読替えは、政令で定める。
- The provision of Article 30-5, paragraph (2) shall apply mutatis mutandis to the manifestation of intention pertaining to an application for membership prior to the establishment of a Mutual Company. In this case, any other necessary technical change in interpretation shall be specified by a Cabinet Order.
- 入社試験に際しては、親しい間柄であった田中絹代に紹介を頼んだが、「映画界は実力がなければ通用しない」と諭され、田中の縁者であることを隠し通したという。
- Although he asked Kinuyo TANAKA, his second cousin, to recommend him for the employment exam, she advised him that 'nobody can survive in the movie industry without talent,' and he kept hiding the fact that he was related to Tanaka.
- 卒業後、1949年、太泉映画(現・東映東京撮影所)にスチルマンとして入社し、今井正の『ひめゆりの塔』で「キネマ旬報スチールコンテスト」で一位入賞する。
- After graduation in 1949, he entered Oizumi Films (currently Toei Movie Studios) as a still photographer, and he won the 1st prize of the 'Kinema Junpo magazine Award for Still pictures' with a still photo he took called 'Himeyuri no To' (The Tower of Lilies) of Tadashi IMAI.
- 大学を卒業したのが日中戦争真っ只中であったため、松竹入社後1年を経ずして召集(結局2度応召した)されて旧満州やビルマへ出征、捕虜収容所生活も経験した。
- Since he graduated from the University while it was the middle of the Sino-Japanese War, he was called up (after all he was conscripted twice) to Manchuria and Burma after less than one year after he started working for Shochiku, he also spent time in a prisoner camp.
- なお、記念日としての数え年(経歴、入社年数、学年等や没後など)の数え年の加算日は、その記念日の応当日(入社日、入学日、没日など)を基準とすることが多い。
- The day used as the base date for counting anniversaries in the traditional Japanese age system (e.g. years of career, years since entering a company, grade in school, and after death) is mostly the corresponding day (e.g. the date of entering a company, the date of entering a school, and the date of person's death).
- 葉山純之輔、大内弘ら大半は新興キネマへ、澤村國太郎、光岡龍三郎、そして第二次入社組の水原洋一、田村邦男、團徳麿、志村喬、大倉千代子、大久保清子らは日活へ行くことになる。
- Most of them, including Junnosuke HAYAMA and Hiroshi OUCHI, were transferred to Shinko Kinema, and Kunitaro SAWAMURA, Ryuzaburo MITSUOKA, Yoichi MIZUHARA, Kunio TAMURA, Tokuma DAN, Takashi SHIMURA, Chiyoko OKURA and Kiyoko OKUBO were transferred to Nikkatsu.
- 大島菊松が神戸に経営する「菊水館」を中心に興行に協力する映画館は残ったが、寛プロも翌1929年(昭和4年)2月には解散、嵐は東亜キネマ京都撮影所(等持院撮影所)に入社した。
- Movie theaters that cooperated with promotions such as Kikumatsu OSHIMA's 'Kikusuikan Theater' in Kobe remained, but Kan Pro disbanded the following February in 1929 and Arashi joined Toa Kinema Kyoto Studio (Tojin Studio).
- 1940年(昭和15年)初めに17歳で退団、日活に入社、稲垣浩監督、片岡千恵蔵主演の『宮本武蔵』の「お通」役に抜擢されて華々しくスクリーンデビュー、同作は同年3月31日に公開された。
- At the beginning of 1940, at the age of 17, she retired from the Takarazuka revue and entered Nikkatsu Corporation, in which she was selected for the role 'Otsu' in 'Miyamoto Musashi' with Chiezo Kataoka in the title role directed by Hiroshi INAGAKI to make her movie debut; the movie was released on March 31in the same year.
- 1916年(大正5年)、23歳のころ、岡村柿紅の勧めで、共同火災保険を退職、化粧品メーカー伊東胡蝶園が経営する出版社「玄文社」に入社、岡村が主筆をつとめる雑誌『新演芸』の編集に携わる。
- In 1916, around age 23, he resigned from the company at the advice of Shiko OKAMURA and started working for 'Genbunsha', the publishing company run by Itokochoen, a cosmetics maker; there, he worked as an editor for the magazine, 'Shinengei,' under chief editor OKAMURA.
- 東京の高松豊次郎の主宰した小プロダクション「活動写真資料研究会」の「タカマツ・アズマプロダクション吾嬬撮影所」の所長兼監督だった山根幹人は、この設立と同時に入社し、「東亜キネマ甲陽撮影所」の監督となった。
- Mikito YAMANE, who was the head and director of 'Azuma Studio, Takamatsu Azuma Production' of 'Katsudo Shashin Shiryo Kenkyukai,' a small production presided by Toyojiro TAKAMATSU in Tokyo, joined the company when it was established and became a director of 'Toa Kinema Koyo Studio.'
- 阪東はしばらくの休養を経て、自らもマキノトーキー製作所を解散したばかりのマキノ正博の友情と、日活の実権を握っていた松竹の大谷竹次郎社長の手により、1937年(昭和12年)、日活撮影所に入社することとなる。
- After taking a rest, Bando joined Nikkatsu Studio in 1937 with the help of his friend Masahiro MAKINO, whose company called Makino Talkie Seisaku-jo (Makino Talkie Production) had just been closed, and with the help of Takejiro OTANI, the president of Shochiku who headed Nikkatsu.
- 1922年(大正11年)春、横浜の大活にいた知人山内英三(のちの映画監督)のツテで牧野監督の『実録忠臣蔵』の試写を観た22歳の寿々喜多呂九平は、いきなり京都入りして「牧野教育映画製作所」の文芸部に入社した。
- At the age of 22, Rokuhei SUSUKITA, after seeing 'Jitsuroku Chushingura' (True Record of the Forty-seven Ronin), a movie directed by Makino, at a preview which he could attend through his personal connection with Eizo YAMAUCHI (later became a film director) working for Daikatsu in Yokohama at that time, suddenly came to Kyoto and joined the script department of Makino Educational Films in the spring of 1922.
- 1928年(昭和3年)3月、山口の所属する新派劇団「新潮座」と牧野省三率いるマキノ・プロダクションが提携して、山口の主演映画を2本撮ったのをきっかけに、同年4月、山口は「新潮座」を脱退してに単独で入社した。
- In March of 1928, triggered by being featured in two films while he was in the new school drama group called 'Shinchoza' that was partnering with Shozo MAKINO's Makino Productions, YAMAGUCHI left the group on his own and joined Makino Productions in April.
- 相互会社への入社の申込みをした者又は社員に対する通知又は催告は、その者が発起人又は相互会社に通知した場所又は連絡先にあてて発すれば足りる。ただし、保険関係に属する事項の通知又は催告については、この限りでない。
- It shall be sufficient for a notice or demand to an Applicant for membership, or member of a Mutual Company to be sent to the place or contact address notified by the Applicant or member to the incorporators or Mutual Company; provided, however, that this shall not apply to a notice or demand on any matter pertaining to the insurance relationship.
- 解散後の山本は、マキノから寛プロが引き継いだ『鞍馬天狗』の近藤勇役を2本演じてから、監督の高見とともに東京の河合映画製作社に入社、撮影技師の藤井は寛プロを経て東亜キネマ京都撮影所へ、糸浦こと桜井は日活撮影所へ移籍した。
- After the dissolution of Yamamoto Pro and after playing the role of Isami KONDO in two movies of 'Kurama Tengu,' which Kan Pro had succeeded from Makino, Yamamoto joined Kawai Eiga Seisakusha in Tokyo with the director TAKAMI, the cameraman FUJII moved to Kan Pro and then to Toa Kinema Kyoto Studio, and SAKURAI moved to Nikkatsu Studio using the alias ITOURA.
- 以前(1927年頃)『小型映画』に講座を執筆している関係で京極キネマ倶楽部の小型映画審査に出向き、そこで出会った当時住友銀行員でアマチュア映画を制作していた依田義賢が1930年に村田付きの助監督・スクリプターとして入社している。
- When he visited Kyogoku Kinema Kurabu to judge small scale movies because of his relations with writing for courses in 'Kogata Eiga' (Small Scale Movies) before (around 1927), he met Yoshikata YODA, an employee of Sumitomo Bank and an amateur movie producer and in 1930, hired him as Murata's assistant-director and script writer.
- 1927年(昭和2年)3月、マキノ・プロダクションに入社し、牧野省三の命名によって嵐和歌太夫から「嵐長三郎」に改名した嵐寛寿郎は、生涯の当たり役となる「鞍馬天狗」の役で『鞍馬天狗異聞 角兵衛獅子』をもって華々しい映画デビューとなった。
- After entering Makino Productions in March of 1927, Kanjuro ARASHI changed his name from Wakadayu ARASHI to 'Chozaburo ARASHI,' given to him by Shozo MAKINO, and made a flamboyant film debut with the life-long role of 'Kurama Tengu' (a humanoid monster with a long nose and crow wings that lived on Mt. Kurama) in 'Kuramatengu-ibun Kakubeejishi.'
- 奈良に「連合映画芸術家協会」設立、映画製作をしていた小説家の直木三十五の紹介で牧野省三に会い、1927年(昭和2年)4月にマキノ・プロダクションに入社した片岡千恵蔵は、1928年(昭和3年)2月の月形龍之介の退社を期に、本契約に入った。
- Chiezo KATAOKA met Shozo MAKINO and joined Makino Productions in April of 1927 through a novelist who established 'Rengo Eiga Geijutsuka Kyokai' (United Film Artists Association) in Nara and engaged in film production named Sanjugo NAOKI, and entered contract negotiations in February of 1928 when Ryunosuke TSUKIGATA resigned from the company.
- 四谷区左門町(現在の新宿区左門町)にあった旧制・四谷第二小学校(現新宿区立四谷第六小学校)を卒業後、四谷銀行に入社、その傍ら、当時、同市同区葵町3丁目(現在の港区虎ノ門2丁目)にあった旧制・大倉商業学校(現在の東京経済大学)夜間部に通い、卒業する。
- After graduating from Yotsuya second elementary school under the old education system (present day, Yotsuya sixth elementary school of Shinjuku Ward), which was located in Samon-cho, Yotsuya Ward (present day, Samon-cho, Shinjuku Ward), he was employed at Yotsuya Bank; he also enrolled in the evening class at Okura Commercial School under the old education system (present day, Tokyo Keizai University), which was located in 3-chome, Samon-cho, Yotsuya Ward (present day, 2-chome, Toranomon, Minato-ward), and graduated.
- 1924年(大正13年)に東亜キネマとの合併前のマキノ映画製作所等持院撮影所に入社、同年7月の合併を経て、翌1925年(大正14年)6月の牧野省三の再独立にあたって、新設のマキノ・プロダクション御室撮影所に移った武井龍三は、同年9月、金森万象監督・寿々喜多呂九平オリジナル脚本の『奇傑鬼鹿毛』全3篇の主役に抜擢されてデビューした。
- Ryuzo TAKEI, having joined Makino Eiga Seisaku-jo Tojiin Studio in 1924 before the merger with Toa Kinema and moving to Makino Productions' Omuro Movie Studio, which was newly established after the merger in July 1924 and Shozo MAKINO's separation from the merged company in June 1925, made his debut in September that year when he was selected as the leading character in all three episodes of 'Kiketsu Onikage'(Great Onikage) directed by Bansho KANAMORI and based on the original screenplay written by Rokuhei SUSUKITA.
- 1924年(大正13年)末の東亜キネマ等持院撮影所入社、翌1925年(大正14年)に映画デビュー、同年6月の牧野省三によるマキノ・プロダクション設立のさいには東亜に残ったが、1年後の1926年(大正15年)8月にはマキノに合流した市川小文治が、1928年(昭和2年)6月にマキノを退社して設立したのが、この「市川小文治歌舞伎映画プロダクション」(歌舞伎映画プロ)である。
- Kobunji ICHIKAWA joined Toa Kinema Tojiin Studio at the end of 1924, making his debut in a film in 1925 and although he stayed with Toa when Shozo MAKINO established Makino Productions in June of 1925, he joined Makino in August of 1926 and then established 'Ichikawa Kobunji Kabuki Eiga Productions' (Kabuki Eiga Pro) in June of 1928 after leaving Makino.