先輩: 66 Terms and Phrases
- 先輩
- senior (at work or school)
- superior
- elder
- older graduate
- progenitor
- old-timer
- predecessor
- Senpai and kōhai
- 大先輩
- someone who is greatly one's senior
- veteran
- 先輩後輩
- one's seniors and juniors
- seniority-based hierarchy
- 先輩面をする
- to put on an air of seniority
- 先輩風を吹かす
- to put on a patronizing air
- 先輩がまだ会社にいました。
- The senior worker was still with the company.
- 彼は仕事の上では私の先輩だ。
- He has more experience on the job than I.
- 会社には地元の先輩が2人います。
- In my company, there are two senior workers who live in the same area as me.
- 彼女は先輩を追い越して昇進した。
- She was promoted over the heads of her seniors.
- 若手の能楽師で憲人の先輩に当たる。
- One of the younger Nohgakushi and Norito's senior.
- 彼らは先輩に昇進おめでとうと言った。
- They congratulated their 'sempai' on his promotion.
- キョトンとした瞳で先輩が俺を見上げる。
- My senior looked up me with bewildered eyes.
- 我々は彼をよき先輩として尊敬している。
- We look up to him as a good senior.
- 先輩が、そっとわたしの頬に手を伸ばした。
- He/She gently reached a hand towards my cheek.
- 私たちは彼をよき先輩として尊敬している。
- We respect him as a good senior.
- 部員は先輩に一人ずつブローチを贈ることにした。
- The club members agreed to present the seniors with a brooch each.
- 諸先輩方のサイトを設計の参考にさせて頂いてます。
- I refer to websites created by experienced people when designing.
- 同年、天游門下の先輩・億川百記の娘・八重と結婚。
- In the same year, Koan got married to Yae, a daughter of Hyakki OKUGAWA, Koan's classmate of Tenyu's school.
- 更に、鼠先輩、美月優の様な異色スタイルの歌手が出現。
- Moreover, singers with unique styles, such as Nezumi Senpai and Yu MIZUKI, have emerged.
- 先輩方がおっしゃっている通りの効果を私が確認しました。
- I got results just like my seniors said.
- 一年先輩だからって、そんなに威張らなくていいじゃない。
- Who said you can swagger around like that just because you're one year ahead of me?
- 先輩に当たる赤染衛門には後輩として尊敬の意を見せている。
- She showed her respect to the senior colleague, Akazome Emon.
- 入学時は一高の一年先輩の三木清の下宿に転がり込んだが、後に入寮。
- He initially lived in the lodging of Kiyoshi MIKI, who was one year ahead of Tanigawa at the former First School, as a free-loading lodger, but later entered the dormitory.
- 舞妓は、先輩である芸妓と較べて下がりのついた華美な簪を着用する。
- Maiko (apprentice geisha) wear hanging Kanzashi, which is more splendid than the ones for geigi (geisha), her senior.
- 2冊を預かって、同じ小浜藩医で先輩であった杉田玄白のところへ持ってきた。
- Junan borrowed the two books and took them to his fellow doctor of Obama Domain and also his mentor, Genpaku SUGITA.
- 「芸が未熟なので、先輩に学んで実力をつけてからではどうか」と提案もされた。
- Some members proposed 'Motoya should become the head after Motoya learns more from his seniors since his performance is still unskilled.'
- 19歳で卒業しいくつかの小学校に勤務したが、翌年同郷の先輩小林義直を頼り上京。
- After the graduation at the age of 19, he taught at several elementary schools and in the following year he went up to Tokyo counting on Yoshinao KOBAYASHI who was from the same village and his senior at school.
- 調査報告にあたっても報告は書面で認め、先輩御庭番達の校閲を経てから報告が行われた。
- The investigation reports were made in writing and were reviewed by senior oniwaban before submission.
- 通俊は歌壇の先輩たちに協力を求め、草稿本は周防内侍・康資王母・源経信らの内覧を経た。
- Michitoshi had asked his seniors in the poetry circles to help him, so the draft was checked in advance by SUO no Naishi, the mother of Prince Yasusuke, and MINAMOTO no Tsunenobu.
- すでに当時、先輩音楽家たちにより地歌三味線音楽の作曲や演奏技巧の開発が頂点に達していた。
- In those days, the composition of jiuta shamisen music and the finesse of performance had already been culminated by his senior associates.
- 「非常に良かった。先輩も良かったし、学生は全国の旧制高校から来ていてとても仲が良かった」
- It was very good. My seniors were good persons, and all of us were good friends as the graduates of the high schools under the old system of education around the nation.
- 台命を受けた御庭番は家筋の長老をはじめとする先輩御庭番達に調査内容について相談していた。
- The oniwaban who had received a mission from the bakufu, discussed the investigation content with the patriarch of their family and the senior oniwaban.
- 和泉式部に対しては先輩として後輩の才能を評価しつつもその情事の奔放さに苦言を呈している。
- She appreciated the talented younger colleague, Izumi Shikibu, but also gave frank advice about her unrestrained love affairs.
- この時期の錦輝館には中学の先輩である帰山教正、島津保次郎、五所平之助も足繁く通っている。
- At that time, Norimasa KAERIYAMA, Yasujiro SHIMAZU and Heinosuke GOSHO who were his seniors at junior high school, often visited Kinki-kan, too.
- 立川飛行機の同僚で先輩だったある人物が、池袋で占い師に見てもらったとき、伊藤の名前を出した。
- When an elder ex-colleague of Tachikawa Aircraft had his fortune told in Ikebukuro, he mentioned the name of ITO.
- 僕の先輩たちは、純粋な好奇心を抱いて自分たちの疑問を自然に問いかけ、自然が答えるのを待った。
- My predecessors had asked their questions of nature with genuine curiosity and awaited her reply.
- 大坂の木村兼葭堂や紀州の先輩 桑山玉州とも親しく交流し画業の研鑽に励み、名を成すようになる。
- He closely associated with Kenkado KIMURA in Osaka and Gyokushu KUWAYAMA in Kishu who was his senior, devoted himself to his painting and became famous.
- 1927年(昭和2年)、一商の先輩であるマキノ正博を頼って、マキノ・プロダクションへ入社する。
- In 1927, he entered Makino Productions through his connection to his senior of the school Masahiro MAKINO.
- 1919年から「半七聞書帳」の題で、半七が先輩の話を聞き書きする体裁で9編を書き、一旦執筆を終了。
- From 1919 he wrote nine stories under the title of 'Hanshichi Kikigakicho' (The Hanshichi Notebooks) using a style in which Hanshichi took dictation of his senior's stories, at which point the series came to a temporary halt.
- 薩摩閥として羽振りを利かせる一方、同郷の先輩黒田清隆と共に樺太に駐在し対ロシア交渉などにあたった。
- HORI had a strong influence in Meiji Government as a Satsuma clique, and he was stationed at Karafuto with more experienced Kiyotaka KURODA from the same Satsuma Domain, and engaged in the negotiation process with Russia.
- 「亜佐美先輩が、ヒロシくんが真田先輩とキスした~って泣き喚いていたので」「な、泣き喚いてないよ~」
- 'Asami was bawling that you had kissed Sanada so' 'I didn't bawl!'
- 人格円満な常識家で、俳優やスタッフの人望も高く、先輩や同僚からは「キハっちゃん」と呼ばれて親しまれた。
- As he was a person of well-rounded personality with common sense, he was popular among the actors and staff, and was endearingly called 'Kihacchan' by the senior associates and colleagues.
- 「あ、は、はい・・・ごめん、玲姉」「コラ。幾ら親戚とはいえ、私は先輩医師よ?院内ではちゃんとケジメをつけなさい」
- 'Ah, y-yes ... Sorry, Coz.' 'Hey! You might be my relative but here I'm your senior and a doctor. Keep things straight while you're in the hospital!'
- 郷里の藩医・建部清庵に学び、25歳で江戸へ出て、建部の弟子であり郷里の先輩でもある蘭学者・大槻玄沢の芝蘭堂に入塾。
- After studying under a doctor of his native domain Seian TAKEBE, at the age of 25, he went to Edo to enter a private school called Shirando ran by a rangakusha Gentaku OTSUKI who was a senior pupil of TAKEBE in the same hometown.
- 事実上、後継者がいなかった正蔵は、同郷の先輩であり自分の事業の恩人でもあった松方正義の三男・松方幸次郎を後継者に選ぶ。
- Since Shozo did not have any children to take over his business, he chose Kojiro MATSUKATA, the third son of Masayoshi MATSUKATA, as his successor due to Masayoshi coming from the same village as himself and being the benefactor in the early days of the business.
- 中学の先輩である永井荷風を愛読し、家に芝居見物を禁止されていたため近所の洋画専門上映館「神田錦輝館」に替り日ごとに通う。
- He loved reading books of Kafu NAGAI who was his senior at junior high school, and also went to 'Kanda kinki-kan,' a theater specializing in foreign movies every time the showing was renewed since his family did not allow him to see stages.
- 幼年期から時折のぞかせた天才的素質を先輩たちは嘱望し、自らも精進することにより、その晩年にいたってますます冴えを見せた。
- His seniors had high hopes based on the flashes of genius he showed as a youth and together with his efforts to improve himself, he was to show even greater brilliance in later life.
- 先輩は、嫌味なくらいの完璧超人でしたからね。だから逆にその「癖」は先輩の可愛げ・・・というか、チャームポイントでしたよ。
- You were always a perfect 'super human' to an infuriating extent. And so that 'habit' actually was one of your cute ... or rather charm points.
- 3通のうち最初の1通は、さすがの空海も偉大なる先輩最澄に宛てただけに、かたくなったためか、空海のものとしてはやや萎縮している。
- It seems that the first letter was written in a rigid way, as if even Kukai had been nervous in writing a letter to Saicho, his senior.
- 細かいカット割りを積み重ねた映像のリズム感、たたみかけるテンポの良さは、東宝の先輩である市川崑と並んで日本映画でも群を抜いている。
- He was outstanding in the Japanese film world for his sense of rhythm created by the images composed of fragmented cuts and his up-tempo tense sequences, and in this sense, he is comparable to his senior associate at TOHO, Kon ICHIKAWA.
- 地歌三味線の名手であり、先輩に当たる松浦検校が完成させた地歌の楽曲形式、様式である「京流手事物」を更に洗練させ、数多くの名曲を残した。
- He was a virtuoso of jiuta shamisen and furthermore, was sophisticated with 'Kyoto-style tegotomono' (a form of Japanese chamber music) which was the style of composition and form of jiuta completed by his senior associate kengyo MATSUURA, and composed many great songs.
- また先輩の使徒たちに会うためにエルサレムにも上らず、アラビヤに出て行った。それから再びダマスコに帰った。 (ガラテヤ人への手紙 1:17)
- nor did I go up to Jerusalem to those who were apostles before me, but I went away into Arabia. Then I returned to Damascus. (Galatians 1:17)
- 同級生にのちに松竹京都撮影所の脚本家となり「梶原金八鳴滝組」の仲間となる藤井滋司、1年先輩に「日本映画の父」こと牧野省三の長男・マキノ雅弘がいた。
- His classmate, Shigeji FUJII later became a playwright of Shochiku Kyoto Studios and a fellow of the 'Kajiwara Kinpachi Narutaki Group,' and in the grade above his was Masahiro MAKINO who was the eldest son of Shozo MAKINO, the 'Father of Japanese film.'
- 町人の場合、初めの頃こそは親戚や知り合いの先輩女中の口利きを頼ったり、旗本や御家人の家へいったん養女入りしたりという、迂遠な根回しや手続きを経て大奥入りした。
- At first, townspeople needed an intermediary like relatives, acquaintances or senior jochu, or roundabout maneuvering or procedures like adopting their daughters to hatamoto to send them to O-oku.
- 東大卒業後、外務省に入省し、修猷館の先輩である栗野慎一郎の知遇も得て、明治34年(1901年)、外務大臣小村寿太郎により弱冠34歳にして政務局長に抜擢される。
- He joined Foreign Ministry after graduation from Tokyo University and was selected for the director of government affairs by Jutaro KOMURA, Minister of Foreign Affairs with the favor of Shinichiro KURINO who was his senior in Shuyukan in 1901 when he was only 34 years old.
- 監督助手として小口忠や田中栄三らについたのを経て、大正12年2月、先輩監督の若山治のオリジナル脚本による『愛に甦る日』で24歳にして映画監督デビューを果たした。
- After having served as an assistant to directors such as Tadashi OGUCHI and Eizo TANAKA, Mizoguchi, at the age of 24, debuted in February, 1923, as a movie director with 'Ai ni yomigaeru hi' (The Resurrection of Love), which was based on an original script by a senior director, Osamu WAKAYAMA.
- 43歳と親子以上の年齢差があった二人であったが、才気に溢れて敵が多かった頼長に対して、宗輔は人生の先輩として接し、頼長も宗輔に対して敬意を払うようになっていった。
- Although the difference in their ages was 43 years, a difference greater than that between a parent and child, Munesuke contacted Yorinaga, who was wonderfully gifted and had many enemies, as a person who was much older and more experienced than Yorinaga, Yorinaga gradually came to pay respect to Munesuke.
- 中村吉右衛門 (初代)を頼んで吉右衛門劇団に入り、ここで若手女形としての修行を重ね、吉右衛門や大阪の中村梅玉 (3代目)、實川延若 (2代目)ら先輩の名優の薫陶をうける。
- He asked Kichiemon NAKAMURA I to allow him to enter the Kichiemon troupe, had training as a young actor of female roles, and was under the tutelage of senior acting masters such as Kichiemon, Baigyoku NAKAMURA III in Osaka, and Enjaku JITSUKAWA II.
- 幕末の箏独立期の曲として、先輩光崎検校の作品『秋風の曲』は異国的、ロマンティックであり、同じく『五段砧』はモダン、複雑であるのに対し、吉沢の『千鳥の曲』は古雅、シンプルであるといえる。
- As the music in the period for separating koto in the end of Edo period, while 'Akikaze no kyoku' by his senior, Mitsuzaki Kengyo, is exotic and romantic and 'Godanginuda' by the same is modern and complicated, Yoshizawa's 'Chidori no Kyoku' may be traditional and simple.
- このように、本書は政務に関するあらゆる事例を掲げたもので、それぞれに関係する律令格式の条文や国史・日記の記事、その他和漢の典籍を正確に引用し、彼自身や父祖先輩の勘文・勘答も収録している。
- Thus, it carries every example of governmental affairs, accurately quotes related articles on laws of codes and ethics (conduct), and related reports from the national history and diaries, in addition to Chinese and Japanese classical books, and also includes not only his own kanmon (written reports for what the imperial court requested) and kanto (written response), but also those of his ancestors and older lawyers.
- また当時は現在よりもアルコール依存症に対する認知が低く、飲酒運転にかかわる罰則もゆるく、大学のコンパなどでは今では立派に犯罪となるような「先輩からの強要」や「イッキ呑み」などが日常的に行なわれていた。
- In addition, alcoholism was not well known at the time and the punishment for drunk driving was not strong, so that 'extortion by senior students' and 'chugalugging' (drinking down a jug of beer in one go), which are crimes today, were done at drinking parties of universities on a daily basis.
- 東京控訴院判事、横浜地方裁判所部長、水戸地方裁判所所長、東京控訴院部長を経て、明治33年(1900年)大学の3年先輩である鈴木馬左也の推挽によって住友に入り、明治35年(1902年)別子鉱業所支配人となる。
- After working as a judge of Tokyo Appellate Court, a department director of Yokohama District Court, an office manager of Mito District Court and a department director of Tokyo Appellate Court, he joined Sumitomo with help from Masaya SUZUKI in 1902 and became the manager of Besshi Mining Company in 1902.
- そのため、本来は山本門下の3人のうち最も先輩だったにもかかわらず黒澤(1943年『姿三四郎 (映画)』で初監督)、谷口(1947年『銀嶺の果て』)に対して1952年、『青い真珠』で初監督と監督昇進が大幅に遅れた。
- Therefore, even through HONDA joined the company before YAMAMOTO's two other apprentices, Kurosawa (who debuted as a movie director with 'Sugata Sanshiro' in 1943) and Taniguchi (who debuted as a movie director with 'Ginrei no hate' in 1947), his debut as director and promotion to full director was significantly later with 'Aoi Shinju' (The Blue Pearl) in 1952.
- 雪舟は明応4年(1495年)、76歳の時、弟子の宗淵に与えた作品『山水図』(通称「破墨山水図」)の自賛に、「自分は絵を学ぶために明に渡航したが、そこには求める師はいなかった」と記し、先輩に当たる如拙や周文の画業をたたえている。
- Sesshu wrote, 'I went to Ming in order to learn painting, but there was no teacher I sought' as Jisan (inscription on his own painting) on 'Sansui-zu (landscape picture)' (commonly called 'Haboku-sansui-zu') which was given to his disciple, Soen, at the age of 76 in 1495, and he praised the achievements on the painting of his senior, Josetsu and Shubun.
- 本来、僧侶になるには、仏教教団の10名の先輩構成員(三師七証)の承認があり、戒律を護る事を誓えば誰にでもなれるものであったが、中国や日本に於いては、労働、納税、兵役を免除されていたため、僧侶になる者が続出し、国家の財政を脅かす事態となった。
- Originally, everyone could become a priest if he had the approval of ten senior members of Buddhist society (sanshi-shichisho (three leaders and seven witnesses) and an oath to obey religious precepts, but because they were exempted from labors, tax payments, and military service in China and in Japan, many people became priests one after the other and developed into a situation threatening the national finances.
- だが「現在この有様上方を捨てては、片岡家の先祖は言うに及ばず、何代かかって上方の芝居をここまで築き上げてきた先輩たちにこれほど申し訳ないことはないではないか。何としても上方の灯は守らなければ。」(片岡仁左衛門著「役者七十年」1976年朝日新聞社)とあるように、切実な関西歌舞伎の愛惜と先祖への思いとが「それでも駄目なら歌舞伎と心中しよう。」(同上)という悲壮な決心に向かったのである。
- He also wrote, however, that 'If I gave up Kamigata in its present state, I would not have any excuse not only to the ancestors of the Kataoka family but also to my predecessors who had built up shibai (drama) in Kamigata up until now. By all means, I had to protect Kamigata Kabuki shibai.' ('Yakusha nanajunen (literally, seventy years as an actor)' by Nizaemon KATAOKA; published by The Asahi Shimbun Company), and his heart-felt sorrow for kabuki and his thoughts for his ancestors instilled in him the tragic but brave thought that 'If failed, I will die with kabuki.'(ibid.).